Archives for February 2011

Will the Oregon District Finally Solve Liquor Permit Dilemma?

February 7, 2011 By Dayton Most Metro 19 Comments

Dayton’s Oregon District is an interesting combination of entertainment district and upscale historic residential neighborhood. It didn’t always have the upscale side though, until the 1970’s and ’80s when some very dedicated citizens began to move into the very rough hood and started bringing back historic homes to their original glory. In addition to the enormous task of rehabbing old homes, these urban pioneers had to contend with some of the roughest bars in the city. Not just Fifth Street establishments that helped the district earn the nickname “Filth and Wine”, but especially places like the old Southern Belle and Fred & Sylvia’s situated in the residential neighborhood’s interior. It was their persistence and never-say-die attitude that helped transform the district into what it is today. While many of those original pioneers have since moved on, there are still some left and to many of them the fight to keep the riffraff out has never ended.

Before I detail the current situation, here is a brief history of the OD’s liquor permit saga as I understand it based on conversations with several people in the OD:

In 1997, the neighborhood association called the Oregon Historic District Society (OHDS) approved the first liquor permit policy for the district, limiting the total number of allowable permits to 17. A few years later they reduced it to 16, but in 2004 the City of Dayton approved an additional permit for Coco’s Bistro, with the OHDS deferring to the city. Soon afterward, the city commission adopted an informal resolution that ensured the commission would not approve liquor permits for the OD above the 17 threshold, and the “Rule of 17” was born. It should be noted that the State of Ohio Division of Liquor Control ultimately approves or denies liquor permits in Ohio, and while it does consider the City of Dayton Commission recommendations, it does not have to follow them.

In 2007, Thai 9 owner Rob Strong opened the 5th Street Wine & Deli and requested a beer & wine permit. Since there were already 17 liquor permits, the OHDS objected and the city formally objected to the state. The state overruled the city and granted the 5th Street Deli its permit, and since the Dayton Gym Club building was sold to the Dayton Theatre Guild without transferring its liquor permit, the total number came back down to 17 and the city did not appeal the 5th Street Deli case. However, this situation worsened the already contentious relationship between the OHDS and the Oregon District Business Association (ODBA) – a group focused on the OD’s business district.

In 2009, an established bed & breakfast called Inn Port D’Vino applied for its own liquor permit, and the OHDS and subsequently the City of Dayton objected – again based on the Rule of 17. Like with the 5th Street Wine & Deli, the state liquor board overruled the city and granted the permit, but this time the city appealed at the request of the OHDS board and in 2010 the state board overturned their original decision to grant the permit. Jeff and Leslie Gonya (owners of Inn Port D’Vino) are appealing that decision and it is currently pending. They gathered 172 signed petitions from OD residents in an effort to abolish the “Rule of 17”, which they presented to both OHDS and the city commission. Soon the discussion on whether or not the current “Rule of 17” is still necessary or in fact a detriment to positive growth in the OD was at the forefront. The debate is not simple and has many sides, including those who want to simply abolish the “Rule of 17” in favor of more business growth, those who do not want any additional alcohol-serving businesses no matter what – and those who fall in the middle. The later group wants to see 5th Street thriving with more classy establishments like Side Bar and Thai 9 (and less vacant spaces) but are concerned with the possibility that undesirable bars might open shop – and some may even try to open in the interior of the residential neighborhood and jeopardize the quality of life that now exists.

New S.I.D. map including OD Business District (click to enlarge) - Courtesy of Downtown Dayton Partnership

In November 2010, Dayton Commissioners Joey Williams and Nan Whaley met with the OHDS board and suggested a possible solution that all parties might approve. This involves the ability for the city to divide the OD into two separate voting precincts – the residential neighborhood and the 5th Street business district (based on new SID boundaries that includes existing businesses off of 5th such as Thai 9, Jay’s Seafood and Inn Port D’Vino). The residential precinct could then vote itself dry, meaning that no liquor permits could be granted to any business within the residential precinct – a binding law that unlike the informal “Rule of 17” resolution, could not be overruled by the city commission or the state liquor board. With this in place, it is believed that an overwhelming majority of neighborhood residents would then approve getting rid of the “Rule of 17” in favor of more growth in the business district. As it stands, a letter of agreement between the OHDS and ODBA for the purposes of establishing a new voting precinct in the OD has been signed by the ODBA president Mike Martin, and the ball is now in the OHDS’s court. There is a monthly general membership OHDS meeting tomorrow (Tuesday February 8 at 7pm), and while the OHDS board doesn’t necessarily have to vote on anything it is believed that this will be the main topic of discussion. Proponents of the agreement are urging fellow residents to attend this meeting and have their voices heard.

In my many discussions with various players in this saga, I believe there are still neighborhood influencers and OHDS board members who will likely continue to push to keep things as they are, with the “Rule of 17” kept intact. Sources tell me that the board is evenly split on this latest proposal, and it is unlikely the board will vote in favor of the proposed agreement because of a concern about a lack of specific language that would require the precinct lines be drawn and the dry-neighborhood proposition be placed on a ballot before removing the “Rule of 17” (a feeling that the ODBA refuses to cooperate because of a few conflicting personalities on both sides also exists among various residents). Ironically, the neighborhood risks losing all protection including the “Rule of 17” regardless of whether or not the OHDS votes to move forward with the agreement, since the “Rule of 17” is an informal resolution that the city commission could eventually dismiss anyway – a distinct possibility given that the most recent commission vote to appeal the state’s granting of a liquor licence to the B&B barely passed 3-2 (with Nan Whaley and Matt Joseph opposing the appeal). Not to mention that the state can grant liquor licenses regardless of the “Rule of 17”. Only by voting the residential precinct dry can the OD residents guarantee that no bars can open in the residential neighborhood.

Photo Credit: sbluerock on Flickr

As objectively as I’ve tried to present this complicated situation, I should disclose my own personal bias. I don’t live in the OD but I have lived downtown for the past 7 years, and while I understand the residents’ concerns about the impacts that businesses on Fifth Street have on their quality of life, I also think that the “Rule of 17” is a draconian tool that has negatively impacted the vibrancy of Fifth Street. The OD is not just a historic neighborhood with a business district, but it is THE entertainment district for the city and the only authentically local entertainment district in the region; its vibrancy or lack thereof affects all of us, not just the OD neighborhood. This latest proposal makes sense, and I applaud the leadership that Nan Whaley and Joey Williams have shown in bringing it to the OHDS. I also applaud the efforts of people like Lt. Larry Faulkner, who has been working closely with bar owners to make sure that incidents are reduced. It is time for the OHDS to recognize that the status quo is not acceptable, and it is time to adapt to changing times. It is also time for the ODBA to get over past differences between various individuals and understand that there are in fact many residents and OHDS board members that want the same thing as they do – a vibrant business district. If language has to be adjusted to make more people comfortable, then make it happen so that we can finally get rid of the “Rule of 17” and move closer toward a united and thriving Oregon District that the rest of the city and region can be proud of.

I attended the public OHDS membership meeting following this article on Tuesday 2/8 – here is the follow-up.

Stage & Screen: WSU Grad to Present Concert at The Neon

February 6, 2011 By Shane Anderson Leave a Comment

HERE WITH ME:

CHRISTIAN DUHAMEL LIVE IN CONCERT

The Neon Movies & The Human Race Theatre Company

Regional Premiere!

I had a meeting down at the DMM clubhouse (office) yesterday. The conversation kept coming back to how frustrating it is to hear people say things like “there’s nothing to do in Dayton,” and “nothing happens here, I can’t wait to move to_______________.” PEOPLE! – THE MOST AMAZING THINGS HAPPEN RIGHT HERE! IN DAYTON! You’ve just got to pay attention!

Of course, if you are reading this article on DaytonMostMetro.com, I’m probably just preaching to choir. So, please, share it.

Our downtown gems of theater, THE NEON (movies) and THE HUMAN RACE THEATRE CO. (live) are teaming up to present a concert. ? A concert at a movie theater? You gotta hand it to both organizations, both are willing to take chances on something new, both embrace innovation. Tuesday night they will try something new, together….present a concert of music by an up & coming new musical theatre composer!

The setting is a terrific idea! I’m actually a little bit miffed that I didn’t think of it first for the organization I work with. The Neon has a terrific set-up for an event that will feature live song and stories. Grab a beer, glass of wine or even a cup of coffee to go along with those junior mints and settle in for an evening of new musical theatre songs by Christian Duhamel.

Duhamel is in town working on Shakespeare’s TWELFTH NIGHT at “the Race.” He portrays Feste, the clown (and musician) in the unique production which has been reset in Jazz-Age America. Besides acting, Christian is also a composer. He has composed for theater, including several original musicals and a songbook. Tuesday evening’s concert will feature Christian, and a few guests, singing songs (& telling stories) from his repertoire.

CHRISTIAN DUHAMEL was named one of Seattle BroadwayWorld.com’s Top 10 People to Watch in 2011. He is a Kennedy Center American College Theatre Festival Award-winning composer, lyricist, playwright, director and musical director and was the inaugural recipient of the Young Creator’s Award from Music Theatre Ventures. His musicals and songs have been performed on stages and at cabarets across the nation. In 2009 he published his first songbook, “Here With Me: A Collection of Songs by Christian Duhamel.” Mr. Duhamel earned his BFA in Acting-Musical Theatre from Ohio’s Wright State University. www.christianduhamel.org.

onStageDayton had a few questions for Christian about his career, his music & returning to Dayton:

onStageDayton: For our readers who don’t know you, how did you first end up in Dayton? Where are you based currently? How has it felt to return to Dayton as an actor & musician in The Human Race Theatre Company’s production of Shakespeare’s TWELFTH NIGHT?

WSU Theatre

Christian Duhamel: I first came to Dayton as a transfer into the acting-musical theatre program at Wright State. I grew up in a suburb of Seattle, Washington, and after graduating from WSU and working around the country for a bit, I moved back to Seattle and have lived there the last 4 and a half years, working as an actor, writer, composer, musical director, director, coach and educator.

The Loft Theatre

Returning to the Race has been a huge honor and joy. From previous involvement in Race productions and also from being an audience member, I know the Race puts on high-quality productions. When I received the offer to play this amazing role (Feste) at this amazing theatre and additionally, to compose music for two of Shakespeare’s lyrics, I knew could not pass up the opportunity.

OSD: Besides being an actor and musician, it seems that you are also a musical theatre composer. At what point did you decide to put pen to paper to write a musical? What was that first musical and have you written any since?

Christian Duhamel

CD: In high school I was highly involved in choir and drama, and here I got my first taste of creating new works: writing plays, arranging vocal jazz charts and writing choral and jazz music. When I began college, writing was placed on a back burner as I focused on my acting training. After I transferred to Wright State, I rediscovered my passion for writing, and wrote my first musical, REINVENTING ROMANCE, which was produced at Wright State, went to the regional level of the Kennedy Center American College Theatre Festival, and I went on to the national level with awards for playwriting, music, lyrics and direction. Since then I’ve written several new musical theatre pieces: THE WAR CYCLE, which looks at American involvement in the many wars of the 20th Century; ICARUS ASCENDING uses the mythological characters Icarus and Daedalus to examine the relationship between fathers and sons; RED, a contemporary retelling of Little Red Riding Hood; and A BEAUTIFUL END, which is the story of two real women who worked the western burlesque circuit in the late 1800’s. I have also self-published my own songbook called HERE WITH ME: A Collection of Songs by Christian Duhamel.

OSD: Do you collaborate with other writers in your musical theatre writing?

CD: I write cabaret material on my own and with another Wright State graduate, Kristina Wilson. I am currently working with several new collaborators on the development of several new musicals. Hopefully you’ll hear more about those pieces soon!

OSD: It seems that there is a bit of a resurgence of of musical theatre writing happening in America…a whole new generation of new musical theatre writers are creating very personal, emotional works (instead of the song & dance spectacles of the past). What do you think is the impetus of this new movement? What do you think the next few years holds for new musicals in the American theatre landscape?

CD: I think musical theatre, like all art forms, is following a natural ebb and flow: Mozart wanted to write operas about real, contemporary situations, and in Chekhov’s The Seagull, Trigorin craves “new forms.”

Concert Guest Aaron Vega with wife Claire Kennedy

If I had to take a stab, I’d attribute the current shift to a generation of minds who experienced 9-11, can learn from a seasoned Sondheim, and who are growing up dealing with the “relationship disconnection” caused by that wonderful invention: the internet.

In the next few years, as we see 65 million dollar spectacles taking stage, I imagine more writers will strive to bring the focus of the musical back to the emotional spectacle of a character’s internal life, and then we’ll shift the other way again.

OSD: What should audience members expect when they come to The Neon on Tuesday night? What should they NOT expect as well?

Darian Taschner

CD: Tuesday night will be a relaxed evening filled with music I’ve written, including a couple of songs with collaborator Kristina Wilson. The Neon has the perfect atmosphere (and open bar) for an evening of something a little different. I’ll be telling stories about the origins of the music and the impact particular pieces or being a writer has had on myself and my family.

Alexandra Sunderhaus

I’ll be joined by guest artists Aaron Vega (WSU grad, actor and director of Twelfth Night), and Alexandra Sunderhaus and Darian Taschner (the female leads from WSU’s Jekyll and Hyde). There won’t be any production numbers, just me behind a piano with some outstanding voices singing new music for the people who join us.

Tickets & Performance Information:

HERE WITH ME: The Music of Christian Duhamel

One Night Only. Tuesday, February 8th, 9:30 pm

THE NEON, 130 E. Fifth Street, Dayton, OH

(937) 222-8452

Tickets ($5) are available presale at The Neon.

Concessions will be available at the event, including beer, wine & coffee beverages.

-SA/Press Release

We encourage local theatre companies to submit calendar items HERE, and official press releases to [email protected].

VIDEOS:

Invisible Woman by Christian Duhamel

Performed by Ashley Fitzsimmons
Produced by CONTEMPORARY CLASSICS
Presented by ACT’s Central Heating Lab

http://www.youtube.com/watch?v=1m69lGIoykA
Couldn’t You Stay By Michael Mahler
Performed by Christian Duhamel & Jenny Shotwell
Produced by Contemporary Classics

In the Company of Helen

February 6, 2011 By Dayton Most Metro Leave a Comment

FAT PIG

Dayton Theatre Guild

Neil LaBute’s dark comedy premieres at downtown theatre.

For his entire career, playwright/film director Neil LaBute has explored a wide variety of genres. Consider his film work like In The Company of Men, dark comedies Nurse Betty and Death at a Funeral, and even bona fide horror films The Wicker Man and Lakeview Terrace. LaBute has mastered the art of the dark comedy – exploring the darker side of the human psyche in ways that make us oddly uncomfortable and questioning our own darkness.

Neil LaBute, playwright

What I think strikes most people as fascinating is that LaBute’s language always feels ‘real’, colloquial and in turn, honest. One really feels as if they are listening to REAL people having REAL dialogue (sometimes TOO real). One of the best examples of LaBute’s influence on American theater and cinema opens February 11 at Dayton Theatre Guild.

Fat Pig tells the story of Tom – a well built attractive man who meets and falls in love with the quite plus-sized but ever-charming Helen. When people in Tom’s life begin to discuss why he is dating such a large woman, Tom must decide where HE stands. It is a fascinating exploration into society’s treatment of those we deem unfit, in this case, plus-sized. Neil’s language is smart and engaging and provides a great “what would you do?” discussion starter. If you want to see what the contemporary American theatre sounds and looks like, LaBute’s Fat Pig is great choice. Dayton Theatre Guild is to be applauded for producing this daring and important play and I, for one, was thrilled to see it on their season. It is also quite timely as a Broadway production of Fat Pig (directed by LaBute himself) is headed to Broadway this spring starring Dane Cook and Julia Stiles.

Here in Dayton, the Guild production features Amy Askins (Jeannie), Nicolas Bauer (Carter), Steve Strawser (Tom), and Wendi Williams (Helen). The production is under the direction of Dayton Theatre Hall Of Fame inductee Fran Pesch. There is honestly no better place for LaBute’s work than the Guild (with the exception of the Human Race). DTG has a track record of choosing daring titles by contemporary exciting playwrights and Fat Pig, to me, is a harbinger of good things to come. Later this year, the Guild will present the local premiere of the one-woman tour-de-force Golda’s Balcony (about Israeli Prime Minster Golda Meir) as well as Theresa Rebeck’s acclaimed Mauritius.

Neil LaBute's FAT PIG at Dayton Theatre Guild - February 11-17, 2011

The cast of Dayton Theatre Guild's FAT PIG. L to R: Nicolas Bauer, Steve Strawser, Wendi Williams, Amy Askins

-DB

We encourage local theatre companies to submit calendar items HERE, and official press releases to [email protected].

Tickets & Performance Information:

Neil LaBute’s FAT PIG – February 11-17 – Performance Times Vary (click for details)

Tickets Prices: $11 student / $16 senior / $18 adult

Location: Dayton Theatre Guild at The Caryl D. Philip’s TheatreScape – 430 Wayne Ave. Dayton, Ohio 45410 (MAP)

Contains adult situations and language.

Tickets are on sale now through DTG’s Online Box Office, or via phone at (937) 278-5993 (due to a volunteer staff, phones are not monitored continually).

For more information about Dayton Theatre Guild’s entire 2010-2011 season, visit www.DaytonTheatreGuild.org

Dayton Theatre Guild at the Caryl D. Philips TheatreScape

Miami Valley Home World

February 5, 2011 By Megan Cooper Leave a Comment

I watch way too many home improvement shows. I’m a big fan of both HGTV and the DIY network. I sing along with the theme songs, and let me tell you – a lot of those shows don’t have “songs” to speak of (*Who wants a clean house?*). I even went so far as to apply to let viewers “Run My Renovation” to get a free home makeover. Alas – competing with thousands of other viewers for one free makeover and sitting on my couch isn’t getting my basement any closer to being remodeled. So, I figured it’s time to call in the big guns. I headed to the Miami Vally Home World show at the Airport Expo Center for the experts.

Friday nights people get in for only $5 with a donation of a canned good, so I decided to save some cash. (Note: If you like their Facebook page and print out the coupon, you can get in for $5 on Sundays, so you only have to pay full price ($7) if you go Saturdays.) Here’s another hint – although it’s sponsored by a credit union – they don’t accept credit cards, so bring cash or plan to use the ATM outside the doors

I went with a couple pretty specific needs, so I didn’t stop at every booth; it took about an hour to walk by everything. In the back corner, they have a pretty nice set-up for presentations and demonstrations. As I expected, there’s a normal mix of HVAC, decks, window replacements, and kitchen/bath remodels, but there were also booths featuring cleaning systems, cooking, and bedding.

The negative of going to a home show is you’ve got to actually care about going. I admit – it’s not really a *fun* place if you don’t plan on some sort of home remodel or purchase in the future (even though there’s a food court with beer). But – if you are planning to work on your house, it’s a great way to talk to a few different contractors/businesses and get a few hundred bucks off (lots of companies offer discounts, coupons, and free estimates if you sign up at the home show).

So – if you’re planning on doing some work on your house in the near future, check out the Miami Valley Home Show to get to know a few different contractors, business, and see who might be the right fit. And register to win $10,000 toward your home remodel before you leave. The show runs weekends through February 13.

FALLING UP…A Dayton-Native’s Labor of Love To Make Its Local Premiere

February 5, 2011 By Jonathan McNeal Leave a Comment

FALLING UP, the beautiful stop-action short film made by Dayton native Djuna Wahlrab, is coming to THE NEON in downtown Dayton. This stunning film, with sets based on local architecture (and an opening live/animated scene shot in downtown Dayton), will play with select screenings of THE ILLUSIONIST (one of this year’s Academy Award nominated films for “Best Animated Film Feature”).

Wahlrab, a working filmmaker and graduate of Stivers School for the Arts, now resides in New York City. She will be opening a gallery exhibit of sets and puppets from her film later this month at Stivers….You’ll want to see her short film THEN see how she made it.

Stop-action animation is shot one frame at a time – a pain-staking process with gorgeous, magical results. To see more about her film and see the trailer, visit the official website at www.fallingupmovie.com.

FALLING UP will only play before THE ILLUSIONIST during the 3:00 and 7:30 screenings during the week of Friday, February 11 through Thursday, February 17.

Falling Up from Djuna Wahlrab on Vimeo.

‘9 to 5’ Thrives On Nostalgia

February 5, 2011 By Russell Florence, Jr. Leave a Comment

9 to 5: The Musical

presented by the Victoria Theatre Association

“9 to 5: The Musical,” Dolly Parton and Patricia Resnick’s shaky adaptation of the 1980 workplace revenge film of the same name, struggles to overcome its dated discrimination premise and an assortment of hit and miss tunes, but there are commendable elements nonetheless in its reconceived, well cast national tour, which began its regional premiere Tuesday, February 1 at the Schuster Center courtesy of the Victoria Theatre Association’s Miami Valley and Good Samaritan Hospitals Broadway Series.

A greater sense of nostalgia in the form of a terrific pop culture-inspired show curtain as well as Parton’s warm, folksy introduction and closing commentary (including a sing-a-long) effectively distinguishes the tour from its unnecessarily flashy, vocally erratic and unsurprisingly short-lived 2009 Broadway counterpart. There is also a sharper character-driven focus and tighter pace that director/choreographer Jeff Calhoun establishes that keeps the show entertaining and engaging even when three labored fantasy sequences and a swarm of bad jokes and crude lyrics become cringe-inducing.

The core trio of Mamie Parris as ditzy divorcee Judy Bernly, “American Idol” runner-up Diana DeGarmo as voluptuous Doralee Rhodes, and three-time Tony Award nominee Dee Hoty as no-nonsense Violet Newstead form a compatible bond. Each character exudes a genuine, down to earth sensibility so it’s easy to empathize with the torment they endure at the hand of their bigoted boss Franklin Hart, Jr. (Joseph Mahowald in a terribly one-dimensional role). The endearing Parris actually finds depth in what could easily be perceived as a thankless part. Her belting soprano absolutely sparkles in “Get Out and Stay Out,” which powerfully culminates in a “Wicked” style reminiscent of “Defying Gravity” or “No Good Deed.” The naturally perky DeGarmo remains a vocal knockout and couldn’t be more charming. Her poignant rendition of “Backwoods Barbie” is a meaningful highlight, but she’s also great leading the rousing ensemble number “Change It.” Hoty, a wonderful authoritarian, particularly makes the most of Act 2 opener “One of the Boys,” Parton’s meager attempt at writing a razzle-dazzle show tune.

Enjoyable featured turns are given by the very funny, spontaneous Kristine Zbornick as Hart’s infatuated secretary Roz Keith, Gregg Goodbrod as Joe, Wayne Schroeder as the Colonel Sanders-esque Tinsworthy, and scene-stealer Jane Blass as the boozy Margaret.

Although there’s no escaping the fact that the best number in the show was written over 30 years ago, “9 to 5” is better here than in New York with an intent to please Parton admirers as well as fans of the film and its era.

9 to 5: The Musical presented by The Victoria Theatre Association at the Schuster Center

(L to R) Diana DeGarmo, Dee Hoty and Mamie Parris in '9 to 5'

9 to 5: The Musical continues through Sunday, February 6 at the Schuster Center, Second and Main Streets. Remaining performances will be held today at 2 and 8 p.m. and Sunday at 2 and 7:30 p.m. Act One: 70 minutes. Act Two: 45 minutes. Tickets are $36-$90. For tickets or more information, call Ticket Center Stage at (937) 228-3630 or visit www.ticketcenterstage.com.

In addition, the show notably contains two Wright State University alums: swing K.J. Hippensteel and stage manager E. Cameron Holsinger.

We encourage local theatre companies to submit calendar items HERE, and official press releases to [email protected].

Arts and Entertainment on a Budget – Feb. 4th Edition

February 4, 2011 By Dayton937 Leave a Comment

The ice is finally melting, so cure that cabin fever and check out these wallet-friendly entertainment options:

The Super Bowl is sure to be a weekend highlight for many, but if football isn’t your thing, go see “9 to 5: The Musical” this Sunday instead! Get 4 tickets for just $90 or 2 tickets for just $50! Call 228-3630 or visit http://ticketcenterstage.com and use the code FOOTBALL.

Join JumpstART on Feb. 10th for Jump Into Theatre. This young-professional branch of Culture Works is offering half-price tickets to “Twelfth Night,” plus a backstage tour. Tickets are going fast, so reserve yours now!

Riverscape Ice Rink offers free skating on Tuesdays and Wednesdays ($3 to rent skates), and only costs $5 (including skate rental) the rest of the week. You can even celebrate Valentine’s Day early at the Saturday Night Sweetheart Skate from 7 to 10 p.m. on February 12.; the first 100 couples will receive a free flower from the Flowerman!

Encore Theater Company will host the New York bound musical “Hot Mess in Manhattan” on Saturday, Feb. 12 at 8 pm at Sinclair Community College, Building 8. Tickets will be $18 at the door, but reserve your table of 4 now and pay only $12.15 per person! Visit http://www.encoretheatercompany.com/ to order your tickets; just select “reserved table of 4” and enter the code “hotmess” to receive the discount.

Student and community theatre productions always make a great date night at a great price. The University of Dayton Theatre Program is presenting Sam Shepard’s “True West” Feb. 4-6 and 10-12; tickets are only $12. Centerville High School will present “Crimes of the Heart” on Feb. 11 and 12; admission is free, but donations will benefit the CHS Drama Club. These are just a few of the upcoming (and affordable) theatre performances in Dayton; visit onStageDayton for many more.

Don’t forget to start your night out off right with a great meal! Dayton Dining offers lots of tips and discounts for local restaurants; just “like” their Facebook page for the inside scoop.

Finally, buy your tickets now for “The Drowsy Chaperone,” and save 35%! This Broadway Series production will be at the Victoria Theatre from March 8-20. Visit http://ticketcenterstage.com before Feb. 18th and use the code JANET.

The Ice Of Wrath

February 3, 2011 By J.T. Ryder Leave a Comment

Dear You...Wish You Were Here!

Premise of column…the abridged version: The theory behind this column is that, unlike most advice columns, I will not be dispensing advice. I have more issues than a magazine stand, so I feel that it would be rather disingenuous (as well as mildly dangerous) for me to offer anyone advice. So what I am doing is offering up my problems to you, the constant reader, so that you may share with me, and the world at large, your sage advice and wisdom. Who knows? You may even actually help me with one of my problems or even become the next Dr. Phil, which would entail an outpatient surgical procedure to have you welded to the megalomaniacal monster that is Oprah Winfrey’s ego.

Well, my debut column kind of went astray rather quickly. I began it with all good intentions, but that damned dog was just preying on my mind, so there wasn’t too much in the way of advice that anyone could offer beside “train it,” “give it away” or “play fetch with it on the roof of Kettering Tower.” This column, I assure you, will give you an opportunity to not so much give advice, but lecture me about what kind of horrible person I am.

There is nothing like a good ice storm to bring things into perspective. As evening draws night and I see the steel grey daylight fade from the vines hanging off my office’s window (the vines I meant to remove this past summer before they manage to pull the window out of it’s frame). I ponder the imponderables, such as what color does a Smurf turn if you choke him, how does the guy that runs the snow plow get to work and, while watching back to back reruns of Full House, how did two bug eyed girls, who resembled my vision of what trolls must look like, turn into two skanky globe trotting trollops in such a short time? I never seek the answers to these questions as then they would cease being imponderable and I would have nothing to do while sitting in my house, snowed in.

From Innocent Gremlins To International Slut-Butts

Another thought flits through my head as I sit here with three kids annoying the living crap out of me, the youngest talking while I am trying to write, the middle one going through all the drawers in my office, borrowing whatever his little adolescent fingers fall on…without asking, of course. The third kid isn’t even mine, but one of my older son’s friends. He just stands there laughing like a mook, knowing that his mere presence makes me yearn for a time when adults were allowed to clout a kid upside the head for irritating them. The thought that careens through my cranium is, “How many people who espouse the wonders and sanctity of family have actually been forced into close quarters with them?” I don’t think they ever have. They are too busy making speeches across the country, dictating their familial beliefs to others, then going back to a Holiday Inn, getting room service and then settling down for an evening of in-room porn.

Careful With That Axe Eugene

I believe that most people who are trapped with their family all day turn into Jack Nicolson’s character from the Shining before Oprah even airs in the afternoon. There are only so many times that your better half can pop awake from their almost continuous catnap to berate you for not spending enough time with them (and then dropping back into a blessed catatonia) before your thoughts cast themselves towards the garage, wondering where you put the axe this past fall and was it sharp enough?

I love my family. My kids are the absolute beginning and end for me and I would do anything for them…except watch four hours of mind melting Japanimation cartoons while my eleven year old does color commentary. It’s not that I don’t like spending time with them…but dear God, small doses please! My kids and I have a great time when we are out and about, but that is when I am safe in the knowledge that sometime soon, they will go back to school, allowing me to sit in my office, lulled by the sounds of silence as I look up at pictures of them…pictures that don’t ask questions like, “Can a Jedi lightsaber cut through Superman?”

Do you have a spouse that begs you to stop working and sit down with her to watch some television…and then proceeds to flip back and forth between RuPaul’s Drag Race and Bizarre Foods until you get confused and start wondering which thing fluttering by on the screen would be worse to have in your mouth? She single handedly will turn your television into a RGB colored strobe light if you give her the controller. Either that or you’ll be locked onto the TLC or the Oxygen network watching some graphic retelling of some “based on a true story” made for TV movie that makes you consider how lucky Hellen Keller was.

Perhaps the problem lies with me. I have always been somewhat of a loner and not really able to relate to people, so maybe I should be able to open myself up to the experience of domesticated living. I should embrace the Snuggie and kick back in the Laz-E-Boy, quaffing down a six pack of beer while watching and laughing through the American Idol audition shows…

Who Could Be A Meaner To A Face Like That?

…see? I can’t write more than a sentence on certain subjects without seeming to be a mean spirited, smarmy a-hole. It’s not that I dislike my family. It’s just that I believe there should be a separation, like there is between Creationism and logic. For example, in the short time that I have been writing this, my kids have interrupted me innumerable times and my wife has been in here three times. Once to use my lighter, even though her lighter was concealed in her other hand. The second time was to…I’m not making this up…talk to me about our relationship because she feels that I need to spend more time with her. The third time was so she could have me look up how to make hand made soap which, while an admirable aspiration and hobby, she only seems interested in because I am on the computer. This has been interspersed with random yelling matches between the kids and her and her and the kids, peppered with random observations yelled out to no one in particular.

Now that the ice is melting away, everyone is breathing easier, knowing that, if worse comes to worse, they can run screaming from the house if the youngest child wants to play charades for the millionth time (a game which, after having the instructions told to him a billion times, he still cannot truly grasp) or if their mom wants to go into one of her long winded stories about her youth, stories which a.) have no end or meaning and b.) grow in breadth and depth exponentially with each telling. As I sit here at the computer as my wife begins a tirade about missing hair ties, I wonder if it’s the forced confinement that creates these feelings or if society has played up the importance of “family time” so much so that you feel guilty if all you want to do is have a moment of silence and eschew yet another discussion with your children about how is it possible for a squirrel to live in Bikini Bottom with Spongebob…a discussion that invariably ends with me screaming, “Because it’s f#$%ing cartoon!” and my son throwing something at me and calling me a meaner.

So, I guess what the question is, buried within this convoluted rant, is how do you balance family time and personal time? What is the basis for time spent with the family/children/spouses? Is it based on the factor of quality or quantity?

Bizually Stimulating and YP Friendly. Dayton. That. Is.

February 2, 2011 By Shana Lloyd 3 Comments

This is the first in a series of articles geared towards promoting that young people start thinking out of the “help me” box. Help yourself by believing in your ideas and moving forward with your venture. I’m not flipping the bird on your desire to keep existing businesses here in Dayton as well as young professionals in the area, but waiting on some big government push is not the answer. Take a realistic approach and social responsibility for what’s happening in YOUR region. Be the force that drives attention our way and a catalyst for growth our innovative city.

In the midst of being involved with several organizations that are trying to either keep or bring businesses (or both) to the Dayton region, it dawned on me that with all this talent in this region how about a young professional push to START more businesses in Dayton? Event after event, committee meeting after committee meeting a common gripe I hear is often related to what the government is doing to help rebuild Dayton. My point is, why are we waiting on big gov to save the day and is there a slight possibility that with a little belief in our own ideas and concepts along with a little entrepreneurial spirit, resources and creative funding, can we (we the people) make Dayton even more bizually stimulating to the eyes, mind and wallet. Organizations are working aggressively to bring and keep, who’s starting?

Before I continue with the reason on why starting a business in Dayton is great idea, I will first address some of the reservations a younger generation of entrepreneurial minds may have. What are some of the most difficult challenges faced in entrepreneurship? Let’s go with the obvious.

“How in the world will I fund this?” It’s a valid question, guess what? Funds are available.

If you want to ask the government for anything; How about taking advantage of some of what they’re already offering to help with? Funding programs for business startup are becoming more readily available in an effort by the government to boost job creation. Grants aside, the U.S. Small Business Administration (SBA) has a variety of loan programs designed for different tiers of entrepreneurship. In Dayton specifically there are several programs available to assist new business ventures. Our region is on the brink of becoming one of the nation’s leaders in technology and if your idea or concept is “techlike” right here in Dayton, The Entrepreneur Center or TEC Dayton has been helping technology based concepts at all levels of development. In fact, 38 out of 51 businesses fostered by this initiative are still in existence today. That’s positive news, eh? Also here in Dayton, The Ohio Small Business Development Center (SBDC) helping people start, sustain and grow their businesses right here in our region. The SBDC, with more than 40 partnerships that contribute over $10 million in cash to small business initiatives obviously has your financial back.

Questionable Concept. Why does Dayton need your idea?

One of the most common things people face is lack of confidence in their concept, product or service. There is no guarantee that anything we create will be a huge success, but does that mean we shouldn’t give it a shot? I would never suggest going in blind. Believe in your idea but also do the research required prior to unveiling. What do I mean when I say research? Well, ask the important questions:

Is there a need for what I’m cooking up? Always remember that your strategy should be market driven. Do your homework and don’t be unrealistic. You’ll have a better chance at success if your idea provides a solution or serves some need.

What’s my differentiator? You should identify early on “who you are” in the marketplace and focus on the key differentiators especially when your idea or concept is not overly unique. Don’t let the fact that you are doing something that has been done stop you however, there are no new ideas only ideas done better…can you do it better?

So you have a great idea and money, now what? Listen, nothing in life happens over night and while I am encouraging that you take a chance and do something remarkable, you have to be ready to put your all in. Taking advantage of all the groups and associations that will allow you to network and grow your business is imperative. There is no neutral in entrepreneurship, only drive.

Get Involved.

Young professional groups like Generation Dayton are a great place to start. Not only will you have a chance to meet new people but you also open the door to what every YP needs on occasion needs and that is support. I know there are great companies in the region but when faced with a lack of new job opportunities within them, sometimes taking the road less traveled proves to be more fruitful…why wait for an opportunity when you can create one? Within YP groups you will meet others who have started their own businesses and have been successful in doing so.

If you still want to search for that dream job, more power to you, because I fully support such ambitions. This article is merely to point out that there are other options, there are people doing it, successfully; and if you wanted to, you could do it to. As young professionals in the region, I believe that part of the region’s initiative to keep business alive in Dayton relies on us. Those looking afar will find us more bizually stimulating with a growth in startups, and successful ones at that. With affordable living and a slew of other key factors, this city is prime for attaining that “American Dream”. Redesign your thinking and take control of your future. Hey and if you’re looking for a location for your venture, start with downtown.

Splendid ‘Night’ at Loft Theatre

February 2, 2011 By Russell Florence, Jr. Leave a Comment

The Human Race Theatre Company offers an effortlessly enchanting, stunningly designed presentation of William Shakespeare’s comedy “Twelfth Night,” a multilayered tale of gender reversal, mistaken identity, mismatched romance and unabashed silliness that opened Friday, January 28 at the Loft Theatre.

Aaron Vega, a Wright State University musical theater graduate and, at 28, the youngest director to stage a Human Race production, elegantly helms with a fresh and impressive awareness of the play’s conceptual intricacies and sparkling language. His decision to transport the setting from traditional Illyria to America during the Roaring Twenties is certainly a clever choice strikingly conveyed throughout the action by the cool, suave presence of pianist-vocalist-composer Christian Duhamel as witty clown Feste. Still, his astute attention to establishing the various pursuits of the Bard’s appealing characters, inhabited by a stellar cast, elevates the material beyond the unique era presented.

Claire Kennedy, who proved her worth as an expressive Bard interpreter in Wright State’s 2006 production of “As You Like It,” was born to play lovestruck intermediary Viola, who is separated from her presumably dead twin brother Sebastian (the amiably unassuming Justin Flagg) and ultimately develops feelings for Duke Orsino (an earnestly understated David Dortch) while disguising herself as his devoted pageboy Cesario. Kennedy, whose plaintive rendition of “Danny Boy” is an emotional highpoint, looks perfect in the role (gender bending was a signature fad of the ‘20s after all) and assumes a charming, adaptable masculinity (notice her uncertainty as to how she should hold a cigar) that grows more endearing when Cesario is wooed by the formidable Lady Olivia (a feisty Sara Mackie), Orsino’s object of affection.

Wonderfully cohesive comic relief, occasionally delivered in the audience, is supplied by the uninhibited Tim Lile as Olivia’s loutish and unapologetically flatulent uncle Sir Toby Belch, Josh Stamoolis as goofy Sir Andrew Aguecheek, Jennifer Johansen (a remarkable Lady Capulet in the 2008 Human Race production of “Romeo and Juliet”) as Olivia’s cunning maid Maria, and Scott Stoney as the humble Malvolio, who is humorously tricked into thinking Olivia is in love with him. Kevin Malarkey as Valentine and Matthew M. Moore (who directed an excellent “Much Ado About Nothing” last season at Cedarville University) as Sea Captain/Anthonio complete the cast.

Additionally, scenic designer Dick Block, costumer Lowell A. Mathwich and lighting designer John Rensel beautifully evoke the look and feel of the 1920s.

“Twelfth Night” is a lighthearted escape from the winter doldrums that clearly suggests Vega’s first attempt at Shakespeare for the Human Race will not be his last.

Twelfth Night continues through Sunday, February 13 at the Loft Theatre, 126 N. Main St. Performances are Wednesday-Saturday at 8 p.m. and Sunday at 2 p.m. Tickets are $15.50-$39. Act One: 70 minutes; Act Two: 55 minutes. A special open forum discussion will be held following the Sunday, February 6 performance. For tickets, call Ticket Center Stage at (937) 228-3630 or visit www.humanracetheatre.org. Also, Christian Duhamel will perform a concert of his original songs entitled Here With Me Tuesday, February 8 at 9:30 p.m. at the Neon Movies, 130 E. Fifth St. For more information, visit www.neonmovies.com.

In related news, the Human Race’s 25th anniversary/2011-12 season, an entire slate of local premieres that have collected nearly 25 Tony Award nominations, will consist of Yasmina Reza’s 2009 Tony Award-winning dramatic comedy God of Carnage (Sept. 8-25, 2011), Tony Kushner and Jeanine Tesori’s 2004 Tony Award-nominated musical Caroline, or Change (Nov. 3-20, 2011; directed by Scott Stoney), John Logan’s 2010 Tony Award-winning Mark Rothko-themed drama Red (Jan. 19-Feb. 5, 2012; a partnership with the Dayton Art Institute who will present a Rothko exhibition during the run), August Wilson’s 2005 Tony Award-nominated drama Gem of the Ocean (March 28-April 15, 2012); and Mark Allen, Gaby Alter, Gordon Greenberg and Tommy Newman’s musical Band Geeks (May 31-June 17, 2012; directed by Kevin Moore).

Joyful ‘Bee’ at Dayton Playhouse

February 2, 2011 By Russell Florence, Jr. Leave a Comment

"Spelling Bee" cast; photo credit John Gebhardt

Although William Finn, Rachel Sheinkin and Rebecca Feldman’s 2005 Tony Award-winning “25th Annual Putnam County Spelling Bee” has quickly reached ‘done to death’ status in the Miami Valley, its fifth area presentation courtesy of the Dayton Playhouse, which opened Friday, January 28, is a joyful affair that finds great heart within the high octane, racy humor.

You may have fond memories of seeing this musical about six colorful adolescents nervously yet enjoyably aspiring to spelling perfection presented by the University of Dayton, Victoria Theatre Association, Wilmington College or Wright State University, but there is definite merit in the Playhouse’s well cast, well sung incarnation. Despite a slightly erratic energy level and a few comedic bits that go overboard or grow overlong, director Natalie Houliston, with lively assistance from choreographer Erica Hamilton, credibly establishes a character-driven playground of fun that is particularly magnetic in the more introspective musical numbers and reflective moments.

Lilting soprano Corinne Derusha, naturally embracing the bouncy, emotive musicality within Finn’s terrific score, leads the proceedings as excited host and former champion Rona Lisa Peretti. She also maintains an appealing chemistry with the delightfully droll Errik Hood as Vice Principal Panch. The outstanding Hannah Berry is truly heartbreaking as shy bookworm Olive Ostrovsky, who enters the competition without parental support. Berry has the audience rooting for Olive at the outset when she tenderly sings “My Friend, The Dictionary.” Matthew Smith lets loose with hilarious abandon as the persnickety William “Magic Foot” Barfee, a whiz with an attitude. David Thomas, a good fit as eccentric underdog Leaf Coneybear, brings engaging subtlety to “I’m Not That Smart.” Bobby Mitchum, in his Playhouse debut, sums up the distressed Chip Tolentino with a funny, audience-friendly take on “My Unfortunate Erection.” Charity Farrell winningly returns to the Playhouse as overachiever Marcy Park and delivers a luminously carefree rendition of “I Speak Six Languages.” Lindsay Sherman, clothed in cute polka dots by costumer Erin Winslow, exudes a perfect amount of spunk and desperation as Logainne Schwartzandgrubenierre. As comfort counselor Mitch Mahoney, Muse Machine alum David Stone finally has a role that suits his powerfully soulful tenor. He joins Berry and Derusha for an incredibly passionate, spine-tingling, show-stopping version of “The I Love You Song” that feels as if Finn wrote it just for them.

The 25th Annual Putnam County Spelling Bee continues through Sunday, February 13 at the Dayton Playhouse, 1301 E. Siebenthaler Ave. Performances are Friday and Saturday at 8 p.m. and Sunday at 2 p.m. Act One: 60 minutes. Act Two: 53 minutes. Audience participation is encouraged. Tickets are $10-$15. The musical, which contains adult language and themes, is not recommended for children under the age of 13. For tickets or more information, call (937) 424-8477 or visit www.daytonplayhouse.org

Calling “Dolly”: behind the scenes as a stage manager

February 2, 2011 By Dayton937 7 Comments

Jessica Hickling as Dolly Levi (Photo Credit Beth Porter)

HELLO, DOLLY

CEDARVILLE UNIVERSITY

Win tickets to this show! Read on…

5:17 pm

Balancing my prompt book and score, yellow legal pad, and Chai tea, I dart between two ladders (bearing paint-splattered shop workers, detailing the archway) to stand on the stage. Our first dress rehearsal begins soon, and the DeVries Theatre is busy. Properties supervisors cross the stage with a tray of tiered glasses and a stack of suitcases; our technical director oversees crew members counterweighting the chandelier at the flyrail; show director, Bob Clements, is deep in conversation with a designer.

I’m the Stage Manager for this production of Hello, Dolly! at Cedarville University, where I’m a senior theatre performance major. I applied and was selected as SM last spring, and have been thinking about or working with the show in some capacity since; the time has both passed slowly and flown by.

The rehearsal sign-in I posted earlier tells me that so far, cast members have arrived on time. Failure to do so results in fines – ordinarily $1/minute, but twice that during tech week. Although the program here is small, the professors work hard and creatively to instill professionalism in us.

I visit dressing and makeup rooms, greeting people and checking progress, before heading back upstairs. The couple of hours before rehearsal begins have a strange pacing, a mixture of urgent and quiet. The theatre is busy as people hurry to finish tasks, yet the pace is controlled, and these few moments are calm. In a little while, I’ll start calling the time until costume checks, go over the lighting effects with the designer, and ensure everything is ready; but for now, I drink my tea and review the opening sequence of cues.

7:24 pm

CU: Hello, Dolly (photo credit Beth Porter)

Ensemble (photo credit Beth Porter)

We’re a little late starting costume checks, but that is understandable for first dress, and I work to keep everyone moving. The costumers have done an amazing job with each of the thirty-eight cast members: the women are gorgeous in long, jewel-toned dresses and ornate hats; the men dashingly sport white tailed suits.

Student wardrobe manager, Amanda, a measuring tape draped over her shoulder, takes notes; I catch a glimpse of her spreadsheet, orderly and extremely detailed. Don, our eclectic and beloved design supervisor, surveys the actors individually, commenting on details many wouldn’t even know to notice. Pushing up his round glasses, he crosses his arms. “Where are his spats? He’ll need spats,” he says, and immediately a crew member rushes downstairs to pull some.

8:35 pm

“Are the actors in place?” I inquire over our intercom headsets. After receiving confirmation, I prepare everyone for our initial cues. After delaying start time to accommodate for costumes and tech, we’re finally ready to begin. “Standby follow-spot… Mrs. Porter and F1, go.”

The musical director appears from the archway, a spotlight illuminating her walk into the pit; she bows before our imaginary audience, raises her hands, and at her cue the overture begins. I breathe and mentally run through the cues: Take follow spot out and narrow lights on ramp. Transitional lights. Curtain up…

9:59 pm

The makeup room is busy, though not overwhelming, during intermission. Ben greys his hair, Charlee attaches facial hair, and Jessica adjusts her hatpins. “Ten minutes,” I announce, receiving a chorusing, “Thank you, ten!” from those in earshot. After refilling my water bottle, I return to the light board, put on my headset, and open my score to the entr’acte. Five minutes to end of intermission…

“Kate?” The light board operator gets my attention. “We’re using the chandelier here for the first time tonight, and I need to check the programming.”

Hello, Dolly! cast (Photo Credit Scott Huck)

“I’ll get the designer,” I offer, and call into com, “Carolyn, we have a lighting question. Could you run up please?” A moment later, she appears in her ornate costume and hat; Carolyn is also an ensemble member. Multiple interests and skills are common to the dedicated majors of our department. Jessica plays Dolly and designed the hair/makeup; Denise is an ensemble member, scene shop employee, and dramaturg; beside stage managing, I’m an electrician and student box office manager. Our program is conducive to educating those with multifaceted aspirations; many of us take both upper-level design and performance classes. Professor (and Dolly director) Mr. Clements stresses that we never know where we’ll have the opportunity for employment, so should be versatile and marketable, and always “do the ordinary extraordinarily,” no matter what that “ordinary” may be.

10:39 pm

Listening both to the show’s dialogue and com headset’s hum, I call the lighting cue an instant before the waiters dance onto stage bearing silver trays. I say, “Standby for L53…” Stanley enters. “L53, go.”

“Standby for Follow Spot 26…” Dolly is going to arrive at the Harmonia Gardens restaurant; the waiters and cooks scramble into place. Stanley breathes his line and I see the tip of the feather from Jessica’s headdress behind the backdrop. “F26, go.” Jessica, in a sparkling sapphire gown and with a gaze that intermingles flirty and reminiscent, enters as Dolly into the light. She is beautiful, and the waiters see it, their eyes on her every movement.

“Hello, Harry, well, hello, Louie, it’s so nice to be back home where I belong…”

The men unite for their verse of the song. “Standby for L54.” Dolly crosses back to the stairs, t urns her head slightly, and looks out wistfully just as I call, “go,” and the lights shift with her thought…

Rehearsing for the Harmonia Gardens

11:52 pm

“Let’s go ahead and get started with the production meeting,” I say, and begin to ask each team member for their feedback and discussion items. “From my perspective, I felt the show went well. We have a few things we need to adjust, but otherwise, cues and scene changes went well, and the show ran smoothly…”

A few remaining actors, just out of hair and makeup, shuffle through the theatre on their way home. During the next forty-five minutes, we discuss aspects of the show from costume design to dramaturgy, handling issues that arose and coordinating our work; when I dismiss the meeting, only a few are able to head home, but the majority of technicians stand and go to continue working.

1:05 am

As I go to the design lab to email our rehearsal log, I pass Amanda laying out snacks on a chair by the props table. “This is for the props crew,” she explains, “although you can have some, too.” She continues explaining that several of the students are each setting food out for a crew, to show their and the cast’s appreciation. Our department, in many ways, is like a family, and we look out for each other. The properties supervisors, exhausted but surprised, come over to take a moment’s break as I again towards turn the lab to get ready for tomorrow’s rehearsal.

Before the Parade Passes By…

Performance Information

The Story: Dolly Levi, adored by all (especially the waiters at the Harmonia Gardens Restaurant) is a self-termed meddler, but this time, she’s scheming to arrange her own marriage, to the well-known and rich Horace Vandergelder. In this optimistic and fun musical, Dolly charms (and meddles) her way into his heart, setting up a few other matches along the way.
Dates: February 3 – 5, 10 – 12; curtains at 8:00 pm, with additional Saturday performances at 2:00 pm.
Tickets: Cedarville University: Tickets
More Information: Cedarville University: Theatre Season

Win Free Tickets!

The Cedarville University Theatre & onStageDayton on DaytonMostMetro.com have teamed up to give you a chance to win tickets to HELLO, DOLLY! We will be giving away up to TWO pairs of tickets for the second weekend of the show! (February 10-12) All you need to do is:

Share this article on Facebook or Twitter…just click the appropriate button at the top of this page.
Fill out the contact form at the bottom of this post.
Leave a comment, answering the following question…Dolly Levi is a matchmaker…Have you ever had someone set you up on a blind date? What’s your worst/funniest blind date story? (no names, please…to protect the innocent/guilt)
The deadline to enter is 9AM on FRIDAY, February 4th.
Winners will be selected randomly from all of the entries.

Contest Closed

A complicated love affair with Dayton – Then and Now

February 2, 2011 By Dayton937 14 Comments

Dear Dayton,

OK ― I admit it. You win.

Not that I didn’t put up a valiant battle. I’ve fought with you most of my 40 years. Oh, the hours I spent dreaming about the day I would leave you! The images of myself ― happy, carefree ― in a place bursting with hipness and cool! My life would be evocative and weighty once I left you in my dust.

Humph.

So this fall, when the time finally came for this long-awaited breakup ― the kid graduated from high school, my career at a crossroads ― what gives? I made a decision. A bona fide choice. I will stay with you. I realize I’ve come to genuinely love the way you smell and how comfortable you make me feel. Besides, the thought of packing boxes makes me twitch, and the idea of leaving my friends makes me hollow and still.

My epiphany came in a rather mundane moment: I was walking from a boxing class at Drake’s Downtown Gym through RiverScape MetroPark. It was an early fall day, and the plants were still blooming in the park. The sun was setting over the Great Miami River, and one of my favorite songs was playing on my iPod. I was on my way to meet good friends ― fun, interesting, dynamic people ― for a $2 glass at The Wine Gallery.

I realize, Dayton, it is not you who isn’t cool enough. It isn’t you who is lacking.

Dayton: 1. Kristen: 0.

XOXOXO

Your gal

Reprinted from the Feb. 14-20, 2002, issue of Impact Weekly newspaper:

Hometown Crush

A complicated love affair with Dayton

By Kristen Wicker

Tuesday nights are one reason I’ve come to love Dayton.

They go like this: I pick up my 10-year-old son, Kier, from the bustling Five Oaks house of my neighbor and after-school babysitter, a stay-at-home dad with five kids. There are always some quick jokes and, if I’m lucky, a chocolate chip cookie. Kier and I swing by Flying Pizza downtown and grab a couple slices of cheese before hitting Hauer Music on Patterson for Kier’s clarinet lesson. Sometimes, we swing by the downtown library to grab some books and CDs.

For me, those evenings embody all that is worthy about this often-ridiculed city: Cool and interesting neighbors, big-city urban kicks in a friendly, small-town package.

Don’t get me wrong: My relationship with the Miami Valley hasn’t always been so great. The day I moved to Arizona in 1990, I rolled down the window of my red Chevette, stuck out my arm and flipped this town the bird as I drove south ― fast ― on I-75. Moving back here in ’94, I felt trapped in a dank, hopeless swamp. I sent my friends in the vast and sunny West a mixed tape I’d labeled, “FROM THE ARMPIT OF THE UNIVERSE!!!”

Even today, Dayton is a town I love to hate. The city is, after all, an easy target: The summers can be too muggy and the winters bitingly cold. Hip and unusual enterprises ― art hops in the Santa Clara Arts District, the Serendipity theater ensemble performing original plays in a grubby warehouse ― are often short-lived in the Gem City. Other cultural innovations ― loft apartments, urban farmers’ markets ― prosper in bigger cities for eons before breaking into this corner of the Midwest.

So it was with an immense amount of reluctance that I finally admitted it is possible to find, of all things, happiness in this town. It was a realization that came about slowly, like a rising tide ― during a walk along the Great Miami River, eating burgers at a neighborhood block party, dancing at the Reggae and Cityfolk festivals, watching my son finish a painting at K12 Gallery for Young People, hanging out with friends and a pitcher of brew at Tank’s.

One moment, I remember in particular. It was a late summer evening, and I packed my son and four of my neighbors’ kids into my car for a trip to RiverScape. The Dayton Jazz Orchestra played in the background as I read a book and the kids ran through the fountain, putting on what they called a “cute show” for the grown-ups. Then came the sunset: A flaming, widespread affair in an intense band of oranges. “This,” I thought, “isn’t so bad.”

There are, of course, less esoteric and more practical reasons to dig this town. My family lives nearby, along with a crew of friends, some of whom I’ve known since high school. Despite what anyone thinks about Dayton Public Schools, my son and I have been downright delighted with Franklin Montessori and Stivers School for the Arts. Plus, I can actually afford, on a pretty limited income, an expansive house with original wood floors and crown molding, antique lighting fixtures, and four stained-glass windows. If you want to live amongst people who are not like you, diverse Dayton easily fits the bill. And from Dragons games to independent films at The Neon, from homegrown rock bands taking the stage at Canal Street Tavern to Broadway shows at Victoria Theatre, it’s a rare occasion when I cannot find anything to do.

Indeed, my life is full here ― but still relatively quiet. I think, sometimes, of moving to a bigger, more “exciting” city, but I wonder if I would be able to pry open any more cracks of time to fit in all that additional bustle.

I think of a recent trip I made with my mom and sister to New York City. I’d never really been to the Big Apple and, just as I’d been warned, something was going on at all times and in every direction. We spent the bulk of our time waiting in line or worming our way through crowds. There was no such thing as cheap.

Take my sister’s haircut at a fancy, celebrity-infused salon at the Park Plaza Hotel. It cost $130. However, while the hotshot stylist was snipping her hair, he looked at me: “Your sister has a good haircut,” he said.

“Thank you,” I replied, puffing myself up. “$30. Dayton, Ohio.”

I liked New York, but I surprised myself by breathing a sigh of relief when our plane hit ground in good ol’ Vandalia. I don’t think I could live in the gigantic NYC. I’ll live here, in this little city ― although I can only do it begrudgingly, if only for old time’s sake.

I have just unearthed this article from a stack of old newspapers stashed in my attic. Truth is, I doubt this is the last time I will write two love letters to my hometown with eerily similar thoughts ― even the same flash of clarity down by the river. Dayton is a city that needs to be constantly reassured of your love.

True, the Santa Clara is now a drug-addled hot mess. Serendipity theater ensemble? I barely remember ye. But like shark’s teeth, when one thing falls another equally creative, inspiring endeavor rises to take its place. Dayton, with its grungy patina of self-loathing, is the One. True. DIY. Town. And I have been One. Lucky. Girl. to call this city home base during a life full of adventures that have taken me across the country and, indeed, the globe.

Which brings me to right here, right now. It is my intention in this column to tell the stories of those adventures ― some taking place in Dayton, others in faraway places ― but all of them written in my cluttered little office here in this, my home town, by me, a Dayton native. I look forward to sharing them with you and to hearing your stories in turn.

Photo Credit: “Dayton Sunset” by listentilithz, on Flickr

Goodbye Tiger, Hello Rabbit

February 2, 2011 By Lisa Grigsby 1 Comment

According to the Chinese Almanac, tonight at midnight the tiger leaves us and makes way for the Year of the Rabbit. Each year of the 12-year cycle is named after an animal. Each animal has a different personality and different characteristics that are believed to be the traits of a person born in that year, and which determine their success and happiness. The rabbit largely represents tranquility and calm. In Chinese astrology, the rabbit sign is further divided into subcategories: metal, water, wood, fire and earth. The year 2011 falls under the metal category. ChineseZodiac.com says metal “gives Rabbits more strength, resilience and determination.” As a result, the site says, metal rabbits are “more intense in their actions, whether they’re work-related or romantic.”

What that all really means to me is that there are usually some incredible meals served up at our local Asian eateries to celebrate the New Year! So here’s a quick round up of what’s available:

China Dynasty

9142 Dayton Lebanon Pike (Ohio 48), Washington Twp, OH (937) 433-1212
Will host an 11 course meal for $29.95 on Fri, Feb 4th and Sat Feb 5th. Reservations required

Kabuki Korean & Japanese Restaurant

848 S. Main St., Centerville (937) 435-9500

A special dinner-for-two menu for $25.95 and special new-year dishes that incorporate Korean rice cakes, a traditional new-years specialty. Available all day Wed, Feb 2nd – Sat, Feb 5th.

The Nanking Inn

2627 S. Smithville Road, Dayton (937) 256-8555
Offering a special menu that will include soup, appetizer, multiple entrees designed to share, and dessert for $30/ guest on Thurs, Feb 3rd – Sat, Feb 5th.

Pho Mi

8900 Kingsridge Dr, Miami Township 937-438-7388

Will offer the following items in honor of the New Year through Feb 11th:

Appetizer
Xoi Tau Xanh – Sticky Rice with Yellow Bean	$3.50
Banh Tet Man – Sticky Rice with Pork	$3.50
Main Course
Suon Xao Chua Ngot – Sweet & Sour Pork Rib	$10.50
Ga Xao Chua Ngot – Sweet & Sour Chicken	$9.50
Thit Hap Khoai Mon – Roast Pork with Toro	$9.50
Desert
Banh Tet Ngot – Sticky Rice Cake	$2.50
Sam Bo Luong – Sweet Lotus Seed Drink	$3.00

Sima Korean & Japanese Restaurant

1771 Woodman Dr, Kettering (937) 258-7040

Will offer 1/2 off Chef’s Special Rolls from 7-10pm Wed, Feb 2 & Thurs, Feb 3rd

As always, if you know of others restaurants offering up some specials, just let us know in the comments below and may your New Year be prosperous – Kung Hei Fat Choi!

FilmDayton – Production Assistant Training Seminar

February 2, 2011 By Dayton Most Metro 2 Comments

The following was submitted by Eva Buttacavoli, Executive Director of FilmDayton

George Clooney’s filming in Cincy; films have recently wrapped in Akron, Cleveland and Dayton; and you’re wondering “how can I be a part of it?” Well, here’s your opportunity to learn the protocols and procedures you need to be a successful Production Assistant on a film, television or commercial set.

The Production Assistant Training Seminar (P.A.T.S.) is the real deal. This “boot camp” style instruction workshop features practical, hands-on drills, and demonstrations to prepare you you for your first day of work on a professional set. You’ll gain a deeper understanding of what goes on behind the scenes with the Producers, Directors, and Actors. From the page to the screen, you’ll learn the elements you need to understand the PA’s role in the big picture. The program will teach you job search skills, from creating “industry standard” resumes and preparing for a production interview to finding entry-level jobs and applying.

P.A.T.S. is designed for all those who have some set experience but want to hone their production skills to those who are truly “green” and have never worked on a film. Upon completion of the Seminar, participants will be entered into the P.A.T.S. national database, a resource for Hollywood and locally based production companies and local film professionals for crew staffing.

Organized by FilmDayton and presented by P.A.T.S. LLC, Los Angeles, CA, a trusted on-location PA training for film, tv, video, new media and commercial production. P.A.T.S. will be led by Kenny Chaplin, a film industry veteran with experience on Terrence Malick’s “Thin Red Line, shows such as “Runaway Jury,” “Roswell” and “Judging Amy;” second assistant director BODY OF LIES, and the soon to be released TICKET OUT, starring Ray Liotta.

As a bonus for P.A.T.S. registrants – and open to anyone interested in taking their production to the next level, FilmDayton has partnered with the P.A.T.S. team to present a second workshop — Indie Financing: Closing the Budget for your Feature Film. This workshop is designed for producers, directors and filmmakers who are seeking funding for current or future projects. Indie Financing will provide an overview of the avenues for closing the budget for your project, including: pre-sales, studio financing, incentives and subsidies, pre-sales, private equity and bank financing. Indie Financing will be by Doug Lodato, producer (Co-Producer – WILD,WILD WEST) and director of the soon to be released feature TICKET OUT.

Date, Time and Place

P.A.T.S. will take place Saturday, February 26, 2011, from 10am-7pm. Indie Financing will take place Sunday, February 27, 2011, from 10am-2pm. Both programs will take place at Sinclair Community College, Dayton, Room 14-130 – The Forum.

Registration, Payment and Questions

· FilmDayton.com
· or E-mail [email protected] or 937.694.9374

Early Registration

P.A.T.S. (Includes FREE Registration for Indie Financing)

FilmDayton Members $100; Students with ID $125; Non-Members $150

Indie Financing ONLY

FilmDayton Members $50; Students with ID $75; Non-Members $100

Registration after February 15^th (Space Permitting)

P.AT.S. (Includes FREE Registration for Indie Financing)

FilmDayton Members $120; Students with ID $150; Non-Members $175

Indie Financing ONLY

FilmDayton Members $60; Students with ID $85; Non-Members $110

Registration includes free parking at Sinclair, lunch on Saturday, and a P.A.T.S. Resource Manual.

This program is generously sponsored by the Levin Family Foundation.

About FilmDayton:

FilmDayton is the go-to organization that supports the creative and professional growth of our region’s filmmakers and the film community. Established in 2007 through the DaytonCREATE initiative to revitalize the region’s economic competitiveness via a creative workforce, FilmDayton presents year-round initiatives including Film Connections, monthly info and networking meetings; classes and workshops that build our member filmmakers’ skills; filmmaking “Boot Camps” and Film Clubs for area students; and the annual FilmDayton Festival. FilmDayton is a publically supported, not-for-profit 501(c)(3).

Completing the River – Downtown Dayton Game Changer

February 1, 2011 By Dayton Most Metro 9 Comments

Riverscape Phase IV Proposal (click for larger view)

Over the past ten years, Dayton has been bringing people back to the shores of our rivers (Great Miami River, Mad River, Stillwater River, Wolf Creek and Twin Creek) with the ongoing development of Riverscape. Phase I/II was completed in 2001/2003 and Phase III was completed last summer with the addition of a permanent covered pavilion, new ice skating rink and bike hub. It would be easy to assume that the project is now complete but Five Rivers MetroParks is still not done, and they now have their sights set IN the river itself.

On any given summer day, one can see a paddler or two in our downtown river. There is actually a nice river run that begins at Eastwood Lake MetroPark with Mad River and takes you to Riverscape and into the Great Miami River, but because of a treacherous low dam you really can’t go any further than the I-75 bridge. This low dam is one of six that were installed in our various rivers after the Dayton Flood of 1913 to prevent further disasters, and along with the earthen levies they have done the job for the past 98 years (correction – the dams were added to create a pooling effect for recreational purposes). In fact, the “hydraulic jump” dam was invented in Dayton by Arthur Morgan (is there anything that wasn’t invented here?) but decades later they are now being replaced in other cities because of their reputation as death traps. Get stuck in the undertow at the bottom of one of these things and you’re not getting out without some major help – not exactly conducive to paddling.
In cooperation with the Miami Conservancy District, City of Dayton and Montgomery County (and as part of the ‘Rivers, Cycling & Active Lifestyle committee of the Greater Downtown Dayton Plan), Five Rivers MetroParks has just announced its proposal to remove the downtown low dam and install two grade-control whitewater/bypass “canoe” channels that will make the river navigable through downtown and past Carillon Park. A similar effort is being implemented in nearby Springfield’s Buck Creek, with two of four low dams having been converted last year.

In addition to making the river safer and navigable, the project would improve the health of the river and increase fish stock – an outcome experienced relatively quickly in other locations where low dams were similarly removed. A pair of jetties would be constructed with rocks and boulders at each channel (see proposal above), giving visitors and spectators ways to sit and enjoy the river up-close, and planners anticipate the project would draw even more people downtown and to the river. Recreation Engineering and Planning has completed a preliminary design, and sediment testing has been conducted and passed. Next steps include regulatory permitting, memorandum understanding between the various stakeholder groups, fund raising and then final engineering and implementation. The project is estimated to cost $2.9 million for the low dam removal and in-river work, with an additional $1.1 million for river bank modifications and enhancements – totaling $4 million.

A similar project was completed in Pueblo, CO – converting a larger low dam into five consecutive drops like the two proposed for Dayton. The Pueblo Whitewater Park now attracts thousands of paddlers and spectators each year – check out the video and imagine this scene in front of our own Riverscape. Yes this could be the next game changer for Downtown Dayton.