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Archives for December 2012

CHASING ICE & IT’S A WONDERFUL LIFE at THE NEON

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Hello Everyone,

We’ve got a hit! ANNA KARENINA had a great opening weekend. Thanks to everyone who came out to support it. If you were at THE NEON over the weekend, you more than likely saw the trailer for CHASING ICE – the beautiful and scary documentary that will open this Friday. If you still need to see THE SESSIONS (one of my favorite films of the year) or THE PERKS OF BEING A WALLFLOWER (a great little film that has helped us find a younger audience at THE NEON), you only have until Thursday to see them at THE NEON.

CHASING ICE is only slated to play for one week!  Hurry down!!

Synopsis for CHASING ICE: “In the spring of 2005, acclaimed environmental photographer James Balog headed to the Arctic on a tricky assignment for National Geographic: to capture images to help tell the story of the Earth’s changing climate. Even with a scientific upbringing, Balog had been a skeptic about climate change. But that first trip north opened his eyes to the biggest story in human history and sparked a challenge within him that would put his career and his very well-being at risk. Chasing Ice is the story of one man’s mission to change the tide of history by gathering undeniable evidence of our changing planet.” (National Geographic Channel) Click this LINK to visit the official site.

[yframe url=’http://www.youtube.com/watch?v=eIZTMVNBjc4′]

The Family Holiday Film Series was off to a slow start this past weekend, but there are still 2 films left. If you know someone who might be interested in these special holiday films, we hope you’ll help us spread the word. Many thanks to the Dayton Holiday Festival, DP&L, and Channel 99.9 for their sponsorship.
Here are the last 2 films of this year’s line-up:
DEC. 8 at Noon – IT’S A WONDERFUL LIFE
DEC. 15 at Noon – ARTHUR CHRISTMAS
These films are FREE for children 12 & under and only $2 for everyone else.

If you were a fan of the one-night only screening of RIDE THE DIVIDE, mark your calendars now for January 23. We will host a one-night only screening of the new film REVEAL THE PATH. In a couple weeks, I will provide more details…but if you just can’t wait, you can check out the official site to find out more about the film.

The holidays are upon us, and we hope you won’t forget that NEON gift certificates make great presents! Whether they’re for the film-lover in your life…or the person who still needs to discover THE NEON…we sell them at our box office in $5 and $10 denominations.

Thanks so much for your ongoing support!
We hope to see you soon,
Jonathan

SHOWTIMES for Fri. Dec. 7 – Thur, Dec. 13:

ANNA KARENINA (R) 2 Hr 10 Min
Friday, Saturday, Sunday: 1:00, 4:00, 7:00, 9:45
Monday – Wednesday: 2:30, 5:15, 8:00
Thursday: 2:30, 8:00

CHASING ICE (PG-13) 1 Hr 16 Min
Friday: 1:15, 3:15, 5:15, 7:20, 9:30
Saturday: 3:15, 5:15, 7:20, 9:30
Sunday: 1:15, 3:15, 5:15, 7:20, 9:30
Monday – Wednesday: 3:30, 5:30, 7:30
Thursday: 3:30, 7:30

IT’S A WONDERFUL LIFE (NR) 2 Hr 10 Min
Saturday: 12:00 (Noon)

COMING SOON:
As always, all dates are tentative. Many of these dates will change.
In some rare cases, titles may disappear.
Dec. 14 – HITCHCOCK
Dec. ? – SMASHED
Dec. ? – A ROYAL AFFAIR
Jan. 4 – HYDE PARK ON HUDSON
Jan ? – RUST AND BONE
Jan ? – ON THE ROAD
Feb ? – WEST OF MEMPHIS
Feb. ? – AMOUR
TBD – DIANA VREELAND: THE EYE HAS TO TRAVEL

Upcoming Local Jazz Dec 5-18

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Happy December 5th; Art Davis who pioneered the use of two basses in a jazz combo setting and played with likes of Thelonious Monk, John Coltrane, Dizzy Gillespie, and Max Roach was born on this day in 1934. Check out Wikipeda at: http://en.wikipedia.org/wiki/Art_Davis for more information. 

 

Roderick Wilson, Eddie Brookshire and Jack Novotny at Jazz Central

What do Johnny Lytle, Lady Day, Charlie Parker, Clifford Brown, Louis Armstrong, Benny Goodman and Dizzy Gillespie have in common?

These are names of some of the great jazz legends who contributed music that formed much of the backbone of jazz in our nation. This is also the list of artists who have had tribute concerts held in their honor at Jazz Central over the last sixteen months. All as part of the resurgence of jazz in Dayton, Ohio by our local talented jazz performers.

The latest example was last Saturday, December 1st. when Roderick Wilson and Friends: Roderick – trumpet, Jack Novotny – saxophone, Archie McPherson – keyboard, Eddie Brookshire – base, Fenton Sparks – drums and Cliff Darrett – congas paid tribute to Dizzy Gillespie one of the greatest jazz trumpeters of all time. September a year ago Mark Smarelli paid tribute to Springfield, Ohio native vibraphonist Johnny Lytle, then Teresa Moneé Gill did a Gabriel Foundation benefit tribute to Lady Day (Billie Holiday) in October of 2011. Next came Grant Koeller doing Charlie Part justice on his saxophone December a year ago and then came trumpeter Wade Baker paying homage to Clifford Brown in January, 2012. In March, 2012 Dean Simms brought Louis Armstrong to life for an entire evening and last October Ronald Hartwell played Benny Goodman while Mark Smarelli played Lionel Hampton.

Each of these events was not only very entertaining but educational and each had a story to tell us about the wonderful history of America’s great art form called Jazz! In addition to tribute concerts Jazz Central has offered many benefit, memorial and face-off concerts; all designed to expose the public to jazz and help keep the art alive. I was told years ago, by one a club owner, when I was writing for another paper that I shouldn’t write about what has happened but only about upcoming events. I disagree; I believe if people read about the fun and great times others had at an event, they will be encouraged to attend some of the great future events coming up:

 

Jazz Calendar

Here are some (not all) of the upcoming jazz events for the next couple of weeks:

 

Tonight Wednesday, December 5 – Tonight, for you dancers The Dayton Event Connection is featuring the Lizz & Rex Quartet and the Blue Wisp Big Band is at the Wisp in Cincinnati.

Thursday December 6 – Jeremy Pinell & The 55s w/Ricky Nye is at Japps in Cincinnati.

Friday December 7 – the Bob Niederriter Trio is at The Stone Tavern in Kent, Ohio and Kathy Wade & Ed Moss are at Schwartz’s Point in Over-The-Rhine in Cincinnati.

Saturday December 8 – Jazz Explosion w/Kenny Baccus & J. Webster Smith as Dr. Feel Good is doing a benefit for the Blind at Jazz Central in Dayton.

Sunday December 9 – Phil DeGreg Trio plays Dee Felice in Covington, KY and  the Jazz Jam Session w/ Kenny Baccus continues at Jazz Central in Dayton.

Monday December 10 – the John Taylor Trio is at the Brio Tuscan Grille in Beavercreek and the Blue Wisp Jazz Club offers a Jazz Jam hosted by Sandy Suskind inCincinnati.

Tuesday December 11 – Park Street Tavern continues their Jazz Jam and the Tony Monaco Trio performs at The Rumba Café both in Columbus.

Wednesday December 12 – the Blue Wisp Big Band performs at the Wisp in Cincinnati and Ricky Nye & Bekah Williams is at Chez Nora in Covington, KY.

Thursday December 13 – Lisa Biales and Doug Hamilton plays the O’Pub in Oxford, OH and Ricky Nye & Dottie Warner is at Arnold’s Bar & Grill in Cincinnati.

Friday December 14 – Shawn Stanley Trio is at Carvers Steaks & Chops in Centerville, OH and the Thompson House presents Bashiri Asad & Xenobia Green in Newport,Ky.

Saturday December 15 – The final Gabriel Foundation Benefit of the season features The ShinSings Orchestra at Jazz Central in Dayton.

Sunday December 16 – the Blue Wisp Jazz Club has BLUESBENT with Lawrence Bloomfield in Cincinnati and Bill Rudman’s “A Christmas Cabaret” is at Nighttown inCleveland Heights.

Monday December 17 – Vaughn Wiester’s Famous Jazz Orchestra is at the Clintonville Woman’s Club and Mark Flugge, Derek Dicenzo & Jimmy Castoe plays the Due Amici both in Columbus.

Tuesday December 18 – the Derek DiCenzo Trio performs at Local Roots in Powell, OH and the Jazz Cab is at The Greenwich in Cincinnati.

More info and jazz listings can be found at http://www,JazzAdvocate.com

New Workout Spot In Centerville: Pure Barre

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Centerville welcome a new excercise spot to the neighborhood today, Pure Barre.  This franchised location is  located at 62 W. Franklin St, Centerville, OH and owned by Janna Williams and Joni Green.

“We are thrilled to be bringing this fitness technique to the Dayton area. This will be our second location and we have seen first hand what the technique can do for women of all ages, shapes and fitness levels. Anyone can try a class for free! ” says Janna Williams. Janna and Joni currently own and operate Pure Barre in Mason.

The ballet barre workout has exploded in popularity since its inception in 2001. Using small isometric movements at the ballet barre set to motivating music, Pure Barre lifts your seat, tones your thighs, abs and arms and burns fat in record-breaking time. The workout launches a full-blown attack on the areas of the body all women struggle with: thighs, seat, hips, abs and back of the arms. Clients see results in just 10 classes. Since it began franchising in July 2009, more than 100 Pure Barre locations have opened nationwide.

The Studio at Pure Barre

According to their face book page you do not wear shoes in class and socks are required for both safety and sanitary purposes. They also ask that you wear an exercise pant or capri. It’s important to keep your legs covered to keep your muscles warm and prevent injury. Any comfortable shirt is fine, just keep your midriff covered.  Feel free to bring water with you. A towel is also helpful if you are a sweater!

Pure Barre will operate 7 days a week with classes ranging from 6am to 6:45pm.  Registering for a class is simple, and can be done in person, over the phone or online.

For more information on Pure Barre Dayton:
Please contact 937.535.BURN (2876)

ON STAGE DAYTON REVIEW: Oliver! (Human Race Theatre Company) – A Dynamic Dickensian Delight

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Pictured: The cast of Oliver! Photo by Scott J. Kimmins

Lionel Bart’s perennial “Oliver!,” his immensely tuneful 1960 adaptation of Charles Dickens’ classic novel “Oliver Twist,” has been thrillingly reborn as a dynamic, ensemble-driven triumph at the Human Race Theatre Company.

Astutely conceived with inspired direction by Alan Souza, previously associated with the Human Race productions of “Was” and “Ears on a Beatle,” “Oliver!” doesn’t begin in the traditional confines of a workhouse with a throng of hungry orphans. In Souza’s innovative landscape, the Dickensian London setting is Christmas Eve 1838 in a modest British pub, handsomely designed by David A Centers. The “Food, Glorious Food” is still praised, but the song primarily belongs to an assortment of ordinary, tough, working class men who know the tavern and each other very well, particularly the curiously combative, foreshadowing relationship between the bartender and his significant other whose child he derides. Souza doesn’t reveal their identities, which may be perturbing or perplexing to some, but these individuals are undeniably unified as their rough and tumble existence finds welcomed relief and unexpected similarities in an impromptu decision to interpret this musical rendering of “Oliver Twist,” originally published in monthly installments in “Bentley’s Miscellany” periodical beginning in 1837.

Pictured: The cast of Oliver! Photo by Scott J. Kimmins

As the bouncy title song kicks into gear, this rowdy bunch, appropriately with periodical in hand, seamlessly transition from the tavern backdrop into the familiar framework of the tale, full of the engaging, iconic characters Dickens meticulously constructed to mirror the corrupt, hypocritical, impoverished and menacing society he knew so well. Thanks to Souza’s incredibly versatile 10-member cast, Spencer Liff’s phenomenal choreography, Helen Gregory’s first-rate musical direction, and John Rensel’s excellently subtle lighting design, the two worlds smoothly coalesce without overt confusion. Fortunately, Souza’s fresh, communal approach doesn’t produce a dull moment and is consistently arresting. Even the altered if abrupt conclusion, authentically correlating with “Oliver Twist” remaining unfinished in “Bentley’s Miscellany” until 1839, packs a dark, dramatic punch. It’s extremely exciting and rare to see a director reinterpret a tried and true product with intimate boldness. In fact, Souza’s vision recalls John Doyle’s scaled-down, ensemble-centric 2005 Tony-winning revival of “Sweeney Todd,” which also lived uniquely outside the box within an intriguing milieu. And for pure ingenuity, Souza, Liff and Gregory’s kinship recalls Roger Rees and Alex Timbers’ equally creative handling of this year’s Tony-nominated play-with-music “Peter and the Starcatcher.”

Pictured: The cast of Oliver! Photo by Scott J. Kimmins

Liff, a Broadway standout who received an Emmy nomination four months ago for his splendid routines on last season’s edition of Fox’s “So You Think You Can Dance,” absolutely pulls out the stops using nearly every inch of the Loft Theatre stage for a dazzling array of breathtaking, energetic, applause-inducing sequences reflecting his trademark athletic artistry. In addition to his fantastic use of set pieces and props adhering to the tavern setting, I was particularly in awe of the jubilant atmospherics of the show-stopping “Consider Yourself,” the fast-paced cleverness permeating “You’ve Got to Pick a Pocket or Two,” the humorously posh sensibilities within “I’d Do Anything,” the amusing nod to “Les Miserables” in “Be Back Soon,” the rambunctious kicks, leaps and twirls of “Oom-Pah-Pah,” and the sliding, gliding, gleeful exuberance of “Who Will Buy?” The spirited ensemble is vigorously immersed in every mesmerizing routine to the utmost, undergoing the epitome of a theatrical workout. I wouldn’t be surprised if Gatorade is stored backstage for this hard-working crew.

Attractively costumed in period attire by Molly Walz, Souza’s marvelously cohesive cast portrays multiple roles with expertly detailed aplomb. In the titular role, Blaise Bouschard is an appealingly innocent, humble presence offering pleasant vocals, especially in his sincerely plaintive rendition of “Where is Love?” Gary Troy’s humorously slick, shrewd interpretation of Fagin, the scoundrel who craves his treasure and independence with equal passion, culminates with a delectably superb “Reviewing the Situation.” As the saucy, abused Nancy, Sara Sheperd, a terrific vocalist and a lively source of vigor and warmth, particularly supplies a compelling rendition of the lovely torch ballad “As Long as He Needs Me.” Nicholas Belton, another fine singer, is a perfectly brooding Bill Sikes. Joseph Medeiros, a skillfully sharp dancer with numerous Broadway credits, is a charming, crafty and witty Artful Dodger. He also scores big laughs as Widow Corney in “I Shall Scream” opposite the fittingly authoritative and droll Scott Stoney as Mr. Bumble. Adam Lendermon delights as creepy undertaker Mr. Sowerberry and is strikingly believable as the gentle, soft-spoken Mrs. Bedwin. Chris Shea is a great fit as the kindly Mr. Brownlow and the hopelessly agitated Mrs. Sowerberry. Ian DeVine, a Wright State University senior musical theater major who continues to amaze, winningly startles and intimidates as the cruel Noah Claypole. As Bet, the aforementioned, multitasking Gregory amiably partners with Sheperd for back-to-back knockouts “It’s a Fine Life” and “I’d Do Anything.”

Pictured: The cast of Oliver! Photo by Scott J. Kimmins

Brilliantly enhancing the art of storytelling through concept, song and dance, Souza, Liff and Gregory have overseen a must-see showcase, coinciding with the bicentennial of Dickens’ birth, which could have a life beyond Dayton in regional theaters or beyond. After all, Broadway hasn’t revived “Oliver!” since 1984, and considering the current success of the Roundabout Theatre Company’s terrific production of “The Mystery of Edwin Drood,” there could be a timely Dickens resurgence brewing which this version could promisingly accentuate.

Purists may scoff, but the Human Race supplies a joyously refreshing experience expanding the possibilities of what musical theater can be.

“Oliver!” continues through Dec. 22 in the Loft Theatre of the Human Race Theatre Company, 126 N. Main St., Dayton. Act One: 60 minutes; Act Two: 40 minutes. Performances are Tuesday at 7 p.m., Wednesday-Saturday at 8 p.m. and Sunday at 2 p.m. There is also a 2 p.m. performance on Dec. 22. The Dec. 11 performance is sold out. A post-show discussion will follow the Dec. 9 performance. Jonah Sorscher is also featured in the cast as the Oliver understudy. Tickets are $17.50-$45. A limited number of $25 tickets are available for each performance. Call Ticket Center Stage at (937) 228-3630 or visit www.humanracetheatre.org or www.ticketcenterstage.com. For more information, call the Human Race at (937) 461-3823 or visit www.humanracetheatre.org.

 

 

LOTR, Nutcracker, Quentin Tarantino, Home Alone

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Hello Dayton and Happy Holidays!  Check out these special events next week!

THE NUTCRACKER – DEC 3rd @ 7PM

Conducted by Valery Gergiev, this timeless production of The Nutcracker opens with a Christmas Eve party and a young girl, Clara, being given a nutcracker doll by her godfather, Drosselmeyer. Later in the evening when Clara sleeps, she finds herself in the midst of the Nutcracker’s battle against the Mouse King and his army of mice. Coming to Clara’s aid, the Nutcracker is transformed into a Prince and journeys with her to an enchanted island where spectacular celebrations are held.

[yframe url=’http://www.youtube.com/watch?v=DwwrHlOUzTA’]

 

QUENTIN TARANTINO’S RESERVOIR DOGS – DEC 4th @ 7pm

In 1992, Quentin Tarantino burst onto the scene and redefined modern cinema with the groundbreaking debut of Reservoir Dogs. 20 years later, NCM Fathom Events, Miramax and IGN are celebrating a milestone anniversary of this crime-thriller by bringing Reservoir Dogs 20th Anniversary Event to the big screen.

Also, Reservoir Dogs 20th Anniversary Event will feature trailers hand-picked by Quentin Tarantino which influenced his work, and exclusive new interviews.

[yframe url=’http://www.youtube.com/watch?v=PL40F9BD6557309FB4′]

 

JIMMY HENDRIX: LIVE AT WOODSTOCK – DEC 5th @ 7pm

In Celebration of the 70th Anniversary of Jimi Hendrix’s Birth, for the first time ever see Jimi Hendrix’s unforgettable August 1969 Woodstock concert in select cinemas globally.

This special edition theatrical presentation, under the auspices of Experience Hendrix, L.L.C. has been carefully reassembled from the extensive archive of film footage helmed by Academy Award winning director Michael Wadleigh and his hand picked team of skilled camera operators and support personnel under the auspices of Experience Hendrix, LLC, the Hendrix family owned company. What they captured was a Jimi Hendrix performance unlike any other.

Jimi premiered a new band and his extraordinary performance on that August morning included unforgettable renditions of such signature Hendrix songs as “Voodoo Child (Slight Return),” “Fire,” “Purple Haze” and “Foxy Lady” as well as his dramatic interpretation of the “Star Spangled Banner”. Jimi’s fascinating road to the Woodstock festival is revealed by way of never before seen footage and interviews with his band members such as Billy Cox and Mitch Mitchell, engineer Eddie Kramer and Woodstock’s promoter Michael Lang. Directed by Grammy Award winner Bob Smeaton [Beatles Anthology, Band Of Gypsys, Festival Express], the documentary, which precedes the performance footage, reveals the struggle to stage the legendary festival and secure Hendrix as its headline artist.

Jimi Hendrix Woodstock performance stands as one of the finest ever in rock music history. This presentation features the original 16mm footage digitally restored together with a new 5.1 audio surround mix by legendary engineer Eddie Kramer. Kramer originally recorded the Woodstock festival and also served Jimi Hendrix as his recording engineer throughout his entire career.

[yframe url=’http://www.youtube.com/watch?v=gFAQWjdCO8o’]

 

RAVE RETRO SERIES: HOME ALONE – DEC 5th @ 2pm & 7pm – Only $5!

An 8-year-old boy, who is accidentally left behind while his family flies to France for Christmas, has to defend his home against idiotic burglars.

The Retro Rave Film Series is taking you back to when a night at the movies was totally awesome… Don’t miss your chance to see these great classics on the big screen at a Rave theater near you.  Future films; 12/12 Bad Santa & 12/19 Christmas Vacation.

[yframe url=’http://www.youtube.com/watch?v=CK2Btk6Ybm0′]

 

QUENTIN TARANTINO’S PULP FICTION – DEC 6th @ 7pm

In 1994 Quentin Tarantino unveiled his masterpiece, Pulp Fiction and solidified his place among the greatest filmmakers. NCM Fathom Events, Miramax and IGN are bringing Pulp Fiction back to the big screen.

Recognized on AFI’s Top 100 list, Pulp Fiction weaves 3 interconnected stories of seemingly unrelated people into a tale of violence and redemption.

The event will also feature interviews and trailers, handpicked from Tarantino’s personal collection, that have influenced his work.

[yframe url=’http://www.youtube.com/watch?v=Ak-48HIXku0′]

 

LORD OF THE RINGS MARATHON – DEC 8th @ 10am

Rave Cinemas is proud to present the Lord of the Rings Marathon! This all day, one time only event will be on Dec. 8th, 2012 starting at 10am. The extended version of all movies will be shown, giving audiences the capabilities to relive the magic back on screen!

LOTR: The Fellowship of the Ring- @ 10:00am LOTR: The Two Towers –  @ 2:15pm LOTR: The Return of the King – @ 7:00p

Tickets for the event are only $25, with large popcorns and large sodas getting free refills!

[yframe url=’http://www.youtube.com/watch?v=jBlXOSqDz_Y’]

For showtimes click here

ENTER TO WIN TWO MOVIE PASSES!

Fill out the form below and leave a Facebook comment telling us you want to WIN MOVIE PASSES from RAVE CINEMAS DAYTON SOUTH, we will randomly draw a winner and notify same. Contest closes 12/06/12. Passes awarded will be valid for 30 days from close date at Rave Cinemas Dayton South only and must be used by then or will be forfeited. Valid for any showing, except special events.

CONTEST CLOSED

Congratulations to Pam Livingston

DaytonDinings 12 Days of Giving

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It’s the holiday season and everyone likes to get an unexpected gift, so DaytonDining has launched 12 Days of Giving!  Using our facebook page, we’ll be promoting a different local eatery each weekday for the next couple of weeks.  One of our lucky facebook fans that shares our Giving image will win a gift certificate to a Dayton area restaurant. Kicking off the promotion, Kettering’s Hawthorn Grill has a $25 gift certificate up for grabs.   To find out who else we’ll be featuring, just check our facebook page day!

This is our gift back to the community, and we hope you’ll help thank our local restaurants with your patronage during the holiday season and don’t forget that restaurant gift certificates are easy gift giving!  Happy Holidays from all of us at Dayton Dining!

 

Holiday Gift Shopping, Activated Spaces Tour Featured During Downtown Dayton’s First Friday

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Shoppers browse the Dayton Visual Arts Center's ARTtoBUY holiday gift gallery during December 2011's First Friday.

Shoppers browse the Dayton Visual Arts Center’s ARTtoBUY holiday gift gallery during December 2011’s First Friday.

Downtown’s next free First Friday art hop will be held from 5 to 10 p.m. Friday, Dec. 7.

Downtown’s specialty retail stores and art galleries will be open late for shoppers who want to pick up one-of-a-kind holiday gifts, including vintage clothing and housewares, handmade gifts and art, gift certificates, and much more. Here is a sampling of downtown’s holiday gift galleries:

• CADC, 35 S. St. Clair St.: The gift gallery, “Art Box,” will be open and CADC will feature “Mobiles and Lights,” an exhibit featuring artists’ interpretations of mistletoe and twinkle for the season, along with live music, appetizers and drinks. Call 313-9883.

• Cachet G! International Boutique, 133 E. Third St.: Featuring watercolors and fabric art by Francine Cummings, as well as wearable art and handmade notecards. Call 461-2665.

• Dayton Visual Arts Center, 118 N. Jefferson St.: (Open 5 to 8 p.m.) Featuring art by Deborah Melton Anderson and the ArtToBuy Holiday Gift Gallery. Call 224-3822.

• Gallery 510 Fine Art, 510 E. Fifth St.: Shop a variety of handmade items perfect for gift giving, including ceramics, jewelry, scarves, art, purses and more. Call 672-6717.

• K12 Gallery for Young People/TEJAS, 510 E. Third St.:  (Open 6 to 9 p.m.) Showing “American Immigration: A Local Perspective,” a mixed-media exhibition, as well as artwork from Horizon Science Academy.  Vendors will be selling handmade art and gifts. Call 461-5149.

• The Yellow Cab Building, 700 E. Fourth St., will host Handmade Holiday Dayton. This annual event features more than 30 local artisans vending gift items, ranging from soaps to hand-crafted jewelry, and prizes will be raffled off from local establishments. Handmade Holiday Dayton will continue from 11 a.m. to 6 p.m. on Saturday, Dec. 8.

A tour of the window clings installed during Activated Spaces’ Street Team initiative will take place during First Friday. These two clings, designed by local artists, are hung in the Talbott Tower.

In addition, Activated Spaces will host a tour of newly installed window clings featuring the work of local artists during First Friday. The tour begins at American Pi, 37 S. St. Clair St., at 5:45 p.m. The tour will last about 30 minutes, and a reception at American Pi will continue afterward. The installation theme, Colorful Dayton, aims to show the vibrancy of the Dayton community. The 10 clings have been placed in several locations throughout the core of downtown, featuring work by eight local artists, as well as contributions from the City of Dayton and the Miami Conservancy District.

First Friday also will include roaming entertainers, including The Dropbacks, a juggling troupe; the Miami Valley Music Men, an a cappella choir singing carols; and holiday characters in costume.

A complete list of what downtown businesses have on tap for First Friday is available on the DDP website.

First Friday is presented by the Downtown Dayton Partnership with support from the Oregon District Business Association, the Ohio Arts Council and WYSO-FM 91.3. The Downtown Dayton Partnership’s website has a complete list of downtown’s arts and cultural amenities, as well as a dining guide, parking map and much more. Download the Find It Downtown mobile search tool for smartphones at http://mobile.downtowndayton.org.

University of Dayton Presents Heavy Metal for the Sophisticated Educated Ear

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Friday November 9, the hallowed halls of finer Dayton based education held a symposium on a subject of great interest, historical value, global impact and social significance. Four renowned highly educated intellectual professionals came to discuss a subject many of the student body loved and many around the word live as a lifestyle. Dr. Esther Clinton and Dr. Jeremy Wallach of Bowling Green State University, Dr. Deena Weinstein of Depaul University and Dr. Mark LeVine of California-Irvine all brought their esteemed, world traveled knowledge to enlighten us on the finer spoken points and high society standards of the world’s greatest musical contribution… Heavy Metal.  Sponsored by The UD Arts Series, Office of the Dean of the College of Arts and Sciences, Departments of Communications, English, History, Music, Sociology, Anthropology and Social Work.  Also the Roesch Library, Ryan C. Harris Learning Teaching Center, Alumni Chair of Humanities and Social Justice LLC and Service Club.
Each gave a different and unique presentation to a packed room in the Sears Recital Hall at the Jesse Phillips Humanities Center on the effects, sounds, culture, emotional impact, history and understanding of the genre as a whole and fascinating insight into its distinctive subgenres.
Dr. Clinton a professor of popular culture and teacher/writer of Folklore, Popular/Material Culture began her lecture, “Who has Access?- Comparing  the Moral Panic About Gothic Literature in the Late 18th Century and Heavy Metal Music in the 1980’s.” She made several comparisons to the themes of gothic literature and Metal such as the often used dark and stormy night verbiage used in novels which was present in metals earliest form, the first Black Sabbath record with its eerie downpour and looming church bell. The music sounds dark, using minor keys, reverb and the dreaded tritone. The theme of human/personal/supernatural evil widely used by Sabbath, historically becoming one of the genre’s biggest lyrical go to subjects was often symbolized by the dark characters within the gothic works. Moral panics were brought on by both forms of expressionism. The PMRC gave us the 15 worst song list questioning their lyrical content on the young minds of the time. Gothic literature gave woman a great sense of empowerment as they could control or influence men using their powers of persuasion. They were given strong roles, standing up to men and allowed to enjoy the more physical side of life in these stories which helped the female literacy rate go up. In 1870 a law was passed which gave women access to these ‘fun’ books which were passed around and shared much like the underground tape trading scene of the early 80’s. So if you lived back in the day and were luckily enough to get a presumably well- read, well-worn ‘early’ copy of Frankenstein, Dracula or the era’s first novel The Castle of Otranto it would be similar to a friend giving you a re-re-re-re-copied underwater sounding cassette of Metallica’s No Life Till Leather demo. Also the advent of cassettes along with malls, Walkman’s, Boomboxes and Ghettoblasters made the ‘then’ music media portable and easier to share and play. It also opened a huge market for the younger crowd as before records were more for adults.
Dr. Wallach, is the Associate Professor in the Department of Popular Culture and author of Modern Noise, Fluid Genres: Popular Music in Indonesia, 1997-2001 and Metal Rules the Globe: Heavy Metal Music Around The World.  He brought along some very unique sounds to his presentation, giving us a listen to some extremely rare demo tapes and bands from the farthest reaches of the earth showing that the sound of metal can incorporate almost any kind of instrument and will still sound ‘metal’. His topic of “Diversification and the Duality of Domination in Global Heavy Metal” was an eye opening look into just how far heavy music has spread to several parts of the world that the average headbanger probably hadn’t heard of.  Not your every-day types of metal included Celtic and non-English and with the bagpipes and accordion’s blaring there’s even a Metal Polka. Other unique instruments used were an Erhu (a Chinese two stringed bowed instrument) used in solo performances and orchestras, known as a Chinese Violin or Fiddle in the Western World. A Gamelan, an Indonesian group of non-interchangeable instruments meant to be played and tuned together from the islands of Java and Bali incorporating drums, gongs, flutes and plucked strings. The instruments are all built together on a decorative rack and are played as its own separate entity and are an integral part of Indonesian culture. Other multi-string music makers include the 13 string koto, Japans national instrument and a shamisen, a fretless 3 string plucked instrument similar but designed simpler then a guitar or banjo. Both have recently been used by Taiwanese Black Metal group Chthonic (pronounced thonic). A group formed in 1995 incorporating ghost paint instead of corpse paint and are still going strong today regularly playing festivals, arenas and stadiums. That’s right, a stadium level black metal band. When’s football’s over, Chthonic will come. While each of these instruments by itself would seem worlds apart and almost alien to the world of loud extreme music, each bands incorporates the sound and different playing styles into the loud sound in a way that doesn’t get drown out by screaming guitars. The instruments use itself is a statement of each bands distinct culture, mythology and history.
Next up the very well-backed up metal spoken word of professor of sociology Dr. Weinstein (she’s posing with Dio in the event booklet). Her body of work covers books, chapters and articles in professional journals ranging from sociology of rock to postmodern theory. She also writes music reviews and features for a range of publications and has authored Heavy Metal: The Music and It’s Culture. “Metal’s Malleability and Its Cultural Globalization” Metal has a name, image, brand just as Starbucks, Harry Potter and McDonalds. Metal music literary speaking shape shifts and can be twisted, torn, bent and reshaped into various forms of product and art just as actual metal can. All shapes though break from their original form. Visually metal bands are seen as strong, often using visuals of power whether in their artwork, lyrics or presentation, as real metal is physically strong. A Manowar album cover can be seen as artistically strong, showcasing its members as built and musically, physically appealing, while black metal bands like Gorgoroth and Mayhem use shocking images in personal appearance and stage presentation.  Though there are underground death metal scenes all over the US, where it’s more accepted, there is also a huge scene in Columbia and Mexico. The music’s sound like actual metal can be bent incorporating different sounds, agenda’s, personal messages, lifestyle commentary from different parts of the world. Take Overthrust from Ghanzi in Botswana a death metal band whose appearance reflects an old school biker look. Different cultures have used music as the only voice they might have to vocalize injustice, prejudice, and discrimination.
Dr. Levine is a professor of Middle Eastern history, holding a doctorate in Middle Eastern History and Islamic studies and musician recording/touring with Mick Jagger, Dr. John Ozomatli, and Hassan Hakmoun. He’s also authored Heavy Metal Islam and presented “Behind the Sun: Metal and the Roots of Revolution in the Arab World.” He showed a funny clip of MTV Arbia and talked about nations that just started to open their doors to metal music. In some countries playing metal either recorded or live and wearing t-shirts and having long hair is an arrest-able offense. In extreme cases some societies are so sheltered that the penalty for being a metal head is death so the music in underground in the most literal sense. Many fans embrace heavy music here because of its rare and sometimes almost inaccessible availability. In 1997, there were Satanic scares in Israel the government thinking the music made metal heads torture cats. They also thought the music made kids mentally ill due to the perceived and uneducated viewing of headbanging and moshing. Of several Youtube metal clips shown was a musician discussing that he’d only recently been able to wear his shirts in public and that he once feared for his life and that playing metal could cost him his life. One of the most telling and powerful stories was in 2007 Iron Maiden were the first major metal band to come to Bangelor India, ever, playing for 30,000 fans. There are Youtube clips showing fans openly weeping for joy that a metal show this big had finally come to their country. One funny but telling story was from a fan who sold his father’s shoes for ticket money.
As a historical preview Anthropologist Sam Dunn’s 2008 Global Metal Documentary was shown the previous week. The film follows Dunn’s whirlwind journey through Asia, South America and the Middle East as he explores the underground underbelly of the world’s emerging extreme music scenes. Genres explored include Indonesian death metal, Chinese black metal and Iranian thrash metal. Highlights include an entire mall in Brazil (home of Sepultura) dedicated to metal music. Former Megadeth guitarists Marty Friedman talking about Japanese fans giving western bands toothbrushes, which has nothing to do with oral hygiene rather the fans just want the bands to have something from their country. He also talks about Visual kei, a movement characterized by make-up, wild hairstyles and flamboyant costumes, resembling a mix of glam and punk. Pioneered in the early 80’s by Japan X and recently to a point incorporated by Dir En Grey, a more familiar to the Western world Japanese band. The musical style is unique as it shifts between shredding metal blasters to tender somewhat cheesy ballads. Imagine a Visual kei band playing Raining Blood, Don’t Know What You Got Till Its gone, Master of Puppets and More Than Words in that order and you’ll have an idea. After being closed off from the Western World, Tang Dynasty became the first Chinese metal band. In 1993 Metallica played in Jakarta Indonesia and due to the kids going into frenzy (releasing pent up anger from the government oppression and dismal living standards) inside and outside of the stadium all rock and metal shows were banned for years. The Desert Rock Festival in Dubai is the only metal festival in the Middle East and the only place where fans can come and safely show their devotion. It’s an epic monumental event bringing people from Lebanon, Bahrain, Kuwait, Aman, Saudi Arabia, Duheas among others. Another example of how metal starved this region was, is that there’d never been metal cd’s allowed and there’d also never been a metal show in Iran until 2004 when SDS (Seven Deadly Sins) played in Tehran and even then the audience had to sit down with the band playing covers including Morbid Angel and Slayer couldn’t have vocals due to metal’s perceived harsh and aggressive lyrics.  Dunn’s other films include Metal: A Headbangers Journey, Iron Maiden Flight 666 and the TV documentary series Metal:Evolution among others.

So You Want to Bar Tend…

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Fancy cocktail with a twist

Perhaps you will be making many of these…

Bartending has a fog of grandeur around it. We lean against the bar polishing glasses, we are in touch with deeper wisdom than many mortals, and we know the ins and outs of every drink known to man. In the middle of the chaotic bar scene you are used to, we are the men and women who navigate through it all with ease and confidence, remembering drink orders of most of the patrons. That is why we always get one or two numbers a night from the people in the bar. I hear more than once or twice a week how nice it must be to be a bartender, and how they would love to do what I do.

Bartending is a tough gig. The hours are long, there is quite a bit of very physical work involved (kegs and cases of beer are incredibly heavy), and the pay is always uncertain. Being on top of your game means doing what people in other professions do: reading the trades and books, searching the internet for the edges of the trends, and trying to stay one step ahead of what your customers might be demanding. You get to deal with very drunk people, sometimes demanding people, and of course cleaning up after a great party every night.

There are good and bad things about every job. The first time I went behind the bar, I knew it was something I was going to love doing. It was comfortable, like a well worn t-shirt. It is not something for everyone. If you are looking to eventually work your way into becoming a bartender, here are a few things you want to consider:

  1. Pick your spot. It is interesting to note that not all places offer the same sort of bartending. Jokers and the Funny Bone work on the premise of speed. We had a limited amount of time, and we wanted to make the best cocktails at the fastest pace. That leaves many cocktails with muddling out. Or making cocktails with fresh squeezed ingredients. However, there are places around town where they can take their time to squeeze oranges for each drink, and delicately muddle the mint in a mojito. They may even make their own liquor infusions. On the other end, some bartending jobs are little more than pulling draughts, pouring shots, and opening cans. Look for the type of bartending you want to do, and try to get in a place that offers it.
  2. Prepare for a long apprenticeship.  I started bartending at Jokers Comedy Café in 2005.  I started working at Jokers in 2002. I do not know of any bartenders that walked in and right away got the job unless they had some experience. And not classroom experience; real world behind-the-bar experience. To become a bartender, you are going to have to take some time lurking in the shadows at the place you want to bartend at. Maybe as a bar back. Maybe as a server. Just get in somehow, and let the manager know you want to be a bartender. It may be a long time, but you might actually get back there. Then there will be a period of working the Tuesday dinner shifts, the Sunday brunch shifts, or other less than desirable bartending periods. Once make it through all of this, it makes it easier to get bartending jobs at other places.
  3. Everyday you’re hustling. There is a hierarchy in the serving industry, and bartenders are on the top of it. There are usually very few of them compared to other positions in the restaurant, and they are picked from the best servers and workers. They are given the most autonomy out of any position, and it is not by shirking shifts and needing to be prodded to do their job at every turn. Why? They are in charge of one of the most precious commodities a bar has: the liquor. The management has to trust you with such a vital and expensive part of their business. You have to show them that you are that person they can trust.
  4. Study the menu. See the type of drinks they offer, and the types of drinks people are ordering. I have made hundreds, possibly thousands, of Mai Tais and Blue Kazoos (.75 oz. blue curacao, .75 oz. Bacardi 151 rum, and lemon lime soda, served in a highball glass). I could count the number of Rob Roys or Rusty Nails I have made on my fingers. This gives you a chance to start learning the popular drinks and how to make them.

    Cans of beer

    …or opening quite a few of these.

  5. Learn your trade. What is the difference between cognac and brandy? What craft beers are starting to become popular? Who is Jerry Thomas? Or Gary Regan? These are things you want to start learning as you are waiting to become a bartender. Go to tastings like the Century has for whiskey, the Trolley Stop has for beer, and various places around the area have for wine. Read books. Check out magazines. Surf the web. Absorb everything you can, and use it. Your customers will thank you for it. Hopefully with money.
  6. Weekends? Holidays? Most people see weekends and holidays as a time to relax and spend time with family and friends. While they are winding down, you have to be winding up. Weekends are when you make your money. Friday and Saturday night are the prime shifts, when all the real money making occurs. Though, you have probably learned all this through the apprenticeship phase. Or just by looking around when you are out on Friday and Saturday while waiting for a table. It could cause some friction with family and friends when you tell them you really cannot make it for the big Saturday graduation party because you have to, you know, pay rent. It becomes a trade off you have to be willing to accept.
  7. Love thy customer. The other side of your bar has people on it. They are not the enemy, they are not walking ATMs, they are not trying to make you have a bad night. They just want a drink, even if that drink is something that makes your bartender soul cringe (chocolate martini with Tanquery, anyone?). They want to celebrate their birthday, have fun on their date, or commiserate a bad day with friends. Your rough night behind the bar, broken glass in the ice, or bartender that did not show up is not their concern. Always smile. Chat with them, ask them about their day, and enjoy their company. Being a great bartender is more than just knowing how to make a good cocktail; it is knowing how to help a few hundred people a night a really good time.

I am a huge fan of working behind the bar, making cocktails for people, and seeing all of them enjoying their night. When I do complain about the bad tipper or the overly needy customer, I remember that they are in the minority, and ninety five percent of the people I deal with are incredible, fun, and are looking to enjoy their night. If after reading all of this, you still are looking to bet back there and make the best damn drinks in Dayton, good luck. I hope you make it. If anyone else has some tips, or wants to share their story about getting into bartending, we would love to hear it. Cheers!

Amber Rose hosts Donation Drive for Ronald McDonald House

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Long time Dayton residents know all about the Amber Rose Restaurant in the Old North Dayton neighborhood, just north of the Great Miami River. Specializing in Eastern European cuisine, which matches the immigrants who first settled in this neighborhood, the Amber Rose is a great Old World atmosphere, and delicious food. Dishes like Turtle Soup, Cabbage Rolls, Schnitzel, and more! They describe the restaurant this way:

The Amber Rose Restaurant and Catering specializes in homemade Eastern European Cusine including German, Lithuanian, Polish, Hungarian, Russian and Italian cuisines. Our bar is made of imported Turkish marble, perfect for having an appetizer and spirits with friends. Our beer and wine lists consist of exemplary, hard-to-find European beverages.  The building is located in the heart of Old North Dayton.  We also specialize in custom catering to fit any of your needs.

Just down the road from the Amber Rose is another place that Daytonians know about- Children’s Medical Center, and of course, the Ronald McDonald House, which gives parents of Children’s patients a place to stay while their kids are being treated at the hospital. What a great service these two provide local parents!

The Amber Rose has just announced that they will be sponsoring a fundraiser through December 22nd for the Dayton Ronald McDonald House Charities! This donation will be given to the families of the critically ill hospitalized children. Every customer that brings in a donated item will receive 5% off of their bill. Each additional item will constitute as an added percentage off- Up to 10%. 1 ITEM=5% OFF, 3 ITEMS=8% off *Only 1 discount per check. Not valid with any other discounts.

They are looking for items like canned vegetables, fruit and soup. Gift cards to Kroger, cereal, granola bars, and paper products, and you can find all the details on the Amber Rose website– what a great way to help a wonderful charity!

SITH, Forces of Nature, King Stench Cross Streams with Zuel at Hanks Pub

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Shadows in the Hourglass

Friday night November 16th  one of Dayton‘s long standing staples and supporters of local music Hank’s Pub hosted a noisy evening showcasing some of Dayton’s finest metal minions. Shadows in the Hourglass, Forces of Nature, King Stench and Zuel played like true metal masters, banging the heads of the cozy crowd. Offering a bullet belted buffet of heavy elements and styles. Not one head bang or evil growl was the same.

Bassist Zack Ryan and Travis Abling play passing away the sands of time delivering their two instrument musical torso. They’re missing the guitars and singer and they’re damn proud of it too. Carrying a show on four strings and some drums is a beautiful thing to hear when SITH happens. Nicknamed Showers in The Hourglass for the evening they bathed the crowd in deep bass patterns backed by fast intricate drum conversations. Ryans fingers played us into the dark caverns of the brain, the strings putting mental tip toeing, footsteps and running in the mind. There’s some funk with the shadows too. He shows off some skill fluctuating styles bringing Flea, Cliff Burton and Geezer Butler into the room. Abling lays the groundwork for Ryan to play with beating the crap out of his kit, in the nicest possible way. Sadly this was their last show of the year but as long as the Mayans don’t get their way they’ll be back next ‘13.

Forces of Nature

Next is the bloody reign of Slayer, Mudvayne and Pantera giftwrapped in barbed wire just in time for the holidays.  Only these Forces of Nature can control the Seasons in the Abyss. They break out the heavy artillery, pile-driving your head into a bulldozer. Singer Tate Moore screams and screeches sound like he’s trapped in a sewer drain lungs filled with septic fluid, spewing all kinds of nasty vermin. Guitarists Marc Godsey and Jimmy Rose trade crunchy, munchy guitar riffs torn off rusty chains of gristle. Johnnie Wallace plays the bass like it’s the deep voice of hell coming for you. Of course behind every four good big, bad, creepy metal dudes is always a better woman, who could probably beats the skin off of any drum head, the lovely Mrs. Shannon Godsey. The bigger Godsey plays with Kerry King goliath sound harnessing the bands dark live power. Playing with speed and Dimebag thrash he brings all the necessary demons howling out of his electric twanger. They opened with Magnus Lee, Nevermore (not the band), the feet stomping chug and Chromatic Death breakdowns of Mary Hates Herself.  Formed in 1999 and revamped in 2009, they’re a few years into their second decade of aggression. They play us the sound twisting, weaving tune with the twisted smiling face of the Dark Carnival. They play nice Throwing Fists just close enough to pleasantly assault the ear but not cause serious damage. They go from the stage to the mystery machine and deal out some serious shredding Scooby Snacks on EX-6-DEZMO. Forces of Nature bring all the elements and can play it all from breakneck guitar speed, seismic solos and slower melodic The Legacy type ballads and bringing down the lightning of the gods with instrumental material.

King Stench

There’s something rotten in Denmark, or Dayton which means there’s a foul stench in the air created by King Stench. His Dan Lilker looking highness summons the mighty forces of evil dark black metal unleashing an old school sound down from the deepest, darkest, backwoods used crawlspace. With possessed grizzly bear growling and a naturally dark aura they play homage to the forefathers of the macabre musical genre including Venom, Mayhem, Immortal and a horde of other corpse painters.  Mr. Godsey plays double duty on bass and the newlywed Hammering Hobbit plays the blast beat, deep forest outhouse bowels out of his drums. Yes, under Ohio law it is legal for hobbits to marry. Cess Pool on guitar rounds out this stinking pile of Hellish Odorous Local Royalty.  Hells Gate opens revealing the Putrid Remains of False Prophets. The Ungod would be proud of new tune Eternal Flame. Visions of the Goat Lord are next then we Fight for out Last Breath against the Hell Hounds, finishing with a Premonition of Devastation.  They’re single handedly playing out the demons from hell and bringing them to Dayton. Thanks guys.

There is no Dana, only Zuel. It’d seem like a no brainer to name your metal band after the feminine Gatekeeping minion of Gozer and sometimes drooling devilish canine worshipped by the Sumerians and Hittites in 6000 BC and subsequently overthrown by the Babylonian goddess Tiamat and banished to another dimension.  But the guys from Zuel decided to be even cooler, changing the spelling and name it after the red eyed devil dog that lived in Sigourney Weaver’s refrigerator in the mid-eighties. In Ghostbusting terms they very well could be the 35 foot long, 600 LB, Twinkie of local instrumental metal, “IF” you can find one. Born in the summer of 2009, they’re a band with no gimmicks, no trends and no scene hair, which’ve recently gone voiceless so now only the music matters. They come right out and hit us with a prog, Helmet style guitar prodding taste of Morbid Angel with a S—t Hammer in the b—s. They prove they truly are Bill’s Gate Keeper on Microsoft Rapture. They slowly build up with solid steel spiked steps, jerking and jarring with sudden starts, stops, jolts and snaps. They show off some easy going groovy jazz then speed up the sound race sending you sprinting down the stairs as a building collapse’s above you. They add a little Zep to their dazed and confused set of intricate instrumentalism.