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Archives for January 2012

Important Dates about Dayton Fashion Week and How to Break into Modeling

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As the Director of Operations for the City of Dayton’s first International Fashion Week, I can’t tell you enough just how grateful we are for the overwhelming show of support that we have received from the entire Miami Valley area. Plans are really coming together and we have an exciting line up of designers who have come on board to be a part of this ground breaking event for our city including Marlene Haute Couture, Bothdol Fashions, House of Jola, and Dayton’s very own kids line Cupcake Couture just to name a few! Before I go any further there are some important dates to remember that are rapidly approaching; on Wednesday February 1 at 8:15 and 8:45 be sure to tune in to FOX 45 in the Morning, where the Dayton Fashion Week team will make its debut–there will be a mini fashion show featuring the designs of Marlene Haute Couture. On Saturday February 25 from 10am-3pm Dayton Fashion Week will hold its first casting call for models—all models must bring with them this signed release form. To be clear, there will be separate casting calls for the Children’s Runway Show and to become one of the hosts for Inside Couture Television, the dates and locations for these casting calls will be announced soon. Finally, the deadline for designers to apply to be a part of Dayton Fashion week is Thursday March 1 all submissions must be sent via our website at daytonfashionweek.com.

Since the announcement was made about Dayton Fashion Week members of the DFW team have been bombarded with question about the industry and the most common question is “How do I become a model?” So here are a few pointers on how to jump start your modeling career–The first thing you need to know is what genre you fit into. There are several genres of modeling; High Fashion, Plus-Sized, Lifestyles, and Promotional are the most common. High Fashion Modeling is probably the most popular and well known form of the modeling industry—these are the models that you see sashaying up and down the runways for some of the world’s top designers and they are also seen in magazines like Vogue. These models are typically very thin and tall, females must be at least 5’10 and males 5’9. Plus-Sized models also fall under the High Fashion Models height restrictions, the only difference is size–Plus-Sized Model typically wears a size 6-12. Lifestyle models are generally used in photos showing a common life activity—for example– an ad photo for Tide in a magazine of a mother joyfully doing laundry. Promotional Models are used at various conventions showcasing products. A models height and size tend to be a lot less restrictive for both Lifestyle and Promotional Models.

Once you have determined what genre you fit into, now it’s time to take some pictures! As mentioned in one of my previous columns–DO NOT GO OUT AND SPEND HUNDREDS OF DOLLARS ON PROFESSIONAL PICTURES!! There are cheaper ways to get the pictures that you need to start your modeling career. There are thousands of photographers looking to fine tune their skills on websites like modelmayhem.com which is a networking site for models, designers, makeup artist, and photographers. It’s free to join and what’s even better—there are a lot of photographers who are willing to work with you free of charge also known as TFP if you have the look that they are looking for to build their portfolio. If you book a job via Model Mayhem it is very important that you discuss concepts, compensation, locations, ask for references, and ask if escorts are welcomed prior to arranging any meetings or shoots. Another cheap way to get the pictures that you need is to have a friend or a family member take the pictures for you please reference the criteria for photos in this past article about the casting call for DFW.

So now you know which genre you’re in, you have your pictures, and now it’s time to get discovered. This is where it’s important for you to start doing research on the various fashion markets in the U.S. New York is known for more High Fashion work, Chicago and Los Angeles do more Editorial, Atlanta’s market is geared towards Promotional and Lifestyles, and Miami does a mix of all 4 markets–there are also off seasons for each of these cities. You should also research the various agencies because not all agencies cater to each genre. Once you’ve picked the agency that you think best suites you, find out when they hold their open calls, which is pretty much a casting call. If you can’t afford to travel ask for a mailing address, website, or email address where you can send your photos. Please understand that agencies handle hundreds of phone calls and receive thousands of pictures every day, if an agency is interested in you they will contact you.

Hopefully these tips will help you in your pursuit to breaking into the industry. If you haven’t done so yet please “LIKE” our Facebook page. Can you think of a better way to launch your career than at Dayton Fashion Week?

Dayton Ballet Brings Romance, Passion and Tragic Love to the Victoria Theatre

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The Romance Series, at Victoria Theatre from February 9 – 12, 2012, will feature three ballets in one amazing night. Red Roses, Between Heaven and Earth and The Butterfly Suite.

The first ballet on the evening’s program is the revival of Ballet Austin Artistic Director, Stephen Mills’ Red Roses; a neo-classical ballet, which explores the ecstasy and anger of love through the melodic songs of Edith Piaf.

The second piece is choreographed by Dayton native, Gina Gardner-Walther. Gina makes her Dayton Ballet debut with the world premiere, Between Heaven and Earth. This contemporary ballet explores the feelings of romance that go beyond attraction.

Dayton Ballet’s Artistic Director, Karen Russo Burke, completes the evening with a new world premiere, The Butterfly Suite. This one-act story ballet is loosely based on Puccini’s famous opera, Madame Butterfly. This beautifully choreographed ballet tells a heart wrenching story about clashing cultures, naivety, love, lust and sorrow.

Performances of The Romance Series are at the Victoria Theatre February 9, 10, & 11 at 8:00 pm, and February 11 & 12 at 3:00 pm.  Tickets are on sale now! Call Ticket Center Stage at (937) 228-3630 or (888) 228-3630 or visit www.ticketcenterstage.com.  Ticket Center Stage hours are Monday-Friday 10 a.m. to 6 p.m., Saturday Noon-4 p.m. and two hours prior to each performance.

WIN FREE TICKETS

We have a pair of tickets for each of the five shows, courtesy of the Dayton Ballet!  Just fill out the form below and we’ll draw five winners on Monday Feb. 6 at noon.  Good luck!

(Contest Closed)

Congratulations to: Mike Reitz, Holly Joachimi, Jennifer Dean, Patrick Martin and Linda Horenstein! They’ll be seeing Dayton Ballet’s Romance Series, courtesy of Dayton Most Metro and Dayton Ballet!

Bud Light Goes Platinum

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Today’s big news in big beer is Anheuser-Busch’s release of Bud Light Platinum, just in time for Superbowl celebrating!  Decked out in a tall cobalt blue bottle, this new beer is a little sweeter and a little stronger than your average domestic beer.  The new Platinum beer has 137 calories and 4.4 grams of carbs,   while top-selling Bud Light, by comparison, weighs in at 4.2% ABV with 110 calories and 6.6 grams of carbs. The company describes the brew this way: “It’s smooth, bold and effortlessly sophisticated, but with the drinkability that consumers expect from a light beer.” 

You’ll pay a little more for the higher alcohol content, Platinum is running $6.99 a six pack of bottles,  about $1.30 more than  Bud Light at Belmont Party Supply.  “People has already been in asking for it, I think the higher alcohol content is what appeals to them,” says Natalie Moore, the social media guru at the Smithville Road store.

Anheuser- Busch InBev says it created Bud Light Platinum to appeal to a new breed of light beer drinker who likes a little more flavor in a light beer and a more stylish presentation.  Advertising Age earlier this month described the release of Bud Light Platinum as part of an effort “to win over younger drinkers who have been gravitating to spirits.” The publication said A-B InBev would spend heavily on advertising and is expected to buy at least one spot for Platinum during the February 5 Super Bowl.

If you try the Bud Light Platinum, let us know what you think in the comments below:

 

 

 

Habit-Forming “Nunsense” at The Dayton Playhouse

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The hilarious musical comedy, “Nunsense” will open Friday, February 3, at the Dayton Playhouse and will run through February 19. The play is published by Samuel French, with book, music and lyrics by Dan Goggin.

“Nunsense” will be directed by well-known, local director, Greg Smith. Nancy Perrin is musical director for the production with Kristin Sutter serving as choreographer.

“Nunsense” is a hilarious talent show staged by five survivors of the Little Sisters of Hoboken nunnery, the rest of the sisterhood having succumbed to botulism after eating vichyssoise prepared by Sister Julia, Child of God. The remaining sisters parade their talents at a variety show staged to raise funds so that the last four of the dearly departed can be buried. “Nunsense” offers a cornucopia of hilarity for the whole family, proving conclusively that nun rhymes with fun! This warm and funny musical is a great way to take your mind off of the cold winter weather.

The cast is made up of Tina McPhearson, as Mother Superior; Ellen Finch as Sister Mary Hubert; Sherri Sutter, as Sister Mary Amnesia; Amy Askins, as Sister Robert Ann; and Kelli Locker as, Sister Mary Leo.

Performances will be Friday through Sunday, February 3-19. All performances are at 8:00 p.m. except Sundays, which are at 2:00 p.m. Tickets are $15 for adults, $14 for seniors and $10 for students.

(left to right) Sherri Sutter, Kelli Locker and Amy Askins

Tickets can be purchased online at www.daytonplayhouse.com, or through the box office, 937-424-8477, which is staffed Monday, Wednesday and Friday 2:00 -5:00 p.m.. Messages may be left for the box office at any time. The Dayton Playhouse is located at 1301 E. Siebenthaler Ave., Dayton, OH 45414.

A special Dayton Playhouse Benefit Night will take place from 5:00–9:00 p.m., on Sunday, February 19, at bd’s Mongolian Grill, 4488 Glengarry Dr., Beavercreek (directly across from the movie theatre at The Greene). A percentage of all checks, accompanied by a Dayton Playhouse flyer, will go to the theatre’s fundraising efforts. Flyers will be distributed at “Nunsense” performances, on Facebook and at the threatre. Call 937-424-8477 for more information.

The Dayton Playhouse is a community theatre providing outstanding theatrical productions to Miami Valley audiences of all ages for more than fifty years. The Playhouse is nationally recognized for “FutureFest,” a festival of new plays.

 

The Stinky Cheese Man And Other Fairly Stupid Tales

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Based on the award-winning book by author Jon Scieszka, THE STINKY CHEESE MAN AND OTHER FAIRLY STUPID TALES comes to life on the Victoria Theatre stage and features hilarious adventures of well-known characters from tales such as Jack and the Beanstalk, Chicken Little, Princess and the Pea, Little Red Riding Hood and many more. Scieszka’s humorous fairytale parodies create a fun and educational afternoon for children and adults of all ages, and introduce the twists and turns in the lives of character counterparts such as The Stinky Cheese Man (The Gingerbread Man), Chicken Licken (Chicken Little) and The Really Ugly Duckling (The Ugly Duckling).

With the honor of receiving the Caldecott Award from the American Library Association and Best Illustrated Book (illustrator, Lane Smith) from the New York Times, THE STINKY CHEESE MAN AND OTHER FAIRLY STUPID TALES celebrates the book’s 20th anniversary of publication in 2012 by coming to life on stage and captivating audiences through humor and enjoyment.

Tickets for The Stinky Cheese Man are priced at a family-friendly $18 for adults and $16 for children (ages 12 and under).  Tickets are on sale now through Ticket Center Stage, and may be purchased at the Schuster Center box office in downtown Dayton or by phone, at (937) 228-3630 or toll free (888) 228-3630. Ticket Center Stage hours are Monday – Friday, 10 a.m. – 6 p.m., Saturday, noon – 4 p.m., and two hours prior to each performance. Tickets may also be purchased online at www.ticketcenterstage.com.

Support for Victoria Theatre Association’s Family Advocacy Program through the PNC Family Series is provided by SoBran, Inc. The official candy of Victoria Theatre Association’s PNC Family Series is Esther Price Candies Corporation. Think TV is the official Media Partner for the PNC Family Series.

For more information about the 2011-2012 PNC Family Series, visit: http://www.victoriatheatre.com/series/2011-2012-family/.

Ticket Contest

We have a family ticket four-pack to give away for this show on Saturday Feb. 4 at 1pm, courtesy of Victoria Theatre Association!  Just fill out the form below and we’ll pick a random winner on Thursday Feb. 2 at noon… Good Luck!

CONTEST CLOSED

Congratulations to Rebecca Monce – her name was randomly drawn… enjoy the show!

Savor Your Sundays to Benefit Stivers

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For the fourth February, Coco’s Bistro will open up for a unique series of musical brunches featuring young musicians from Stivers School for the Arts. A different group from Stivers will perform each Sunday.

The schedule is:

Feb. 5: Stivers Singers
Feb. 12: Strings
Feb. 19: Concert Pianists
Feb. 26: Jazz Quintet

Each Sunday will feature two brunch sessions, from 10 a.m. to noon and 12:30 p.m. to 2 p.m.; the same menu will be served at both seatings. Cost is $30 per person; $15 of this is a tax-deductible donation to the seedling Foundation, which supports the arts at Stivers. All funds raised during the Sunday brunches will support arts instruction at the school.

This year’s menu has not yet been release, but based on last year’s menu you’ll have a choice from about 1/2 a dozen choices, from traditional breakfast meals, salads and entrees, including vegetarian options.  Mimosas and Bloody Mary’s will be available for an additional charge. Advanced reservations are required; and based on previous years attendance, these brunches will sell out.  Call 228-COCO (2626), or go online at www.228coco.com/brunch to reserve

 

 

Dayton Circus Seeks Artists and Musicians for Side Show 7

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The crowd at Side Show 5

Urban Nights seems like a long way off, but it’s not too early to get involved with one of the many events that kick off May 11th.  The Dayton Circus has begun preparations for Side Show 7, which will take place May 11th and 12th at the Circus’ space, the Yellow Cab Building on 4th Street.

If you’re unfamiliar with the Side Show, it’s more than an art show.  Each year the Circus celebrates creativity in our community by encouraging participating artists and musicians to think outside the box, take risks and try something new.  So, you ask, how do I get involved?  Interested artists and musicians can download information, sign up for email updates and learn how to submit their work here.   The call for entries is open until March 23rd.

If you want to get involved in other ways, the Circus has also begun organizing several fundraisers to help cover the cost of Side Show 7.  The first one is Dayton Crafty-Con on March 10th.

Check back to Dayton Most Metro in the coming months.  We’ll have more updates on Side Show 7 as the event develops. 

Nominate a Daytonian Who’s Preserving History

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The Woman’s Club of Dayton Foundation, The Engineers Club of Dayton Foundation and the Friends of the Dayton Arcade are currently accepting applications for the Third Annual Jewels of the Gem City Awards. The awards honor those who have made a significant contribution to the historic preservation of Dayton through educational, financial, cultural, promotional or restoration contributions.  Nominee for the “Jewels of the Gem City” may be an individual/couple, a company/corporation or an organization that has made a significant contribution to the historic preservation of Dayton through educational,
financial, cultural, promotional or restoration contributions.  Nominations forms are available online or at the Dayton Metro Library, the Dayton Woman’s Club or the Engineers Club and are due Feb 1, 2012.

Winners in 2011 were included the American Veterans Heritage Center, Margaret Kruckemeyer, Curt Dalton and Wright-Dunbar, Inc. This years winners will be celebrated at the  Gala dinner awards ceremony will be on Saturday June 2, 2012 at the Dayton Woman’s Club.  For more information contact Susan Wheeler at 461-9921.

Measuring Life in Love

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Cast of "Rent"

Wright State University impressively embraces the visceral power of Jonathan Larson’s 1996 Tony and Pulitzer Prize-winning rock musical “Rent.”

Director and Dayton native Scott Hunt, a member of the Broadway and national touring company of “Rent,” primarily gives this sung-through, AIDS-era retelling of Puccini’s “La Boheme”  a gritty aggression absent in recent local productions. In fact, during the ensemble’s fantastic rendition of the title song, vigorously choreographed by Brandon Kelly and swelling to the hilt as if threatening to tear the roof off the Festival Playhouse, you can definitely feel the desperation, frustration and urgency dwelling within the residents of New York City’s East Village. Thankfully, Hunt’s penchant for atmosphere is evident throughout such as the flurry of activity that heightens “On The Street” and the exuberantly in-your-face “La Vie Boheme.” He also establishes an appealing sense of community among the colorful, uniquely engrossing characters, which allows the musical’s central themes of friendship and love to permeate at a deeper level.

As the emotionally tortured Roger Davis and uninhibited drug addict Mimi Marquez, Ben Street and Allison Kelly wonderfully navigate Larson’s invigorating sea of sentiments. Whether flirtatious (“Light My Candle”), at odds (“Another Day”), romantic (“I Should Tell You”) or disheartened (“Goodbye Love”), this compatible duo remains purposefully bonded. Individually, Street particularly infuses “Your Eyes” with gentle sensitivity while Kelly brings beautiful poignancy to “Without You.” There is also substantive work from the charming James Oblak as aspiring filmmaker Mark Cohen, Derrick Jordan (supplying a knockout reprise of “I’ll Cover You”) as the easygoing Tom Collins, terrific understudy Ian DeVine as the flamboyant, cross-dressing Angel Schunard, and the entertaining Lauren Bernstein (Maureen Johnson) who finds fresh humor within “Over the Moon.” However, Beth Ann Wipprecht (Joanne Jefferson) and Law Terrell Dunford (Benjamin Coffin III) fail to consistently ignite. Wipprecht’s priorities seem entirely grounded in the score instead of solidifying Joanne’s motivations. Dunford, a credible bully, is simply overshadowed by stronger voices and personalities.

Mark Beyer, Jason David Collins, Zach Cossman, Kenneth Foster, Melissa Hall, Tommi Harsch, Taryn Lemmons, Taylor Montgomery, Zachary Jordan Steele, Justin Talkington, and Ria Villaver (a comical Alexi Darling) complete the cast. Musical director Jay Brunner’s well-balanced orchestra, Eric Moore’s stark set comprised of scaffolding and graffiti, and Matthew P. Benjamin’s evocative lighting design are also noteworthy.
This week marks the 16th anniversary of Larson’s untimely death at the age of 35. Without question, WSU reminds us that his legacy will always endure.

“Rent” continues through Jan. 29 in the Festival Playhouse Stein Auditorium of the Creative Arts Center at Wright State University, 3640 Col. Glenn Hwy., Fairborn. Performances are Saturday at 2 and 8 p.m. and Sunday at 2 p.m. Act One: 80 minutes; Act Two: 55 minutes. The show contains adult language and themes. Tickets are $18-$20. For tickets or more information, call (937) 775-2500.  In related news, Wright State has altered its 2012-13 season. The previously announced “Witness for the Prosecution” will be replaced by the return of the acclaimed“1913: The Great Dayton Flood,” originally presented in 1996.

The World According to Rothko

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(L to R) Michael Kenwood Lippert and Will Allan in Red (Photo by Scott J. Kimmins)

The didactic, thought-provoking perspectives of indomitable Russian-American abstract expressionist artist Mark Rothko (1903-1970) are the lifeblood of John Logan’s compelling drama “Red,” the recipient of the 2010 Tony Award for Best Play methodically directed by Richard E. Hess in its splendid local premiere courtesy of the Human Race Theatre Company.

A luminous force among his highly-regarded contemporaries including Jackson Pollock and Franz Kline, Rothko (born Marcus Rothkowitz) adamantly believed in the intrinsic magnetism of art beneath the surface. Colors have subtext. Contemplation matters. Discernment is paramount. The passionate, immensely self-absorbed titan purposefully demanded more from the beholder. In his view, art is alive, always moving, and must be perceived as a deeply meditative tool of discovery. Astutely, Logan displays Rothko in his heyday, the late 1950s, as he creates a series of murals for Manhattan’s swanky Four Seasons restaurant over a period of two years. Newly assisted by the inquisitive Ken, Rothko vows to make the restaurant a temple for his murals, but his commercial decision to compromise his artistic integrity for $35,000 is inescapable. As questions emerge and answers entice, Rothko and Ken’s eye-opening exchanges, encompassing Matisse, Michelangelo, Picasso and Warhol, reveal a striking father-son rapport that remarkably stings and surprises without one ounce of sappiness.
Human Race resident artist Michael Kenwood Lippert, in a superbly detailed, language-driven performance, paints an incredibly intimidating, unapologetic portrait of Rothko, who abhorred the idea of merely making “pretty pictures.” With imposing velocity and intellectual clout, Lippert effortlessly taps into the explosive assertiveness and egotism that fueled the artist’s inner fire. He particularly shines when furiously proclaiming Rothko’s distaste of the U.S. “living under the tyranny of fine” in addition to addressing his desire for artists to be knowledgeable of history, philosophy and mythology among other disciplines. Yet most impressively, he clearly grasps the sheer unstableness pulsating within Rothko’s angered, edgy disposition. While isolated from the world and its natural light inside his bleakly spacious studio (expertly lit by John Rensel and efficiently designed by Mark Halpin with properties by Heather Powell), Rothko appears to be in control yet cannot expunge his personal demons or the uncertain future of his craft as pop art develops, insights Lippert expresses with emotional truth.
Will Allan, an Oakwood High School graduate who continues to leave an imprint within the Chicago theater scene, equally electrifies as the eager Ken, a young, mysterious artist from Iowa. Foremost, he surpasses British actor Eddie Redmayne, who won a Tony for his portrayal even though he failed to capture Ken’s Midwestern sensibility and cadence. Still, Allan’s calculated proficiency extends beyond the fundamentals. From the opening minutes in which he stands transfixed in wide-eyed astonishment to his fiery tirade of hurt and exasperation toward the conclusion, he skillfully conveys an evolution grounded in awkward naiveté that blossoms with decisive confidence, especially as Ken, desiring to be valued in spite of a generational divide, grows increasingly comfortable challenging his employer. He also brings heartbreaking poignancy to an underdeveloped plot point concerning Ken’s tragic past, which is intended to make Rothko seem less heartless but feels incomplete and slightly contrived.
Blessed by Lippert and Allan’s fantastic teamwork, spiritedly and wordlessly intensified when priming a canvas in a truly unforgettable scene, “Red” presents Rothko’s iconic legacy and the vicissitudes of art with galvanizing impact.

“Red” continues through Feb. 5 at the Loft Theatre, 126 N. Main St. Performances are Wednesday-Saturday at 8 p.m. and Sunday at 2 p.m. The play is performed in 100 minutes without intermission. Tickets are $18.50-$40. For tickets or more information, call Ticket Center Stage at (937) 228-3630 or visit www.ticketcenterstage.com. Also, two Rothko works will be exhibited at the Dayton Art Institute through Feb. 12. For more information, call the DAI at (937) 223-5277 or visit www.daytonartinstitute.org

In related news, the Human Race’s 2012-13 season will consist of the regional premiere of Janece Shaffer’s comedy “Managing Maxine” (Sept. 6-23), a reconceived staging of Lionel Bart’s classic musical “Oliver!” (Nov. 29-Dec. 16), the local premiere of Eric Simonson’s 2010 football drama “Lombardi” (Feb. 7-24), the local premiere of David Mamet’s 2009 provocative drama “Race” (Apr. 4-21), Robert Lopez, Jeff Marx and Jeff Whitty’s naughty, puppet-driven 2004 Tony-winning Best Musical “Avenue Q” (June 6-23), and a season extra, local premiere  of Michael Slade’s psychological thriller “Under a Red Moon” (Oct. 18-28). For additional information, visit www.humanracetheatre.org

The Partnership of Arts, YPs and Rock and Roll

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What do you get when you pair a Pink Floyd rock tribute with the Philharmonic? Or a couple fun-lovin’ DPO Board members with two local YPs groups? Or great food and a backstage tour? Or prizes, a live radio broadcast and crazy discounted tickets?

Lest you think this is the beginning of a REALLY complicated joke, I’m here to tell you – it’s Encore Night at the Dayton Philharmonic!

On Thursday, February 9, make a night of it with fellow young professionals!

5:30PM – Start the night at Uno’s Downtown where there will be complimentary appetizers, cash bar, prizes, and on-air “audio tweets” during a live radio remote with WTUE’s Aaron Klauber. Last prize is raffled off at 6:45 PM (must be present to win) when we cash out and the group heads across the street because…

7:15PM – We’re heading BACKSTAGE at the Schuster Center for a special tour and briefing hosted by Brent Havens (Windborne Conductor).

8:00PM – Get to your awesome seats specially reserved in the loge to hear what happens when progressive rock meets classical orchestra. The program features the music of Pink Floyd performed by the amazing Windborne Music backed by the full DPO!

This is a special night (with a crazy great discounted price) specifically to introduce YPs to the great time that is the Dayton arts scene and the Dayton Philharmonic. Tickets are only $30  – that’s more than 1/2 off plus they are actually waiving the $4 processing fee. You MUST order your tickets through the special link below or call Madea Thompson at 937-228-7591 x3222. This deal is only good through February 4th – after that the seats will be released and sold for the face value of $66 (plus that service charge). Don’t miss out!

**This event is NOT limited to previous participants of Generation Dayton or JumpstART – all local YPs are encouraged to attend.**

PURCHASE SPECIAL OFFER ONLINE:
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Event hosted by jumpstART & DPO Trustees Lauren Hamer & Maha Kashani

Healthy Food Adventures at Flavor’s Eatery

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Flavors Eatery in Centerville

If you could use a little California sunshine in the midst of this cold Ohio winter, consider heading to Centerville ’s West Coast inspired FLAVORS EATERY.   Rich and Elaine LoRusso’s little eatery whose slogan is “LIVE, LOVE, LIFE,” has been a favorite dining spot in Centerville for several years.   Rich and Elaine had a successful string of restaurants in California , but decided to move back to Ohio to be closer to family.  Once they returned, they decided to open FLAVORS EATERY – a restaurant concept which provides diners with healthy menu alternatives in a fast-food-dominated world.  The concept worked and the restaurant has developed quite a following since its inception.

The Incredible House Garlic Sauce

The menu is dynamic and unique like the personalities of the charismatic owners.  The couple know their customers well and have developed many friendships with their returning clientele.  Once inside the restaurant, you are promptly greeted by the highly energetic Elaine LoRusso.

The atmosphere is casual and eclectic with music playing overhead and walls adorned with pictures of the owners with many legendary musicians.  The place has an artsy and relaxed West Coast vibe.

The food is totally unique and bursting with flavor. The menu consists of California-style wraps, homemade soups, subs, salads, smoothies, and burritos.  They even have ice cream and low-fat yogurt.  It is very easy to eat at FLAVORS EATERY if you are watching your weight!  Since both of us could be described as “husky”, this is one of our favorite dining spots.

Monterey Grilled Chicken

We have become addicted to the Weight Watcher friendly Monterey Grilled Chicken –a flatbread loaded with organic chicken and topped with fresh grilled veggies.  If you want a different flavor to your food, they will gladly accommodate your request.  If you love Thai food, ask Rich prepares his Chicken Monterey Grille with a little Thai sauce… delish!

The Big Ragu loves fish and always goes for the heaping Salmon Wrap.  They start off with a Honey Whole Grain Wrap and stuff it with salmon, black beans, organic brown rice, lettuce, and cheese.  The wraps also come with a side of tortilla chips that are topped with the House Garlic Sauce.  If you haven’t tried the House Garlic Sauce, then you are missing out!  We highly suggest you pick up a bottle to take home!  The house-made salsa is also very refreshing and unique as they change the vegetables with each batch!

If the large portions don’t quite fill you up, you can always try one of their many desserts. They offer espresso drinks, smoothies, baked goods, ice cream, and frozen yogurts. One of our favorite desserts is the large chocolate chip cookie warmed and topped with chocolate sauce and whipped cream.  Nothing beats a fresh, warm cookie!

Peanut Butter Cup Shake – click to enlarge

The Big Ragu goes the frozen route and orders up a milkshake.  His favorite is the Peanut Butter Cup Shake that is packed with huge chunks of peanut butter cups.  If you decide to try these desserts, you might want to spend a few extra hours in the gym to burn off the calories! Believe us, every drop of sweat will be worth it!

Flavors is open Monday through Friday from 11:00 a.m. to 6:15 p.m., Saturdays from 11:00 a.m. to 2:30 p.m. and closed on Sundays.  A popular lunch spot, you might have to wait a little longer during the lunch rush, but the food is that good.  One taste of their unique food and you will be addicted too.  It’s easy to understand the loyal following FLAVORS EATERY has acquired. Check them out at www.flavorseatery.com or even better yet….stop in this restaurant and give them a try.  They are located at 865 East Franklin Street by Centerville High School in the Centerville East Plaza shopping center.

CLICK on any photo to enlarge, and get the true feel of this FOOD ADVENTURE !

For more photos, visit FOOD ADVENTURES on FACEBOOK and “like” us to become an official fan.

Have an opinion on our FOOD ADVENTURE to FLAVOR’s EATERY?

FEEL FREE TO LEAVE A COMMENT BELOW !

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A DANGEROUS METHOD Opens Friday at THE NEON!

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Hello Everyone,

I had an absolutely wonderful time in Utah. The conference (The Art House Convergence) was full of great networking and lots of invaluable information. After the conference, I managed to see a handful of films at The Sundance Film Festival and a collection of shorts at The Slamdance Film Festival (which included a short film from one of our previous employees – Liz Cambron…congrats to Liz for a great, sold-out screening!!).

If you still need to see TINKER TAILOR SOLDIER SPY (nominated for 3 Oscars), you only have until Thursday to see it at THE NEON. We will certainly hold onto THE ARTIST – nominated for 10 Oscars (including “Best Picture”). Audiences are loving this film.

On Friday, we will open a film that has been requested by several of you (and snubbed by the Academy) – A DANGEROUS METHOD. Directed by David Cronenberg and starring Michael Fassbender (FISH TANK, JANE EYRE and upcoming SHAME), Viggo Mortensen (A HISTORY OF VIOLENCE, THE ROAD) and Keira Knightley (ATONEMENT, NEVER LET ME GO), this is the story of Jung and Freud and the woman who came between them.

Synopsis for A DANGEROUS METHOD: “On the eve of World War I, Zurich and Vienna are the setting for a dark tale of sexual and intellectual discovery. Drawn from true-life events, A Dangerous Method takes a glimpse into the turbulent relationships between fledgling psychiatrist Carl Jung, his mentor Sigmund Freud and Sabina Spielrein, the troubled but beautiful young woman who comes between them. Into the mix comes Otto Gross, a debauched patient who is determined to push the boundaries. In this exploration of sensuality, ambition and deceit set the scene for the pivotal moment when Jung, Freud and Sabina come together and split apart, forever changing the face of modern thought” (taken from Sony Classics)

Visit the official website by clicking this LINK.

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“The Miami Valley School, Dayton’s only independent, college-preparatory school is proud to present a special one-time only screening of RACE TO NOWHERE on Thursday, Feb. 9, 2012. Considered to be the counter film to Waiting for Superman, RACE TO NOWHERE addresses the academic pressures facing students today and what we can do about it. Featuring heartbreaking stories of young people who have been pushed to the brink, educators who are burned out and worried that students are not developing the skills they need, and parents who are trying to do what’s best for their kids, RACE TO NOWHERE points to the silent epidemic in our school: Students are pressured to perform and not necessarily to learn critical thinking skills…To see the trailer, please go to www.racetonowhere.com.  This is a free event and all are welcome!  Thursday, February 9, 2012 – Reception at 6:30 pm and screening begins at 7:30 pm, followed with Q & A session.” (taken from Miami Valley School press release)

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On Saturday, February 25 at noon, The Junior Leaguers Club, Inc. will host a benefit screening of THUNDER SOUL. “THUNDER SOUL follows the extraordinary alumni from Houston’s storied Kashmere High School Stage Band, who return home after 35 years to play a tribute concert for the 92-year-old “Prof,” their beloved band leader who broke the color barrier and transformed the school’s struggling jazz band into a world-class funk powerhouse in the early 1970s.” (taken from press notes) Adult tickets (which include a glass of wine as well as soda & popcorn) are $30 each. Student tickets (which include soda and popcorn) are $15 each. For more information, please call (937)219-7501. Proceeds from this event will go to The Junior Leaguers Scholarship Fund. To check out more about THUNDER SOUL, visit the official site.

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See you soon,

Jonathan

 

SHOWTIMES for Fri. January 27 – Thur. February 2:

A DANGEROUS METHOD (R) 1 Hrs 39 Min

Friday, Saturday, Sunday: 12:50, 3:00, 5:15, 7:30, 9:40

Monday – Thursday: 3:00, 5:15, 7:30

THE ARTIST (PG-13) 1 Hr 40 Min

Friday: 12:30, 2:45, 5:00, 7:20, 9:30

Saturday: 12:30, 5:20, 7:20, 9:30

Sunday: 12:30, 2:45, 5:00, 7:20, 9:30

Monday – Thursday: 2:45, 5:00, 7:20

CALL OF THE SCENIC RIVER: AN OHIO JOURNEY

Saturday: 3:00 – This Screening Has SOLD OUT!

COMING SOON:

As always, all dates are tentative. Many of these dates will change.

In some cases, titles may disappear.

Feb. ? ALBERT NOBBS

TBD THE HEDGEHOG

TBD SHAME

TBD A SEPARATION

March 16 WE NEED TO TALK ABOUT KEVIN

Band of Brothers

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(L to R) Brandon Andrus, Brad Weinstock, Jason Kappus and Colby Foytik as The Four Seasons in Jersey Boys (Photo by Joan Marcus)

“Jersey Boys,” which captured the 2006 Tony Award for Best Musical and remains one of the most popular jukebox musicals on the Great White Way, enjoyably depicts the triumphs and pitfalls of legendary 1960s hitmakers The Four Seasons.

Sleekly directed by Des McAnuff in one of his finest efforts and presented at the Schuster Center courtesy of the Victoria Theatre Association’s Premier Health Partners Broadway Series, “Jersey Boys” chronicles the talented blue-collar troupe from their rocky evolution in the 1950s to their 1990 induction into the Rock and Roll Hall of Fame. Instead of adopting the common jukebox trend of shoe-horned songs taking conceptual precedence (a shortcoming of “Mamma Mia!” and “Million Dollar Quartet”), librettists Marshall Brickman and Rick Elice wisely craft terrifically authentic, fully developed central characters (not caricatures) that resonate as strongly as the assortment of pop classics which smoothly accent the story. In addition to constructing infectious momentum in the middle of Act 1 with three knockout numbers in a row (“Sherry,” “Big Girls Don’t Cry,” “Walk Like a Man”), Brickman and Elise’s delightfully personable, occasionally gripping narrative, full of intriguing revelations, evenly spotlights the rise and fall of the group within the appropriate backdrops of spring, summer, fall and winter.

As Frankie Valli (born Francis Castelluccio), the admirable Carlos Valdes possesses a firmly distinctive, Valli-esque falsetto and a delightfully youthful spunk which effectively dissolves as Frankie matures. Delivering superb renditions of “Moody’s Mood for Love” and “Can’t Take My Eyes Off You,” Valdes greatly connects in the darker Act 2 as the philandering Frankie comes to grips with the pains of touring and his fractured relationship with his drug-addicted daughter. Colby Foytik is a charming scoundrel as troublesome Tommy DeVito, whose shady financial dealings plague the troupe beyond belief. The marvelously understated Brandon Andrus, bearing a striking resemblance to Craig Bierko, substantively embodies the unassuming, plain-spoken Nick Massi with a sharply droll attitude. As Bob Gaudio, who composed the hit “Who Wears Short Shorts” at age 15, Jason Kappus endearingly blends with his fellow cohorts, who are crisply choreographed with suave masculinity by Sergio Trujillo.

Barry Anderson (a standout as the Four Season’s flamboyant producer/lyricist Bob Crewe), E. Clayton Cornelious, Kaleigh Cronin, Thomas Fiscella, Natalie Gallo (a lovely inclusion in “My Eyes Adored You”), Ruby Lewis (leading a feisty “My Boyfriend’s Back”) and Christopher Messina are notable in featured roles.

A particular draw for men who enjoy musicals served with testosterone, “Jersey Boys” wholeheartedly entertains as a prime source of toe-tapping nostalgia.

“Jersey Boys: The Story of Frankie Valli & The Four Seasons” continues through Feb. 5 at the Schuster Center, Second and Main Streets. Performances are Tuesday-Friday at 8 p.m., Saturday at 2 and 8 p.m. and Sunday at 2 and 7:30 p.m. Act One: 75 minutes; Act Two: 60 minutes. Brad Weinstock and Hayden Milanes are also cast as Frankie Valli. Tickets are $42-$111. For tickets or more information, call Ticket Center Stage at (937) 228-3630 or visit www.ticketcenterstage.com

The Marriage of Quality and Support for Local Producers is Quite a Delicious One

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Biscotti

Full-fledged perseverance has led Hilary Browning to her career as a baker, but truthfully, most of the credit for her success belongs to no one other than Hilary, herself. She is the most driven, inspiring person I have yet to meet, and it has been an honor to hear and write about her story. She is the owner and mastermind behind Thistle Confections, which supplies the baked goods for Ghostlight Coffee, but her newest addition to this one of a kind business is her booth at the Second Street Market, which will open February 11! She has finally made this “baking dream a reality,” as she puts it, and I was along to get the quite delicious dish on the details.

When looking up the term “self-starter” in the dictionary, one should find the name “Hilary Browning” listed. Just sitting down for this brief interview, I could sense her drive and determination, which no doubt has brought her this far in her baking career. The platform of her baking knowledge originated from her mother and grandmother, who were recent Italian immigrants. They supplied her with the basics, but from this jumping off point, Hilary is completely self-taught. She likes to deviate from traditional recipes, making them her own. As she explained to me, she finds “pride in the creative aspect of flavor.” And boy, oh boy! The Better Breakfast cookie I tried sure did pack a punch of flavor!

Hilary describes the line of events that led her to the present as a “natural progression,” all starting with her food blog in 2006, while she was studying at Ohio State for graduate school. This was her outlet for stress, a way to test recipes, and a chance to keep in contact with friends, as well as acquire new friendships. As Hilary explains,

Cinnamon Roll

“business grew from that.” After her transfer to and graduation from the University of Dayton, her husband was stationed at a military base, and she decided the timing was perfect to give her baking idea a try. Even her partnership with Ghostlight Coffee can be seen as part of this natural series of events, as her relationship with Shane as a neighbor and friend eventually evolved into this partnership. A partnership that has brought forth delicious, unique recipes and support for local producers, but not much sleep as she points out: “it’s a choice. You make choices, and you make sacrifices for those choices.” But she stands firmly behind her decisions, especially her commitments to quality and local producers, her two biggest concentrations when it comes to running Thistle Confections.

Whoppie Pie

“My goal is not profit.” This was one of the first things Hilary shared with me. Quality, as aforementioned, is one of her two greatest concerns when it comes to her creations. She has personally met and fed the chickens from the two farms from where she gets her organic eggs. “It’s a lot of work,” but it’s worth it for quality. Every baked good is made from whole grains, providing a healthy aspect. Hilary also doesn’t sell anything she has not tasted or include any ingredient from a box. Everything is made from scratch, using only organic ingredients from local producers who have gone through Hilary’s inspection. Another amazing aspect of Thistle Confections is that all goods are baked fresh daily. She specializes in nostalgic and savory pastries; reinventing old recipes are her specialty. Two such nostalgic baked goods are her “Whoopy Pie,” which actually came from Pennsylvania in the 19th century, and her cinnamon rolls, which are prepared using a technique from when the recipe was first brought to America! But she also has a lot of pride in writing her own recipes (which are 100% original or tweaked slightly and tested), which are available for purchase on her blog.

By reaching for quality, Hilary cares for local producers, as well. It’s quite a bit of work to research and taste everything, but by marrying these two principles she supplies her customers with delicious products, while also providing the economy with a little pick-me-up. As she puts it, “the heart of her business is local producers.” The ingredients can be traced directly back to local whole salers, making the goods more health-conscious and you more responsible for eating such deliciousness!

So now, it’s your turn! Help support the local economy and a worthy business owner by grabbing a delicious baked good from Thistle Confections! Ghostlight Coffee will still be housing Hilary’s creations, but make sure to check out the new booth at Second Street Market when it opens February 11! Doesn’t a salted caramel brownie sound scrumptious? Or a cinnamon roll with really soft filling? What about a piece of olive oil cake filled with rosemary and orange accents? Yum!

Thistle Confections  2nd Street Market 600 East 2nd Street Dayton, OH 45402  (937) 228-2088
Thistle Confections Blog

Ghostlight Coffee  1201 Wayne Avenue Dayton, OH 45410    (937) 985-2633

All pictures are credited to Nicole Hodac of hodacphotography.com

Location, Location, Location… Workshop!

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No – this isn’t one of Teri’s articles about the housing market. Location is more than a real estate rule; it’s vital for film!

Are you interested in building your skill set for film? Are you an artist looking for a new perspective on architecture and environmental photography? FilmDayton offers a great class for beginners who are looking to break into the industry, photographers who are looking for a new perspective, or pros who want to strengthen their skill set.

In the beautiful setting of the Dayton Art Institute, students will get some practical knowledge and then be set loose to snap pictures (no flash) within the building and through the historic surrounding neighborhood. Great prep work for aspiring production/location coordinators and a lot of fun for creative photographers. Seats are limited, so early registration is encouraged.

We’ll provide an inside look at one of the major necessities for the film industry. There are so many questions: What makes a good location? How do you handle the production logistics? How do you snap the best picture to convey the feel of the location to the producer? And once you find that perfect spot, how do you get all the required permissions to film there? This workshop will answer those questions and so much more! And lest you think this workshop is JUST for photographers or aspiring location managers, oh no my friend. Indie filmmakers often have trouble getting great locations for their projects. This workshop will help filmmakers with the skills needed to find and secure fantastic locations, and how to get it all done when resources are limited.

Topics to be covered include:
Location Contracts and Insurance,
Film Permits,
Capturing the Best Picture,
Working with Individual Homeowners, Businesses and Government Agencies,
Location Scouting,
Location Responsibilities Before, During and After the Shoot

FilmDayton welcomes Kate Amer – a Location Manager / Production Manager with 25+ years of experience. Kate most recently worked on The Avengers, Journey 2: The Mysterious Island, and the FX hit Justified.

Talented location scouts are necessary in the industry – and very in demand. This workshop will get you started and help you make some great connections.

COST: $35 members; $45 non-members
DATE: Saturday, February 25, 2012
TIME: 9AM – 5PM (lunch included)
LOCATION: Dayton Art Institute
Seats are limited. Contact Megan at [email protected] to register.

Workshop in partnership with the Dayton Art Institute.

WHAT IS FILMDAYTON?

FilmDayton is the regional nonprofit dedicated to fostering the local film scene. We educate filmmakers with introductory workshops and professional development opportunities, advocate for the region as we support our local filmmakers and work to attract productions, and celebrate our success with the annual FilmDayton Festival (August 24-26, 2012).