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Archives for January 2011

Music Video Monday: January 17, 2011

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This Monday finds many of us mourning the loss of Barry Hobart aka Dr. Creep, who passed away on Friday.  For more on Dr. Creep’s legacy on local television, I highly recommend J.T.Ryder’s article, Brilliance on the Edge of Night here on Dayton MostMetro.  We’re in the process of putting together a tribute show in Dr. Creep’s honor for this week’s Kaleidoscope on WYSO.  I’ll pass along more details about that tomorrow here on Dayton MostMetro.

In addition to horror films and hilarious mayhem, Dr. Creep would feature musical guests on his show from time to time.  During the New Shock Theatre years, he even recorded an album with the Lawn Jockeys called The Amazing Sounds of Shock Theatre.  Today’s music video is a classic episode of the original Shock Theatre series featuring a musical perform by New York band, the Freelance Vandals at the fictional “Famous Les Fern Dance Studio.”

One Year To A Better Neighborhood

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Before Dayton had “Originals”, we were a “City of Neighbors”. I’m not sure when we stopped being so neighborly, but one of the things I hear from buyers is that they want to live in a neighborhood where residents really know each other. They want a sense of community and camaraderie. People don’t just buy a home, they buy into a neighborhood and they want to know that not only are there are people within shouting distance who’ve got their back, they want to find a neighborhood where their own presence is felt and appreciated. Not all neighborhoods come with a ready-made sense of community so maybe it’s up to you to be the change.

The start of a new year is the perfect time to make a plan for your community, so I’m offering some ideas for becoming a stronger neighborhood. One for each month, these are generic, easy, simple- a spring board for what might work in your own community, but hopefully they will get you started. If you have kids, your job is easy. Kids are natural neighbors who use the block as a playground and every new person is a potential friend, whereas adults use the home as a refuge. Fight the urge to shut the door against strangers in your own neighborhood. There’s a difference between being friendly and being nosy and very few people in your neighborhood will complain about the former.

January: Hire a kid.
We get snow in January, and believe me, there is a teenager in your neighborhood who would love to make some money shoveling snow. Hire them. Hire them! Set your expectations high and hold that kid to those expectations, but hire the kid, and hire them to shovel your elderly neighbor’s driveway as well. Don’t make the 3-foot-nothing kindergartners on the block trudge through 5 inches of snow.

February: Take a walk.
There are usually a few days in February where the weather breaks. Get out of the house and take a look around. Notice which neighbors are gardeners and who likes landscaping. Where is the neglect in the neighborhood? Is there a need there that can be filled? Wave hello. In the car, on the sidewalk, across the street- wave hello. Acknowledge that you recognize that you are sharing space with your neighbor and 95% of the people you wave to, will wave back. Who knows? They may even smile. 🙂

March: Clean up your yard.
March winds mean a lot of flotsam and jetsam starts blowing around the neighborhood. Clean it up, your mom doesn’t live there. When you walk, take a bag with you and pick up the garbage you see. I know you didn’t put it there, but you live there, and trust me when I tell you that your neighbors will notice and will start to take pride in their neighborhood, too.

April: Meet the gardeners.
Someone in your neighborhood is a horticulturist by passion. Because you’ve been out walking and paying attention, you’ll know who they are. Early weekend mornings, go meet them. Walk past, say hello, compliment their yard, get their advice, find out where they shop for plants and how they treat their soil. If you don’t care for plantings, perhaps you can find the best lawn in the neighborhood and talk to them. These people are regularly outside, they know what is going on in the neighborhood. They are clued into the community same as the house with all the kids. Get to know these people. If you have the opportunity to start a community garden, do it!

May: Neighborhood Open House.
The historic districts in Dayton do these on a regular basis, but why not your neighborhood? Contact the Realtors who have listings in the neighborhood and get this started. My guess is that any Realtor worth her salt would jump on this idea in a heartbeat and do a lot of the heavy lifting for you. It’s a great way to spruce things up, show off the community, and bring people into the neighborhood.

June: A neighborhood cookout or block party.
Pot luck, casual, bring the kids, keep it outside. Easy does it. Invite local police if that would be helpful, appropriate, and productive.

July: Exterior updates to the house.
Attitudes are contagious. Painting the shutters, or replacing windows, or a new roof will get your neighbors out of their homes to talk about it with you, and you will soon see improvements to their homes as well. Very few people want to live in the worse home on the block, and some blocks simply need one or two home owners to decide that the neighborhood is worth it, before that attitude becomes the norm. If you don’t have a front porch, create the feeling of one and use it on summer evenings.

August: Back to school.
Go to a school board meeting. I’m not sure what affects property values like the local school system. That means you have to know what is going on and you have to hold your elected board members accountable. It’s okay to be the PITA citizen who expects results.

September: Fall Pot Luck.
One last chance to get outside together while the weather is warm. There will be a lot of changes to talk about: Neighbors who have come and gone; a neighbor who is in need; the roads or sidewalks in disrepair; which home is in foreclosure and do you take on maintenance for the vacant property?

October: Trick or Treat.
Beggar’s Night is a great time to get to know your neighbors, don’t turn off the lights and hide in the dark. The younger kids will be out early so buy enough candy for the first hour or half hour and get to know the families in the neighborhood, if you haven’t already.

November: Leaf raking.
Raking, not blowing. Raking leaves invites the neighbors to stop and chat with you, while a leaf blower is a noisy apparatus that repels your neighbors. Rake your leaves and skip the trip to the gym.

December: Share with your neighbors.
Self-explanatory.

There you have it. A painless way to get to know your neighbors. Each neighbor has something unique to bring to the neighborhood, and not everyone will be receptive to participation. Respect those differences, but find a way to build on them, and you’ve got the beginnings of a vibrant, growing community.

Okay, I’ve shared my ideas- let’s hear from you all. What makes your neighborhood such a great place to live and how do you create a sense of community?

Photo courtesy of TLussier

Film Review – True Grit (B)

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True Grit – Christmas, 2010
Rave Motion Pictures
(Huber Heights)
Grade: B

I love Coen brothers movies. Everything they do is entertaining. So, when I see one of their movies and don’t instantly recognize it as terrific, I tend to be disappointed. That’s not to say that their True Grit remake wasn’t good. It was. It’s just that it wasn’t the funniest movie I’ve ever seen, as was The Big Lebowski, wasn’t Fargo perfect, and didn’t leave me fearing an indifferent Universe, Like The Man Who Wasn’t There did.

Rooster & Mattie

While I did enjoy True Grit, that feeling of, “I’m all in. I need to find out what happens to the hero,” that typically accompanies a Coen brothers movie was absent. I just wasn’t fully invested in the story. While the circumstances of the characters may have been somewhat uncompelling, the characters themselves were great. Jeff Bridges as tough, drunk U.S. Marshal and remorseless killer, Rooster Cogburn, is fun to root for. Matt Damon unsurprisingly plays likably arrogant well as Texas Ranger LaBoeuf, and the two butt heads throughout their time together as legal authorities with opposing outlooks on the law likely would. Relative unknown Hailee Steinfeld does well to be noticeable on screen alongside movie stars as Mattie Ross, a teenage girl who elicits the help of Rooster to capture her father’s murderer, Tom Chaney. True grit is carried by the performances of these three and the combative, comedic interactions between them. Those looking for a dark, suspenseful take on a timid classic will be surprised to find that True Grit is more of a comedy than anything else.

Smallish yet quality roles by Josh Brolin (Milk, The Goonies), playing Chaney and Barry Pepper (Saving Private Ryan, 61*) as Lucky Ned Pepper, the leader of a group of outlaws with which Chaney has found refuge,  give the story energy. Ned Pepper’s rough appearance and demeanor has no doubt convinced Dayton audiences that he’d have no problem fitting in at a local establishment of the same name. Seeing these famous faces get relatively little screen time served as a reminder of the pull of the Coen brothers. I watched the 1969 original for the first time after I saw the remake, and was pleased to see that the original was similarly cast, with Robert Duvall and Dennis Hopper making big impacts despite brief appearances.

Surely, had this movie been made by unknown filmmakers and had I left my unfairly high expectations of the Coen brothers at the door, I’d be speaking about True Grit in more glowing terms. As it stands, I can say that True Grit at least kept my attention and that I’ll carry the same unfairly high expectations with me into the next Coen brothers movie I see.

Brilliance On The Edge Of Night

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The Passing Of A Community’s Icon

A seven year old boy sits rapt, wrapped in a heavy quilt in a darkened room, the only light coming from the television, which created sporadic flashes of light and shadow against the living room walls. Vincent Price, Peter Lorre and Boris Karloff are on the screen, emoting Roger Corman’s interpretation of the Raven. In between scenes of decrepit castle chambers and crypts of the unquiet dead, commercials for King Kwik and other local retailers burst forth in chromatically bright colors in stark contrast to the desaturated dimness of the movie. 

After the vendors are done hawking their wares, a familiar black and white face appears, a gentle smile plastered across his grease painted visage. Dr. Creep launches into a faux interview or an outlandish skit that, by the grace of it’s own unpolished design, seemed funnier. Whether it was spoofing the movie that was playing or reviewing the disco moves of John Revolting, Dr. Creep, in his signature black top hat and cape, would reassure you that this was all make believe, that nothing could hurt you and that the world of horror was a landscape to be explored and not abhorred. 

The nephew of Doug Hobart, a makeup artist and stuntman who had a traveling monster show back in the 1940’s and 50’s called Dr. Traboh’s House of Horrors, Barry Hobart was almost predestined to become Dr. Creep. Hobart was a master control engineer for WKEF-Channel 22 when, in 1971, he suggested a late night hosted horror show to salvage lagging ratings in the late night time slot. After submitting a tape of Dr. Death, the project was well received, yet remained shelved until the following year. On January 1st, 1972, Dr. Death made his television debut on Shock Theatre. Several shows into the series, the woman in charge of makeup got rid of the vampire teeth and changed Hobart’s costume. A name was drawn out of a hat and Dr. Creep was born. 

The comedic aspect of the show was an accident. Props failed, lines were forgotten and effects either didn’t work or went on far longer than intended…which cracked the Creeper up. The whole crew decided to go with the natural flow of things and an organically kitschy comedy of errors ensued from 1972 until 1985. Throughout those years, from being a child all the way into my adult years, I would run into Dr. Creep at various events or in the most unexpected places. I remember going with my mom to the Dairy Queen on Airway Rd. to an autograph signing attended by Dr. Creep, Wolfman Jack and someone who I believe was Elvira, although it could have been one of the other incredibly seductive vampires roaming the countryside at the time. I was at the drive-in on Halloween when they buried Dr. Creep alive as part of a benefit. There was a dusk to dawn showing of B-rated horror films with periodic updates broadcasted by Dr. Creep from beyond the grave. Years later, I was talking to Philip Chakeres, owner of Chakeres’ Theaters, and we got onto the subject of that particular event… 

“You were talking about Dr. Creep earlier. Well Steve, the guy who runs the drive-in there, he can tell you better… he said that one time, this drive-in actually buried Dr. Creep.” Chakeres went on to talk about what those kind of evenings entailed. “I mean, there were all sorts of things done. We used to do that stuff and we would give away Dracula Cocktail, which was just Cream Soda, and then when the movie was over, during the dusk to dawn shows, we’d give out coffee and donuts at dawn. There were some times when we ran dusk to dawn shows where the sun would start rising and the credits were still on the screen. Those were the good old days…” 

The “good old days” also included a lot of local programming, creating local icons that attained their own, more homespun, brand of celebrity. The King Kwik “Brothers” (Mike Tangi), Steve Kirk, Bob Shreve, Ruth Lyons, Bob Braun, Don Wayne, Uncle Al…the list goes on. At the top of that list sat Dr. Creep. With his kind heart and his patented ‘hoo-ha-ha’ laugh, Dr. Creep was probably the most recognizable local television personality in the Tri-sate area. Black grease painted eyes and white face tended to make you stand out in a crowd…and driving around in a hearse would make an impression as well. He also used his celebrity wisely by offering his services for a slew of charities, such as the Muscular Dystrophy Association, Project Smiles as well as a host of many other, smaller, fundraising events. In interviewing John Higgins, a puppeteer who worked on Shock Theater, Hobart’s generous heart was one of the first subjects he brought up. 

“Those years working with Creep on Shock Theatre and Saturday Night Dead were some of the most fun of my working years.  Having fun and making a difference in people’s lives were key values he lived by…and we all shared.  It was always amazing to see how much everyone loved him, particularly the kids.” Higgins went on to reflect on the oddity of the children’s reaction to the Creeper. “The kids absolutely loved Dr. Creep, someone they, by all rights should have been afraid of, with that white face and black eyes…they must have sensed his very kind heart.” 

Dr. Creep and Obieyoyo

On the topic of benefits, John went on to reflect that, “Barry was always soliciting me as puppeteer and director of Night Vision Puppets to do freebie benefits with him for people in need in the community. I’d get Obieyoyo and other characters and appear with Creep and musician friend Garry Pritchett, who appeared a few times on Shock Theatre as the four armed bongo-playing hipster, Octo Rhebop. It was always fun, always for a good cause, and usually never involved any kind of income. That was Barry. He loved helping people, he loved getting friends to help out…and he was fun to work with.” 

Dow Thomas, a comedian and writer for Shock Theatre which, by that time, had become Saturday Night Dead,  had some insight into Hobart’s unerring compassion… 

“The best thing I remember about Barry is that he was always kind. He was a good, I mean serious Christian. He went to church all the time and really cared about people. He did all these benefits and expected nothing in return. Some of them would be long and grueling and he would be hot in that costume, but he would talk to everybody and sign autographs.” Dow added, “He was sincere about it and he has really touched a lot of people’s lives. I think it broke his heart when he lost the show.” 

Even though the films that were shown were creepy and campy, like Curse of Frankenstein or Invasion of the Body Snatchers, the movies actually became a secondary feature to the show. Everyone tuned in to see what kind of Gong Show antics Dr. Creep and the crew would brew up this week. From regular characters like Obieyoyo, Duffy the Dog and Freddie Forefinger and His Phalangic Friends to skits featuring Lester Fern’s Disco Dance Studio or the Flamboyant Frankenstein, viewers were always given some of the most deranged and off the wall comedy available on television. 

Dr. Creep And Vampire Friend

“One of the things we did was, I decided to have them tell me what movie they were going to show, and I would write a skit about it. Like, we showed The Valley of the Gwangi, which is about a bunch of cowboys ropin’ and ridin’ dinosaurs and Gwangi is the Tyrannosaurus Rex.” Dow Thomas related. “There’s an old man in it who plays the professor (Laurence Naismith), so I put on my old man mask and a pith helmet and played him, and I’d say things like, ‘I think I have recording of old dinosaur sounds’ and I’d start playing a woman singing and everyone would go, ‘Those aren’t dinosaur sounds! Those are Dinah Shore sounds!’” 

Dow’s recollection of this particular episode brought up one of the other key players in the calamitous comedy of Shock Theatre, John Riggi. Riggi has since gone on to write for such comedies as The Dennis Miller Show, The Dana Carvey Show and, most recently, 30 Rock. 

“I don’t know if you remember, but the first thing they find in The Valley of the Gwangi is a little horse…eohippus I think is what the professor says it is…it’s a prehistoric animal. Well, they put it into their rodeo act and everyone would come to see this little tiny horse…it’s a weird film. So, they would go from the movie to us doing all of this stupid stuff and it all matched.” Dow went on, saying, “There’s one point where one of the Mexicans in the movie says, ‘Hey gringo! I want my little horse back!’ John Riggi played one of the Mexicans in a skit and I had a big sombrero that Wiley (original owner of Wiley’s Comedy Niteclub) had given me and we put it on John’s head, and then we cut to Riggi in this sombrero saying, ‘I want my little horsey back!’ Dr. Creep finally goes, ‘Okay.’ So here’s Dr. Creep on all fours and John Riggi riding on his back around the studio. I mean, just think about what a good sport Dr. Creep was to get down on all fours and have John Riggi ride on his back like he was a horse.” 

There were countless times when the powers that be and the rag tag members of the Shock Theatre brigade locked horns. Sometimes it was a disagreement about a skit’s content, like an incident where they wanted to show a headless Duffy the Dog on an operating table with four sets of feet, one set which would be where his head should have been. Other times it had nothing to do with the crazy house that the show had become, per se, but more to do with the types of personalities that ran the asylum… 

“I remember John Riggi and I getting yelled at because we changed the weather map one time. We got up there and started putting a bunch of tornados around Xenia…they were just little magnetized things back in those days.” To sum up the tensions, Dow simply said, “We were hippies in a studio that had rules.” 

John Higgins, who acted as producer of Shock Theatre as well as its puppeteer, filled in some of the blanks as far as Hobart’s other duties at the station. 

“I love how his friends and colleagues at work almost always called him ‘Creep’…whether Barry was in costume or not.  Anyway, Creep was the person who usually taught the new people how to operate the on-air master control. He was patient, calm, and quite adept at this nerve-racking task…and a great teacher.” Higgins went on to remember an amusing incident. “I remember sitting with him in training early one Sunday morning.  We were running the Jimmy Swaggart religious show, a program Swaggart paid the station to put on the air. Creep  looked at the clock, then said ‘Okay, the tears start in 3 minutes.’  Sure enough, at exactly 22 minutes after the hour, Jimmy Swaggart started crying, asking for contributions from the audience.  Apparently it happened each program at exactly the same time; Creep knew the on-air job so well he could have run the station on-air with his eyes closed.” 

Trilogy of Terror

Over the years, I have run into Barry Hobart in different locations. Sometimes he was in Dr. Creep’s full regalia, other times he was just simply Barry. I never expected him to remember from one meeting to the next, as each one was separated by a chasm of years. We spoke of different things at each meeting, but an underlying sense of connectivity to the community seemed to prevail over each conversation. In recent years, I had heard and read about his failing health and difficulty in keeping up with his related health care bills. The last time I saw him, he was attending a benefit in his honor at Wiley’s Comedy Niteclub. This was one of several benefits held to aid Barry Hobart with his mounting health care bills. Everybody was more than willing to help someone out in their time of need, especially someone who had given so much over the years, even if it was just a moment of laughter, fending off, for a moment, the darkness of this scary movie that we find ourselves extras in. 

That is probably the most important thing that Dr. Creep gave to the community: an alternative to fear. While some may have jumped and cowered with a throw pillow clenched to their face when the voodoo doll came to life in Trilogy of Terror and began chasing Karen Black down the hallway with a knife, soon there would be a respite from the nameless dread, a halo of hilarity to make us feel safe, to make us feel not alone. Barry Hobart was not only an integral part of our community, he created an alternative community populated by people from all walks of life who shared in his skewed embrace of horror shows and campy comedy. 

On the afternoon of Friday, January 14th, 2011, Barry Hobart passed away in a hospice facility. I had just logged onto my computer when I received the phone call telling me of his passing. After I hung up, I held my thoughts in a moment of silence and as I looked upwards, my eyes fell on a photograph of myself and Dr. Creep that was taken at the Wiley’s benefit, which sits upon the top of the armoire that houses my computer. As I looked at it, I became aware of all the other trinkets and other knick-knacks that have collected up there over the years. Books of photographs. A riot helmet from one of my old security jobs. An ashtray full of cigar tubes and bands, the cigars long gone, smoked with some of my closest friends and family. It struck me that all the other items represented momentary epochs in my life. Periods of the past that I have collected totems of so as to remember them clearly. While this may seem silly, the picture of Barry Hobart represents the constants in my life, from the present all the way back to when I was a seven year old boy sitting rapt, wrapped in a heavy quilt in a darkened room…learning a lesson that the darkness can be fended off by the light of one’s compassion. 

Muse Machine delivers bold ‘Woods’

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The Muse Machine presents Into The Woods - January 13-16, 2011The Muse Machine boldly charts its own artistic course with Stephen Sondheim and James Lapine’s masterful Tony Award-winning 1987 fractured fairy tale opus “Into the Woods,” the arts education organization’s 27th annual student musical that opened Thursday, January 13 at the Victoria Theatre.

The definitive Sondheim pedigree of less is more has been given a significant makeover by Muse organizers, which will likely delight the masses and perturb Sondheads. Choreographer Lula Elzy, known for transforming the ordinary, doesn’t hesitate to incorporate movement into these “Woods,” which begins with the cast enjoying the king’s festival accented with villagers twirling ribbons and somersaulting. This unique introduction, dubbed “I Wish,” serviceably energizes the action and reiterates the sense of community that is vital to the piece before the colorful prologue launches the show as intended. Elzy also scores with the inclusion of a celebratory ball prior to the “Ever After” Act 1 finale. However, in Act 2, the added routines steal focus. The “Agony” reprise is interrupted by a puzzling sequence devoted to Sleeping Beauty and Snow White, and “Last Midnight,” typically a prominent vocal showcase, is stripped of its dramatic power by a distracting sea of swirling cloaked dancers.

Still, on the whole, director Rufus Bonds Jr., helming with fluidity, ensures that the witty, thought-provoking characterizations which define “Woods” and its engrossing exploration of consequences, family, fulfillment, loss and survival is not hindered or overshadowed by the choreography. In fact, the principal cast impressively handles the complexities inherent in Sondheim’s brilliant score and Lapine’s insightful libretto.

The very engaging Micah Trout, possessing a lovely tenor, is terrifically understated as the Baker, particularly filling the heartbreaking beauty of “No More” with moving sincerity. Trout is perfectly paired with Mary Kate O’Neill, whose impeccably crafted, pleasantly sung performance as the Baker’s Wife fully reveals the complicated depths of a woman willing to do what it takes in order to have a child. O’Neill and Trout’s charming rendition of “It Takes Two” warmly depicts the excitement of rekindled romance. Samantha Eastman’s penchant for comedy serves her well as the Witch, but she lacks the vocal prowess that could take her crowd-pleasing portrayal and superbly written solos to another level.

“Despite the Muse’s conceptually risky adaptations, ‘Woods’ still resonates…”

In addition, Bradley Farmer, the scene stealing Lina Lamont in last year’s Muse production of “Singin’ in the Rain,” supplies a cheery, radiant elegance as Cinderella and wonderfully executes “On the Steps of the Palace,” one of the most challenging numbers. Equally strong are Carly Snyder as Little Red Ridinghood, Davis Sullivan as Jack, Ian Benjamin as the Wolf, Madeline Shelton as a refreshingly crazed Rapunzel, Trevor Coran as Cinderella’s Prince, Coleman Hemsath as

Rapunzel’s Prince, Noah Berry as the Mysterious Man, Rachel Snyder as Jack’s Mother, Leigha Witt as Cinderella’s Stepmother, Amanda Koslow as Florinda, Kaja Burke-Williams as Lucinda, Rob Mitchell as the Steward, Allison Janney as the Giant, and the narrator team of CJ Destefani, Mitchell Rawlins, Cameron Elliot, Daniel Baughn and the aforementioned Benjamin. Carly Snyder’s marvelously reflective “I Know Things Now,” Sullivan’s endearing “Giants in the Sky” Benjamin’s sharp and funny “Hello, Little Girl” and Coran and Hemsath’s hilarious “Agony” join “On the Steps of the Palace” as excellent, lyric-driven Act 1 highlights.

Musical director David Dusing’s solid orchestra, Paul Wonsek’s attractively detailed set (courtesy of the Pittsburgh CLO), John Rensel’s evocative lighting and David Sherman’s incredibly ominous, thundering sound design are also noteworthy.

Despite the Muse’s conceptually risky adaptations, “Woods” still resonates. The universal epiphany that “wishes come true – not free” certainly stings with truth.

Into the Woods continues through Sunday, January 16 at the Victoria Theatre, 138 N. Main St. Performances will be held today at 3 and 8 p.m. and tomorrow at 2 p.m. Act One: 1 hour and 23 minutes. Act Two: 1 hour and 9 minutes. Tickets are $31-$56. For tickets or more information, call Ticket Center Stage at (937) 228-3630 or visit online at www.ticketcenterstage.com

2 Hits and Events Galore at THE NEON!

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Hello Everyone.

It’s been a long, long time since we’ve had two hits with such longevity. We’re going to hold onto both BLACK SWAN and THE KING’S SPEECH for another week…and we’re currently planning to open MADE IN DAGENHAM on January 21. That said, the Golden Globes this Sunday may end up moving our entire schedule around for the coming weeks…and the upcoming Oscar nominations will also play a part. I’ll keep you posted.

BLACK SWAN Official Site. THE KING’S SPEECH Official Site.

In the next few weeks, we have numerous special events. In each case, THE NEON has been rented by a person or an organization. Ticket prices are then set by that lessee in accordance with their mission. Here are details that are ready for the press:

“Jasmine “Jazz” Taylor, a 2006 alumnus of Stivers School of the Arts and graduate of The Fashion Institute of Design and Merchandising (FIDM) in Los Angeles, will premiere the DVD of a fashion show fundraiser that helped further her educational development. The fashion show involved the community and showed the world that dreams can come true if you believe. The show focused on the “A Touch of Jazz” fashion line along with two new up and coming designers: Jamila Jones and Jamae Abney. In addition to the designers, local students were featured; doing anything from dancing, singing, and rapping, to modeling and playing instruments.
Unwrapping The Dream Fashion Show DVD Premiere Release is an opportunity for fashion show participates to fellowship with their peers, family, and friends while watching themselves on the big screen. It will be held Sunday January 16, 2011 at THE NEON – tickets are just $5.” (taken from press notes)

On Wednesday, January 19 at 7:00pm, cityfolk will present a free screening of BILL MONROE: FATHER OF BLUEGRASS MUSIC. “Steve Gebhardt’s film blends footage from rare 1990s performances by the founder of bluegrass music with a trove of interviews with Monroe, Emmy Lou Harris, Ricky Skaggs, Dolly Parton, Paul McCartney and many more. Gebhardt and scriptwriter and bluegrass expert Larry Nager will be on hand to discuss the making of the movie and Monroe’s vast legacy…General admission seating for this screening is available on a first-come, first-served basis.” (taken from press notes) Steve Gebhardt has directed and/or produced numerous music-based documentaries, including LADIES AND GENTLEMEN: THE ROLLING STONES, IMAGINE, and JOHN LENNON LIVE IN NEW YORK CITY.

“RIDE THE DIVIDE, which was named best adventure film at the 2010 Vail Film Festival, is an inspiring journey about the world’s toughest mountain bike race, which traverses over 2,700 miles along the Continental Divide in the Rocky Mountains. The film weaves the story of the three characters’ experiences with immense mountain beauty and small-town culture as they attempt to ride from Banff, Canada, to a small, dusty crossing on the Mexican border. The tests of endurance and the accomplished moments throughout Ride the Divide prompt us to reflect on our inner desires to live life to the fullest.” The film will play One Night Only – Wednesday, January 26 at 7:30.
Advanced tickets – ($10 each + $1 processing) are only available by visiting this link.  Tickets the day of the show will be available at the door for $15 each.

On Thursday, February 3 at 7:15, come to THE NEON for PK Night Dayton, Volume 6. PechaKucha Night was devised in Tokyo in 2003 as an event where people meet, network, and share their creative endeavors with a lively audience. PK Nights are now held in hundreds of cities, inspiring creative people worldwide. The name comes from the Japanese term for the sound of “chit chat”, and rests on a presentation format that is based on a simple idea: 20 images x 20 seconds. It’s a format that makes presentations concise, and keeps things moving at a rapid pace. PechaKucha Night Dayton is on its sixth volume, with presentations from Samantha Enslen, Reade Faulkner, Theresa Gasper, Sherif Hedayat, Sharon Howard, Brandy King, Jay King, and Chris Wire. Following the presenations, stick around for a screening of the thought-provoking and motivating documentary DIVE! Grocery stores around the country are filling their dumpsters with food. Not rotten, spoiled food, but billions of pounds of good, edible food. Follow filmmaker Jeremy Seifert and his circle of friends as they dumpster dive in the back alleys and gated garbage receptacles of L.A.’s supermarkets. In the process, they uncover thousands of dollars worth of good food and an ugly truth about waste in America: grocery stores know they are wasting and most refuse to do anything about it. The cost for this entire event is $5. Presentations start at 7:15 and DIVE! starts at 9:00.

The line-up of films in the coming weeks at THE NEON looks terrific, and there are several that I can’t wait to share with the community. We hope to see you soon.

Take care,
Jonathan

SHOWTIMES for January 14 – January 20:

BLACK SWAN (R) 1 Hr 48 Min
Friday, Saturday: 12:20, 2:40, 4:50, 7:20, 9:40
Sunday: 12:20, 2:40, 7:30, 9:40
Monday: 3:10, 5:40, 8:00
Tuesday – Thursday: 2:40, 4:50, 7:20

THE KING’S SPEECH (R) 1 Hr 51 Min
Friday, Saturday, Sunday: 12:10, 2:30, 5:00, 7:30, 9:50
Monday: 3:00, 5:30, 8:00
Tuesday: 2:30, 5:00, 7:30
Wednesday: 2:30, 4:50
Thursday: 2:30, 5:00, 7:30

UNWRAPPING THE DREAM – FASHION SHOW DVD RELEASE (NR)
Sunday: 5:30

BILL MONROE: FATHER OF BLUEGRASS MUSIC (NR)
Wednesday: 7:00

COMING SOON:
As always, all dates are tentative. Some of these dates will change.
In some cases, titles may disappear.

Jan. 21 MADE IN DAGENHAM
Jan. 28 I LOVE YOU PHILIP MORRIS
Feb. 4 THE ILLUSIONIST & ANOTHER YEAR
TBD: RABBIT HOLE, BIUTIFUL, SOMEWHERE
BLUE VALENTINE, TINY FURNITURE & BARNEY’S VERSION

Dayton’s Newest Discount Dining Deals

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First there was Groupon, then Living Social, and now Rewards Magazine has just introduced their discount dining certificate program- Double Take Deals.  An advantage this program has: when you purchase these deals you’ll get a pdf email certificate back- so no waiting for the mail!   If you like any of the offers, you must act quickly. DoubleTakeDeals.com offers are typically only available for ten days — or until the maximum quantity of discount savings certificates are sold.  Certificates are NOT valid during Restaurant Week or on holidays. Listed below are the latest deals
Happy Dining!

Amelia’s Bistro

$20 For $40 Worth Of Fine Dining And Drinks At Amelia’s    Buy Now

We serve what we call Rustic Comfort Food. Try our NEW CAB (Certified Angus Beef. ) They now offer a 16oz bone-in rib eye, a fabulous veal chop that will melt in your mouth, and you should also try one of their vegetarian choices like the vegetable lasagna or margherita pizza. They also have barbequed chicken pizza and offer many designer salads, delectable appetizers and sandwiches. For more flair, order thei table side Caesar Salad and Bananas Foster.
129 W. Franklin St.  Bellbrook, OH 45305    937-310-3040

Lunch Hours: Tuesday – Saturday 11:00 am – 2:00pm
Dinner Hours: Tuesday – Thursday 4:00 – 9:00pm     Friday & Saturday 4:00pm – 10:00 pm
Closed Sunday

C’est Tout – A French Bistro Featuring American & French Entrees

$25 For $50 Worth Of American & French Bistro Cuisines   Buy Now
Step inside C’est Tout and you will feel as though you are somewhere in the south of France, with the cheery yellow of the faux plaster walls, the white woodwork, brass railings, tapestried chairs, and the framed posters and paintings, C’est Tout will envelope you in an ambiance that is relaxing, glowing with charm and welcoming. On a sunny day, the tables on the terrace make a fine perch to watch the world go by. In the evening, the lighting becomes more dramatic and the bar takes on a cosmopolitan feel.

Chef/Proprietor Dominique Fortin wouldn’t have it any other way.

LUNCH: Mon-Sat 11-2:30  DINNER: Mon-Thurs 5-10; Fri & Sat 5-11
ENJOY OUR “BAR MENU” 5 UNTIL LATE NIGHT
CLOSED SUNDAY’S -EXCEPT FOR LARGE PARTIES

The Grub Steak Restaurant

$20 For $40 Worth of Fine Family Dining   Buy Now

The Grub Steak’s secret of success is no secret. Steaks cut by on-premises meat cutters, hot bread made from scratch and homemade salad dressings all contribute to the food quality of the Grub Steak. Years of experimentation have led to the development of the house specialty: “Royal Ribs.” This barbeque-flavored treat is made from prime cut of the finest pork loin and served on wooden skewers, the great taste of barbecue ribs without the mess!

2098 South Alex Rd.  West Carrollton, OH 45449 937-276-4193
Mon.-Thur. 4pm-9pm,  Fri. 11am-10pm, Sat. 3pm-10pm,  Sun. 12pm-8pm

The Hawthorn Grill

$15 For $30 Worth Of Eclectic American Dining Buy Now
American cuisine with a twist. Offering everything from appetizers, soups and salads to delightful white wine-braised pork and chicken-n-biscuits entrees. Walk into the warm, inviting atmosphere and you will feel right at home in front of the fireplace. Chef Candace Rinke‘s attention to detail is evident in both entrees and side dishes. “Like mom made, but better.”
1222 East Stroop West Kettering, OH 45449  937-298-2222
Tues – Thurs 5pm-9pm   Fri. 11:30am – 10pm   Sat. 5pm-10pm

Jeet India Restaurant

$20 For $40 Worth Of Indian Cuisine Buy Now

Aesthetic decor, delicious food, and unparalleled service: come taste the authentic sounds of India. Delicious cuisines are prepared by our world-renowned chefs, who have created mouthwatering masterpieces sure to delight your taste buds.

2632 Colonel Glen Hwy. Fairborn, OH 45324  937-431-8881
Lunch: Mon.-Thurs. 11am-2:30pm   Fri & Sat. 11am-3pm · Sun. 11am-3pm
Dinner: Mon.-Thurs. 5pm-9pm   Fri. & Sat. 5pm-10pm · Sun. 5pm-9pm

Savona Restaurant & Wine Bar

$20 For $40 Worth Of American Cuisine With Mediterranean Influence   Buy Now

Chef Keith Taylor creates Modern American cuisine with Mediterranean influence, using only the finest local ingredients.   An inspirational wine list has been created with the philosophy; that food and wine are not just intended to complement one another, but to inspire, as well. Complement your food!

79 S. Main St.Centerville, OH 45459   937-610-9835

Hours:
Tuesday – Thursday   5pm – 9pm      Friday – Saturday 5pm – 10pm

The Dock

$20 For $40 Worth Of Boathouse Dining Buy Now

A unique seaside-style restaurant, land-locked in Enon, Ohio. It is reminiscent of so many waterfront restaurants from the Bahamas to Key West and north to Maine. Outdoor dining by beautiful ponds with old dry-docked boats and indoor dining by a charming waterfall help to create the vacation atmosphere you are looking for year ’round. The free live entertainment is an added bonus for all ages.

The Dock features fresh seafood, hand-cut steaks, pastas, chicken and prime rib, slow roasted on the outdoor grill. Terrific evening and weekend dinner specials round out an extensive menu of reasonably priced entrees.
250 West Main Street  Enon, OH 4532  937-864-5011
Open Tues.-Fri. 4pm-9pm and Sat. 3pm-10pm

Coming Up in Dayton Theatre – 01/13 – 01/26

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Muse Machine: Into the Woods

Muse Machine: Into the Woods / Photo Credit: Muse Machine

Thursday, January 13, 2011 – Wednesday, January 26, 2011

At tonight’s rehearsal for the show I’m stage managing, we ran Act I in its entirety for the first time. Sitting with my prompt book and taking notes, I couldn’t help but feel hopeful at the way this collection of scenes and songs we’ve been working on since November, in some small way at least, is becoming a show. It’s exciting, but also intimidating. Somehow it’s 2011 already, time to start meeting those resolutions and accomplishing things. The holidays are over and things we began last year, when 2011 seemed some part of the future, are now part of the present. Some days I feel like life is moving too quickly, and it’s all I can do just to keep up.

But, the shows in Dayton these next few weeks seem perfect for how I’ve been feeling already. From the comedy to the mystery, I think the theatres have hit the vast spread of emotions that come with the new year, and that’s true for other people and situations. So, you should join me in catching one of these shows over the next two weeks – or, if you’re in the mood for a little something more, audition for one of them yourself.

ANOTHER OPENIN’, ANOTHER SHOW

…Shows Opening Soon

I Hate Hamlet

PLAYHOUSE SOUTHPHS: I Hate Hamlet

The Story: In this dramatic comedy, television actor Andrew Rally is struggling in his professional and private lives, attempting to play the role of Hamlet (which he hates) and deal with his girlfriend’s unrelenting chasteness. The dilemma deepens when the ghost of John Barrymore appears to try to convince Andrew to persevere in the role… while an old deal-making friend suddenly offers Andrew the chance at a new television deal.

Dates: January 21 – 23, 28 – 29, 2011

Tickets: 888-262-3792

More Information: Playhouse South

…Shows Closing Soon

Into the Woods

Muse: Into the Woods

Students rehearse for Into the Woods (photo credit Muse Machine).

MUSE MACHINE

The Story: After a Witch curses a Baker and his wife with childlessness, the couple embarks on a quest for special objects from classic fairy tales to break the spell, stealing from and lying to Cinderella, Little Red, Rapunzel, and Jack (of beanstalk fame). But the characters didn’t count on the consequences of their actions or the disasters that would ensue…

Dates: January 13 – 16, 2011

Tickets:(937) 228-3630 or Ticket Center Stage: Muse Machine

More Information: Muse Machine: Into the Woods, DMM Feature, DMM Event

Ravenscroft

DAYTON THEATRE GUILD

The Story: In this comedy about deception and the nature of truth, DTG: Ravenscroftwhen Inspector Ruffing is called to a remote English county manor house to investigate the death of Patrick Roarke, he becomes involved in the lives of five alluring and dangerous women who lead him through an evening of contradictory versions of Patrick’s demise, including ghosts, skeletons, and much more than he bargained for. (DTG)

Dates: January 7 – 23, 2011

Tickets: 937-278-5993 or DTG Box Office

More Information: Dayton Theatre Guild: Ravenscroft, DMM Review, DMM Event

PART OF IT ALL

…Auditions and Casting Calls

Titus Andronicus

SPRINGFIELD STAGEWORKS

William Shakespeare

William Shakespeare

Auditions: January 17 & 18, 2011, 7:00 pm

Performances: April 14 – 23, 2011

The Story: In this intense Shakespearean classic, Roman war general Titus Andronicus has just returned from battle to find all but four of his twenty sons dead; his ritual sacrifice of the sons of Tamora, Queen of the Goths, earns him her despise and promise of revenge. What follows is an insane struggle of power and betrayal in this gritty tragedy.

Directed by Larry Coressel

More Information: Springfield StageWorks: Auditions

Joseph & the Amazing Technicolor Dreamcoat

PLAYHOUSE SOUTH

Auditions: January 24 & 25, 2011; callbacks January 26

Performances: March 25 – April 9, 2011

The Story: This musical, the first collaboration between Andrew Lloyd Webber and Tim Rice, explores the Biblical saga of Joseph through an exciting variety of musical styles. The prophetic Joseph is sold into slavery by his jealous brothers and taken to Egypt, where he “endures a series of adventures in which his spirit and humanity are continually challenged” as he struggles to survive in a new land and move past his brothers’ betrayal.

Directed by Jennifer Skudlarek

More Information: Playhouse South

ONE SHORT DAY

…Special Events for the Theatrically Minded

3 Mo’ Divas

3 Mo' Divas

3 Mo' Divas (Photo Credit Douglas Brown, 2008)

VICTORIA THEATRE ASSOCIATION – SCHUSTER CENTER

The Basics: According to VTA, “Delivering ten musical styles spanning 200 years in one evening, these three ladies–all classically trained vocalists–will raise the roof with their class, sass and style! 3 Mo’ Divas is a one-night-only concert that delivers some stupendous genre-jumping feats, from opera to R&B, from Broadway to blues, from soul to gospel and more.”

Date: January 16, 2011

Tickets: Ticket Center Stage

More information: Victoria Theatre Association: 3 Mo’ Divas , 3 Mo’ Divas official website, DMM Event

Live Music on Friday: Two Best Bets

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If you’re looking to see a great show on Friday night, there are quite a few options.  Here are two shows that I’m especially looking forward to:

Are you planning on seeing some live music on Friday night?  If so, what shows are you looking forward to?

Young’s 142nd Birthday Celebration means $1.42 Deals!

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The red barn was built in 1869 by relatives of the Young Family in Yellow Springs.

The Original Barn at Young's

Shortly after World War II Hap Young bought the 60 acre farm and he and his three sons Carl, Bob, and Bill, farmed the 60 acres, plus up to 500 additional rented acres. They grew grain, raised hogs, and milked cows.

In 1958, the Young Family decided to try to sell our Jersey milk directly to the public.  The customer would drive up, open the refrigerator, get his gallon of milk, leave an empty jug and the money, and drive away.  As this became successful they built their first real dairy store in 1960.  They began dipping ice cream, and slowly added chesese and additional snack foods.  This building is attached to the big red barn and is where they make ice cream still.

The first store built in 1958

They  added onto this building twice over the next 8 years. In 1966 they added a small bakery. By 1968, they were running out of room. It was time to  start over in another building. So they added a building, started the bakery, then came sandwiches, then full meals. And they kept building!

Now Young’s includes Udders & Pudders, an 18 hole miniature golf course, driving range, batting cages, a 2nd restaurant- The Golden Jersey Inn and Barnabe’s Walnut Grove– which serves groups from 50 – 3500 for company functions and family reunion picnics.  Corwin’s Kiddie Corral is the latest addition and features a cow theme bounce-house, little tractors that can be pedaled around a wooden track,  little slides, hay bales, a ‘cow’ to milk and more.  In 2002 The Food Network “discovered” Young’s and fcatured them on a “Best of” episode:

But enough of the history- how about the bargains?

Starting Fri, Jan 14th and continuing through Mon, Jan 18th, Young’s will celebrate its 142nd Birthday with the following deals:

Young’s Farmstead Cheese Specials:
Special sampler package of four kinds of Young’s Farmstead Cheese $1.42

Dairy Store Specials:
One dip waffle cone $1.42
Young’s Farmstead Deep Fried Cheddar Curds is $1.42
Cheeseburgers $1.42
Kid’s Meals $1.42

Golden Jersey Inn Specials:
Young’s Farmstead Deep Fried Cheddar Curds is $1.42
Kid’s Meals $1.42
Special Celebration Souvenir Sundae $3.00

Udders & Putters Specials:
Game of miniature golf $1.42
Medium bucket of golf balls $1.42

Celebration Special:
3 dips, 3 toppings, $3.00. Get one of the Limited Edition Young’s Reusable Glass with 3 dips of homemade ice cream and 3 toppings for $3.00.

Young’s Jersey Dairy is located on Route 68, one mile north of Yellow Springs, Ohio, or eight miles south of Springfield, Ohio.

6880 Springfield-Xenia Rd
Yellow Springs, OH 45387

Click here to get directions via Google Maps

Mysterious ‘Ravenscroft’ at Dayton Theatre Guild

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In Don Nigro’s pleasant yet prolonged British comedic mystery “Ravenscroft,” crisply directed by Debra Kent at the Dayton Theatre Guild and set on a snowy December night in 1905, Inspector Ruffing, a perceptive, no-nonsense sleuth, has difficulty dissecting the truth inside a remote manor containing five tight-lipped women. His intriguing investigation concerning the death of stableman Patrick Roarke takes a series of humorous turns because each woman, fully content with the secrets and lies they have concocted, is emotionally or sexually connected to the deceased lothario. The blame game among the potential murderesses eventually grows to fever pitch, which leaves Ruffing exasperated beyond belief with very little of his sanity intact.

Nigro’s script isn’t tight (Act 1 is sluggishly drawn out and the final 15 minutes feel strained), but is effectively inhabited by a very appealing cast with credible diction. Robb Willoughby is marvelously stern and perturbed as Ruffing. Rachel Wilson, one of the best chameleon actresses at the Guild, brings elegance, wit and intuitiveness to her role as Marcy Kleiner, an Austrian governess with a shady past. Wendi Michael, oozing haughty sophistication, equally shines as the widowed Mrs. Ravenscroft, who doesn’t hesitate to protect and ridicule her flighty, imaginative daughter Gillian (the perky Danielle DeLorme). As a pair of servants, Jenna Burnette (Dolly) and Jennifer Lockwood (Mrs. French) offer hearty laughs, especially in the more exciting Act 2. Lockwood is particularly responsible for molding the climax and delivers her suspenseful revelations with a tender sincerity that softens Mrs. French’s tough exterior.

Further, the production’s refined classiness extends to the attractive work of set designer Blake Senseman, costumer Carol Finley and hair and wig designer Greg Smith.

“Ravenscroft” admirably ushers in a new theatrical year while proving the search for truth, no matter how confusing, upsetting or frustrating, can be a real drag.

Ravenscroft continues through Sunday, January 23 at the Dayton Theatre Guild, 430 Wayne Ave. Performances are Friday at 8 p.m., Saturday at 5 p.m. and Sunday at 3 p.m. Act One: 70 minutes: Act Two: 55 minutes. Tickets are $10-$17. For tickets or more information, call (937) 278-5993 or visit online at www.daytontheatreguild.org

Arenacross Comes To Dayton – Win Free Tickets

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High intensity, bar-to-bar dirt-bike racing at its finest is coming to Dayton as the 2011 AMA Arenacross Series brings some heat during the Winter season with its annual visit to the Ervin J. Nutter Center on Saturday, January 22. Tickets for Round 3 of the world’s most intimate form of racing are on sale now at TicketMaster.com and the Nutter Center box office.  (special DaytonMostMetro.com ticket promotion info at the end of this article)

Hundreds of the best Arenacross riders from around the globe will compete for their chance to be one of just 32 riders to make a pair of 16-rider main events in the AMA Arenacross and AMA Arenacross Lites classes. The national series travels throughout the country to several of the most renowned arenas in the United States, bringing in 150 truckloads of dirt to sculpt a man made dirt battleground. Technical obstacles, close competition and impressive airtime combine to create one of the most unique spectacles in the sporting world.

Anything can and does happen in Arenacross and the man left standing atop the podium at the end of the night with the coveted trophy will have earned his prize. The defending champion Babbitt’s Monster Energy/TiLube Kawasaki team and riders Chad Johnson, Tyler Bowers and Gray Davenport lead a highly-talented group of riders hungry to claim the prestigious national AMA Arenacross Series title.

Last season in Dayton, 2008 AMA Arenacross Series champion Chad Johnson captured his second win of the season for Babbitt’s Kawasaki. The win helped the two-time series champion stay within striking distance of his teammate and eventual champion Josh Demuth as the battle for the championship came down to the wire.

The AMA Arenacross Series is fun for the whole family! The always popular track walk and post-race autograph session gives an opportunity for fans of all ages to get up close and personal with the stars of Arenacross and get the a coveted autograph from some of the best riders in the world.

A limited number of Gold Circle seating is available. Kid’s seats are just $8 (excluding Gold Circle)! Adults admission starts at just $20! Tickets are available at the Nutter Center box office, all Ticketmaster outlets, and by phone at 1-800-745-3000.

Tickets for all rounds of the 2011 season can be purchased by clicking here.  And for a DaytonMostMetro.com $4 discount, enter the promo code MMETRO.  (Restrictions: Not valid on Gold Circle seats; limit 4 per transaction; valid on the Sat, JAN.22, 7:30pm performance only)

OR…

WIN FREE TICKETS HERE ON DAYTONMOSTMETRO.COM!

For a chance to win a pair of tickets to see the 2011 AMA Arenacross Series at the Nutter Center, simply click the Facebook Like button to share this article with your FB friends, fill out the form below and leave a comment.  We’ll announce 10 winners this coming weekend.

Note – we will not share this info nor make it public.  We need your address so we can mail you tickets if you win, and you wont’ receive anything else from us – because hey, postage is expensive these days and we’d rather you just join our FB page!

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This Week on Kaleidoscope: Starving in the Belly of a Whale

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Starving in the Belly of the Whale

Back in October, Starving in the Belly of a Whale released an album called You Look Like You’ve Seen the Devil.  You can pick up a free copy of the album at Omega Music in the Oregon District.  You can also check out the band tomorrow night on Kaleidoscope, 8-11pm on 91.3FM WYSO.  I’ll be interviewing the band, and they’ll be performing an acoustic set live on the air.  You can tune in online at www.wyso.org, and if you’re not close to a radio or a computer, the set will be available to stream on WYSO’s website beginning on Thursday afternoon.  We’ve also got links to stream-able episodes of Kaleidoscope right here in the sidebar of the DaytonMusic section of Dayton MostMetro.

Jane’s Best Bets (1/12 – 1/16)

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Photo Credit: Alli Shillito

I’m ready for another great week…and the official kick-off to “Fish Fry Season” this Friday!  If you don’t like fish, don’t worry, as there are plenty of other options as well!

On Wednesday, head to The Wine Gallery for their Weekly Wine Tasting.  Wear your Flyer gear and head to the UD Arena to watch UD play St. Joseph’s.  If you like live music, watch Frozen Feet (which is probably pretty accurate this time of year) at Oregon Express or check out the Old Time Acoustic Jam at The Trolley Stop.  Oh…and if you’re like me and kill every plant you come in contact with, get some good plant advice at Cox Arboretum for Lunch and Learn: Fool Proof Plants.

On Thursday, be one of the first 50 customers at PNC 2nd Street Market for their Customer Appreciation Days in order to receive a gift.  While there, enjoy musical entertainment and also participate in their Winter Flower Arranging.  Help out 4 Paws for Ability, a wonderful charity that helps people with disabilities by attending their Charity Quarter Auction at the American Legion.  If you love acoustic music, head to Dublin Pub to see Nick Mitchell perform.  It’s cold outside so go  INTO Victoria Theatre for Into the Woods.  And finally, I’d love to see you at The Wine Loft for Generation Dayton’s Thirsty Thursday!  Plus, you’ll have a chance to win a Wine Loft gift card!

On Friday, again head to PNC 2nd Street Market for one of their Customer Appreciation Days and their Winter Flower Arranging.  I know this is DaytonMostMetro.com, but if you’re feeling like doing a little traveling, I’ll give you the okay just this once to go to Cincinnati for The 53rd Annual Cincinnati Travel, Sports & Boat Show.  If you are in the advertising industry, head to Brixx for their Hermes Call for Entries & Happy Hour.  While you’re downtown, brave the elements by attending the Star-Late Skate at RiverScape.  Or attend At the Movies with Rodgers & Hammerstein at the Schuster Center, Into the Woods presented by Muse Machine at Victoria Theatre, or Ravenscroft at Dayton Theatre Guild.  And finally, help kick-off fish fry season by attending the Holy Angels Fish Fry and Silent Auction!

On Saturday, head to Spinoza’s for their Yeti Beer Breakfast!, where they will also have live jazz music.  What a great way to start your Saturday!  You can continue the eating out tradition for the day by attending the Wine Luncheon at Jay’s Seafood…which is absolutely delicious!  Up in Yellow Springs, head to their Winter Farmer’s Market.  Over at another kind of market, the PNC 2nd Street Market, bring the kids and participate in their Winter Family Fun Day.  If you really should be working on that next house project, head to the Miami Valley Home Improvement Show for some great ideas!  Give your skating skills a try as part of Ice Skating with Generation Dayton.  Don’t worry, if you fall…I mean when you fall…you’ll be in great company!  For some theater action, get tickets to see Into the Woods at Victoria Theatre, Ravenscroft at Dayton Theatre Guild, At the Movies with Rodgers & Hammerstein at the Schuster Center, or Justin & Ryan:  A Night of Improv, which is also at the Schuster Center.  Help the Cystic Fibrosis Foundation by attending the Let it Breathe Wine Opener at Taj Ma Garaj.  Or head over to Blind Bob’s for the North Main Flower Man Benefit, which will feature several bands.  Why not party AND support a good cause?!?!

On Sunday, head over to Books & Co. for their Second Sunday Free Writers’ Workshop.  If you’re feeling like life is a little too hectic and would like to hit the pause button, just head over to Pause to Ponder at Gallery St. John to see photographs of scenes from Dayton.  Or see A Student of People Exhibit, which is an exhibit featuring people from different walks of life.  If you still haven’t made it to the Miami Valley Home Improvement Show, make your way there to get some fantastic ideas for your home.  Love prime rib?  Treat yourself and perhaps someone else (if you’re really nice) by heading over to Fleming’s for their Prime Rib Dinner, which is featured at the special price of $29.95.  If you would like to catch a show, see Into the Woods at the Victoria Theatre or Ravenscroft at the Dayton Theatre Guild.  And if your taste in music is rather eclectic, definitely check out 3 Mo’ Divas at the Schuster Center…which sounds like it will be a great performance!

And now it’s time for the Dumb Joke of the Week. Drum roll please…

Why couldn’t the pony talk?

He was a little horse.

“These are just a few best bets from the DMM Calendar.  There are plenty more events listed there, so if you haven’t, I encourage you to check it out today!  Also, if you have an event to share or promote, please submit it– it’s great marketing and better yet, it’s FREE!  And finally, if you have a dumb joke to share, I’m all ears!

Have a great week Dayton!

Speaker Series Brings Adventure to You

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Winter’s got us in its icy grips, and as cabin fever sets in, I’d like to point out you have alternatives to more extreme amusement options, such as cat fashion shows or Lifetime movie marathons. Instead, you could get inspired with the Adventure Speaker Series.

Head to WSU Feb. 8 for Allison Gannett's Global Cooling Adventure Show

Four daring presentations lead up to the apex of the series—the Global Cooling Adventure Show. World champion extreme free skier and actor Alison Gannett has dedicated her life to saving our snow, water, and ecosystems from the devastating effects of climate change. Named an Outside Magazine Green All-Star of the Year, she has designed and built a straw house, converted the world’s first solar-powered 100 MPG SUV, and has led ski expeditions to document glacial recession around the world. Now you can take part in a free presentation at 7 p.m. Feb. 8 in the Wright State University Student Union.

Part of the Presidential Lecture Series, Gannett’s presentation takes you along on her journey to save the world. From straight-lining vertical faces in Alaska to first ascents in Pakistan, Gannett has spent most of her life working on solutions to Global Warming. She has led ski expeditions to document global warming in Bolivia, Argentina, Bhutan, India, South Africa, Pakistan, France, Switzerland, Canada and the US. She also travels the world as a global cooling consultant.

Join local adventurers as they share their stories: http://www.metroparks.org/adventuresummit

Check out all the upcoming presentations, including this Wednesday’s feature of local explorer Andy Niecamp, who will share his stories of hiking the 2,200-mile-long Appalachian Trail.

The Adventure Speaker Series debuted this year as the biennial rotation with The Adventure Summit, a weekend-long outdoor exploration expo, which will return in 2012. You can learn more about the Adventure Speaker Series at www.metroparks.org/adventuresummit.

Music Video Monday: January 10, 2011

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I had originally planned on doing something else for this week’s video, but once in a while something comes along that’s too good to pass up.  This Friday night, January 14th, the Motel Beds are playing a show at Canal Street Tavern with Floods and Amnesia.  It promises to be a great show, and you can check out the details at the Dayton MostMetro events calendar.

In addition to the traditional show flier, the Motel Beds took the promotion one step further and created a radio spot which morphed into a video over the weekend.  It’s short, but super fun.  So check it out, and check all these bands out on Friday at Canal Street.