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Archives for April 2012

Founding Oenophile

April 13, 2012 By Brian Petro Leave a Comment

T. Jefferson: Patriot, statesman, wine lover

Today, April 13th, is Thomas Jefferson’s birthday. Jefferson was the third president of the United States, best known for doubling the size of the country by taking some land off the hands of Napoleon III in the Louisiana Purchase. He also sent Lewis and Clark to explore it. He is also known for writing one of the defining documents in American history, the Declaration of Independence. He did a little of everything for the United States, as a minister and diplomat to France, innovator, architect, and creator of the first lottery. He was the first Secretary of State and the second Vice President. He was even the first wine connoisseur in the United States.

There were plenty of options for drinking in the colonies. Rum and whiskey were the popular hard liquors of the time, and beer and cider was plentiful as well. Punches were incredibly popular, especially in the warmer months. Madeira and port were also available in taverns and bars, but what was sought after by affluent and discerning colonists was European wine. Jefferson came to develop a taste for it while he was a law apprentice for George Wythe. He started his own wine cellar at home, and grew it over the years of his political and revolutionary career. When he took over Benjamin Franklin’s job as Minister to France after the Revolutionary War, his education in wine truly started. He took several tours of the wine regions of France and Germany, taking extensive notes in the regions he travelled and learning all of the subtleties in the production of wines from each region. His peers looked to him as a wine connoisseur, and he advised George Washington, John Adams, James Madison, and James Monroe as to what wines to buy for formal events and what ones to put in the presidential cellar. Jefferson himself spent quite lavishly while he was president on wines for formal dinners, but also felt he got the best deals on wine since he knew the people who owned the vineyards from all of his travels through Europe.

“No nation is drunken where wine is cheap; and none sober, where the dearness of wine substitutes ardent spirits as the common beverage.” Jefferson was quite a consumer and believer in wine. He kept a large stock of it in his home, and his house hold consumed an average of 400 bottles of it a year. This is when a time that people were highly distrustful of water, leading Franklin to quip “In wine there is wisdom, in beer there is Freedom, in water there is bacteria.” While he was flush with money, he would buy wines without regard to price, once telling his contact on a particular wine “let the price be what it may, always however considering quality more than price.” As his fortunes waned, so did his dedication to importing expensive wines. It also grew his commitment to making wines at home.

The cellar where he kept his private stock

“We could, in the United States, make as great a variety of wines as are made in Europe, not exactly of the same kinds, but doubtless as good.” Jefferson loved to import and wines, but his true dream was to open a vineyard in the United States to create wines that would rival the wines of Europe. He was very serious about it as well, joining forces with Phillip Mazzei, an Italian physician turned merchant, while he was touring America. He spoke with Jefferson about developing the Virginia countryside into a wine making region, purchasing the land around Monticello for Jefferson and his workers to cultivate the grapes that were grown on it. He we able to convince his allies from the war and politics, Washington included, to help him create the Virginia Wine Company. Based on historical records, Jefferson was never able to enjoy a drop of wine made from his vineyards, even with Mazzei’s expertise. Diseases that the grapes did not have to deal with in France, like black rot and phylorexia, killed many of the grapes, as did bad weather and neglect from Jefferson’s long absences. In his diaries he did mention making vinegar, but never anything about wine. It was not until 200 years later and the development of pesticides that wines were able to be made in the United States and Virginia in particular.

Jefferson would be amazed at where the wine culture of the United States is today. California is a major player in the international wine industry, and every state has a winery of some sort. Ohio itself has over a hundred, clustered around every major city. Before Prohibition destroyed most of the alcohol making industries, Cincinnati was the heart of wine country. The semi-sweet Catawba wine produced in the region was in very high demand all over the country from the 1830’s to that fateful period.  Heinke Winery in Cincinnati was called one of the top urban wineries in America by Food Republic, potentially bringing back some focus of the wine community to Ohio wines.

If you want to develop your own palate, check out wine tastings at Dorothy Lane Market and Arrow Wine every weekend, or try wine flights at The Wine Gallery downtown and The Wine Loft at the Greene. If you know of another good place for wines in Dayton (like Rumbleseat or the new Deaf Monty’s), add it in the comments below. Thanks to the vision of the Thomas Jefferson, not only do we have an amazing country, we have a thriving wine culture. Have a glass tonight for the birthday boy! Cheers!

Filed Under: Wine

Food Adventures Get Hooked at JJ’s Fish and Chicken

April 12, 2012 By Dayton937 Leave a Comment

Fried Tilapia and Perch Meal

You may have seen billboard signs in Dayton for JJ’s Fish and Chicken, calling fried food lovers like the “bat signal.”  As you know Deep Fried Foods have always had a special place in our heart.  Our fascination with such calorie busting meals took us on a little Food Adventure in North Dayton.  The destination was an old converted Taco Bell building which is the North Main Street location of JJ’s Fish and Chicken Drive Thru.  This place was brought back to life by a couple of brothers of Mediterranean decent.  Most of their business is drive thru or carryout, but we wanted the dine in experience to mingle with the staff and customers.  There isn’t much mingling as you are separated by plexiglass and an intricate spinning device where you pay and receive your food.  Let the Food Adventure begin…

JJ’s Fish and Chicken, North Main St, Dayton

We noted right away that they had some pretty good prices and a huge variety of fried seafood offerings.  Sure, they might offer some baked fish, but we were on mission of breaded pleasure.  They had some great specials for under $5, but we decided to go for a couple of the fish dinner offerings and a “pick 2 combo” of fried shrimp and chicken wings.  Your Food Adventure Crew also noticed a display case with dozens of containers of side dishes.  If there is ever a shortage of side dishes in the world, this case would feed North America for a week.  We ordered a personalMac n Cheese.  They nuked it and it was served so piping hot that we scorched our mouths and even after 5 minutes, we could still hardly take a bite of the mac n cheese.

Our eyes turned to a drink case that housed a bunch of Faygo pop, the pride of Detroit.  That’s all they have to drink, no water, no ice tea, just regular Faygo pop, the large 24 ounce bottles.  Your Food Adventurers dove in head first and grabbed 2 of them.  Already in a comical mood, a scalded and galded Big Ragu looked to take a seat.  With some of booths mysteriously missing, we decided to squeeze our petite frames into a front row seat on a couple of stools.  This allowed us to watch the cooks and customers interact like a breaded ballet.

Shrimp and Chicken Wing Combo

A bell rang and the plexiglass swivel device turned like a set of The Price is Right, to reveal a large brown bag.  Our feast had arrived.  We were fascinated with the glass separating the workers from the customers.  This is where all the action takes place.   There was a tender moment when we picked up our food, when the cook placed his palm against the bulletproof glass, and we put our hand directly against his, just like a prison scene….the walls cannot keep the man down!  The touching scene was halted when we smelled the aroma of freshly fried fish in the bags we were holding and realized we needed to eat now.

Inside the bag were 2 HEAPING white containers overstuffed with food.  The weight of each dinner alone required the use of a “spotter” to lift.  We heard angels singing as we opened styrofoam vessels of joy.  We noticed they served each meal with coleslaw, fries and a couple of slices of white bread.  We are talking old school stuff here.  Our meals were good, with the highlight being the fish.  The fried tilapia and fried perch were incredible.  We would also recommend fried walleye and the fried orange roughy.  We enjoyed the fish selections very much.  Meanwhile, The Big Ragu even downed some fried oysters which were fresh and juicy.    The Big Ragu did one of his patented “fat kid tricks”in which he made a po’ boy sandwich by putting perch, coleslaw, fries and hot sauce on the included bread slice.

The Mac N Cheese that scalded our mouth

We thanked the staff and left JJ’s stuffed to the gills.

If you love fried fish, you have to check this place out.  With such a huge variety of different fish and seafood choices, you cannot go wrong.  We had to chuckle at the menu saying zero grams of trans fat.  JJ’s Fish and Chicken is a national chain, with 2 other Dayton locations on N. Gettysburg and Salem Ave.  We noticed they do a brisk business.  Many hungry customers were in and out during our visit getting their “fried food on.”  So, we ask you, do you want a mountainous pile of fried food at a stunningly low price?  Then visit JJ’s Fish and Chicken Drive Thru and get hooked like us.

Filed Under: Food Adventures, The Featured Articles Tagged With: Big Ragu, Dayton, DaytonDining, Food Adventures, fried fish, Gettysburg, J & J, JJ's Fish and Chicken, Main Street, orange roughy, oysters, perch, Salem Ave, Tilapia

Guggenheim Grotto Comes to Canal Street Tavern

April 11, 2012 By Juliet Fromholt Leave a Comment

The Guggenheim Grotto (Photo by Deborah Lopez)

Originally compared with Simon & Garfunkle, Dublin alt-folk duo The Guggenheim Grotto has been hard at work prepping a new album while touring in support of their third album, The Universe Is Laughing.  The album was largely written and recorded in hotel rooms and living rooms while the duo toured the United States.  They’ve been praised by NPR’s World Cafe and KCRW for their folk tunes mixed with a bit of electro-pop.

You can see Guggenheim Grotto tomorrow night (April 12th) at Canal Street Tavern along with Dayton’s own BJSR.  This will be BJSR’s last local show until August as Ben Rivet is heading out on the road in promotion of his Go W/The Flow project with local yoga instructor Tori Reynolds. 

[yframe url=’http://www.youtube.com/watch?v=4QI6bUkEJL0&context=C44532a7ADvjVQa1PpcFMGk3dtACytWvZ2E4wq6oO1dMaYdqlmmbA=’]

 

Filed Under: Dayton Music Tagged With: BJSR, Canal Street Tavern, Dayton Music

THE NEON is Cleaning House – 2 New Films Start Friday!

April 11, 2012 By Jonathan McNeal Leave a Comment

Hello Everyone,

I ran into a NEON regular at Meadowlark last week (you’ve been to their new, wonderful location, right?). He said, “Movies are comin’ and goin’ pretty quickly these days.” My response was simple. “That’s not a good sign.” When movies come and go, that means they’re not performing well…and that’s not to say that they aren’t great films. The response to both PARIAH and IN DARKNESS has been incredible, and numerous people have also loved SALMON FISHING IN THE YEMEN. However, all 3 films have to go. Tomorrow (Thursday, April 12) will be your last chance to see these films at THE NEON. On Friday, we will start two new, very different films – JEFF WHO LIVES AT HOME and THE RAID: REDEMPTION. To see current showtimes, visit our website.

Synopsis for JEFF WHO LIVES AT HOME: “On his way to the store to buy wood glue, Jeff looks for signs from the universe to determine his path. However, a series of comedic and unexpected events leads him to cross paths with his family in the strangest of locations and circumstances. Jeff just may find the meaning of his life…and if he’s lucky, pick up the wood glue as well.” (taken from Paramount Vantage) From the director of CYRUS comes JEFF WHO LIVES AT HOME – starring Jason Segel, Ed Helms and Susan Sarandon.

[yframe url=’http://www.youtube.com/watch?v=34kCWAsddtA’]

Synopsis for THE RAID: REDEMPTION: “A Swat team arrives at a rundown apartment block with a mission to remove its owner, a notorious drug lord named Tama. The building has never been raided before, never been touched by police. Seen as a no go zone it has since become a sanctuary to killers, gangs, rapists and thieves seeking accommodation in the one place they know they cannot be touched. Making their move in the break of dawn the swat team work their way up the building under cover of silence. But when a chance encounter with a spotter blows their cover and with news of their assault traveling to Tama in his penthouse suite the building is locked down with all lights out and all exits blocked. Stranded on the 6th floor the swat team must fight their way through every floor and every room not just to complete their mission but to survive.” (taken from Merantau Films) Many people who have seen the trailer say that this film doesn’t seem like our traditional fare…and I agree. That said, the movie is a foreign genre film with great reviews. Though the violence will turn some of you off, we hoping that fans of stylized action films find their way to us.

[yframe url=’http://www.youtube.com/watch?v=PkULMOFpuCo’]

On Tuesday, April 17 at 7:30, we have a special treat for lovers of documentaries and vintage aircraft. “Each year the famous Doolittle Tokyo Raiders from WWII have a reunion to remember their mission, their comrades, and their heroic leader Gen. James Doolittle. In 2010, an extraordinary event took place – seventeen B-25 bomber crews volunteered to gather in honor of the Raiders, and over 70,000 people turned up to witness it. THE RESTORERS – THEY WERE ALL VOLUNTEERS follows the journey of a Minnesota B-25 named Miss Mitchell. Join this restored bomber as she travels to Dayton, Ohio to attend the largest B-25 gathering since WWII. Help us commemorate the 70th anniversary of the historic Doolittle mission. The filmmakers and participants will be on-hand for discussion and questions. Cost: $8.00 for adults, $6.00 for children and veterans.” (synopsis provided by Adam White)

On Thursday, April 19 at 7:30, we have a newly added special event for you. “OBSCURA is the new short film by writer/director and Wright State University Motion Picture graduate Chris Stevens. Filmed in the great state of Ohio with the accomplished and fellow Wright State graduate Mike King behind the camera, OBSCURA tells the story of Mike, Holly and Logan who are just your average family until a disaster leaves their world in darkness. Unknowing the origin of the mysterious disaster they decide to leave their home in search of answers and safety. Wandering in darkness their circumstance begins to wear them down. As trust and their faith in one another fades, so too does the chance they will ever find their answers as a family. A short Q&A will follow the screening. COST: Free Admission but Donations (to be used for film festival submissions) are encouraged.” (taken from press notes) Click this LINK to visit the film’s official site.

“In celebration of National Record Store Day, GHETTOBLASTER MAGAZINE will be hosting a special screening of EMPIRE RECORDS on Saturday, April 21 at 10:15pm. In addition to the movie we’ll be giving away two tickets for this year’s Nelsonville Music Festival and all proceeds will go toward 2012’s Dayton Music Fest. Other events that day include music trivia at Blind Bob’s from 4-6pm, live music throughout the day at Omega Music, Record Gallery and Feathers in the Oregon District and Toxic Beauty in Yellow Springs (Omega and Toxic will also be selling special RSD releases) and many local businesses will be offering discounts with a shown receipt from one of our local record stores.” (taken from press notes) Tickets for this event will be just $6 each (and only $4 each if you have a receipt from one of the local, indie record stores). Tickets will only be available on the night of the screening.

Do you want to win a trip to Paris? THE NEON has been happy to take part in selling raffle tickets for an upcoming benefit for AIDS Resource Center Ohio. Raffle tickets are $25 each or 6 for $100…and we still have a handful left. The drawing will take place on Saturday, April 28, and we will keep selling this tickets through this weekend.

For those of you who use Facebook, we finally have an actual page…not just a “group” page. We will soon be fazing out the old group, so please LIKE us by following the link.

Thanks for your continued support.
We hope to see you soon,
Jonathan

SHOWTIMES for Fri. April 13 – Thur. April 19:

JEFF WHO LIVES AT HOME (R) 1 Hr 23 Min
Friday, Saturday, Sunday: 1:00, 3:10, 5:15, 7:20, 9:20
Monday: 3:10, 5:15, 7:20
Tuesday: 3:10, 5:15
Wednesday – Thursday: 3:10, 5:15, 7:20

THE RAID: REDEMPTION (R) 1 Hr 41 Min
Friday, Saturday, Sunday: 12:30, 2:45, 5:00, 7:15, 9:30
Monday – Wednesday: 2:45, 5:00, 7:15
Thursday: 2:45, 5:00

THE RESTORERS: THEY WERE ALL VOLUNTEERS (NR) 41 Min
Tuesday: 7:30

OBSCURA (NR) 10 Min
Thursday: 7:30

COMING SOON:
As always, all dates are tentative.
Many of these dates will change.
In some rare cases, titles may disappear.
April 20  WE NEED TO TALK ABOUT KEVIN
April 27  FOOTNOTE
May 4  JIRO DREAMS OF SUSHI
May 11  DAMSELS IN DISTRESS
May 25  DARLING COMPANION
May 25  THE BEST EXOTIC MARIGOLD HOTEL
June 1  SOUND OF MY VOICE
July ?  BEASTS OF THE SOUTHERN WILD
July ?  TO ROME WITH LOVE

Filed Under: On Screen Dayton Tagged With: action movie, chris stevens, cinema, Dayton Ohio, ed helms, indie film, Jason Segel, jeff who lives at home, obscura, redemption, restorers, Susan Sarandon, The Neon, the raid, we need to talk about kevin

Sundog 9 – Call for Entries

April 11, 2012 By Dayton Most Metro Leave a Comment

Do you know (or are you) a high-school or middle-school student (grades 8-12) interested in film? Check out the Sundog 9 Film Festival and submit your short film for consideration at this great contest! Students submit films, get together for a public adjudication where everyone learns a little something, and enjoy the premier where all films are viewed on the big screen. It’s a great opportunity to meet other aspiring student filmmakers and have a lot of fun.

From the Sundog Programmers:

High school and middle school students, grades 8-12, are invited to create and submit short films to the Sundog 9 Film Festival, premiering Sat. May 12th from 2:00-4:00 p.m. at the Little Art Theatre (in downtown Yellow Springs). Schools in the Greater Dayton-Columbus-Cincinnati areas compete in this regional event, where approximately $1500 in cash and prizes will be awarded in a variety of film genres which may include narrative, experimental, documentary, animation, public service announcement, self-portrait, and music video. In addition, shout-outs for best cinematography, special effects, screen writing, etc. may be given as deemed by the judges.  Sundog mascot, Moxy, will also be there to greet the audience and to present a special award for the best entry with a dog theme. The event is open to the public and admission is free. Entry deadline is 5:00 p.m., Tues. April 24th.  Submissions may be delivered or mailed to:  Sundog 9 Film Festival, c/o Yellow Springs HS, 420 E. Enon Rd., Yellow Springs, OH. 45387. There is a fee of $3 for each entry.

Students and their teachers are also invited to attend the open adjudication, Friday, April 27th, 9:00 a.m. at Fairmont High School, (3301 Shroyer Rd., Kettering, OH. 45429) in the Recital Hall, where a panel of media professionals will screen entries and offer constructive criticism to young filmmakers. Lunch will be provided by festival sponsors.

Sundog Film Festival originated in Yellow Springs in 2003 and is funded by the generosity of downtown businesses and caring individuals.  Ongoing support from YS Arts Council and partnership with FilmDayton have allowed this event to receive greater exposure while continuing to achieving its primary goal of “raising the bar for media arts education.”

Sponsors are needed and any donations of cash, gift cards, or merchandise to use for prizes will be greatly appreciated.  Sponsors will be listed in all promotional materials, including programs and will receive a keepsake poster to hang in their store.  Please contact festival director Melina Elum at [email protected]. for more information.

Filed Under: On Screen Dayton Tagged With: contest, film festival, Students, Sundog, Yellow Springs

Twelfth Dayton Jewish International Film Festival

April 11, 2012 By Dayton Most Metro 1 Comment

(Ticket Contest details below this article)

The Twelfth Annual Dayton Jewish International Film Festival will open at the Dayton Art Institute on Tuesday, April 24, at 7 p.m. The festival (running from April 24 through May 10) will bring to Dayton and Yellow Springs the best in Jewish and Israeli cinema, including an international selection of both feature films and documentaries. Festival venues include The Neon Movies in downtown Dayton and The Little Art Theatre in Yellow Springs, as well as a free Israel Independence Day Celebration screening of Dolphin Boy at The Boonshoft Center for Jewish Culture and Education in Centerville on Thursday, April 26, at 7p.m.

(See the DMM Event Calendar for full film festival schedule)

Opening night (Tuesday, April 24, 7 p.m.) at the Dayton Art Institute will feature the festival premiere of The Matchmaker (Feature) 112min, Hebrew with English subtitles. This affectionate, bittersweet feature film tells a dramatic story about life, love and loyalty. Arik, a teenage boy growing up in Haifa in 1968 gets a job working for Yankele Bride, a matchmaker. Yankele introduces Arik to a new world, built on the ruins of an old one. As Arik begins to learn the mysteries of the human heart through his work with Yankele, he falls in love with Tamara, his friend Beni’s cousin. The disparate parts of Arik’s life collide in unexpected, often funny and very moving ways as he lives through a summer that changes him forever.

The 2012 line-up of nine films and 11 screenings includes American and foreign films. The Festival spans genres from thriller to comedy to documentary, and explores varied themes of injustice, love, war, politics, religion, and family relationships.

The Dayton Jewish International Film Festival is presented annually by the Dayton Jewish Community Center (DJCC). “On behalf of the Dayton Jewish Community Center, we are excited to bring an array of thought provoking and light hearted films to the community. Our festival allows participants to view excellent movies that might not otherwise make it to the Dayton area. We are thrilled to showcase these unique films; we have something for everyone.” says Cheryl Carne, Director of the DJCC.

The chairperson of this year’s festival, Alan Chesen, says, “The committee has taken great care to bring a first class film festival to the Dayton area. The lineup is outstanding. This year’s event is truly an international one that includes some films in English and others in languages such as Arabic, German, Hebrew and Russian that are English subtitled. I hope to see you at the movies.”

Season passes and group tickets for single events are available at a discount in advance. For more information please call the DJCC at 937-853-0372 or visit www.jewishdayton.org.

TICKET CONTEST

We have five pairs of tickets for the opening night (Tuesday April 24) of the 2012 Dayton Jewish International Film Festival, courtesy of the Dayton Jewish Community Center and Dayton MostMetro.com!  Simply share this article and then fill out the form below for your chance to win – we’ll announce winners on Wednesday April 18th… GOOD LUCK!

CONTEST CLOSED

Congratulations to:

Peter Wine

Sue Harmeyer

Mary Ann Oppenheimer

Vivienne Himmell

Brian Ferguson

You’re all going to the opening night of the 2012 Dayton Jewish International Film Festival next Tuesday April 24th!  Enjoy the film(s), and be sure to tell your friends!

 

2012 Dayton Jewish International Film Festival Lineup

 

The Matchmaker

Tuesday, April 24  7pm at the Dayton Art Institute (Details)

[yframe url=’http://www.youtube.com/watch?v=LCt2YENzxJ0′]

 

Dolphin Boy 

Thursday, April 26  7pm at the Boonshoft Center for Jewish Culture & Education (Details)

[yframe url=’http://www.youtube.com/watch?v=H_s-yZ7Yucw’]

 

Eichmann’s End: Love, Betrayal, Death

Sunday, April 29  5:15pm at The Neon (Details)

[yframe url=’http://www.youtube.com/watch?v=oi2HrYqtE8E’]

 

David

Tuesday, May 1 10am at The Neon (Details)

Wednesday, May 9 7pm at Little Art Theatre (Details)

[yframe url=’http://www.youtube.com/watch?v=uovsGCfLuIo&feature=player_embedded’]

 

Berlin 36

Wednesday, May 2 7pm at Little Art Theatre (Details)

Thursday, May 10  7:10pm The Neon (Details)

[yframe url=’http://www.youtube.com/watch?v=mUranyIEm4A&feature=player_embedded’]

 

Reuniting the Rubins

Thursday, May 3  7:10pm at The Neon (Details)

[yframe url=’http://www.youtube.com/watch?v=ZpMtFqmIsj4′]

 

Sholem Aleichem: Laughing in the Darkness

Sunday, May 6  2:50pm at The Neon (Details)

[yframe url=’http://www.youtube.com/watch?v=hfx5tOBbe6U&feature=player_embedded’]

 

Kaddish for a Friend

Sunday, May 6  7:10pm at The Neon (Details)

[yframe url=’http://www.youtube.com/watch?v=klIvvKWGepo’]

 

Salsa Tel Aviv

Tuesday, May 8  7:10pm at The Neon (Details)

[yframe url=’http://www.youtube.com/watch?v=nbO1cD0y7uw’]

 

 

Filed Under: On Screen Dayton

Insanity! A Beer Review

April 11, 2012 By Max Spang Leave a Comment

[yframe url=’http://www.youtube.com/watch?v=q5xwhn7Njg0′]

This is the Snobby Beer review of Insanity from Weyerbacher Brewing Company in Easton, Pennsylvania. This seasonal beer is a bourbon barrel aged version of their year-round English Barleywine, Blithering Idiot. Clocking in at a whopping 11.1% ABV, this beer is big and bold. You may have seen my text review of this beer, but this is a beer that I feel deserves a video review!

From the Weyerbacher website:

Weyerbacher Insanity“Insanity is made by aging our perfectly balanced Blithering Idiot Barleywine in oak bourbon casks. This incredible combination creates a mélange of flavors from rich malts, raisons, and dates to oak, vanilla, and bourbon. Insanity will be yours this February!!!

Insanity is 11.1% ABV. It is best enjoyed in a brandy snifter and served at 45-55ºF.”

 

 

 

 

 

Here is the text review for this beer:

APPEARANCE

This beer is extremely murky. Reddish-brown with almost no light coming through. The head was about a finger and disappeared completely after a few moments. Admittedly it’s not the prettiest beer, but you can tell from the looks that it is good and hearty. It looks like a typical unfiltered barleywine.

SMELL

Lots of biscuit in the nose. The oak comes through, as do raisin and dark fruits such as plums and overly-ripe apricots. A very slight tinge of alcohol comes through, but not as much as one would expect from a 11.1% beer. As it warms, the alcohol becomes more pronounced yet it’s still fairly well hidden. There is a hint of spice such as cloves or nutmeg, albeit they are very mild.

TASTE

Ah – this is everything I like in a good barleywine. Tons and tons of dark fruits – dark overly-ripe cherries, plum, raisin, and apricot. I am reminded of cognac while I sip due to the wonderful fruit flavors. It’s very sweet, in fact it is almost syrupy which, in this case, is very pleasant.There’s a large amount of bread and biscuit flavors. The alcohol is extremely hidden in this beer, there’s only a slight taste of the alcohol after you swallow. The oak is sort of an afterthought, and I probably wouldn’t have noticed it if the smell didn’t come through. The aftertaste lasts and lasts, almost never quite leaving the mouth.

Weyerbacher InsanityMOUTHFEEL

This one’s a sipper. It’s very thick and syrupy with almost no carbonation. It’s slightly warming, but not as much as you’d think for having such a high ABV. It’s not easy drinking by any means, but rather the type of beer you sit and enjoy over the course of an hour (or longer!).

OVERALL

Excellent, excellent English style Barleywine. It’s got all of the delicious dark fruits and biscuit notes, and the oak adds a really nice bit of complexity that makes you crave more. This almost reminds me of Dogfish Head’s 120 Minute IPA as far as the extreme fruit flavors. I don’t know how old my bottle was (couldn’t find a date anywhere), but I can tell this beer ages b-e-a-utifully. This is an awesome beer and is relatively easy to find (if you get Weyerbacher, that is) so I am definitely going to hold this beer in very high regards. Grab a few of these for the winter months, and enjoy in your favorite reading chair while snuggling up under some covers before bed.

Cheers.

SCORE: ★★★★ 4/5

Questions? Suggestions? Let me know what you think! Grab a beer and leave a comment.

This review is also available at Snobby Beer.

Filed Under: Dayton On Tap Tagged With: barley wine, barleywine, barrel aged, Beer, beer review, blithering idiot, bourbon, bourbon barrel, Craft Beer, craft beer review, Insanity, max spang, snobby beer, weyerbacher, weyerbacher brewing, weyerbacher insanity

Super Heroes in Our Midst

April 11, 2012 By Dayton Most Metro Leave a Comment

DPO presents Spotlight: DPO Quartet and Principals

DPO's "Supergroup"

Look. Up in the sky. It’s a bird. It’s a plane. It’ a…bird and a plane.

Darn!

Ever since I was a kid, I have looked forward to seeing, and yet never actually have seen, a Super Hero. The flying kind or otherwise. I have seen a Super Chief (actually, I’ve ridden on one out of L.A.), a Super Bowl game, and a Supercalifragilisticexpialidocious movie. But not one Super Hero.

I have, however, seen and heard in person several Super Musicians. Dizzy Gillespie, Nadja Salerno-Sonnenberg, Jim Croce, Rachel Barton Pine, and Emerson, Lake, and Palmer. All are, or were, big stars at the top of their craft. None had to sneak into a telephone booth and change clothes to let people know they had big-time musical game. Pass them on the street, and you’d have no way of knowing they were extremely special, talented people.

Until you heard them play.

And we have in our midst some musical super heroes of our own. If you have attended a Dayton Philharmonic Orchestra (DPO) concert, you have heard these heroes play before. You may not have noticed them specifically, because they most likely were performing as members of the larger group.

Unlike Reed Richards, Susan Storm, Johnny Storm, and Ben Grimm, they haven’t gone on any scientific missions to outer space during which – after exposure to cosmic rays – they gained superpowers and became Mister Fantastic, Invisible Woman, Human Torch, or The Thing.

The DPO’s musical super heroes had their power all along. And there are six of them. I like to think of them as the Supergroup.

Like any super hero, our six had to undergo a severe trial to prove their worth. Nothing that involves fire, explosives, metallic weapons, or death rays, but something much more challenging for a classical musician.

A blind audition.

Prospective members of the DPO and prospective Principal (read: first chair) musicians receive 10 excerpted musical selections each out of which they’ll play three or four in the first blind audition round (5-7 minutes) of music for a particular instrument.

And they must perform it for judges who can only hear the musician play; they cannot see the musician, so as not to be swayed by any factor other than the musician’s sheer ability both to correctly read and perform the music.

It requires perfect knowledge of the music and steely control of one’s nerves and emotions to win an audition.

Each blind audition round per instrument starts with 10 applicants in a group; the judges pick one musician from each group.

In the second blind round all surviving first-round applicants are in the same group from which judges select the three best. In the third and final blind round judges select the one musician who is the best of the final three.

It takes on the average 12 to 20 auditions for an applicant before landing the average DPO musician’s job.

A professional musician for over 20 years at the time, Bill Slusser, DPO second violin/librarian practiced for two years before auditioning for the DPO. Two years and 22 auditions later, Bill landed his current position.

On Thursdday, April 26 at 6:30 pm in the Renaissance Auditorium of the Dayton Art Institute, the DPO will present Spotlight: DPO Quartet and Principals, the final Special Event of the season. And the Supergroup will perform works by a super grouping – Mozart, Britten, and BRAHMS.

Q: Who, exactly, are the Supergroup?

Jessica Hung

A: Jessica Hung, Kirstin Greenlaw, Sheridan Currie, Andra Padrichelli, Eileen Whalen, and John Kurokawa.

Violinist Jessica Hung of Chicago is Concertmaster of the Dayton Philharmonic Orchestra. Jessica also serves as Concertmaster of the Annapolis Symphony Orchestra and previously held the same position in the Chicago Civic, Northwestern University, CIM, and Ashland Symphony Orchestras, as well as the post of Assistant Concertmaster with the Akron Symphony Orchestra.

After winning selection by audition, Jessica performed with the Boston Symphony Orchestra at the Tanglewood Music Center. Her orchestral endeavors have brought her to such venues as Carnegie Hall in New York and the Concertgebouw in Amsterdam.

Kirstin Greenlaw, Principal Second Violin of the Dayton Philharmonic, maintains an active performing and teaching schedule in the Dayton and Cincinnati areas. Between performances with the Duveneck String Quartet in Cincinnati and the Dayton Principals quartet, she is active in the SPARK program through the Dayton Philharmonic.

Kristin Greenlaw

She has served on the faculty of the University of North Carolina at Greensboro and as concertmaster and soloist with the Greensboro Symphony Orchestra. Now in her seventh year on the faculty of the Opera Theatre and Music Festival of Lucca, she is acting chamber music coordinator for the Festival. She is also a grand prize winner of the Carmel Chamber Music Competition and graduate of the Interlochen Arts Academy

Sheridan Kamberger Currie is the Principal Violist of the Dayton Philharmonic Orchestra. She has performed as chamber musician throughout the United States, Canada, and Europe and has performed as soloist with numerous orchestras since her concerto debut in 1997. In 1998 Ms. Currie was the Time Warner String Fellow at the Aspen Music Festival and the winner of the Nakamichi Viola Concerto Competition there. Other competition awards include first prize in the 1998 Geraldine B. Gee International Viola Competition, where she also won second prize in 1995 and 1997.

Andra Lunde Padrichelli, Principal Cellist of the Dayton Philharmonic Orchestra, has played in the Fort Worth Symphony as Assistant Principal and has played in the Cincinnati Symphony. She has received many awards, including First Prize in the New York ASTA competition in 1997.

Her tenure with the Dayton Philharmonic Orchestra has given her opportunities to collaborate with artists such as Yo-Yo Ma and Emanuel Ax as well as performing chamber music and extensive orchestral solos.

Eileen Whalen

Eileen Whalen, the Principal Oboist of the Dayton Philharmonic, has served as the Principal Oboist of the Honolulu Symphony and the Northeastern Pennsylvania Philharmonic and has performed with the New Jersey, Colorado, and Jacksonville Symphonies, among others.

In addition, Ms. Whalen is the Principal Oboist of the Glimmerglass Opera Orchestra, with whom she has performed on an Emmy-nominated PBS Great Performance broadcast, has recorded for Chandos records, and has been heard regularly on NPR’s World of Opera.

John Kurokawa is the Principal Clarinetist of the Dayton Philharmonic Orchestra, a position he has held since 1995. A former student of Edward Marks and Ronald de Kant, he holds degrees in woodwind performance from Bowling Green State University (specializing in clarinet, flute, and saxophone) and clarinet performance from the University of Cincinnati College-Conservatory of Music.

John Kurokawa

Kurokawa has been a featured soloist with the Dayton Philharmonic, performing the concertos of John Adams and Mozart. He has performed with the Cincinnati Symphony Orchestra and participated in the orchestra’s recording of Mahler’s Symphony No. 9. He is also the Principal Clarinetist of the Cincinnati Chamber Orchestra and spends the latter part of his summers performing in the Lakeside Symphony Orchestra.

See the extremely tested, tried, and talented Supergroup with the DPO on April 26 in Spotlight: DPO Quartet and Principals.

Just don’t expect to see a bat signal in the spotlight….

 


Filed Under: On Stage Dayton Previews

Coming Up in Cincinnati Theatre: April 9-15

April 9, 2012 By Rob Bucher Leave a Comment

…BLINK AND THEY’RE GONE

#THESHOW

Xavier University Players

The Story: Celebrate the talent and creativity of students from all disciplines! This comedic smorgasbord will include improvisation, sketch comedy, stand-up, and 10 minute plays — all student-written, student-directed, and student-produced.
The Dates
: April 12-15, 2012
Tickets and More Information: Xavier University Players | BTC listing

SHATNER’S WORLD: WE JUST LIVE IN IT

Cincinnati Arts Association

The Story: Go where no man has gone before. Literally. Television and movie superstar William Shatner will take audiences on a voyage through his life and career, from Shakespearean stage actor, to internationally known icon and raconteur, known as much for his unique persona, as for his expansive body of work. Join him as he invites us into Shatner’s World. With signature storytelling, video clips, & an inimitable musical style, William Shatner brings to stage the one man by whom we are all compared, himself.
The Dates
: April 13, 2012
Tickets and More Information: Cincinnati Arts Association | BTC listing

THE TEMPTATIONS AND THE FOUR TOPS

Cincinnati Arts Association

The Story: Two of America’s most iconic Grammy® Award-winning Motown super-groups, The Temptations and The Four Tops, appear onstage together. With their stunning harmonies, inimitable style, and classic dance moves, these multi-platinum artists will perform their greatest hits and more. With dozens of Top 10 pop and R&B singles between them, these legendary Motown groups will deliver an unforgettable night of nostalgic hits that’s not to be missed.
The Dates
: April 15, 2012
Tickets and More Information: Cincinnati Arts Association | BTC listing

…NEW THIS WEEK

THE BOYS NEXT DOOR

Tri-County Players

The Story: A lively, poignant telling of a “ family” of four mentally handicapped men sharing a home, and how they affect each other, the lives of those around them, and their supervisor Jack.
The Dates
: April 13-21, 2012
Tickets and More Information: Tri-County Players | BTC listing

THE FANTASTICKS

Xenia Area Community Theatre

The Story: Two fathers decide that they want their children to fall in love. The girl, Luisa, is a daydreamer with an active imagination. The boy, Matt, is a romantic. The two fathers decide to instigate a mock feud amongst themselves in order to help the boy and girl fall in love.
The Dates
: April 12-15, 2012
Tickets and More Information: Xenia Area | BTC listing

MY FAVORITE YEAR

Northern Kentucky University

The Story: In this crazy musical comedy, Alan Swann, a washed up ex-movie idol, is finally getting his chance for a comeback! This time it won’t be in movies, but instead it will be on the King Kaiser Comedy Hour, a television variety show! Unfortunately, his penchant for past bad habits of drinking and wooing women remain. To avoid any mishaps, comedy sketch writer, Benjy Stone, has been put to the task of keeping Swann out of trouble.
The Dates
: April 12-22, 2012
Tickets and More Information: Northern Kentucky University | BTC listing

NOISES OFF

Beechmont Players

The Story: Called the funniest farce ever written, NOISES OFF presents a manic menagerie as a cast of itinerant actors rehearse a flop called NOTHING ON. Doors slamming, on- and backstage intrigue, and an errant herring all figure into the plot of this hilarious and classically comic play.
The Dates
: April 12-15, 2012
Tickets and More Information: Beechmont Players | BTC listing

PRELUDE TO A KISS

Oxford Area Community Theatre

The Story: A couple, Peter and Rita, who fall in love despite Rita’s pessimistic outlook on life. Shortly after their wedding, a supernatural event tests the strength of their love and commitment to each other, when a mysterious old man insists on kissing the bride. While honeymooning, Peter gradually realizes that the woman by his side is not his wife. The wedding kiss caused Rita’s soul and the old man’s to change places. Peter must track down the old man and free his young love’s spirit, trapped in an aging and diseased body, before it’s too late.
The Dates
: April 14-21, 2012
Tickets and More Information: Oxford Area Community Theatre | BTC listing

Jon Kovach as Jackson, Lisa DeRoberts as Prudie Cupp, Steve Goers as LM, Sara Mackie as Rhetta Cupp & Brad Myers as Jim. Photo by Matt Steffen.

PUMP BOYS AND DINETTES

The Carnegie

The Story: A piece down Highway 57 from Frog Level is a shabby gas station (with a hot tub out back), the Double Cupp Diner, and the best foot-stompin’ good time you’ve ever had at the theatre. Five rowdy filling station boys and sassy diner waitresses sing and play their own instruments in this hilarious and heartwarming country western music revue.
The Dates
: April 13-29, 2012
Tickets and More Information: The Carnegie | BTC listing

Mindy Heithaus & Justin Baldwin. Photo by Mikki Schaffner.

REASONS TO BE PRETTY

New Edgecliff Theatre

The Story: When Greg confesses to his girlfriend of four years that she’s not physically perfect, it not only affects their lives, but the lives of their close friends Carly and Kent, whose relationship is anything but perfect. Playwright Neil LaBute takes a long hard look at both physical and emotional beauty and the obsessions we have with both. 
The Dates
: April 12-28, 2012
Tickets and More Information: New Edgecliff Theatre | BTC listing

…CONTINUING

Kellen York. Photo by Deogracias Lerma.

BLOODY BLOODY ANDREW JACKSON

Know Theatre of Cincinnati

The Story: BLOODY BLOODY ANDREW JACKSON uses the story of America’s controversial seventh president, “the man who invented the Democratic Party, doubled the size of our nation, and signed the Indian Removal Acts that started the Trail of Tears,” to investigate the attraction and terrors of American populism, using a raucous blend of outrageous comedy, anarchic theatricality and an infectious rock n’ roll soundtrack.
The Dates: March 31-May 12, 2012
Tickets and More Information: Know Theatre of Cincinnati | BTC listing

Justin McCombs as Tom & Sherman Fracher as Ma Joad.

THE GRAPES OF WRATH

Cincinnati Shakespeare Company

The Story: Frank Galati’s Tony Award-winning adaptation of The Grapes of Wrath tells a timeless tale of endurance and hope in a time of hardship. Having survived the drought of the 1930s only to see their home repossessed, the Joad family embarks on a harrowing journey from the Dust Bowl fields of Oklahoma to the fertile orchards of California. But the “promised land” isn’t exactly what they imagined. Can the Joads overcome the injustices that plague a nation in crisis?
The Dates: March 28-April 29, 2012
Tickets and More Information: Cincinnati Shakespeare Company | BTC listing | BTC review

…ENDING THIS WEEK

KARARAY WITH A ‘K’

Miami University Hamilton Theatre

The Story: An original musical created by the members of Miami University Hamilton WoRkShoP Theatre. The play not only features MUHTheatre students and community members, but hosts a variety of area performers in guest spots as well.
The Dates
: April 5-14, 2012
Tickets and More Information: 513.785.3022 | BTC listing

OUR TOWN

Miami University

The Story: The stage manager takes the audience through Grover’s Corners as two families grow up, marry, live and die. OUR TOWN embraces mundane routine, passionate desire, life changing rituals, and our attempts to grasp the eternal aspects of our existence.
The Dates
: April 5-15, 2012
Tickets and More Information: Miami University | BTC listing

THE STAR SPANGLED GIRL

Cedarville University

The Story: In this uproarious comedy, we are introduced to Andy and Norman, producers of a protest magazine. Sophie, an Olympic swimmer and all-American girl who just moved into the apartment next door, pays the young men a good-neighbor visit. From that moment on, Norman is hopelessly smitten. His love for Sophie becomes an obsession, and he literally drives her crazy by ignoring her rejection and constantly interfering in her life. Meanwhile, Andy is preoccupied with fending off creditors and charming the landlady to avoid being evicted for not paying the rent. The situation is eventually resolved through a series of hilarious happenings set forth with the masterly skill and inventiveness that are the hallmarks of Neil Simon.
The Dates: March 29-April 15, 2012
Tickets and More Information: Cedarville Universtiy | BTC listing

Lindsey Kyler as Sherry and Eric Nelsen as Zack. Photo by Sandy Underwood.

TIGERS BE STILL

Cincinnati Playhouse in the Park

The Story: “This is the story of how I stopped being a total disaster,” announces the heroine of this darkly funny and moving new comedy. Having recently earned her master’s degree, Sherry Wickman finds herself still living at home with a mother who won’t come downstairs and a depressed but smart-alecky sister. Follow Sherry’s quirky misadventures as she lands her first job and tackles her two biggest challenges … getting her mother out of bed and her sister off the couch.
The Dates: March 17-April 15, 2012
Tickets and More Information: Cincinnati Playhouse in the Park | BTC listing | BTC Review

…COMING SOON

ARCADIA

University of Cincinnati College-Conservatory of Music

The Dates: April 18-22, 2012
Tickets and More Information: BTC listing

Ginger Stapp, Jeremy Fischer & Tracy Schoster in FROZEN.

FROZEN

Falcon Theatre

The Dates: April 20-May 5, 2012
Tickets and More Information: Falcon Theatre | BTC listing

AN INSPECTOR CALLS

Village Players

The Dates: April 20-28, 2012
Tickets and More Information: Village Players | BTC listing

Jonathan Zeng as Joseph, Michelle Koopman-Wells as The Narrator & Donnie McGovern as Pharoah in JOSEPH AND THE AMAZING TECHNICOLOR DREAMCOAT.

JOSEPH AND THE AMAZING TECHNICOLOR DREAMCOAT

Covedale Center for the Performing Arts

The Dates: April 19-May 13, 2012
Tickets and More Information: Covedale Center | BTC listing

SCHOOLHOUSE ROCK LIVE!

Milford Theatre Guilde

The Dates: April 20-May 5, 2012
Tickets and More Information: Milford Theatre Guilde | BTC listing

THUNDER KNOCKING ON THE DOOR

Cincinnati Playhouse in the Park

The Dates: April 21-May 20, 2012
Tickets and More Information: Cincinnati Playhouse in the Park | BTC listing

Filed Under: Cincinnati, On Stage Dayton Previews

Six Degrees of Three Titanic Russian Composers, Kevin Bacon Notwithstanding

April 9, 2012 By Dayton Most Metro Leave a Comment

DPO presents Sons of Russia and Tchaikovsky’s Final Statement

In 1994, Kevin Bacon stated that he had worked with everybody in Hollywood or someone who had worked with them. That spawned a trivia game known as Six Degrees of Kevin Bacon. Pioneering scientific research has suggested that all human civilization is a small-world type of network typified by short path lengths. Six Degrees is based on the small-world phenomenon and presumes that you can link any movie actor through his/her film roles to actor Kevin Bacon within six steps.

What gets to me is the assumption that this type of game is new and surfaced as the feedback to Bacon’s quote.

Au contraire!

It has its roots in 1840 Russia, the year and the place in which the first of three of the most titanic, groundbreaking composers who ever lived first saw daylight. In order by date of birth they are Pyotr Ilyich Tchaikovsky, Nikolai Rimsky-Korsakov, and Sergey Prokofiev. And the links that connected them all were their nationality and a school.

And a fantastic talent for musical composition.

Look at the thumbnail of each composer’s life, and see if you can connect the dots between them.

Pyotr Ilyich Tchaikovsky

Let’s start at the beginning with the composer whose works we immediately recognize when we hear them: Tchaikovsky.

The son of a mining engineer to whom he never truly warmed, Tchaikovsky grew up learning to play piano and speak different languages by both the family governess and his mother, whom he lost in his early teens to cholera. In 1862 Tchaikovsky was one of the first to enter the St. Petersburg Conservatory, the attitudes of many of the school’s faculty as conservative as its name. Then, as if fate were on his side and anti-faculty, the school hired him as a teacher of harmony. Harmony!

Some 15 years later, Tchaikovsky wed a young woman who had been a student of his, a marriage that lasted less than one month. So much for harmony.

He composed a massive body of work, compositions that remain to this day a beloved part of the Russian repertoire. Fantastic rumors and folk tales to the contrary, Tchaikovsky died in 1893 of the same disease that took his mother – cholera.

Next up: Rimsky-Korsakov.

Nikolai Andreyevich Rimsky-Korsakov

Rimsky-Korsakov (born 1844) came from money and an old-line military family. For many years, he was in the Russian navy in one capacity or another – cadet, officer, and administrator. In that time had sailed, seen the world, and taken up composing as a hobby. He wanted to write music that would provide Russia a unique nationalistic musical identity.

Neither his administrative, nor his musical capabilities, went unnoticed. Barely a hand at composing, he nonetheless received appointment to the St. Petersburg Conservatory as a professor of – of all things – composition! A start-up operation at the time, the Conservatory needed funding in the worst way, and his family’s many wealthy connections doubtless played a larger part in his selection to the faculty than his composing skills.

But the old adage “those who can do; those who can’t teach” didn’t apply to Rimsky-Korsakov. He read and studied along with his students (probably both longer and harder than), becoming one of the most unique and innovative Russian composers.

BTW: Prokofiev was a student of his.

Sergey Prokofiev

Speaking of which, the music of Sergey Prokofiev (1891) has proven itself to be lasting in spite of the fact that it is some of the world’s most singularly demanding, conventional and in the same breath advanced, audacious, sarcastic, unsure, and outspoken ever written.

Intelligent beyond his years, Prokofiev studied at the St. Petersburg Conservatory and transformed what he had learned plus what he had already known into a career as a pianist and composer, a career that – in 1917 – was steamrolled by the immense socio-political weight of the Bolshevik (read: Communist) Revolution.

Reading the writing on the political wall, Prokofiev emigrated first to America then Europe, unable to please concertgoers with works some of which actually parodied them and just missing a chance to become a successful and socially chic pianist in exile. First mistake.

Tail between his legs, Prokofiev returned to what was in 1936 the Stalin-dominated U.S.S.R hopeful to wow the Communist leadership with his music. Second mistake.

The Dayton Philharmonic Orchestra is holding a three-concert homage to these three titans of Russian music.

Jessica Hung

On Thursday, April 12 and Saturday, April 14 at 8 pm in the Schuster Center, the DPO will present Sons of Russia, the seventh concert in this season’s Classical Series, featuring Rimsky-Korsakov’s Russian Easter Overture, Prokofiev’s Violin Concerto No. 2 with DPO concert master Jessica Hung as soloist, and Tchaikovsky’s Symphony No. 6, the Pathetique.

On Friday, April 13 at 8 pm in the Schuster Center, the DPO will present Tchaikovsky’s Final Statement, the fourth and final concert in this season’s Classical Connections Series, featuring Tchaikovsky’s Waltz of the Flowers from The Nutcracker ballet and Symphony No. 6, the Pathetique.

So, have you connected the dots yet? What things do all our composers have in common? They were all Russian. They all had to prove themselves musically. They all attended the St. Petersburg Conservatory.

Three degrees of separation. Not six. Okay; that’s the bad news. The good?

No Kevin Bacon….

 

Filed Under: On Stage Dayton Previews

An Unforgettable Odyssey

April 8, 2012 By Russell Florence, Jr. 1 Comment

Dwandra Nickole (l) and Marva M.B. Williams in Gem of the Ocean

Redemption and refuge permeates the home of Aunt Ester Tyler, the 285-year-old former slave and prophetess at the moral center of Pulitzer Prize winner August Wilson’s deeply spiritual, beautifully poignant 2005 Tony Award-nominated drama “Gem of the Ocean,” set in 1904 Pittsburgh and marvelously presented in its local premiere by the Human Race Theatre Company.

Known to possess the power to “wash people’s souls,” Ester (the terrifically earthy Dwandra Nickole) embraces the opportunity to help distressed drifter Citizen Barlow (the dynamic Jonathan Berry whose cadence evokes Denzel Washington) overcome his burdensome guilt and murderous past. In the thrilling climax of Act 2, one of the most haunting, mesmerizing passages in Wilson’s repertoire, Ester, craving the credo that life is an adventure, guides Citizen from her quaint abode at 1839 Wylie Avenue (strikingly designed by Dick Block) to the mystifying City of Bones, a mythic voyage across the Atlantic Ocean in the titular ship made of her bill of sale. The intensely gripping, nightmarish excursion, compellingly interpreted by Berry and exceptionally heightened by lighting designer John Rensel and sound designer Rich Dionne, vigorously thrusts Citizen into a renewed awareness of his ancestry in order to gain salvation.

As Ester and Citizen’s genuine kinship evolves, Wilson paints a vividly relevant portrait of the post-Civil War African-American struggle to survive and assimilate in the industrial North while consumed with memories of slavery and loved ones left behind in the South. Clinging to the deep-rooted values of legacy, family and faith, practically every character is moving forward while looking back, desiring some sense of fulfillment despite prejudices, even within their own race, that poison progress. By and large, their future doesn’t look promising, primarily for the simple reason that freedom and being free are not always identical.

Effectively sprinkled with biblical references, the remarkable, authentically-rich dialogue – eloquent, fiery, humorous, joyful, and provocative– significantly fuels the potency of “Gem,” the chronological launching pad for Wilson’s signature 10-play “Pittsburgh Cycle” spotlighting the African-American experience in the 20th century. Whether simple (“sometimes you can find good luck and bad luck in the same place”) or contemplative (“man sometimes get in the way of God’s creation and turn it over to the devil”), Wilson’s captivating words resonate as if heard anew. In fact, when Ester’s kindly friend Eli (the delightfully easygoing Kevin Brown) proudly proclaims he’s going to build a wall, his modest statement wafts through the air like music. Kudos to director Mark Clayton Southers, a 2001 Dayton Playhouse FutureFest finalist for “Ashes to Africa,” for ensuring this masterful work never loses its infectious rhythm by wallowing in melodrama or buffoonery. By all means, it clearly sings with the radiant insight it deserves.

Southers’ sublimely synchronized cast, attractively costumed in period attire by Colleen Alexis Metzger, also features excellently detailed performances by Bryant Bentley as vengeful law enforcement officer Caesar Wilks, Alan Bomar Jones as the colorfully eccentric Solly Two Kings, Scott Stoney as rascally peddler Rutherford Selig (who also appears in Wilson’s “Joe Turner’s Come and Gone”), and the amiable Marva M.B. Williams as Black Mary, Ester’s literate laundress. Bentley’s hypocritical hotheadedness, Jones’ unpretentious gusto, Stoney’s endearing spunk, and Williams’ cool reserve add flavorful dimensions to their character’s respective aims. In addition to providing a wonderfully dramatic City of Bones sequence, Southers firmly tackles Caesar and Ester’s powerful debate concerning the law, firmly executed by Bentley and Nickole, and Citizen and Mary’s romantic cuddle sizzling with charm, nuance and magnetism from Berry and Williams.

Citizen’s life-changing journey of forgiveness, liberation and rebirth will surely grab you without letting go. It should come as no surprise that one of the best productions of the season stems from the brilliant mind of August Wilson.

“Gem of the Ocean” continues through Sunday, April 15 at the Loft Theatre, 126 N. Main St. Performances are Wednesday-Saturday at 8 p.m. and Sunday at 2 p.m. Act One: 80 minutes; Act Two: 70 minutes. Tickets are $18.50-$40.  For tickets or more information, call Ticket Center Stage at (937) 228-3630 or visit www.ticketcenterstage.com.

 

Filed Under: On Stage Dayton Reviews

Shocking Stories From Beyond The Stars With Carrie Fisher

April 6, 2012 By J.T. Ryder 2 Comments

An Interview With Actress Carrie Fisher

Debbie Reynolds, Carrie, Todd and Eddie Fisher

(see details on our ticket give-away to Carrie Fisher’s show “Wishful Drinking” below the article)

It seems apropos that the daughter of Hollywood’s Royalty would eventually take up her predestined mantle as a Princess. Yet, for whatever charms that galaxy far, far away might hold,  Carrie Fisher’s real life is more of an epic tale than anything Lucas could ever deem to dream. From awakening to Republican Party media adviser R. Gregory Stevens’ lifeless body lying next to her (a victim of an OxyContin/cocaine overdose), to having the father of her daughter leave her for another man, Carrie Fisher’s life make the cantina scene in Star Wars look about as interesting as a seminar on new accounting techniques.

Carrie was born on October 21st, 1956 in Beverly Hills,California to America’s Sweethearts, singer Eddie Fisher and actress Debbie Reynolds. When Carrie was only two, Eddie Fisher left the house to console Elizabeth Taylor after the death of her husband Mike Todd (who was also Eddie’s best friend and whom he named his son after) and he never came back. The next year, Carrie’s mother Debbie married shoe magnate Harry Karl, whose penchant for roaming about without pajama bottoms and an acute case of chronic flatulence added yet another odd character in Carrie’s galactic menagerie.

            Sometimes, there are those born into celebrity who, through no fault of their own, do not realize that their lives are much different than that of the average person. During a recent telephone interview, I asked Carrie when she became aware that her life was vastly unlike the lives of others and what her perception of her early years were.

“Obviously it’s nice to live comfortably and I really didn’t know that there was another way to live until I was like ten. People would say, ‘You think you’re so great because you’re Debbie Reynolds’ daughter!’ I was embarrassed of that.” Carrie paused, rolling over in bed as she had just returned from a celebrity meet and greet in Japan. She went on to say that, “I did know that other people didn’t live like this and I didn’t like it because that separated me from being like everyone and I couldn’t fit in. I wanted to fit in, and none of this stuff makes you fit in. I wanted to have the option to join up. Anything that made me different…I don’t know…I lived mostly in my head, so I don’t know that I was very aware of my surroundings. I was extremely introverted.”

At seventeen, Carrie landed a role in Shampoo with Warren Beatty and Goldie Hawn. In 1973, as Carrie puts it, “George Lucas ruined my life” by casting her in the iconic role of Princess Leia Organa in his upcoming sci-fi movie, Star Wars – released in 1977. In reflecting on the deal that was made at the time, Carrie has been quoted as saying that, “We signed away our likeness, so when I look in the mirror, I have to pay George a couple of bucks.” Following Empire Strikes Back (1981) was Return of the Jedi (1983) in which Carrie once again reprised her role as Princess Leia, becoming the gold plated bikini babe – slave to and amorphous arm candy of the gelatinous villain Jabba the Hutt. It was this revealing representation that launched Carrie into the stratosphere as a sex symbol, a position that she was uncomfortable with and an image that she unwittingly didn’t realize at the time would follow her throughout her whole career.

Having been inundated and interrogated throughout the years pertaining to her experiences with George Lucas and the Star Wars empire, I wanted to only briefly touch on that topic. I asked if she felt that there was a weight from living under the legacy of such an iconic movie so early in her career, to which she replied:

“I mean, I never really wanted…I was never much of an actress. It was never really what I wanted to do. If I had wanted to be an actress, it would have been bad.”

Click On Image...It's Animated

Carrie has been oft quoted as saying she never really wanted to become a celebrity as she had seen firsthand what fame such as that had wrought. The ensuing years after Star Wars were fraught with drug addiction and psychological problems, becoming overly apparent both on and off the screen, as evidenced in her appearance on the Star Wars Holiday Special in 1978. Her erratic behavior and rampant drug use even led to her almost getting fired from the set of The Blues Brothers, where she was unable to turn in a decent performance due to her intoxication.

After entering rehab and cleaning herself up (with a few admitted slips here and there) it seemed that Carrie eventually returned to the refuge that she had found in her teenage years: writing. I asked Carrie if she found that writing became a part of her self-therapy.

“Well, I never did it for that reason, but when I was young, I guess I did.” After a slight pause, she went on to say that, “My thoughts would get all kind of crowded, so it kind of became a way of kind of organizing the crowd.”

I Always Suspected This...

I was curious as to whether Carrie felt more comfortable writing about her life veiled behind the safety net of fiction or if it was easier to just write it all down without having to think up scenarios and plots to introduce one event or another.

“Fictionalized!” Carrie said, without hesitation. “Well, it’s a different kind of writing. Your tone with first person prose is much more conversational, so it’s hard to get more descriptive. There’s a certain kind of way that I like to write that doesn’t suit itself to a first person narrative.”

Was it easier to tell the whole truth about something that happened to herself and the people involved in a situation when it was couched behind the shroud of fiction?

“I don’t know about myself, but I would never say anything that would make anyone uncomfortable that was obvious, no. I don’t want to do anything like that.” Carrie said. “I have probably made people uncomfortable with certain things, but I do my best not to do that. It’s easier in fiction because you make up stuff and you use stuff and you disguise stuff.”

While still appearing in acting roles (When Harry Met Sally, Austin Powers: International Man Of Mystery, Scream 3), a large portion of her creative energy seemed to go into her writing, whether it be fictional (Postcards From The Edge, Surrender The Pink, Delusions Of Grandma), screenwriting (These Old Broads, The Young Indian Jones Chronicles) or non-fiction (Wishful Drinking, Shockaholic). In 2006, Carrie debuted her screenplay of Wishful Drinking as a one woman show, replete with videos, photos and more anecdotes that you could shake a light saber at.

In a world saturated with reality entertainment, it seems as if celebrities’ bad behavior is sometimes an intentional ploy for attention or a casting call for the next Lifetime Network show, yet in Carrie’s case this is not so. Most of her life was not lived out in front of the camera lens, like most other celebrities bent on revealing their day to day lives. When you read or watch Wishful Drinking, you are left with the impression of a woman coming to the realization of what the events in her life meant and accepting the repercussions that her decisions and actions have produced. It is also not a ‘woe is me’ pity fest, yearning for the audience’s sympathy in a desperate maneuver to gain forgiveness and acceptance. I did wonder if performing her own life out night after night desensitized and somewhat separated her from the integral epochs of her past.

“God I wish! What it does is, it makes me own it and I’m not ashamed of it. It makes you feel brave. It certainly makes you feel not ashamed and sometimes it can make you feel like, ‘Look at me motherfucker! I used to not even be able to talk about this!’” Carrie went on to define what she meant by saying, “Well, I mean, if I’ve gotten through the stuff I’ve gotten through, you can get through anything. I look for the ordinary in the extraordinary, whether it being bi-polar or a celebrity or the child of a celebrity or any of that.”

At the age of forty, Carrie had a full blown breakdown which required her to be admitted into a psychiatric hospital. Over the course of time, medications were tried and therapies instituted, but the real breakthrough came when electroconvulsive therapy (ECT) was applied. In Carrie’s words, it was as if there was cement obstructing her mind and the ECT treatment seemed to break all of that away. There has been some short term memory loss, indicated by her answering machine, which asks callers to leave their name, number and how they know Carrie. She has some problems with remembering names or some events, but she highly recommends ECT, stating that it is not how it is depicted in movies like One Flew Over The Cuckoo’s Nest.

“I would recommend it to other people if they were in a massive depression, but the way it’s depicted” She paused before going on, “…I saw it on a preview of that show Homeland, and it’s not like that! I mean, maybe they do it like that in some places, but from my experience, they put you out and…it’s just weird. Anyway, I would recommend it or any measure you needed to take to deal with a massive depression, but of course, I tried everything else first.”

For a taste of what it’s like living life on the edge, collecting the postcard and coming back, check out Carrie Fisher’s one woman show, Wishful Drinking. Also, read her short follow up book, Shockoholic, which details some of the funnier anecdotes from her life. AS we wrapped up our interview, I asked Carrie what I should tell Daytonians about the show and what to expect. She stated that there was a lot of audience interaction, making each show a unique experience. Carrie signed off by simply saying…

“I do involve the audience, so come and see me and tell me some stories!”

[yframe url=’http://www.youtube.com/watch?v=5_TF3f6S2nA’]

Ticket Giveaway

We have a pair of tickets to see Carrie Fisher’s Wishful Drinking on Tuesday April 10, courtesy of the Victoria Theatre Association!  Simply this article, On Stage Dayton and then in the comment section below, tell us your favorite Carrie Fisher role and why (make sure it posts to your FB page as well).  We will randomly draw one winner on Monday 4/9 at 3pm.  GOOD LUCK!

Filed Under: On Stage Dayton Previews, The Featured Articles Tagged With: bipolar, Carrie Fisher, Debbie Reynolds, Eddie Fisher, J.T. Ryder, one woman show, Postcards From The Edge, Princess Leia, Star Wars, Theater, Wishful Drinking

A Monday Night Pizzeria at Meadowlark

April 6, 2012 By Lisa Grigsby Leave a Comment

On Monday nights starting April 9th the Kettering eatery of Far Hills Avenue will turn into a Pizzeria joint.  From 5- 9pm you’ll get to enjoy a special menu featuring pizza’s  (sorry no regular menu that night).   Meadowlark owner Wiley says, “we’re going to use our Monday nights as a test kitchen and see how this evolves. We’ll for sure do it through August, menu’s will change and we’ll see how it goes.”

 

Chef Liz Valenti actually just returned from the International School of Pizza, where she

Meadowlark's own Liz Valenti with Chef Elizabeth Faulkner making pizzas

studied the craft of pizza from 9 Time World Pizza Champion and Master Instructor Tony Gemignani.  She excelled in class and was selected  to assist  Germignani at the Las Vegas Pizza Expo and competition, where he again places first.  The dough Meadowlark will be using is a 2 day dough and all pizza’s will be 15″, big enough to share.  Wiley says she just got a bunch of to go boxes for pizza’s, so think about them fort ake out on Monday nights.

Monday Nights Menu:

Appetizers:
Eggplant Fries  with a crispy rice coating, yogurt sauce

Meatball, Greens and Pastina Soup made with ground chicken, savory broth, mirepoix

Salads:
Romaine Heart – Smoked Maine shrimp, green goddess dressing, cherry tomatoes and dill

House Salad- Chopped romaine, spinach, cabbage and your choice of vinaigrette—
Mustard-caper, sesame lime or blue cheese

Pizzas:
Italian Sausage, Caramelized Onion and Mushrooms

Bacon, Ricotta Cheese and Blistered Grape
Spicy Capocolla and Broccolini with Herb Mayo

White Pizza with Smoked Provolone, Fontina and Fresh Thyme

Dry-cured Black Olives, Aleppo Pepper and Chickpeas

Zucchini, Roasted Peppers, Feta Cheese and Lemon

Sides:
Sauteed Spinach  in Olive oil and garlic

Roasted Cauliflower with Almonds, raisins and capers

Desserts:
Italian Cornmeal Scone “Shortcake”
Lemon curd and sliced strawberries

Monday Sundae
Housemade marshmallow sauce with “wet nuts” on your choice of ice cream—

(and yes I asked, wet nuts in just an old fashioned soda fountain term for nuts seasoned in syrup.)

Filed Under: Dayton Dining Tagged With: Elizabeth Wiley, LIz Valenti, Meadowlkark

Social Media Protocol — The Good, The Bad & The Ugly

April 6, 2012 By Leah Hawthorn 1 Comment

I was on Facebook and LinkedIn several years ago after a long day at work and a big networking event afterward.  You have been there I’m sure; an evening event starts at 5:30 p.m. and ends at 7:00 p.m.— but not for you.  You stay an extra hour, leaving no stone unturned.

Even though I was exhausted when I got home, I wanted to connect through LinkedIn with the people I had just met before I forgot.  Of course it was late at night and I was tired. Here is what it looked like when I saw what I had written the next day:

“Hell John, It was gret meeting you tonight.  I look forward to meeting you for coffin.  Sincerely, Leah Hawthorn”.

I’m sure I made a great social media first impression!!  Never network in person or online if you are
too tired.  It WILL show.  Remember – we don’t drink and drive, so don’t drink and social media!  I’m sure a lot worse than “Hell John” could happen.

In today’s fiercely competitive business arena, etiquette and protocol intelligence will distinguish you from the crowd.  Having good social media etiquette can make the difference between you and another person who is just as smart.

People are connecting with, listening to, following and collaborating with each other at an amazing rate. Online networking is not new to most of us, and by now we have found that there is little difference in networking with people in social media and connecting with people offline.  The same protocol is recommended for both.  Project confidence, authority and trust for both social media and business networking.

Here are a few examples of how
Social Media Networking and In-Person Networking are the same.

First Impressions

Your Photo

Please DO NOT use the default graphic as your photo.  You know, that big white silhouette of no
one.  People want to see you.  LinkedIn – Professional photo.  Facebook – Social Photo is acceptable,
but be cautious.  A lot of people are using Facebook for business.  Any photo you post is forever.  You are branding yourself.

Eye Contact

Your Profile and Bio.

Let others know who you are.  Make sure your information is always up to date.  People are looking.  If you no longer work for a certain company or your position has changed, reflect that in your profile and bio.  Be Honest!  PYP = Proof Your Profile!!

Handshakes

The Limp Fish “Canned Invitations”

Avoid canned invitations as much as possible.  Set yourself apart from the crowd.  “It was great to meet you.  I would like to connect with you   through LinkedIn as well.

The Bone Crusher “People Collecting”

Some people like to collect people.  It’s not about how many business cards you collect; it’s about the relationships you create with other individuals.  You DO NOT have to friend people you do not know.  It is OKAY to de-friend someone who is posting things that show up on your page that you find offensive.  R-E-S-P-E-C-T, as Aretha would say!

TMI

I have a headache.  I am eating a Sardine sandwich.  I just woke up.  Really??!!  Too much is too much.  Excessive
game requests, gifts and” join my cause” on Facebook can get you into trouble. Some people don’t appreciate this part of social media.

Soft Skills Sell!!

Focus more on the other person.  It’s always a great idea to help someone out with an event or a request.  People are more likely to help
you if you help others.

Avoiding Certain Subjects

Religion and Politics.

Tread lightly.  Do you really want to brand yourself to the world with your political or religious views?  Once you put it out there, it is out there!
This goes for Facebook and LinkedIn.  You would NOT discuss politics or religion at an in-person networking event.  This is a simple Networking Protocol wherever you are.

Your Mother Was Right

Be kind.  Don’t personally attack other people.  Be professional.  Use appropriate language.  Do use proper spelling and grammar.  Be respectful of others, and be positive!

In the end, being a part of social media can be fun and is an incredible, effective business tool.  Don’t let it be a time sucker for you.  Tell yourself how much time you will give to social media every day and try to stick with it.  It will still be there tomorrow.  I promise.

I spoke with Tina Marker, social media guru and President and Founder of Windward Design Group LLC about the importance of etiquette in
the online networking realm. Here are four items she mentioned about social media protocol.

1) If you wouldn’t share something in a room full of casual strangers,
why would you do so on the Web?

2) “What happens in Vegas” . . . ends up on Facebook!
Need I say more?

3) TMI (too much information) “Status Update” does not
mean you should journal every detail of your day . . . and night!

4) Profanity has no place in public conversations . . .
keep it social.

In the end, being a part of social media can be fun and is an incredible, effective business tool.  Don’t let it be a time sucker for you.
Tell yourself how much time you will give to social media every day and try to stick with it.  It will still be there tomorrow.  I promise.

See you on Social Media!

 

 

Filed Under: Getting The Edge on Etiquette Tagged With: Dayton Most Metro, Etiquette, facebook, Leah Hawthorn, Linkedin, Protocol, social media, Tina Marker

Food Adventures: Small Bites for 4/5/2012

April 5, 2012 By Dayton937 Leave a Comment

Food Adventures with the Big Ragu and Crew: Another installation of  “Small Bites.”

Here in “Small Bites,” we feature some of our favorite food items across the Dayton area.  We are not food critics, we love to eat.  Often imitated never duplicated, we set out to let you know about some of the better eats around the area that you may not know about !

Owners Rick “Voltzy” & Jack Sperry Want Your Vote to Decide!

THROWDOWN: VOLTZY’S vs. THE HAMBURGER WAGON, on  Saturday June 9, 2012

Our first small bite is actually a coming attraction.  Two of the most popular burger joints in the Dayton area are going to have an old fashioned “Throwdown!” at the Rock n’ Green Tomato Festival in Miamisburg, Ohio.  The Hamburger Wagon of Miamisburg will go toe to toe with Voltzy’s Rootbeer Stand of Moraine.  Get to this festival and cast your vote on Saturday June 9th.  Who will win this burger brawl to settle it all ??  We visited with Voltzy’s owner Rick Volz and the Hamburger Wagon owner Jack Sperry, and they both think they are going to win !  The Throwdown  is in the early stages, so there will be more details in the coming weeks.  Look for a follow up feature story from the Big Ragu in May right here on DaytonMostMetro, when we will cast our votes for the best burger!

 

THE SANDWICHES at JIMMIES LADDER 11:

The Ladder 11 Sandwich

Are you looking for a great, casual bar and grill that serves up top notch sandwiches?  Food Adventures recommends that you try Jimmie’s Ladder 11 on Brown Street.  Jimmie’s ladder 11 resides in an old renovated 1892 firehouse and is full of atmosphere.  They also make some amazing sandwiches.  One of our favorite sandwiches is the Ladder 11 which consists of Romanian Style Pastrami, Corned Beef, Hand Cut Cole Slaw, and House Russian Dressing on Rye.  The menu has a large variety of sandwiches, pastas, and some incredible appetizers.  Try the creole cheesecake…… you will not be sorry.  Jimmies Ladder 11 is located at 936 Brown Street across from Miami Valley Hospital.  For more information, check out jladder11.com.

 

 THE CREPES at CREPE BOHEME at the 2nd Street Market:

Veggie Crepe

From the crepes in Paris, France to a Chocolate Crepe from a street vendor.  We have been fans ever since!  Fortunately for us, we have Crepe Boheme located at the 2nd Street Market in Downtown Dayton. Today we even opt for for a Vegetarian Crepe rather than the crepes made with Nutella.  The Crepe-Master Sabine skillfully pours the thin layer of batter on the hot plate and the magic begins.  We suggest you try a create your own crepe you with:  Spinach, Tomatoes, Mushrooms, Brie and an incredible Red Pepper Sauce.  For the carnivores out there, you can always try the Black Forest Ham Crepe.  This crepe is packed with Black Forest Ham, Brie, and topped with Mushrooms.  Give Crepe Boheme a try and you will be hooked!

 

 

THE 2 FISH OR CHICKEN SANDWICHES FOR 2 BUCKS at RALLY’s:

Rally’s: 2 Nice Sized Fish Sandwiches for 2 Bucks

Two dolla to make you holla!  We don’t usually write about fast food chains, but every once in a great while, we will see something worth mentioning.  Such is the case with the current deal at Rally’s Hamburgers, the infamous double drive-thru place.  The Big Ragu’s obsession with fast food had him doing a double take.  Rally’s has a deal of 2 fish or chicken sandwiches for 2 bucks total.  The sandwiches aren’t tiny either.  The bang for your buck is great.  Satisfy your hunger for 2 dollars?  When is the last time that happened?  Other monster chains are charging around 4 bucks for the same thing, so make sure you stop in at Rally’s for this fantastic deal during the Lenten season.

 

 

 Look for our FOOD ADVENTURES every THURSDAY on DaytonMostMetro.com!

 

PLEASE CHECK OUT FOOD ADVENTURES ON FACEBOOK HERE !!

“Like” us to become an official fan !!

[album: http://www.daytonmostmetro.com/wp-content/plugins/dm-albums/dm-albums.php?currdir=/wp-content/uploads/dm-albums/SmallBites04052012/]

Filed Under: Food Adventures, The Featured Articles Tagged With: Big Ragu, DaytonDining, green tomato festival, hamburger wagon, jack sperry, jimmies ladder 11, miamisburg, moraine, PNC 2nd Street Market, rick voltzy, rick volz, rock n green, throwdown, voltzy's, webster st market, webster street market

Quebecois Party Time With De Temps Antan

April 5, 2012 By Dayton Most Metro Leave a Comment

The end of another Ohio winter (even one as strange as this one has been) is the perfect time for a good old-fashioned Québec kitchen party. Much like a bluegrass picking party, a kitchen party in Québec offers plenty of music and singing, some high-spirited dancing and a pervasive feeling of warmth, community and friendship. Just what the doctor ordered for an end of winter/hello to spring blow-out. And there is no better group to apply this magical tonic than the Quebecois acoustic power trio known as De Temps Antan.

De Temps Antan consists of Éric Beaudry (guitar, mandolin, bouzouki, vocals, foot percussion), André Brunet (fiddle, vocals, foot percussion) and Pierre-Luc Dupuis (accordion, harmonica, vocals, foot percussion). Formed in 2003, De Temps Antan is an off-shoot of La Bottine Souriante, the hugely popular and influential 10-piece Québec band.

The size of La Bottine Souriante precluded it from playing smaller venues, which led directly to De Temps Antan. “The project for the trio was born in 2004, following a request by a friend who does bookings for a room,” says Pierre-Luc Dupuis. “He wanted to hear the three of us playing together. It meant really bringing things down to basics, to the essence of the music.”

André Brunet

The band’s name is a pun that doesn’t really translate from the French, but it means, roughly, both “of olden days” and “from time to time.” The joke dates to the band’s early days when they were all still members of La Bottine Souriante. “It’s because we were only able to perform every now and then, between our commitments with La Bottine,” says Dupuis. “We still managed to tour a bit and to make an album, A l’Année.”

The essence of Quebecois music can be distilled to a single word: fun. Writers generally use the French phrase joie de vivre, but fun serves just as well. “We work a lot to bring the spirit of a kitchen party,” says André Brunet. “It’s really fun to bring people there. Even if they don’t know what to expect for sure, people will go home from the show smiling.”

“Our approach has stayed the same in many ways [as when the three played in La Bottine Souriante], even though we are a much smaller band,” adds Pierre-Luc Dupuis. “You have to play grooves and have fun on stage. You have to be tight and keep the same energy. For us, it’s not only the story of the music we need to tell, but we try to live the story on stage, to really get across what you’d hear and feel and do during a family party.”

Pierre-Luc Dupuis

The repertoire of De Temps Antan is a highly entertaining mixture of traditional songs and tunes and material written by the three band members. “A goal of the band is always to find songs that audiences are not used to hearing,” says Brunet. “Lots of French songs are about church, drinking and women. Finding good old songs is nice, but they are rare.”

Rare or not, the band members have collected hundreds of old songs and tunes from their region and beyond. “A lot comes from our own families,” says Dupuis. “On the album [À l’Année], especially, there’s a lot from the village of Saint-Cí’me, where Eric was born. You get a sense of the richness of just one little corner of the country. Our aim is to keep the essence of that music, but to have an open-minded attitude—in short, to let it live.”

In another aspect of keeping the tradition alive, Andre Brunet has made fiddle history as well, representing his home province with distinction. In 2008, competing against more than 20 top fiddlers from throughout Canada, Brunet took top honors at the Canadian Grand Masters Fiddling Competition. A year later, he won the Annual Pembrooke Old Time Fiddling and Step Dancing Championship in Ontario. Brunet was the first Quebecois fiddler to win either prestigious title.

De Temps Antan has recorded a pair of critically acclaimed albums: À l’Année and Les Habits de Papier. The albums contain traditional material as well as original songs and tunes by the band members, but the music ranges far beyond the band’s Canadian home. De Temps Antan forges a pan-Acadian sound that merges traditional Québec music with the Cajun style of south Louisiana (a perfect example is “La maison renfoncée” on Les Habits de Papier).

Éric Beaudry

Part of this musical connection is historical, rooted in the forced migration of the French Canadians to Louisiana in the 1700s (as immortalized in Longfellow’s poem “Evangeline”). The more recent part of the connection comes from the band’s travels, particularly engagements at music festivals in the U.S., where the three musicians have had ample opportunity to play with and learn from Cajun and old-time country fiddlers. Adding bits and pieces from those styles is just another way the men in De Temps Antan are moving the tradition forward.

Two elements that are deeply characteristic of the traditional music of Québec —the ubiquitous foot percussion and the “mouth music” known as turlutte—might look exotic to outsiders, but each in fact represents a practical solution to a musical problem. The foot percussion, essentially a seated form of clogging that seems to be unique to Québec, stems from the days when a solitary fiddler would be the only one providing the music for a house full of dancers.

To make the music louder and to provide a steady beat that could be heard by the dancers, a chair for the fiddler would be placed atop the kitchen table. “The fiddler would get up on the table and tap in middle of kitchen,” explains Dupuis. “That would make it much louder and get everyone in the whole house dancing.”

To Andre Brunet, the tradition is even more deeply rooted in the Quebecois soul. “We start tapping the feet before walking when we are young,” says Brunet. “It’s the basic rhythm of the Quebecois spirit. It’s just a groove.”

Cityfolk Presents De Temps Antan

April 24, 2012 8pm at University of Dayton’s Boll Theatre

The World Rhythms Series is co-sponsored by Cityfolk and the UD Arts Series

Tickets and More Info

(Written by Jon Hartley Fox)

[yframe url=’http://www.youtube.com/watch?feature=player_embedded&v=eQql_jiVuH4′]

[yframe url=’http://www.youtube.com/watch?v=rVidSf9ZGRg&feature=relmfu’]

Filed Under: Arts & Entertainment, Dayton Music, The Featured Articles

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