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Archives for November 2011

Urban Arts Conference Sees Three Year Collaboration Reach Fruition; Local Hip-hop Scene Strong

November 1, 2011 By Dayton Most Metro Leave a Comment

Black Thought of the Roots

Black Thought of the Roots

Three years of urban arts collaboration reached fruition Oct. 14-15, as the Regional Academic and Cultural Collaborative returned to Dayton.

“The goal was to collaborate and present, or pay homage almost, to the culture of urban creative arts and hip-hop,” said Sierra Leone, local poet and producer of the conference.

Leone said organizers signed on for a three year commitment to the community to present national and international celebrities, as well as entertainment executives.

“For us that was a huge highlight,” she said. “Actually following through and completing the project was really major.”

The audience was mostly a younger crowd, Leone said. Some people from Columbus came down, and many attendees were local college students and community members.

Leone said the performance by Januarie York, a spoken word artist from Indianapolis, and the talk by Black Thought, of the hip-hop/neo-soul band The Roots, were highlights of the event.

“She [Januarie York] wasn’t really publicized for being a part of the actual collaboration,” Leone said. “People really raved about her performance and the way she preformed and how she
interacted with the audience.”

Black Thought delivered an inspiring and moving talked, Leone said.

“On top of having a family, on top of being on TV every night, on top of having to get right off work and get to Dayton,” she said, “he came here with us and spent an evening with us.  And spoke to a topic that he loves, but is extremely difficult to do. I thought that was very commendable.”

Leone said, aside from coming and speaking, Black Thought brought in T-shirts and pamphlets promoting that topic he spoke of, his grassroots movement in Philadelphia that supports the
betterment of the lives of young girls and ensuring that they have the best possible futures.

She believes Black Thought’s talk was moving because it showed him as a person, not just a Grammy Award winning celebrity. And it gave the audience, especially the younger crowd, an
opportunity to realize that the music is just one piece of the iceberg.

“They don’t realize and understand that the album their buying is just one piece of a whole,” she said. “And in turn, I think just seeing an artist like Black Thought come and say ‘You know, I’m
just as ordinary as you are. And in turn, there are some things I’m not great at. And standing up here and speaking in this form that’s not as artistic can be challenging and I had to work at it.’  Young people hearing and understanding that is great.”

She said having that humbleness and seeing Black Thought in a different light gave the event a much more real and tangible quality to it.

“It really is about understanding who people are at their core and what they believe in and what
inspire them,” Leone said.

It’s this understanding of who people are that DJ Swig believes makes the best hip-hop.

DJ Swig

DJ Swig

“Everything is changing to pop right now,” Swig said about hip-hop as a whole. “I mean the kids love it and you got to go with what sells. You got to stay hot. If you really think about it, back in
the days of KRS-1, Grandmaster Flash and LL Cool J, they were telling you about what was in their neighborhood.”

“Now the money is involved, and now the whole thing is based on money,” Swig said. “If singing in skinny jeans is going to make me money, that’s what I’m going to do. In all reality,
like what rappers back in the day used to wear skinny jeans. That wasn’t even cool. Now skinny jeans is the fad, because that’s what’s making them money.”

Swig said there’s still some rappers out there that really give you that true hip-hop sound, like Mos Def, Talib Kweli, Common and Lupe Fiasco. The latter two gave key-note speeches and
performances in the previous two urban arts conferences, according to Leone.

“You got to be true to yourself,” Swig said. “I use Mos Def and Common because they tell you what’s going on in the world and that’s what people want to hear.”

He said most rappers aren’t true to themselves anymore.

“They don’t use the stories of their life,” Swig said. “Their using the story of someone else’s life because that’s what sells money. That’s why when you hear a song on the radio it sounds like the song that just came off, like the one they just played.”

Though the hip-hop scene as a whole is turning toward pop, Swig said he thinks the local scene has stayed true. He thinks the scene is taking over.

“I really think you’re going to start hearing more artists from Dayton getting signed, hear about more artists getting distribution deals,” Swig said. “I think the local scene is strong. Believe it
or not, I hear more about local rappers in Dayton then I do anywhere else. Every time I hear something turns out they’re from Dayton. I’m pumped because I really think Dayton[hip-hop scene] is going in the right direction, if they stay together as a community, as a whole.”

This was DJ Swig’s first year participating in the Urban Arts Conference.

“For them to bring people down here to teach you about the actual hip-hop game, and what to do, what not to do, how to win and how not to win, I give them mad props for that because people
don’t get that anywhere else,” Swig said.

DJ Swig said once people realize all the music that came out of Dayton and the surrounding area, they will begin to appreciate the deep roots in the area and understand how the local hip-hop
scene developed.

“Dayton was huge for music back in the day,” DJ Swig said.

Judging by the looks of the strong local hip-hop scene, that day may soon be returning.

Filed Under: Dayton Music Tagged With: Dayton Music, hip hop

TAKE SHELTER – One of the Best of the Year – Opens Friday!

November 1, 2011 By Jonathan McNeal 1 Comment

Hello Everyone,

I hope you’re making plans to see TAKE SHELTER this weekend (read the DMM Film Review here).  This Ohio-made film was one of my absolute favorites from this year’s Toronto International Film Festival (I screened 34 films over the course of 9 days), and it has been garnering awards and great reviews around the world.  As a special treat, producer Tyler Davidson will be joining us for Q&As following a few screenings…and there’s no additional charge for these tickets (which are on sale now at our box office).  Showtimes with Q&As are noted below.

Thursday will be your last chance to see the charming French film with Gerard Depardieu and Gisele Casadesus – MY AFTERNOONS WITH MARGUERITTE.  Hurry down if you still need to see it.  Though audiences are loving this film, it hasn’t done well enough to stick around.

Synopsis for TAKE SHELTER:  “Curtis LaForche lives in a small town in Ohio with his wife, Samantha, and daughter, Hannah, a six-year-old deaf girl. When Curtis begins to have terrifying dreams, he keeps the visions to himself, channeling his anxiety into obsessively building a storm shelter in his backyard. His seemingly inexplicable behavior concerns and confounds those closest to him, but the resulting strain on his marriage and tension within his community can’t compare with Curtis’s privately held fear of what his dreams may truly signify.” (Sony Pictures Classics)  Visit the film’s official website.

[yframe url=’http://www.youtube.com/watch?v=I5U4TtYpKIc’]

There are only 2 films left for Living City’s VAMPIRE retrospective…and both will be presented via 35mm.  Single tickets will be available at the door before each screening for $8 each.  Here are the remaining dates and films:

November 7 at 7:30 – INTERVIEW WITH THE VAMPIRE (35mm)

November 14 at 7:30 – BRAM STOKER’S DRACULA (1992 – 35mm).

[yframe url=’http://www.youtube.com/watch?v=R1G5M4xliI4′]

The Ohio Liberty Film Festival is gearing up for its third year this November.  With numerous presenters and sponsors, the festival is able to make admission free to all of their screenings.  Click the link to see the entire line-up for various venues around town.

The following are movies that will play at THE NEON:

Friday, Nov. 11 at 3:00 – THE GREAT DICTATOR (The Charlie Chaplin classic)

Saturday, Nov. 12 at 1:30 – AS FAR AS MY FEET WILL CARRY ME

Sunday, Nov. 13 at 1:30 – PATTON

“Help support DATV and be inspired by short films that aim to make a difference in our lives. DATV presents the MEDIA THAT MATTERS SHORT FILM SHOWCASE on Thursday, November 17th at 7:30pm…The festival features 12 jury selected short films that tackle a broad range of social issues with humor, humanity and honesty in 12 minutes or less.  Special thanks to our sponsor Merrill Lynch Global Wealth Management OGDM Group – Centerville, Ohio…Proceeds from the event will benefit DATV.  DATV’s mission is to be a community forum that empowers all citizens to learn, create and express their ideas through electronic media…”  (taken from press notes)  Visit the official site for this event.  Tickets are already available at our box office for $10 each.

We’ve already booked the perfect film for Thanksgiving weekend.  Alexander Payne’s new film THE DESCENDANTS (starring George Clooney) is fantastic!  In fact, I think it’s Payne’s best film yet.  Thanksgiving weekend is a crucial movie-going weekend for cinemas…and we hope you’ll make plans to see this great film with us!  To find out more about the film, visit the official site.

[yframe url=’http://www.youtube.com/watch?v=CWHNXJ1K4yA’]

For remaining showtimes for this week visit our site.

Hope to see you this weekend,

Jonathan

SHOWTIMES for Nov 4 – Nov 10:

THE WAY (PG-13) 2 Hrs 1 Min

Friday, Saturday, Sunday: 12:15, 2:40, 5:00, 7:30, 9:50

Monday: 2:45, 5:10

Tuesday – Thursday: 2:45, 5:10, 7:40

TAKE SHELTER (R) 2 Hrs

* – indicates a screening with special Q&A

Friday: 1:30, 4:15, 7:00*, 9:40

Saturday: 1:30, 4:15*, 7:00*, 9:40

Sunday: 1:30, 4:15, 7:00, 9:40

Monday – Thursday: 3:00, 5:30, 8:00

INTERVIEW WITH THE VAMPIRE (R) 2 Hrs 3 Min

Monday: 7:30

COMING SOON:

As always, all dates are tentative.  Some of these dates will change.

In some cases, titles may disappear.

Nov. 11   MARGIN CALL

Nov. 18  MARTHA MARCY MAY MARLENE

Nov. 23  THE DESCENDANTS

Dec. 16   WEEKEND

TBD   THE SKIN I LIVE IN

TBD   MELANCHOLIA

TBD   THE HEDGEHOG

Filed Under: On Screen Dayton Tagged With: emilio estevez, FilmDayton, George Clooney, interview with the vampire, jessica chastain, margin call, martha marcy may marlene, martin sheen, michael shannon, take shelter, the artist, the descendants, the skin i live in, the way, tyler davidson

Ohio’s Issue 2 – Where do YOU stand?

November 1, 2011 By Dayton Most Metro Leave a Comment

Governor Kasich

If you’re anything like me, you’ve been barraged with rhetoric from both sides of the Senate Bill 5 issue. Rhetoric is often persuasive, but it doesn’t really give a person any solid facts to stand on. So what is the bill really about?

At its core, SB 5 (also known as Issue 2) is another effort put forward by government officials to cut spending in the public sector with the bill largely affecting public and government workers. Although many Americans are pushing for stricter spending budgets in the government, SB 5 allows for some big changes that have been causing a lot of controversy.

For teachers, SB 5 eliminates the “step raise” statutory salary schedules in favor of performance-based-pay determined partly on student performance. It abolishes all continuing contracts for teachers except for those made before July 2011. It removes seniority and length of service considerations from decisions regarding layoffs. The bill also eliminates current rules of leave and places the authority to set new policies on the Board of Education.

For health care benefit costs, SB 5 limits public employer contributions to 85 percent. So public employers will still be helping significantly with health care benefit costs and still more than what the majority of employers offer in the private sector. The bill also removes unions’ most effective bargaining tool: the strike action.

Perhaps the most controversial issue in the policies in SB 5 lies in changes to collective bargaining rights. Many of the bill’s policies reduce the types of collective bargaining that public workers with public employee unions can do. Specifically the bill states that bargaining for things like class sizes, wages, hours of employment, and terms and conditions of employment cannot be collectively bargained for. The bill also limits new collective bargaining agreements regarding sick leave and the certain types of leave that can be accumulated. However, the bill continues to allow collective bargaining for some benefits like pensions or health care as well as work safety issues.

Although collective bargaining and striking is out of the question in SB 5 it doesn’t limit what an individual public worker can bargain for. In that way, SB 5 seeks to put public employees in the same shoes as private workers. It’s not that a public worker can never try to get their pay raised or change the terms and conditions of their employment – they just have to do it individually, as it is done in the private sector. They also align more with the private sector workers in that the ability to gain a pay-raise is more performance and result based. Seniority may play a factor in job security, but no more than it does in the private sector should SB 5 be brought into law.

The reason collective bargaining and strike action removal is such a big issue goes back to the founding of the first unions. Unions were created to put enough power in the hands of employees to match or nearly match the power the employer had. They emerged during the Industrial Age in response to jobs that had poor and often dangerous working conditions for minimal pay and benefits. The individual worker had so little bargaining leverage that there was usually nothing they could do to improve their situation. However, together in a union the workforce became strong and able to level the playing field and demand better terms in the workers’ interest. The unions’ biggest and most effective weapon against unfair management was the strike.

This is why SB 5 is so controversial. It breaks down something that has been in place for nearly a century. To go back on anything that has such a long history is never easy and often worrying. After having the ability to collectively bargain, strike, and more for so long, the unions are concerned that the dissolution of them will cause public employees to suffer.

Those in support of SB 5 argue that it deflates the bloated levels of power public workers have had for many years now. They believe unions have become too effective and have abused their power and allowed many public workers to become lazy and entitled. Their view of SB 5 sees the bill as a way to cut costs in hard times where it can and needs to be cut. Many have largely supported the performance-based-pay and job evaluations as a much needed change in the public work sector. They argue that cutting workers who don’t perform in their jobs will increase efficiency and encourage better working practices in other public employees. Supporters believe that the necessity for union abilities like collective bargaining has lessened as standards are more easily enforced and that it’s time for each public employee to be hired or fired on their own abilities.

Those opposing SB 5 see the bill in a very different light. Some have even gone so far as to label it as dangerous, unfair, and detrimental to the economy. They are also keen to point out that while government officials are cutting from the public sector, politicians have failed to make cuts in their own benefits and wages. Opponents also believe the changes will lead to things like decreases in emergency task forces and cause shortages in health care workers and lead to overpopulated health care facilities with limited staffing. They say public sector employees have already had to take enough cuts and believe Ohio’s budget trouble stems from big corporations. They are concerned that without collective bargaining, individual workers will once again fall prey to greedy management and return to working conditions that existed prior to the rise of the union.

Wherever your opinions fall on Issue 2, I hope you’ll take away something from this article and make your voice heard November 8th at the polls.

Filed Under: Local Government/Politics

Animal Heat That Lasts And Lasts And…

November 1, 2011 By Dayton Most Metro Leave a Comment

DPO presents Three Dog Night in season kick-off of Rockin’ Orchestra Series

Exactly how does someone go about starting a rock band?

The most common approach involves amateurs with a burning desire to get into the music business, who meet at someone’s garage or rec room, set up their equipment, and begin by practicing cover songs, popular hits that most know by ear and for which few ever see any written music. Somewhere in the process, one or more of these aspiring rock stars will compose a song or two, and the group will practice performing its new, original music.

I don’t have access to the actual statistics, but I’m willing to bet that the overwhelming majority of these ventures end in years of mutually fond memories and little else. The music business is a hard taskmaster (this said from the perspective of personal experience).

Does it help if those involved in the startup of a rock band have some actual music industry experience? Definitely. A caveat here: there’s music industry experience, and then there’s music industry experience. Here’s a case in point….

It was the ‘60s. A young vocalist named Cory Wells was touring with Sonny and Cher, (music industry experience) when he met Danny Hutton, who had been loading and unloading records at the Disney studio (music industry experience, sort of…) before recording as a solo artist (music industry experience). See my point?

In 1968, they decide to pool their money and their talent and start a rock band of their own. But what to call the group? Hutton and Wells? Wells and Hutton? In the ‘60s, the conventional naming technique of referring to a group’s principal talent in its name had all but disappeared. While such groups as Loggins and Messina; Emerson, Lake and Palmer; and Crosby, Stills, Nash, and Young still followed the convention, the practice began to revert to one of picking highly unusual and often extremely esoteric names for rock bands, e.g., Buffalo Springfield, Jefferson Airplane, Crystal Harp, Steely Dan.

Not to be outdone, Hutton and Wells came up with a name that – while suitably cryptic to comply with the governing fashion – actually had a basis in conventional usage. Well, sort of…. It’s reputed that, on cold nights, Australian aborigines in the outback sleep with their dogs for warmth. The coldest evenings are known as three-dog nights….

Armed with a name that could stand toe-to-toe with the most enigmatic of band names, Three Dog Night went about ensuring that its name would not only be suitably mysterious, but it would also become a hallmark in the world of rock music for outstanding harmonies and arrangements. Virtually unknown itself, Three Dog Night threw in its lot with new and mostly undiscovered songwriters, recording music to the words and melodies of Harry Nilsson, Randy Newman, Elton John, Laura Nyro, Paul Williams, and Hoyt Axton.

And, man, did the evenings ever get warm.

Not to date myself, but I can remember water skiing at Lake Cumberland and Lake Herrington during summer days and joining my Ski Club buddies at night in our campground or in the lodge to enjoy a variety of refreshing liquid beverages and dance to the music of Three Dog Night. I found it amazing how upwards of sixty men and women could dance and – at one and the exact same time, with little or no direction – sing Jeremiah was a bullfrog; he was a good friend of mine completely in tune! Hey, this is my flashback; I can remember it the way I want, right?

Three Dog Night: Live with Orchestra at The Schuster Performing Arts Center
Saturday 11/12/2011 8pm
Click For Tickets

Joy to the World wasn’t the only one of Three Dog Night’s hits we and the rest of the world danced and sang to. After all, the group has had twenty-one consecutive Top 40 hits and twelve straight gold LPs, selling nearly 50 million records by the mid-‘70s. And the group continues to top the list of artists with the best Billboard Top 100 Chart average.

Still as good as ever, the 2011 version of Three Dog Night appears to be tireless. Beside founding members Cory Wells and Danny Hutton on lead vocals and original keyboardist Jimmy Greenspoon, the group now includes guitarist Michael Allsup, with Paul Kingery on bass and vocals and Pat Bautz on drums.

Their concert schedule is, to say the very least, formidable. In the last 25 years, the group has performed over 2,000 shows, including two Super Bowls. They were so busy, in fact, that it wasn’t until 2009 that the group released its first single in all that time, Heart Of Blues backed by the ballad Prayer of the Children. Face it; you rest, you rust.

43 years after it started, Three Dog Night looks back on a career that resulted in a body of work with 21 songs that became Top 40 hits. Reading the names of some of those titles, I can hear the music in my head: Mama Told Me, Joy to The World, Black And White, Shambala, Easy To Be Hard, An Old Fashioned Love Song, One, Eli’s Coming, and Celebrate.

If you want to hear them again, go to the Schuster Center on Saturday, Nov­ember 12 at 8 pm for Three Dog Night: Live with Orchestra. Experience Three Dog Night, backed by Music Director Neal Gittleman and the DPO. It might be cold outside, but don’t worry.

They’ve got the dogs to keep you warm.

Filed Under: On Stage Dayton Previews, The Featured Articles

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