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Archives for September 2011

Come, Let Us Reason Together

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Jennifer Johansen in God of Carnage (Photo by Scott J. Kimmins)

The vigorous tribal strains heard at the beginning of the Human Race Theatre Company’s excellent local premiere of Yasmina Reza’s fascinating absurdist comedy “God of Carnage,” the 2009 Tony Award winner for Best Play translated by Christopher Hampton, are not erroneous. In fact, they provide a perfect precursor to the hilariously brutal philosophical war that transpires between two New York couples trying to make amends following a playground brawl involving their sons.

Reza, who won her first Tony in 1998 for the sophisticated and slightly polarizing “Art,” supplies her most commercial, relatable work to date with “God of Carnage,” a sharp examination of self-righteous parenting and affluent arrogance set inside the attractive home of Michael (Tim Lile) and Veronica (Jennifer Johansen). As the uncouth, destructive sparks fly in Michael and Veronica’s battle with Alan (Rob Johansen) and Annette (Jennifer Joplin) as well as each other, it’s easy to pigeonhole the play as needlessly mean-spirited and over-the-top. However, both well-defined couples, who deceptively appear sensible and accepting at the outset, are justifiably cruel and damaged at the core. Underneath their hysterical facades, they have loveless marriages, bleak futures and no intention to truly agree for the greater good. In 90 engrossing minutes, Reza astutely peels away the hypocritical layers of four incredible fools who presume to know everything when in fact they know nothing.

Director Margarett Perry, expertly establishing an uneasy atmosphere that ebbs and flows between awkward tension and frenzied chaos, assembles a naturally compatible, first-rate quartet. The always striking Jennifer Johansen, rivaling the luminous ferocity of Marcia Gay Harden in the extraordinary original Broadway production, is simply outstanding as a domineering, highly intellectual and startlingly overprotective mother whose interest in Africa is particularly challenged beyond her expectations. Lile, so adept at physical comedy, humorously unleashes Michael’s fatherly pride, frustrated disgust and surprising bigotry. Rob Johansen, Jennifer’s real-life husband, provides a fine example of an annoying workaholic lawyer who would rather cling to his cell phone than his wife. Joplin wonderfully reveals the feistiness brewing below Annette’s unassuming persona.

Additionally, David A. Centers’ stylishly sleek set ranks among his best designs. The contributions of costumer Lacee Rae Hart, lighting designer John Rensel, sound designer Matthew P. Benjamin and properties master Heather Powell are also commendable.

“God of Carnage,” opening the Human Race’s 25th anniversary season, will arrive this fall on the big screen re-titled “Carnage,” directed by Oscar winner Roman Polanksi and featuring Oscar nominee John C. Reilly and Oscar winners Jodie Foster, Christoph Waltz and Kate Winslet (see trailer below). Polanksi’s version sounds promising, but the Human Race undoubtedly proves how audacious, entertaining and shocking Reza’s creation can be.

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God of Carnage continues through Sept. 25 at the Loft Theatre, 126 N. Main St. Performances are Wednesday-Saturday at 8 p.m. and Sunday at 2 p.m. The play is performed in 90 minutes without intermission. A special forum discussion will be held following the Sunday, Sept. 18 performance. Tickets are $18.50-$40. However, as part of the celebration of the Human Race’s 25th anniversary season, there is also a ‘25-for-25’ ticket option with the 25 seats at each end of the Loft Theatre available for just $25 at every performance. For tickets or more information, call Ticket Center Stage at (937) 228-3630 or visit www.ticketcenterstage.com

In related news, Jake Lockwood, who has appeared in such Human Race productions as ‘Rounding Third’ and ‘The 39 Steps,’ will conduct a free family improv workshop Saturday, September 24 from 6 to 9 p.m. at the Boonshoft Museum of Discovery’s Dayton Regional Science Festival. The Boonshoft Museum of Discovery is located at 2600 DeWeese Parkway. For more information, call (937) 275-7431 or visit www.boonshoftmuseum.org

Five Rivers MetroParks – A Bronze-Level Bicycle Friendly Business

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(from Five Rivers MetroPark)

Five Rivers MetroParks has been awarded bronze-level “bicycle-friendly business” (BFB) status, conferred by the League of American Bicyclists on Wednesday, Sept. 14, during the Interbike trade expo in Las Vegas. Five Rivers MetroParks was one of 111 new bicycle-friendly businesses that “actively promote bicycling for transportation, recreation, exercise, and sport,” according to information from the LAB. “A BFB practices social responsibility by weaving bicycling into the business culture and gives employees the opportunity to be active stewards of their personal and environmental health through bicycling.”

According to MetroPark officials, the process of obtaining the certification was as valuable as the title itself. “The application contains checklists and indicators that help you evaluate what you’re doing—or not doing—in terms of being bicycle-friendly,” says Five Rivers MetroParks Outdoor Recreation Program Manager Andy Williamson. “The process helped us, as an entire agency, to see what we’re doing well and what we can do better. It’s an eye-opening experience.”

There are a total of 344 awardees in 40 states—the Buckeye State boasts three businesses based in Columbus and one Cincinnati-based business. “We are happy to recognize these businesses for their investment in bicycling as a vehicle for improved employee health, social responsibility and economic growth,” said LAB President Andy Clarke. “Some of the most successful companies in the world are showing that investing in bicycling is not only good for health and sustainability but also the bottom line.”

Microsoft, Inc. is one of the new BFB winners, recognized at the silver‐level for incentive programs such as supplying funds for employees to purchase bikes and gear, subsidized bike tune‐ups, bicycling skills clinics and a free shuttle service for cyclists cut off by an interstate bridge. “For Microsoft, supporting bicycle commuting is simply a smart business strategy and helps us do our part to protect the environment,” said Lynn Frosch, Microsoft real estate and facilities transportation manager. “It helps us attract and retain employees and reduces our carbon footprint. That’s why we offer programs and amenities that help offset the cost of biking to work and make it as convenient as possible. It’s an integral part of our sustainable transportation program.” As a result of Microsoft’s efforts, the company has increased bike commuting, reduced parking demands, improved health and productivity.

Five Rivers MetroParks currently is the single BFB in the Miami Valley and the only park district in the country to earn such distinction, but it doesn’t have to be lonely at the top. “The LAB provides technical assistance, a report on your application, and feedback on what you’re doing right and how you can improve,” Williamson explains. “The best part is that the application and feedback are free! You don’t have to be a huge corporation to become a BFB—anyone can promote cycling at work or incorporate cycling as an employee benefit.”

In addition to an extensive network of bikeways, downtown Dayton employees can take advantage of the state-of-the-art RiverScape Bike Hub located at RiverScape MetroPark. Amenities such as these contributed to Dayton obtaining bronze-level bicycle-friendly community status in 2010. Bicycle-friendly status is conferred following these “5E” guidelines:

  • Engineering: Safe cycling access; bike racks for employees and guests; showers and lockers for commuters and lunchtime riders.
  • Education: Bike-safety programs; mentorship for new commuters; and equipment tutorials.
  • Encouragement: Benefits for bike commuters; paid mileage for trips made by bike; loaner bikes for errands and short trips; and earn-a-bike programs.
  • Evaluation: An assessment of what’s already being done and what to aim for in the future; in-house bike coordinators; and target ridership numbers. This is also the section to highlight your business’s unique programs and policies that promote and celebrate bicycling—from loaner bikes for short trips and in-house spin classes to supporting charity rides and sponsoring bike-racing teams.
  • Enforcement (for communities, not businesses): Measure the connections between the cycling and law enforcement. Identify if there are bicycle divisions of the law enforcement or public safety communities, if the community uses targeted enforcement to encourage cyclists and motorists to share the road safely, and the existence of bicycling-related laws such as those requiring helmet or the use of side paths.

Five Rivers MetroParks hosted the inaugural Miami Valley Cycling Summit and has helped coordinate concurring summits, bringing community leaders, government representatives, cyclists and business owners together to discuss the potential for cycling and how it can be a boon to the region. “A recent study by Miami Valley Regional Planning Commission revealed that bikeways helped bring about a $15 million return on investment to the region annually,” Williamson says. “This is one example of a direct benefit from cycling.” This dollar figure is just one measure based on tourism; the Miami Valley has not yet realized the long-term effects of improved wellness through active, healthy lifestyles and reduced stress from traffic congestion or respiratory benefits from reduced vehicle emissions. “We are proud of the roadmap that the Bicycle Friendly Business program provides and how these companies used it to transform into a BFB,” said Bill Nesper, director of the League’s Bicycle Friendly America program. “When employees bike, great things happen.”

To apply or learn more about the free BFB program, visit the League online at bikeleague.org/businesses. Learn more about the region’s bicycle amenities, download maps, find classes and get connected at metroparks.org/cycling.

UD Students Focus on the River as Art

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There’s a lot that I like about the Activated Spaces program happening downtown.

There’s the obvious – Art in empty storefronts makes downtown look more welcoming and friendly.

There’s the more artsy – It’s a chance to see the diverse skills and cool work from some of our talented local artists.

But there’s something more – Especially this round, which invited the artists to highlight favorite neighborhoods or community assets, I got to see Dayton through the eyes of the artists and I got 15 new perspectives on what’s important in our region. Here at DaytonMostMetro.com we talk a lot about all the good stuff happening in the community, so I wasn’t surprised to see people lovin’ on their neighborhoods and gardens and people and parks. But what drew my attention (for this article at least) is what did surprise me. And that’s Dayton getting some love from some UD students. Too often we talk about how UD is in a bubble, but this round of Activated Spaces features a great group of UD students who are engaged in our region through volunteerism, sustainability, and now – art.

So, since they’re giving Dayton some love, I say we send it right back and give some attention to what these UD students are doing for our community, for the river, and for Activated Spaces.

Artists Susan Byrnes and Dennie Eagleson worked with a group of students – “River Stewards” from the University of Dayton Rivers Institute – to photograph a variety of images during the Institute’s annual two-day trip through Dayton. These picture spotlight the river system that the group believes “helps us define our sense of place” in the community. Highlighting the area between Island Metropark and the Steward Street Bridge, with a focus on the bridges themselves, this installation offers a unique perspective of Dayton by presenting views of the bridges from the viewpoint of a kayak in the river and from along the bicycle path.

Eagleson is the Artist-in-Residence for the River Stewards; last year they created a sound installation and the students discussed what they saw and how they experienced the river. This year, Eagleson wanted to focus on something more tangible and structural as they experienced the river through a visual art project.

About 10 students shared six cameras on the trip; each student was assigned a specific bridge to feature, but additionally they had a great time snapping away and documenting the experience. The group used a plastic lens camera which allows for a narrow area of focus and it becomes fuzzy or darker as it moves to the edges. Each bridge is represented in a composite; some camera glare, the use of photos from both up close and far away, and the overlapping pictures as they’re framed hint at the experience of enjoying the bridges just as much as a visual representation of the structure.

Byrnes discussed the beauty of the bridges through the corridor and how the trip allowed the students to see them from a unique perspective. She says, “It was interesting for us to see the difference between the old and new bridges and understand the details that got translated from the old bridges.” Eagleson adds, “When you drive over a bridge, you don’t know what the true structure is. The bridges in Dayton are so beautiful, we really enjoyed seeing the shapes and how the bridges are made.”

You too can enjoy the structures and the experience of Dayton’s bridges – stop by the River Stewards’ display at the Main Street Garage. Officially launching on Urban Nights. And be sure to visit the many other displays that represent Dayton’s assets through the eyes of Dayton’s artists.

More info at Activated Spaces or on Facebook.

About the River Stewards
From the University of Dayton Web site: The Rivers Institute administered by the Fitz Center for Leadership in Community at the University of Dayton is an initiative to bring key partners in Dayton and surrounding communities together to promote our watershed while preserving and protecting its resources. Students, faculty and staff from the University are working with community members, stakeholders, and local organizations to build community around our rivers. The Rivers Institute’s work focuses on promoting learning and undergraduate research, bringing UD to the river, and bringing Dayton to the river.

About Susan Byrnes
Susan Byrnes is an artist, art administrator, and art educator. She holds a BFA in photography from Syracuse University, and an MFA in sculpture from Eastern Michigan University. She exhibits sculpture, installation, and performance work nationally. Susan also produces arts-based broadcasts for college radio, and produces sonic art and audio stories. Born in Rome, NY, she resides in Dayton, OH and serves as director of ArtStreet, a multi-arts learning facility at the University of Dayton.

About Dennie Eagleson
Dennie Eagleson is a documentary and fine art photographer and educator. She was an Associate Professor of Photography at Antioch College until it closed in 2008. Since then, she has taught photography and documentary studies at The Nonstop Liberal Arts Institute in Yellow Springs, and at the University of Dayton as an Artist in Residence in the fall of 2009. Her fine art work has focused on place and artifacts of people’s lives, using alternative imaging tools such as pinhole and plastic lens cameras. Eagleson’s documentary work has investigated alternative families, life and culture in Cuba and Nicaragua, local and sustainable agriculture, and art and music as a empowerment tool in community building. Eagleson recently developed skills in radio production as a Community Voices Trainee. Her piece on a writing program in the Springfield, Ohio Youth Detention center was aired as a part of Film Dayton’s Screenless Screening program.

An Introduction to the Scene with Dayton Music Fest

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Sad Cadillac performing at Dayton Music Fest (Photo by Don Thrasher)

Editor’s note: please welcome Justin Guinn, one of our Dayton Campus Connect interns.

The 7th annual Dayton Music Festival this past weekend allotted a surprisingly vast, wholesome and weird introduction into the Gem City’s live music scene.

Sad Cadillac kicked-off the noise Saturday night at the Oregon Express. Their sound was an excellent balance of crunchy rhythm and stellar lead guitar mixed with hard, smooth vocals. It’s somewhat reminiscent of Black Rebel Motorcycle Club knotted with a faint ‘90s grunge vibe. The three piece(two guitars and drums) laid it down right and left me yearning for a full length set sometime soon.

Oxymoronatron performing at Dayton Music Fest (Photo by Don Thrasher)

After Sad Cadillac, I made my way up 5th Street to catch Oxymoronatron at the Tumbleweed Connection. Little did I know of the strangeness that awaited. Oxymoronatron was unlike anything I’ve ever witnessed before. They come on like a traumatic dose of amphetamine and leave you confused and exhausted. These four performers bring an intensity that could, under the roof of a more appropriate venue, be instantaneously fun and contagious. But in the Tumbleweed, the band seemed cramped and reserved. The weirdness of Oxymoronatron came out of nowhere and moved in leaps and bounds. After their set, my auditory pallet was significantly over-saturated.

To distract my mind from the craziness of Oxymoronatron, I traced my steps back to the Oregon Express to check out Moon High. I was afraid I’d be stuck in an Oxymoronatronic daze, but immediately the beach-folk-Americana of Moon High calmed my nerves. Their sound was firmly driven, but in a smooth, natural way. They had this indie folk, SoCal beachy quality like a raw, modern CSNY that made me want to take a road trip to the coast, any coast. Their set was a perfect blend of peaceful serenity and harmonious musical talent. They definitely earned a top spot on my list of bands to watch.

Natalie Felker and Michael Campbell of the Fervor (Photo by Don Thrasher)

I could have easily floated downstream on Moon High’s beautiful sound all night, but they followed suit with a half-hour set and, of course, I had a job to do. I was still looking for a deep, driving, in-your-face rock band. My wish was granted at back the Tumbleweed. After meeting up with an old friend and ordering a Moe-garita, we made our way to the balcony to observe The Fervor. What a sight they were. I knew I was in for a good time when their lead girl, Natalie Felker threw a verbal right hook at a heckling, over-served patron. She is reminiscent of a Grace Slick/Zooey Deschanel mix with stellar piano skills. Add to that the impressive sound and energy of their guitarist, her husband, Ben Felker, and the result is pretty damn soulful. It was no surprise when I read on their MySpace that they teamed up with My Morning Jacket frontman Yim Yames to release their latest album, Arise, Great Warrior.

Each of these bands were entirely unique from the others, except that they all had this very apparent organic, “we do this because we love it” quality. I was blown away by the sounds they put out, and honestly, I didn’t think I would be. They all laid it down hard, leaving me wishing they had been slotted for full sets. The music was on point, but what really stood out to me was the Oregon District itself.

That .2 mile stretch between Patterson and Wayne is timelessly hip. Not in the sense of wayfarers, flannel and tight jeans, but in a freak power/destined for the edge way. It’s hospitable, but the air carries this slightly unstable energy capable of break at any moment. Come as you are, stay as long as you like, return soon or never, it doesn’t matter. It’s something every town/city ought to have, but something not all towns/cities could handle. I’m ashamed that I’m in my fourth year at UD and have just now discovered this magical place. Saddening, but at least I realize it. I got my first real dose of the Oregon District last Saturday and now I yearn for another.

Toronto – THE FILMS – Day 7 & 8

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Hello!

Last night, I saw a film that I’ve been quite interested to see for a while.  Several months ago, I first saw a trailer for SLEEPING BEAUTY – an Australian film that is “presented by Jane Campion.”  The film is a first feature for director Julia Leigh, and the story follows a college student who takes a job providing “silver service.”   The job is one in which the socially elite are served dinner and cocktails by beautiful, exposed women – and the service requires lots of protocal and particulars.  During the interview process, the woman in charge (a very sophisticated & beautifully dressed woman played by Rachael Blake) states “Your vagina will never be penetrated.  Your vagina is a temple.”  (I’ve noticed a couple recurring themes during this festival…bridges that can’t be crossed, “it’s him or me” has been stated in a few films, and now college girls becoming prostitutes to pay for tuition.)  Though captivated for the entire film, I must admit that parts of the film puzzled me…and several questions were left unanswered.

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This morning, I saw a comedy – MY WORST NIGHTMARE – by Anne Fontaine starring Isabelle Huppert (one of my favorite actresses).  The comedy is a class clash between an icy, uppity woman and the father of a boy who attends her son’s school.  Though very funny in parts (and nobody plays an ice queen like Huppert), the third act was a big dissapointment.

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I just walked out of a film.  At this point, I’m too tired to sit through films now that aren’t capturing my attention.  I’ve got 2 more films today – then I’m meeting an old friend for dinner.  He and I met in line for Almodovar’s TALK TO HER back in 2002.

1.5 days left.

More soon,

Jonathan

Food Adventures visit the legendary Hasty Tasty Pancake House

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Remember back in the day when waitresses used to be “real” waitresses?  When you had a server that made waitressing her career and was a staple at the restaurant for decades?  Well this type of throwback place still exists in Dayton, it is called the Hasty Tasty Pancake House.  This place also reminds us of the good old days because we ordered a ton of food, and the price was still cheap.

Betty, our waitress, has worked at Hasty Tasty since 1974

“Bunny’s Hasty Tasty Pancake House” has been in business for 59 years.  Located on Linden Ave in Dayton, memorabilia still hangs on the wall from the early days of this restaurant.  The atmosphere felt like 1973, and the booth furniture looks of the same era.  No longer open 24 hours, this establishment has seating of all booths with faux leather that surprisingly did not stick to Ragu’s chubby thighs.

Being lifelong Dayton area residents, it is mind boggling that we had never been to the Hasty Tasty Pancake house before.   Oh, the shame!   We have driven past the neon sign out front a bunch of times.   So we made up for it by going not once, but twice, in a month.  A double Food Adventure!

Our first visit was for the gluttonous reasons (big surprise, huh..).  Hasty Tasty has a Friday night special.  They have an All You Can Eat Fish Fry with 2 sides, for the astounding price of $7.25.  We saw this ad in a paper and it finally convinced us to go try it out.  And guess what, the fish is terrific!  We were blown away by the amount and the taste of the food.  Not what we expected for $7.25.  The cole slaw was great and they served butter pads with the dinner rolls. When is the last time you have seen butter served in pads?  We loved the side of mac n cheese, and Ragu even ordered a side of shrimp for only 99 cents!

Friday Nights: All U Can Eat Fish for $7.25

But the food was only half the story, as we met a wonderful waitress named Betty.  Betty is an older woman and has been working at the  Hasty Tasty Pancake House for 38 years.  She was a delightful server and her personality and advice reminded us of the time “when waitresses were waitresses.”  She brought out our fish fry plates gleefully, and told us about the rich history of this legendary Dayton diner.

After pictures with the staff and the fish, a completely stuffed Food Adventure Crew, wobbled out of the place on that fateful Friday night, vowing to return for breakfast sometime soon.

After we had a few weeks to digest our meals, we again snuck in for a Saturday morning breakfast at Hasty Tasty.  We were eager to see if our first trip was a fluke.

Our waitress this time was a little younger, but had worked for Hasty Tasty Pancake House for almost 2 decades.   We ordered a pecan waffle with eggs.  The Big Ragu wanted a country fried steak, but Ragu had his eye on pancakes.  This after all is a “pancake house.”  Ragu did the only diplomatic thing.  He ordered the country fried steak, and a side of pancakes.  Additional pancake add ons are only $1.60, so it had to be done.   Our waitress raised an eyebrow when Ragu ordered the pancakes and looked around.  The tone was set.

Our Incredible Breakfast Spread

We waited for our breakfast and observed our surroundings.  It was 9am and the place was packed with interesting clientele from all walks of life.  There were businessmen types, families, bikers, college kids, senior citizens, you name it.  There are many regulars here, and they refer to the place as simply “Bunny’s.”  We noticed some interesting hairstyles and dress, which only made the already throwback atmosphere that much more real.  And then it happened.  Our waitress came over with this huge tray full of plates.  She smiled and gave us eggs and Waffle.  She also plopped down Ragu’s Pancakes, Country Fried Steak, Hashbrowns and Bacon.  She then lowered a mammoth plate of biscuits and gravy.  We said to the waitress “Do other people eat more than this?”  She said “Oh gosh yes, this is nothing, a skinny waitress here could out eat anyone in this restaurant.”  We suddenly felt more at ease.   We then  saw a small crane lower another large tray of food to the couple sitting next to us.  Foodies! Ahhh we were among our peeps!  Our table was completely strewn with food and drinks, and the cost was about 20 bucks total.

Let us tell you, the food was PHENOMENAL! It was the best waffle we had ever eaten, and Ragu said they were the best pancakes he has ever had.

 

We have found the morning mecca, Hasty Tasty is thy name.  Everything was terrific, we are still talking about how good it was.  The bottom line is it that this place is an old, nostalgic greasy spoon, with some incredible food.  No gimmicks, no trinkets for sale, just good meals.  It was a rewarding experience and a perfect example of why we do these FOOD ADVENTURES, because you never know what you will find.  It is no mystery why this diner has been around for 59 years.  If you visit Bunny’s Hasty Tasty Pancake House, we promise, you will walk out full and your wallet will still be semi-full too!

Please visit FOOD ADVENTURES on FACEBOOK BY CLICKING HERE !

What are your thoughts on Bunny’s Hasty Tasty Pancake House?  Comment Below !

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Toronto – THE FILMS – Day #7, Part 1

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Hello Everyone,

I’ve seen three films already today…I have a bit of free time and I decided to write and update now (as I might be out late this evening).

First off, I saw HYSTERIA – a comedy set in 1880 starring Hugh Dancy & Maggie Gyllenhaal.  The movie is about a young doctor who is fired from his job and has to find a new place to work.  After being turned down numerous places, he is hired at a doctor’s office for women – most of whom seem to suffer from hysteria.  Though the trailer seems nothing but breezy, this little film is a gem and is actually quite touching (on par with the likes of MISS PETTIGREW LIVES FOR A DAY).  The performances, set design, costumes and score are wonderful.  NEON regulars will love this film!

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Next I saw UNION SQUARE – starring Mira Sorvino and Emmy winner Tammy Blanchard (as well as a small part by Patti Lupone).  This rather stagey character study is relatively short, and overall, I don’t think it really worked on the big screen.  The performances are strong, but it feels like a play.  The story regards a woman who shows up on her sister’s doorstep after more than 3 years of not communicating.  One sister is in a pristine house with a husband and an organic food business…the other is from the Bronx and wonders what happened to her sister and her roots.

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I just got out of a screening of ALPS – the new film from Yorgos Lanthimos – director of DOGTOOTH.  ALPS is the name of an underground group of roleplayers who substitute for people’s departed loved ones.  The relationships between characters in the group are often volatile, and the performances are often stagey and almost unbelievable…but the actors in the film are incredible.  I’m a big fan of DOGTOOTH, so I was excited to see this film.  It has some interesting things to say about the human condition and our need for roles.  Below is a photo I took of the director and his two leads actresses (I sadly didn’t see that Aggeliki Papoulia’s eyes were closed until I uploaded the photo to my computer) and a clip of some footage from the film.

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If I don’t check in again tonight, I’ll certainly be back tomorrow.

Cheers!

Star-Crossed Lovers in Mixed Media

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DPO presents Romeo & Juliet Weekend: Ballet Music Meets Dramatic Script

@J_Capulet: Yo, Rom! What ^? Where U @?

@R_Montague: J-Babe! Can’t tweet/climb vines @ same time. ˄ in a sec!

The preceding conversation is part of the famous Balcony Scene from William Shakespeare’s tragic play Romeo and Juliet…in 2011-speak. Compared to the original, it lacks something, doesn’t it? Actually, it lacks a lot. In only 400-some years it has eroded to the former from this:

O Romeo, Romeo! wherefore art thou Romeo?

With love’s light wings did I o’er-perch these walls; For stony limits cannot hold love out.

Granted, taken out of context, the dialog seems stilted, archaic. But put it in its proper place in this story of extreme hatred offset by complete unselfishness, and you have the most ageless of love stories.

Barely in their teens, Romeo and Juliet see one another at a masked ball and fall completely and helplessly in love before they even know each other’s names. Then they learn they are cursed by their very birth: their families hate each other with a stab-on-sight mindset. What follows is their attempt to break through their parents’ hatred and to hope, no matter how naively, that their love for one another might be the cause of their families’ reconciliation.

Written sometime between 1591 and 1595, it is conceivable that the play could have taken Shakespeare as long as five years to complete. That’s a huge chunk of one’s life to devote to a project. But the tale is so compelling that not only have theaters around the world performed it again and again, but it also has found its way into other genres.

In 1968, Italian film director Franco Zeffirelli made an intensely and beautifully told film version extremely faithful to the original play (Romeo and Juliet). In 1957, West Side Story, with music by Leonard Bernstein and lyrics by Stephen Sondheim, opened on Broadway. A film version followed in 1961. Bernstein’s version is set in the 1950s in a Manhattan ghetto. The rival “families” were two gangs, the Jets and the Sharks; Maria (Juliet) belonged to the Sharks, and Tony (Romeo) was a Jet.

In 1996, William Shakespeare’s Romeo and Juliet, hit movie theaters across the U.S. with Leonardo DiCaprio and Claire Danes in the title roles. The film was an updated and shortened reconstruction of Shakespeare’s play that retained the original Shakespearean dialogue. But then, the movie featured a novel twist: it was set in modern day. The Montagues and the Capulets were more like crime families, each owning big-dollar businesses at war and using guns instead of swords (the guns manufactured by Sword and Dagger rather than Glock or Smith & Wesson). The movie used some characters’ first, rather than last, names. And they all lived in the L.A.-esque city of Verona Beach.

In the 1930s, Romeo and Juliet was reborn in another media – ballet. Think ballet and ballet music, and the name Tchaikovsky usually comes to mind in connection with Swan Lake, The Sleeping Beauty, and The Nutcracker. But in the 1930s another Russian composer, Sergei Prokofiev, wrote the musical score for the ballet Romeo and Juliet. Today, the score is generally recognized as a masterpiece. The ballet has four acts and ten scenes, and among its beautifully constructed musical score the love theme of Romeo and Juliet is at once the very soul of tenderness, longing, fervor, and refinement.

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On Thursday, Friday, and Saturday, October 13, 14, and 15, at 8pm in the Schuster Center Neal Gittleman and the Dayton Philharmonic Orchestra will bring both William Shakespeare’s and Sergei Prokofiev’s Romeo and Juliet to life again. Actor Bruce Comer brings over thirty years’ experience to the task of injecting the narrated script of Shakespeare’s original play into Prokofiev’s music.

In structuring the words with the music, Cromer – Professor and Head of Acting for the Professional Actor Training Program at Wright State University and a Resident Artist with the Human Race Theatre – faced a daunting challenge.

“Using the Prokofiev score, Neal and I worked together to find which parts of the text worked best with the music,” Cromer states. “Knowing the script as I do, I could hear beautiful ‘underscoring’ moments for some of the scenes and speeches. Neal was able to brilliantly assemble the pieces of the puzzle with his conducting – leaving pauses, sustaining notes, cueing me, etc.  The narration that I’ve added here and there is meant to fill in the gaps of the missing Shakespeare.”

And the challenges don’t end there. “Though I love transforming into characters, and have done a few one-person shows, it’s difficult to see myself as Juliet – a beautiful, fourteen-year-old girl, in the passion of her first (and tragically last) love.  But that music can drag any sensitive actor fully into the story – it plunges you into the savage duels, the madness of Mercutio, the torchlit dance where Romeo is first entranced by Juliet.”

“Romeo And Juliet is perhaps the touchstone of True Love for western civilization; Prokofiev’s score captures the sweeping passion of love-at-first-sight, that breathless combination of sexual attraction and spiritual union, the feeling of ‘I know you – I’ve always known you, I cannot breathe without you!!!,’” Cromer notes.  “Nothing’s more moving to Romantics than the notion that one cannot live without the beloved.  Nothing’s more powerful than that first moment when you connected with another human being, when you first said, ‘I love you’ – and knew it was The Truth.”

Ain’t it, though?

This artistic tour-de-force finds Bruce Cromer, from Human Race Theatre Company, enacting roles and providing narration to Prokofiev’s suite based on Shakespeare’s Romeo & Juliet! Working in close collaboration, Neal and Bruce have created an excing new combination of Shakespeare’s immortal words and Prokofiev’s immortal music.

Thursday, Octob­er 13 & Saturday, O­ctober 15 ~ 2011
Schuster Center, ­8 pm­
Take Note Talk, Mead Theatre, 7pm

Buy your tickets TODAY!

Spotlight on Huun-Huur-Tu

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Photo by Vladislav Efimov

Back in February, lousy weather caused us to cancel the much-anticipated return of the amazing Tuvan throat singers of Huun Huur Tu. Happily, we were able to reschedule at a time when the weather is much less likely to be an issue: Tuesday, October 4. They will be in the intimate Boll Theatre on the University of Dayton campus.

Tuvan throat singing is truly one of the most amazing things I’ve ever heard. The range of sounds they’re able to make with their voices is mind-boggling. The last time they were in Dayton, they told the Standing Room Only crowd that the music originated from Tuvan reindeer herders who used it to give each other directions. They sang the landscape to each other! Fascinating. But enough superlatives from me. Here are some YouTube videos that will show you what I mean better than my words can.

[yframe url=’http://www.youtube.com/watch?v=RxK4pQgVvfg&feature=player_embedded’]

[yframe url=’http://www.youtube.com/watch?v=NuqiOMdoP2c&feature=player_embedded’]

Toronto – THE FILMS – Day #6

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Hello Everyone.

If you need showtimes for the upcoming weekend at THE NEON, please visit the official site at www.neonmovies.com.

Well…it was a mixed bag again today.

First off, I saw ELLES – a new, sexually charged film starring Juliette Binoche.  The movie is about a woman who is quite busy being a housewife…but is also a journalist.  For her latest story, she is interviewing 2 young ladies who have become prostitutes in order to put themselves through college.  While writing the story, she revisits her interviews and begins to question her marriage, her position and her own sexuality.  If you’re thinking BELLE DU JOUR (with Deneuve), so was I.  Though not as strong or provocative, I do like that it makes us think about how we perceive women.  The photography is good, and  Binoche is always a treat to watch.  There is no clip or trailer available, so all you get is the photo above.

Next I saw a film I’ve been dying to see.  The new film directed by Madonna – W.E. The movie concerns 2 stories – The relationship of Wallis Simpson and King Edward…and a contemporary story about a woman who is obsessed with the early 20th century romance.  (Though Madonna was in town for the premiere yesterday, she did not attend this 2nd screening.)  I went into the screening with a negative vibe.  I was prepared to be disappointed – as early criticism from Venice was mostly negative.  Then the movie started.  Though there were some visual choices that I didn’t care for, I was ready to stand up again the naysayers!  Andrea Riseborough – who plays Wallis Simpson – is absolutely spectacular.  The costumes are fantastic, the sets are divine.  Though camera work was a little unsettling, I was entirely engaged…for the first hour.  Then begin some moments that are simply inexcusable.  It’s really too bad…there’s a good film here, it just needs to be cut.  I’d be more than willing to offer my services.  This film needs 3 scenes cut…and overall about 20 minutes taken out…and it would be at the very least, a good film.  Below are a couple images of Riseborough and a scene from the film.

[yframe url=’http://www.youtube.com/watch?v=msii9-OyZ3I’]

Lastly, I saw the latest film from Whit Stillman – who hasn’t made a film in more than a decade.  DAMSELS IN DISTRESS is CLUELESS for the college set.  I thought it was a scream.  Stillman, lead actress Greta Gerwig (who you might remember as the best part of GREENBERG), Adam Brody, and a couple other damsels were at the screening.  It’s the funniest movie I’ve seen at this year’s festival, and I think it will certainly develop a following.  Below is a clip – but by no means the funniest part of the film.

[yframe url=’http://www.youtube.com/watch?v=VF2InbftsPo’]

4 Films tomorrow…need to be up by 6:00 one last time.  Thus off to bed.

Cheers,

Jonathan

The Roller Disco Will Be Open

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Dayton’s Urban Nights is almost here, and Real Art has big plans: we’re hanging up our mirror ball, rolling out the skates, turning up the Bee Gees and becoming the Real Art Roller Disco, at 520 E First Street.

Come and get your dancing queen groove on with us on Friday, September 16, from 5:00 to 9:00 pm. We’ll provide the skates; you’ll provide the skating fever. And when you pick up your skates, share the disco love by donating to Carson’s Crew, a non-profit dedicated to finding a cure for Cystic Fibrosis.

Now if you don’t fancy yourself as much of a John Travolta and you’d rather watch others get their hustle on, that’s cool too; we have other groovy activities for you to enjoy. You can get disco fever in our retro photo booth by dressing up in our disco era costumes. There will also be far out music, stellar lights, videos and tours of the building. We’ll also be showing off Real Mart’s latest and greatest additions.

So lace up your skates, shake out your polyester suit, and come get down with us in the skating rink.  We’ll boogie woogie the night away.

(This post from Real Art Blog)

Celebrating 32 years with 6 course feast

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Having overcome recent issues that threatened the future of this Dayton landmark, L’Auberge is celebrating their 32nd anniversary with a six course feast being offered this Fri, Sept 16 and Sat, Sept 17.  As owner Josef  Reif so elegantly shared in an email to his regulars, ” We are so fortunate to have been a part of your lives and to be able to continue to fulfill your culinary desires.” As part of the celebration L’Auberge welcomes back former General Manager Brian DeMarke. Brian, who is currently working for Vinter Select, an Ohio wine importer, will serve as a Guest Sommelier for the weekend.  The menu for the $100/person anniversary celebration is listed below:

Sashimi of Gingered Blue Fin Tuna with Mussels

Brian DeMarke

Hudson Valley F oie Gras
Mission Figs, Butternut Squash, Port Wine Glaze

Arborio Risotto
Oregon Chanterelle Mushrooms and Truffle Butter

Candy Cane Beets Salad
Fennel Confit and Goat Cheese

Beef Wellington
Mushroom Duxelles, Dauphinoise Potato
Sauce Perigueux

Soufflé Chocolate

Jane’s Best Bets (9/14 – 9/18)

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Photo Credit: Alli Shillito

I must admit, I have a problem.  I’m indecisive, and Dayton isn’t helping since there are too many options from which to choose.  However, I’ve narrowed it down a bit and would like to provide you with some possibilities for the week!

On Wednesday, learn how to start a vegetable garden with Five Rivers Metro Parks’ Preparing a New Vegetable Bed class.  Enjoy some good wine at the Cameron Hughes Wine Tasting at Arrow Wine in Centerville or some good beer at the Beer Tasting with Beer Guru Charles at Rumbleseat Wine.  And if you enjoy theater, then make your way to The Loft Theatre to see God of Carnage.

On Thursday, there will be Apples Everywhere at the 2nd Street Market…well, I don’t want to lie.  They probably won’t be everywhere, but I’m sure there will be lots of them there.  Young professionals should definitely make their way to the Dayton Art Institute for jumpstART’s Jump into Fine Art!  For only $10, you get several things, including admission to their special exhibit, two Oktoberfest tickets, and much more.  Take that Groupon!  If you’re cheesy like me, then make your way to Dorothy Lane Market for the Cheeses of the World Show.  And if you’re a fitness pro unlike me, make plans to hit up the US Air Force Marathon Sports and Fitness Expo at the Nutter Center.  Runners have been instructed to pick up their bibs during this time, so they must think that runners are messy eaters.

On Friday, downtown is THE place to be.  PARK(ing) Day will be celebrated, which is a worldwide event in which metered parking spots are transformed into temporary parks.  During your lunch hour (or half hour), watch the SMAG Dance Collective as part of The Square Is Where at Courthouse Square.  And in the evening, Urban Nights is a MUST ATTEND event!  There will be tons to do, including Pecha Kucha Dayton Volume 8, as well as watching several crazy people (I can say that since I know some of them!) who are Going ‘Over the Edge’ for Big Brothers Big Sisters at the at Key Bank Tower.  You will also be able to combine the Urban Nights’ experience with the Taste of Miami Valley at RiverScape.  Some theater options for Friday include A Streetcar Named Desire at Xenia’s Kettering Health Network Theater; God of Carnage at The Loft Theatre; or Urinetown: The Musical at Centerville Schools Performing Arts Center…you know you gotta go.  Fling in the Springs will be happening up in Yellow Springs.  If you feel like being all “fitnessy”, then attend the US Air Force Marathon Sports and Fitness Expo at the Nutter Center.  And although Dayton’s Oktoberfest isn’t for another week, you can get a taste of it at Arrow Wine in Centerville during their 14th Annual Oktoberfest Celebration.

On Saturday, good luck to all the runners running in the Air Force Marathon.  And if you’re not a runner, you may want to avoid the traffic around base!  All you women out there (I know there are a lot of you) can head to the Dayton Airport Expo Center for the Dayton Women’s Fair.  Another type of fair/festival is happening in Yellow Springs – Fling in the Springs.  Consider seeing nearly 200 antique/classic automobiles and motorcycles as part of the The fifth Dayton Concours d’legance’s Preview Party at Carillon Park.  I’m all about pointing people in the right direction, so “I’m so excited” to tell you to head up north to the Clark State Performing Arts Center to see The Pointer Sisters.  Support United Rehabilitation Services by participating in the Rubber Duck Regatta at RiverScape.  Also there, you will be able to eat some delicious food as part of the Taste of Miami Valley.  If you live up north, no worries, as the Taste of Troy will also be happening on Saturday.  And if you ran in the marathon in the morning, then you definitely have to make up for all those calories you burned!

On Sunday, you’ll have the opportunity to check out some of the things you may have missed earlier in the weekend, such as the Dayton Women’s Fair or Fling in the Springs.  Some theater options include God of Carnage, A Streetcar Named Desire, and The Merry Wives of Windsor presented by Shakespeare in South Park.  Check out some antique/classic cars and motorcycles as part of The fifth Dayton Concours d’legance at Carillon Park.  And if you’re a pork fan, head to the Preble County Fairgrounds for the Preble County Pork Festival.

And now it’s time for the Dumb Joke of the Week. Drum roll please…

If a blonde and a brunette jumped off the Key Bank Tower, who would hit the ground first?

The brunette because the blonde would have to stop to ask for directions.

These are just a few best bets from the DMM Calendar.  There are plenty more events listed there, so if you haven’t, I encourage you to check it out today!  Also, if you have an event to share or promote, please submit it– it’s great marketing and better yet, it’s FREE!  And finally, if you have a dumb joke to share, I’m all ears!

Have a great week Dayton!

Toronto – THE FILMS – Day # 5

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We’ll soon see if I can get 5 hours of sleep tonight instead of the 3-4 hours I’ve had over the past couple nights.

I saw 4 films again…which makes a grand total of 20 so far!!

First I saw SALMON FISHING IN THE YEMEN with Ewan McGregor, Emily Blunt and Kristin Scott Thomas.  A woman beside me loved it.  Another woman at a different screening later in the day started gushing about it.  So perhaps this film was specifically made for a female audience age 45-60.  I certainly did not like it!!  Though it had a couple moments that reeled me in, it’s ultimately the most uneven and slight film I’ve seen so far.  It’s a romantic comedy & ecologically/socially conscious (though full of negative stereotypes), terrorist thriller…about salmon being introduced into the Yeman.  Cutesy one minute – terrorists the next.  AKA – A Gigantic Mess, in my opinion.  Below is a clip.

[yframe url=’http://www.youtube.com/watch?v=XanH9wjBAD0′]

Next off, I saw ALBERT NOBBS – starring the absolutely incredible Glenn Close.  This film was a little more whimsical than I suspected.  That said, the film does tackle some interesting ideas – and all the more interesting is the fact that the film is based on a short story from the early 1900’s.  It’s about a woman who presents herself as a man in order to gain employment as a butler in the late 1800’s.  The film reminded me, in tone, of CRANFORD or MRS. HENDERSON PRESENTS.  Relatively jovial (at first) – but with big undercurrents of sadness and yearning.  The set design, costumes and score are marvelous…and  I should hope that Ms. Close gets an Oscar nomination (though some of the other performances are also quite wonderful). Below is a clip.

[yframe url=’http://www.youtube.com/watch?v=TG2YL7Nm_Jo’]

MONSIEUR LAHZAR was the next film I saw.  I saw this film because it was directed by the same man who did IT WASN’T ME, I SWEAR (which I saw a few years ago and loved) – Philippe Falardeau.  This French Canadian film is about a man who comes to teach in a classroom in which the former teacher had committed suicide.  He’s got his own baggage…but lots is gained from both students and teacher alike.  The frustrations of dealing with parents and administration will certainly be empathized by many of you who have taught in the public school system.  The film is very good.  The trailer below is not yet available with subtitles…as it has not yet found a distributor in The States.

[yframe url=’http://www.youtube.com/watch?v=xpi0LzyU0BQ’]

Lastly, I saw Christophe Honore’s new film – BELOVED – starring Chiara Mastroianni, Ludivine Sagnier, Catherine Deneuve, Louis Garrel, and a handful of other familiar faces.  First off, the film is much too long.  That said, I still loved so much about it.  If you’re familiar with Honore’s earlier film LOVE SONGS, this is similar (meaning there are several musical numbers – but almost presented as dialog (if you think, “Sounds like UMBRELLAS OF CHERBOURG” – we’re on the same page.).  The film spans several decades and is a candid and emotional look at contemporary sexual politics.  The opening scenes in the 60’s are delightful…and get heavier (though still with some moments of great joy) as the film progresses.  Because the film was in a smaller venue tonight, I decided to pack light and not take my camera with me.  I was surprised (but bummed that I didn’t have my camera) to find out that Honore and Garrel were present for an introduction and Q&A.  (I did manage to get a cell phone pic after the screening in a better lit space…though not a great picture, I have posted it at the end of this post.)  Below is a trailer.

[yframe url=’http://www.youtube.com/watch?v=SMmyWfjdrbA’]

More soon!!

(I didn’t make it.  Already after 1:00am…need to be up by 6:00.  Oh well.  I’ll sleep in October.)

Camp Rock opens in Centerville

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Town Hall Theatre presents CAMP ROCK, THE MUSICALCamp Rock, the Musical

LAND MARK CHILDREN’S THEATRE

at TOWN HALL THEATRE

The competition heats up in the “Heart of Centerville” this Friday at Town Hall Theatre! When glitzy Camp Star opens across the lake, the competition is on! Will Camp Rock beat its new rival in the summer’s ultimate musical showdown?

The Landmark Children’s Theatre Company presents Camp Rock, the Musical, based on the hit Disney Channel Original Movies Camp Rock and Camp Rock 2: The Final Jam at Town Hall Theatre in Centerville September 16th – October 2nd, 2011.

When Camp Star moves in across the lake, Camp Rock knows it’s in trouble. The glitzy Camp Star has everything Camp Rock doesn’t; better pay, fancier costumes; even air conditioned cabins! When most of the staff and campers leave Camp Rock for the glamour of Camp Star, it’s up to the true “rockers” Mitchie and the gang to get themselves into top shape for an ultimate musical showdown that will determine the fate of Camp Rock!

The production is presented by the Landmark Children’s Theatre Company, the theatre’s premiere series featuring professional and volunteer adult actors performing with young people. It is directed by Chris Harmon, who previously directed Pinkalicious, A Year with Frog and Toad, Willy Wonka and the Chocolate Factory and Disney’s Geppetto and Sonfor Town Hall Theatre.

Mr. Harmon says he’s “thrilled to be directing the regional premier of Disney’s Camp Rock. The cast is really rising to the challenge of bringing intense Rock & Roll music, dance and attitude to the Town Hall stage!”

Playing the “Gray” brothers made famous in the movies by the Jonas brothers are Montana Iverson as Shane, Brendan Plate as Nate, and Matthew Perkins as Jason Gray. Centerville natives Cecily Dowd and Addi Helms alternate asMitchie and Autumn Gensheimer and Abby Cates alternate as Dana and Sydney Fowler and Anna Hilnomaz both perform Tess.  The show’s battling camp directors include adult actors Ed Iverson as Axel Turner and C.J. Suchyta asBrown Cesario.

Camp Rock, the Musical at Town Hall Theatre

-TH Press Release

We encourage local theatre companies to submit calendar items HERE, and official press releases to [email protected].

Tickets & Performance Information:

TOWN HALL THEATRE logoDisney’s CAMP ROCK, the Musical – September 16 through October 2 (Fri/Sat/Sun)

(Times Vary:  Click HERE)

Tickets Prices: $10 children 12 & under / $13 students & seniors / $15 adult / ALL day of show tickets are $15.

Location:  Town Hall Theatre – 27 North Main Street,Centerville (MAP) next to Panera Bread in the “Heart of Centerville”

Reserve tickets online at www.townhalltheatre.org or call 937-433-8957.

The show runs 70 minutes and isrecommended for children ages 4 and up.

For more information on this production and to find out more about our class offerings, please contact the Box Office at(937) 433-8957 or log on to our website at www.townhalltheatre.org.

“Murder on the High C’s”

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SOUVENIR by Stephen Temperley - DAYTON THEATRE GUILD - Things To Do In Dayton - September 16-25, 2011

Florence Foster Jenkins

SOUVENIR – a Fantasia on the Life of Florence Foster Jenkins

DAYTON THEATRE GUILD

The Dayton Theatre Guild presents the first SEASON EXTRA production of the 2011 – 2012 season, Souvenir, a Fantasia on the Life of Florence Foster Jenkins, for two weekends only – September 16 through 25, 2011. It is directed by Saul Caplan and produced by Debra Kent.

Florence Foster Jenkins, a wealthy society eccentric, believed herself to be a great coloratura soprano when she was actually incapable of producing two consecutive notes in tune. Even so, her recitals in the ballroom of the Ritz Carlton hotel where she resided, along with her single concert at Carnegie Hall in 1944, brought her great fame. Souvenir is based on the real life of Florence Foster Jenkins and tells her story through the eyes of her accompanist, Cosme McMoon, a talented musician who first saw her as merely a way to pay the rent, but who came to regard her with friendship and affection.

SOUVENIR by Stephen Temperley - DAYTON THEATRE GUILD - Things To Do In Dayton - September 16-25, 2011The cast includes Reneé Franck-Reed from Dayton as Florence Foster Jenkins. Reneé has performed locally in the Dayton Theatre Guild production of The Beard of Avon and at The Human Race Theatre, in The Man of La Mancha. She has also performed at the Schuster Center in The Daughter of the Regiment and in Gypsy and Fiddler on the Roof at the Dayton Playhouse. Renee’ has her own vocal studio in Dayton. Cosme McMoon, Florence’s accompanist, is played by Chuck Larkowski from Fairborn. Although Chuck has been seen on Dayton stages for years, and in such productions as Who’s Afraid of Virginia Woolf?, Urinetown and The Producers at the Dayton Playhouse, The Lion in Winter at Playhouse South, and MacBeth at Sinclair Community College, Souvenir is Chuck’s Dayton Theatre Guild debut. By day, Chuck is Professor of Music at Wright State University.

SOUVENIR by Stephen Temperley - DAYTON THEATRE GUILD - Things To Do In Dayton - September 16-25, 2011

Chuck Larkowski and Renee Franck Reed

SYNOPSIS from Dramatists Play Service:

For more than half a century the name Florence Foster Jenkins has been guaranteed to produce explosions of derisive laughter. Not unreasonably so, as this wealthy society eccentric suffered under the delusion that she was a great coloratura soprano when she was in fact incapable of producing two consecutive notes in tune. Nevertheless, her annual recitals in the ballroom of the Ritz Carlton hotel, where she resided, brought her extraordinary fame. As news of her terrible singing spread, so did her celebrity. Her growing mob of fans packed her recitals, stuffing handkerchiefs in their mouths to stifle their laughter—which Mrs. Jenkins blissfully mistook for cheers. The climax of her career was a single concert at Carnegie Hall in 1944. Famously, it sold out in two hours.

SOUVENIR, by turn hilarious and poignant, tells her story through the eyes of her accompanist, Cosme McMoon. A talented musician, he regards her at first as little more than an easy way to pay the rent, but, as he gets to know her, his initial contempt gives way to reluctant admiration, then friendship and affection. Eyewitness accounts of their concerts vary so wildly it is almost impossible now to separate fact from gossip. Hence this fictional “biography,” in which we follow the story of their partnership from its earliest days to their concert in Carnegie Hall and its aftermath. With each new imagined triumph Florence’s confidence soars. Faced with her boundless certainty, Cosme comes to revise his attitude, not only towards her singing but to the very meaning of music itself. As the play ends the audience enters her world completely, finding there the beauty she’d heard in her head all along. A musical odd-couple for the ages.

-DTG Press Release

We encourage local theatre companies to submit calendar items HERE, and official press releases to [email protected].

Tickets & Performance Information:

Dayton Theatre GuildStephen Temperly’s SOUVENIR – September 16 through 25 (Fri/Sat/Sun)

(Times Vary:  Click HERE)

Tickets Prices: $10 student / $15 senior / $17 adult

Location:  Dayton Theatre Guild at The Caryl D. Philip’s TheatreScape – 430 Wayne Ave. Dayton, Ohio  45410(MAP)

No one under the age of seven will be admitted.

Tickets are on sale now through DTG’s Online Box Office, or via phone at (937) 278-5993 (due to a volunteer staff, phones are not monitored continually).

For more information about Dayton Theatre Guild’s entire 2011-12 season, visit www.DaytonTheatreGuild.org

Dayton Theatre Guild at the Caryl D. Philips TheatreScape

Dayton Theatre Guild at the Caryl D. Philips TheatreScape