Things to do in Dayton | Restaurants, Theatre, Music and More
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On February 23, 2012, I was invited to present at Pecha Kucha Dayton Volume 10. Pecha Kucha ( also called PK Night ) is a series of presenters that are required to show 20 images each lasting 20 seconds long. This format allows for a rapid, fast-paced, and eclectic group of presentations.
For more information, please visit
http://www.pecha-kucha.org/
http://www.pecha-kucha.org/night/dayton/
This video can also be found at Snobby Beer.
By now, most of the general pubic has jumped onto the social media train. You have a Facebook account. You follow people on Twitter. You make connections on LinkedIn. You watch videos on YouTube. So on and so forth. How many times while using these social networks have you ever thought you would get something out of it? Probably it that much, am I right?
What most people don’t realize is that socially connected brands want you to talk to them. They want you to tell the work about your likes and dislikes. Research shows that 85% of marketers believe that consumer insight is a top reason to be socially active. Businesses both large and small are monitoring their industries and brand to find their brand advocates (both positive and negative). By using the feedback they receive in social media, they are able to make improvements to their business and learn how to crisis manage in a faster timeframe. They can also use the information to solicit their fans to help create buzz around product launches and other events.
How do I get noticed by these companies? Start talking about them! For me, it’s easiest to do @mention shout outs and use hash tags on Twitter. See my two examples below:
Facebook is a little more difficult to get the attention of a company when you just post a status message. To really get the attention, comment on the fan page or checkin through Facebook Places. One local place that does this well is Junebug’s Cupcakes. I recently posted a brief review of some cupcake bakeries in Dayton and my sister shared my blog post on their wall. My blog post probably sent a good amount of traffic over to their website and by sharing, we let them know that we like their food. In return, I get some referrals back from fans on their page and an increased chance that next time I visit their bakery, they might recognize me which may result in some fantastic cupcake deals.
The important thing to remember is not every company will respond to your shout outs – and that’s okay. I would never encourage anyone to start talking about certain brands just because they give freebies. I would encourage others to talk about or endorse certain brands because of their responses on social media. I think that shows that a company understands its audience and really listens to them. It allows customer service to be at a whole new personal level. And in the end – isn’t that what we all really want – to be known as a face with a name and not just a number?
THE LARAMIE PROJECTThe Story: In October 1998 a twenty-one-year-old student at the University of Wyoming was kidnapped, severely beaten and left to die, tied to a fence in the middle of the prairie outside Laramie, Wyoming. His bloody, bruised and battered body was not discovered until the next day, and he died several days later in an area hospital. His name was Matthew Shepard, and he was the victim of this assault because he was gay.
The Dates: March 2-4, 2012
Tickets and More Information: SSCC Theatre | BTC Listing
Pam McGinnis of Oakwood, Brian Kester of Fairborn & Eric Bracht of Beavercreek rehearse THE BIG PICTURE.
The Story: It’s the summer of 1962, college freshman Billy Carson is spending his first summer home with his mom and best friend. With only a few items to provide clues, Billy sets out with a renewed interest in discovering the father he never knew – B-Movie script writer and war hero, Jack Carson. But when old wounds are opened and new loves are discovered, Billy realizes that coming home is more difficult and ultimately more enlightening than he ever imagined and the sleepy town of Pine Springs, Illinois may never be the same. With script and lyrics by Troy native David Brush and music by Jim Farley of Piqua.
The Dates: March 2-11, 2012
Tickets and More Information: Beavercreek Community Theatre | BTC Listing
BLACKBIRDThe Story: Fifteen years ago, she was twelve and he was forty. Their relationship put him in jail and changed their lives forever. Now she has found him living a different life, under a different name. Will either person ever come to terms with the past? Or will the past consume them both? Ages 18 and up.
The Dates: March 2-11, 2012
Tickets and More Information: BLACKBIRD blog | BTC Listing
The Story: The play is set in the dining room of a typical well-to-do household, the place where the family assembled daily for breakfast and dinner and for any and all special occasions. The action is comprised of a mosaic of interrelated scenes – some funny, some touching, some rueful – which, taken together, create an in-depth portrait of a vanishing species: the upper-middle-class WASP.
The Dates: March 3-11, 2012
Tickets and More Information: Stagecrafters | BTC Listing
MERRILY WE ROLL ALONGThe Story: Stephen Sondheim’s remarkable Broadway fable of friendship and the high price of success opens in the present and moves backward in time. The triumphs and failures of a jaded composer and his two closest friends are traced from their estranged ending to their idealistic beginning. Directed by John Doyle, who led Playhouse’s Tony Award-winning production of COMPANY, the performers in this highly anticipated revival will play all of the instruments as they act and sing in one of Sondheim’s most melodic scores. Ages 13 and up.
The Dates: March 3-31, 2012
Tickets and More Information: Cincinnati Playhouse in the Park | BTC Listing
TALLEY & SONThe Story: The time is Independence Day, 1944, the place the parlor of the Talley homestead in Lebanon, Missouri. As World War II rages across the seas, the Talleys are beset with crises of a different sort. Commenting on the action, unseen by the others, is the “ghost” of the second son, Timmy, already a casualty of the Pacific war, although the family has not yet learned of his death.
The Dates: March 2-10, 2012
Tickets and More Information: The Drama Workshop | BTC Listing
Joshua Steele as Ross Gardiner & Mike Moskowitz as Mr. Green in Falcon Theatre's VISITING MR. GREEN.
The Story: After his car narrowly avoids an elderly man wandering into traffic,bright young professional Ross Gardiner has been sentenced to community service;he must visit his almost victim,Mr. Green,once a week for the next six months. Curmudgeonly Mr. Green resists Ross’s help,still overwhelmed with the death of his wife and harboring a deep and painful secret. But Ross has a secret of his own,and together the unlikely companions learn to understand each other and themselves in a humorous and touching story of forgiveness and compassion. This two-man play features real-life grandfather and grandson, Mike Moskowitz & Joshua Steele
The Dates: March 3-11, 2012
Tickets and More Information: Falcon Theatre | BTC Listing
The First National Tour of WEST SIDE STORY. Photo by Carol Rosegg.
The Story: More than fifty years ago one musical changed theater forever. Now it’s back, and mesmerizing audiences once again. From the first note to the final breath, West Side Story soars as the greatest love story of all time. Directed by David Saint, using Tony Award-winning librettist Arthur Laurents’ Broadway direction, West Side Story remains as powerful, poignant and timely as ever. The new Broadway cast album of West Side Story recently won the 2010 Grammy Award for Best Musical Show Album. The Bernstein and Sondheim score is considered to be one of Broadway’s finest and features such classics of the American musical theatre as “Something’s Coming,” “Tonight,” “America,” “I Feel Pretty” and “Somewhere.”
The Dates: Feb. 28-March 11, 2012
Tickets and More Information: Broadway in Cincinnati | BTC Listing
Michael Shooner as Man. Photo by Mikki Schaffner.
The Story: A burned-out theatre critic becomes infatuated with a young actress. Leaving his wife and children in Dublin to pursue his obsession, things become complicated in London when he finds himself in the employ of a coven of vampires. This wicked and riveting one-man show is sure to captivate audiences. Intended for mature audiences only.
The Dates: Through March 10, 2012
Tickets and More Information: New Edgecliff Theatre | BTC listing | BTC review
Sara Clark as Marianne Dashwood, Giles Davies as Colonel Brandon, Kelly Mengelkoch as Elinor Dashwood & Brent Vimtrup as Edward Ferrars. Photo by Jeanna Vella.
The Story: When a lack of luck makes for difficult marriage prospects, the Dashwood sisters set sail on the volatile seas of courtship. The sisters soon discover that neither reserved Elinor’s common sense nor impulsive Marianne’s passion offer the key to happiness. Scandalous secrets, burning betrayals, and suave (and some not-so-suave) suitors line the path to true love in this fresh adaptation.
The Dates: Through March 18, 2012
Tickets and More Information: Cincinnati Shakespeare Company | BTC listing
The Story: In 2007, the Mississippi River Bridge in Minneapolis collapsed, killing 13 people and injuring another 145. Hannah’s husband David was driving one of the cars that went off the bridge. He is suffering from post-traumatic stress disorder, but refuses to attend a support group. Hannah’s life is falling apart. She can’t get pregnant, she’s one step away from losing her job, and she thinks her husband, who hasn’t been to work for months, may be an alcoholic. COLLAPSE is an uncomfortably funny exploration of the crumbling structures that undergird our bridges, our economy, and our most intimate relationships.
The Dates: Through March 3, 2012
Tickets and More Information: Know Theatre | BTC listing
Chris Blem as The Baker, Victoria Cook as The Witch, Michelle Rombola as the Baker's Wife in CCM's INTO THE WOODS.
The Story: Stephen Sondheim’s Tony Award-winning musical follows the journey of a Baker and his Wife on their quest to reverse a curse put on them by the Witch next door, forcing them to face the consequences of their actions. As the fairy tale characters work to fulfill their greatest wishes, they learn a heartwarming moral of the importance of family and community.
The Dates: Through March 4, 2012
Tickets and More Information: UC CCM | BTC listing
The Story: Jonathan Larson’s Pulitzer-prize winning Broadway musical based loosely on Puccini’s opera “La Bohème.” RENT follows a year in the lives of seven friends living the disappearing Bohemian lifestyle in New York’s East Village.
The Dates: Through March 3, 2012
Tickets and More Information: Footlighters | BTC listing
The Story: Love, sex and deceit create the emotional labyrinth in this stylish, noir thriller. This theatrical jigsaw puzzle of parallel stories explores the betrayals of two married couples and the unexpected links among five isolated strangers
The Dates: Through March 4, 2012
Tickets and More Information: Cincinnati Playhouse in the Park | BTC listing
THE AFGHAN WOMEN'S WRITING PROJECT presented by Know Theatre of Cincinnati on March 8-11
The Dates: March 8-11, 2012
Tickets and More Information: Know Theatre of Cincinnati | BTC listing
The Dates: March 9-25, 2012
Tickets and More Information: Mariemont Players | BTC listing
The Dates: March 9-18, 2012
Tickets and More Information: Lebanon Theatre Company | BTC listing
The Dates: March 9-18, 2012
Tickets and More Information: Loveland Stage Company | BTC listing
The Dates: March 8-April 1, 2012
Tickets and More Information: Cincinnati Landmark Productions | BTC listing
First Friday is once again upon us, and there are tons of great options for live music this month. There are also tons of great food options downtown so why not combine the two and head over to Jay’s Restaurant on 6th Street. Puzzle of Light will be performing at 9pm so you can do a late dinner (reservations recommended) or just enjoy desert or something from the bar and some tunes. Puzzle of Light will be joined by guest artist Laylia, a local dancer.
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Complementary chocolate is served to visitors during December 2011's First Friday at Peace on Fifth. The shop will offer fair trade chocolates to visitors again March 2.
Explore downtown Dayton during the next free First Friday art hop, held from 5 to 10 p.m. Friday, March 2, with activities for all to enjoy.
This month’s First Friday will feature a variety of live music, shopping opportunities and gallery openings. As the weather warms up, many downtown shops will feature sales on winter items. Roving musicians and entertainers will perform in downtown’s public spaces for visitors to watch and enjoy, and many businesses will offer specials to First Friday visitors.
Explore your artistic side
First Friday gives downtown visitors an opportunity to explore numerous art exhibit openings. Check out the Dayton Visual Arts Center’s opening at 118 N. Jefferson St. from 5 to 8 p.m. “The Cline Show: An All-Area University Exhibit,” will feature works in all types of media and showcase art by more than 20 local students from Wright State University, the University of Dayton and Sinclair Community College. Mike Elsass will premiere new works of art at his gallery, Color of Energy, 16 Brown St., and works of art by students from St. Luke’s Elementary will be displayed at K12 Gallery for Young People, 510 E. Third St.
Making their First Friday debut, the Dayton Society of Painters and Sculptors, 48 High St., will highlight artists from the Dayton Printmakers Cooperative for the DSPS’ seventh annual Printmakers Show. Featuring printmaking demos and refreshments, the DSPS will be open from 5 to 8 p.m.
The Cannery Art and Design Center, 434 E. Third St., will show work by Springboro calligrapher Ann Bain in celebration of her 80th birthday. The exhibit, “Exuberance,” will showcase a variety of 2D and 3D pieces. Press, 257 Wayne Ave., will feature work by local artists Glen Clark, Craig Tirey, Erich Reith and Amanda Barb
osa. Stop by H. David Clay Studio, 33 S. St. Clair St., to check out functional and decorative pottery made on site. Gallery 510 Fine Art, 510 E. Fifth St., will showcase a variety of work created by local artists for sale, including jewelry, quilts, scarves and ceramics.
The Record Gallery will broadcast Rev. Cool's show, "Around the Fringe," on 91.3 WYSO-FM during this month's First Friday.
Get your groove on
First Friday offers a variety of ways to get your live music fix, whether you’re in the mood to rock out or kick back to some lighter tunes. Canal Street Tavern, 308 E. First St., will host a CD release party for local band BJSR featuring Ape the Ghost, Young Heirlooms and Lauren Eylise. The Ohio Coffee Company, 46 W. Fifth St., will feature Sara and Mic Riley playing “A Sweet Sound” beginning at 7 p.m. This event has no cover and the coffee bar and kitchen will be open. At De’Lish Café, 139 N. Main St., “Feel Good Fridays” will be in full swing from 6 to 8 p.m., with top-shelf drink specials in the De’Lish lounge, and live jazz by the Wade Baker Quartet from 9 p.m. to midnight.
If you prefer something more classical, the Dayton Philharmonic will perform “Bartók’s Musical Tapestry,” inspired by the work of Hungarian pianist and composer Béla Bartók at the Schuster Center, 1 W. Second St.
Oregon Arts District venues will a variety of musical opportunities. Blind Bob’s, 430 E. Fifth St., will have live music beginning at 9:30 p.m., featuring New Vega, Grenades!? and other artists. Puzzle of Light will play beginning at 9 p.m. at Jay’s Seafood, 225 E. Sixth St. Omega Music, 318 E. Fifth St., will feature Moon High and M. Ross Perkins beginning at 6 p.m. At Trolley Stop, 530 E. Fifth St., Sarah Beck and Jessica Campbell will take the stage at 9:30 p.m.
Entertainment from shows to skating
Local musicians Moon High and M. Ross Perkins will take the stage at Omega Music in the Oregon Arts Distrct starting at 6 p.m. on First Friday.
If you’d like to explore downtown on your bicycle, check out Don Crawford Plaza in front of Fifth Third Field, 220 N. Patterson Blvd., where the monthly Courteous Mass Ride will meet at 5:15 p.m. for a ride through the city. For athletic enthusiasts, the climbing gym Urban Krag, 125 Clay St., will be open until 11 p.m. The RiverScape MetroParks Ice Rink, , 111 E. Monument Ave, will host a Wild West Skate from 7 to 10 p.m., featuring a DJ playing a variety of country and western music. Admission is $5, which includes skate rental.
First Friday is a way to discover some of the theater and performance options downtown. The Human Race Theatre Company presents the world premiere of “Tenderly,” a musical about the life of renowned singer and actress Rosemary Clooney, at the Victoria Theatre, 138 N. Main St. If you’re in the mood for a laugh, John Evens will perform at Wiley’s Comedy Niteclub, 101 Pine St., at 9 p.m.; tickets are $12. The Neon, 130 E. Fifth St., shows a variety of new releases and independent movies. Call 222-SHOW (7469) for films and show times.
Shop the winter sales
Getting a fashion fix is easy to do downtown. Amore!, 16 Brown St., will premiere new spring items and offer 50 percent off select winter fashions. Munch on Japanese snacks at the sushi and sake shopping party Clash Consignments, 113 E. Third St., with sushi provided by Fusian. The party will feature local DJ The Snark and a storewide sale on winter items until 10 p.m. Basho Apparel, 521 E. Fifth St., will have a featured print design on baby clothes by local artist Janell Barker of Press.
The Oregon Arts District features several stores that offer unique gifts, art and furniture. Shop for vintage and one-of-a-kind furniture, housewares, art and more at Jimmy Modern, 605 E. Fifth St. Peace on Fifth, 519 E. Fifth St., a slave-free and eco-friendly gift shop, will be serving free fair-trade chocolate. The Record Gallery, 16 Brown St., will broadcast Rev. Cool’s “Around the Fringe” show on 91.3 WYSO-FM for visitors shopping their vast record selection. ReCreate, 438 E. Fifth St., has new and used instruments, other music-related items and original artwork.
In addition, staff from the day spa Beaute Box, located at 116 W. Fifth St., will be on the go on the streets of the Oregon Arts District raffling prizes.
Work up an appetite
In addition to its art gallery space, Gallery 510 Fine Art also will showcase a collection of jewelry, scarves, ceramics and other art created by local artists for sale.
After wandering the streets of downtown, check out the dinner and drink specials offered on First Friday. Boulevard Haus, 328 E. Fifth St., features $1 off tap beer for those who mention First Friday. At Deaf Monty’s Wine, 22 Brown St., it’s only $5 for a 6-ounce glass of red or white wine. Dublin Pub, 300 Wayne Ave., has no cover and 20 percent off all food during First Friday. Lucky’s Taproom and Eatery, 520 E. Fifth St., will feature dinner specials, along with the special tapping of a firkin of New Holland Poet, an oatmeal stout. Olive, an urban dive, 416 E. Third St., will have several dinner specials until 11 p.m., in addition to broadcasting Rev. Cool’s “Around the Fringe” show on 91.3 WYSO-FM. Oregon Express, 336 E. Fifth St., has half-price pizza from 4 to 8 p.m. and live music at 9:30 p.m.
First Friday is presented by the Downtown Dayton Partnership with support from the Oregon District Business Association and WYSO-FM 91.3. The Downtown Dayton Partnership’s website has a complete list of downtown’s arts and cultural amenities, as well as a dining guide, parking map and much more.
A delightful silent film shot in stunning black and white and the moving saga of African-American maids in the Deep South particularly attracted the 6,000 voting members of the Academy of Motion Picture Arts and Sciences who determined nominees for the 84th annual Academy Awards. “Hugo” leads the pack with 11 nominations, but faces stiff competition from “The Artist,” a frontrunner on the verge of a sweep. Equally noteworthy is the best adapted screenplay category which has local ties thanks to “The Ides of March,” co-written by Beau Willimon, George Clooney and Grant Heslov based on Willimon’s fantastic political drama “Farragut North,” the winner of the 2005 Dayton Playhouse FutureFest.
As always, anything is possible when winners will be revealed Sunday, February 26 at the Hollywood and Highland Center in Los Angeles. I’m especially anticipating the overdue return of host Billy Crystal and his signature musical medley of Best Picture nominees. Here are my predictions in the top six categories.
BEST PICTURE
“The Artist”
“The Descendants”
“Extremely Loud & Incredibly Close”
“The Help”
“Hugo”
“Midnight in Paris”
“Moneyball”
“The Tree of Life”
“War Horse”
Overlooked: “50/50”; “A Better Life”; “Beginners”; “Bridesmaids,”; “The Conspirator”; “Contagion”; “Drive”; “The Girl with the Dragon Tattoo”; “Harry Potter and the Deathly Hallows: Part 2”; “The Ides of March”; “Like Crazy”; ”Margin Call”; “Melancholia”; “Super 8”; “Tinker, Tailor, Soldier, Spy”; “Warrior”; “Weekend”;“Win Win”
Will Win: “The Artist”
Should Win/Shocker: “The Help”
I’m still a fan of the Academy’s long-standing tradition of placing five nominees here. Bloating the category to nine still feels excessive. At any rate, “The Artist,” an enjoyable French import saluting bygone Hollywood and the magic of movies, is the clear favorite in the minds of prognosticators and art house aficionados. However, it lacks the gravitas traditionally associated with Best Picture recipients and a compelling emotional center. Did anyone watch “The Artist” and feel a sense of connection? In the scheme of things, it’s important not to underestimate “The Help,” an inherently impactful American tale of triumph in the face of adversity, culturally and financially. Tate Taylor’s wonderfully engrossing adaptation of Kathryn Stockett’s best-seller, the only nominee the majority of America has seen, grossed $170 million. It also sparked a national discussion on civil rights and race relations, fueling the film’s thought-provoking significance in the Obama era. Due to its 10 nominations and critical acclaim, “The Artist” will likely become the second silent Best Picture winner in Oscar history, but I’m hoping “The Help” defies the odds to become the first film since 1932’s “Grand Hotel” to win Best Picture without nominations for direction or screenplay.
BEST DIRECTOR
Woody Allen, “Midnight in Paris”
Michel Hazavanicious, “The Artist”
Terrence Malik, “The Tree of Life”
Alexander Payne, “The Descendants”
Martin Scorcese, “Hugo”
Overlooked: J.J. Abrams, “Super 8”; Thomas Alfredson, “Tinker, Tailor, Soldier, Spy”; George Clooney, “The Ides of March”; Stephen Daldry, “Extremely Loud & Incredibly Close”; Drake Doremus, “Like Crazy”; David Fincher, “The Girl with the Dragon Tattoo”; Bennett Miller, “Moneyball”; Mike Mills, “Beginners”; Robert Redford, “The Conspirator”; Nicolas Winding Refn, “Drive”; Steven Soderbergh, “Contagion”; Tate Taylor, “The Help”; Lars von Trier, “Melancholia”; Chris Weitz, “A Better Life”; David Yates, “Harry Potter and the Deathly Hallows, Part 2”
Will/Should Win: Hazavanicious
Shocker: Malik
You can never discount Malik, especially when his exquisite yet polarizing “Tree of Life” gained enough support to be nominated for Best Picture over more commercial fare. Scorcese’s contributions are among his finest, but Hazavanicious skillfully resurrected a forgotten genre with intelligence, flair and whimsy.
BEST ACTOR
Demian Bichir, “A Better Life”
George Clooney, “The Descendants”
Jean Dujardin, “The Artist”
Gary Oldman, “Tinker, Tailor, Soldier, Spy”
Brad Pitt, “Moneyball”
Overlooked: Antonio Banderas, “The Skin I Live In”; Asa Butterfield, “Hugo”; Dominic Cooper, “The Devil’s Double”; Daniel Craig, “The Girl with the Dragon Tattoo”; Tom Cullen, “Weekend”; Leonardo DiCaprio, “J. Edgar”; Joel Edgerton, “Warrior”; Michael Fassbender, “A Dangerous Method” and “Shame”; Paul Giamatti, “Win Win”; Ryan Gosling, “Drive” and “The Ides of March”; Joseph Gordon-Levitt, “50/50”; Tom Hardy, “Warrior”; Woody Harrelson, “Rampart”; Thomas Horn, “Extremely Loud & Incredibly Close”; Jeremy Irvine, “War Horse”; James McAvoy, “The Conspirator”; Ewan McGregor, “Beginners”; Chris New,
“Weekend”; Michael Shannon, “Take Shelter”; Jim Sturgess, “One Day”; Anton Yelchin, “Like Crazy”
Will/Should Win: Dujardin
Shocker: Bichir
Two months ago Clooney seemed unstoppable in his quest for a second Oscar. But as silent film star George Valentin, the incredibly expressive and charismatic Dujardin, attacking the Oscar campaign trail with a foreign charm not seen since Roberto Begnini (“Life is Beautiful”), including a visit to “Saturday Night Live,” scooped up precursor victories from the Screen Actors Guild and British Academy of Film and Television Arts. Although Clooney and Pitt delivered solid portrayals and the superbly understated Bichir could have a last-minute surge, Dujardin is a safe bet, particularly when his exceptionally detailed, Douglas Fairbanks-inspired performance wholeheartedly carries the believability of his film.
BEST ACTRESS
Glenn Close, “Albert Nobbs”
Viola Davis, “The Help”
Rooney Mara, “The Girl with the Dragon Tattoo”
Meryl Streep, “The Iron Lady”
Michelle Williams, “My Week with Marilyn”
Overlooked: Kirsten Dunst, “Melancholia”; Vera Farmiga, “Higher Ground”; Anne Hathaway, “One Day”; Felicity Jones, “Like Crazy”; Adepero Oduye, “Pariah”; Elizabeth Olsen, “Martha Marcy May Marlene”; Emma Stone, “The Help”; Tilda Swinton, “We Need to Talk About Kevin”; Charlize Theron, “Young Adult”; Mia Wasikowska, “Jane Eyre”; Rachel Weisz, “The Whistleblower”; Kristen Wiig, “Bridesmaids”; Robin Wright, “The Conspirator”
Will/Should Win: Davis
Shocker: Williams
The heated battle between Davis and Streep isn’t necessarily a nail-biter. Davis is in a Best Picture nominee. Davis has never won an Oscar. Davis received a standing ovation at the Screen Actors Guild Awards. Davis is on the brink of becoming only the second African-American to prevail in this category. Two-time winner Streep, whose excellent embodiment of Margaret Thatcher wasn’t enough to salvage her disjointed film, will undoubtedly return here again and again. In fact, she’ll probably be a serious frontrunner in 2014 for “August: Osage County.” It’s simply time for someone else to bask in the Oscar spotlight. Williams, slowly becoming an Oscar darling, could benefit from vote-splitting among her chief rivals, but expect the Academy to follow SAG and rally behind Davis’ phenomenally complex mix of introverted intensity and heartbreaking emotion as Aibileen Clark. If you’re not sure, just reflect upon “The Help’s” dramatic final minutes. Davis’ knockout confrontation with Bryce Dallas Howard (Hilly Holbrook) and tear-jerking farewell opposite Eleanor Henry (Mae Mobley) is the stuff Oscars are made of. Does Streep compare? Not this year.
BEST SUPPORTING ACTOR
Kenneth Branaugh, “My Week with Marilyn”
Jonah Hill, “Moneyball”
Nick Nolte, “Warrior”
Christopher Plummer, “Beginners”
Max von Sydow,” Extremely Loud & Incredibly Close”
Overlooked: Niels Arestrup, “War Horse”; Jim Broadbent, “The Iron Lady”; Albert Brooks, “Drive”; Jesper Christensen, “The Debt”; George Clooney, “The Ides of March”; Robert Forester, “The Descendants”; Paul Giamatti, “The Ides of March”; Armie Hammer, “J. Edgar”; John Hawkes, “Martha Marcy May Marlene”; Philip Seymour Hoffman, “The Ides of March”; Jeremy Irons, “Margin Call”; Ben Kingsley, “Hugo”; Kevin Kline, “The Conspirator”; Hunter McCracken, “The Tree of Life”; Viggo Mortensen, “A Dangerous Method”; Patton Oswalt, “Young Adult”; Brad Pitt, “The Tree of Life”; Christopher Plummer, “The Girl with the Dragon Tattoo”; Alan Rickman, “Harry Potter and the Deathly Hallows, Part 2”; Stellan Skarsgard, “Melancholia”; Andy Serkis, “Rise of the Planet of the Apes”; Kevin Spacey, “Margin Call”; Corey Stoll, “Midnight in Paris”; Burt Young, “Win Win”
Will/Should Win: Plummer
Shocker: Von Sydow
Two 82-year-old veterans rule this race. Plummer, splendid as the terminally ill Hal Fields who joyously comes out of the closet, has swept the precursors, but faces a surprising challenge from the quietly captivating von Sydow as an elderly mute who joins his grandson for a life-changing exploration through New York after 9/11. Nonetheless, Plummer, who should have been nominated for “The Sound of Music,” will finally and deservedly be an Oscar winner.
BEST SUPPORTING ACTRESS
Berenice Bejo, “The Artist”
Jessica Chastain, “The Help”
Melissa McCarthy, “Bridesmaids”
Janet McTeer, “Albert Nobbs”
Octavia Spencer, “The Help”
Overlooked: Kathy Bates, “Midnight in Paris,”; Sandra Bullock, “Extremely Loud & Incredibly Close”; Jessica Chastain, “The Debt,” “Take Shelter” and “The Tree of Life”; Marion Cotillard, “Midnight in Paris”; Judi Dench, “J. Edgar”; Dagmara Dominczyk, “Higher Ground”; Elle Fanning, “Super 8”; Charlotte Gainsbourg, “Melancholia”; Bryce Dallas Howard, “The Help”; Anjelica Houston, “50/50”; Allison Janney, “The Help”; Keira Knightley, “A Dangerous Method”; Helen McCrory, “Hugo”; Carey Mulligan, “Drive” and “Shame”; Vanessa Redgrave, “Coriolanus”; Maya Rudolph, “Bridesmaids”; Amy Ryan, “Win Win”; Sissy Spacek, “The Help”; Marisa Tomei, “The Ides of March”; Cicely Tyson, “The Help”; Emily Watson, “War Horse”; Naomi Watts, “J. Edgar”; Evan Rachel Wood, “The Conspirator” and “The Ides of March”; Shailene Woodley, “The Descendants”
Will/Should Win: Spencer
Shocker: McTeer
This is a terrific slate, particularly the inclusions of breakthrough talent Chastain and the strikingly transformative McTeer. Still, Spencer’s marvelous Minny Jackson was a luminously earthy, comedic and dramatic force to be reckoned with. Hopefully she will make Oscar history by joining Davis to become the first African-American duo to take leading and supporting honors. Davis and Spencer’s probable acceptance speeches could be very powerful so you might want to keep some tissues handy.
The 84th annual Academy Awards, hosted by Billy Crystal, will be telecast live on ABC Sunday, February 26 at 8:30 p.m. In related news, The Neon Movies, 130 E. Fifth St. in downtown Dayton, The Little Art Theatre, 247 Xenia Ave. in Yellow Springs, and FilmDayton will host Oscar parties Sunday evening. For information about the Neon’s festivities, call (937) 222-7469 or visit www.neonmovies.com. For Little Art inquiries, call (937) 767-7671 or visit www.littleart.com. For FilmDayton’s festivities, which will be held at Geez Grill and Pub, visit www.filmdayton.com
Having reviewed dance in Dayton for DMM for the last season and a half I have always talked about my love and passion for all things related to dance. This passion has driven me literally to commute to Columbus for three years for a Masters Degree in dance. I have sacrificed my paycheck to send a needy student away to a summer dance program to give them a chance. I am willing to get up at the crack of dawn to read dance articles and watch YouTube clips of companies from around the world. I have drawn the ire from some people in this community because of my honest and less than salutatory reviews of our local dance companies. It is obvious my passion is deep and resolute.
After seeing Pina I feel the sacrifice and passion are vindicated. This was more than a film about dance it was a visceral journey to a world that we so rarely get to see and inhabit. It is a world in which the singularity of Pina’s vision as an art maker (choreographer is just too limiting of a term) is brilliantly mapped out by the legendary filmmaker Wim Wenders with such loving and passionate detail. It is fascinating hearing her dancers speak about their lives with her, the company is still in existence and performing her work even though she passed away in 2009. They tell us how she did not need to over explain her process, that they [the dancers] will get it. You will get it to as a audience. Seeing that their commitment has an almost quasi-religious fervor, that they are missionaries for the high priestess that was and is Pina Bausch, was inspiring.
But what stood out to me the most was the assemblage of her stage works for the film. The carefully chosen locations for outside performances, which were juxtaposed against the staged works was fluid. It made you feel as a viewer that the level she is operating at as an art maker transcends the confines of mere mortal comprehension and limitations of the proscenium stage. This is heady stuff but it is also rooted in the emotive and spiritual realm that only a genius can tap into for artistic inspiration. We have to acknowledge in a world were everyone thinks they are special and worthy, that we are not, when faced with the staggering creative abilities of Pina Bausch. It is humbling. I couldn’t breathe after seeing this film. I ran through a gambit of emotions just walking to my car, culminating in tears.
I have said in several reviews and speaking at the last installment of Pecha Kucha that the Dayton Arts community needs to step it up. I have been very critical of the arts patrons for not educating themselves about the world outside the bubble of Dayton. Here is a golden opportunity if you are willing to take the journey. Jonathan and the crew at the Neon Movies have provided us with a venue to view brilliance. There are no more excuses.
After seeing this masterpiece (which I am planning to see again at least two more times), I am even more committed to this crusade for “quality” being the lynch pin of the art viewing experience in our community. So dance community of Dayton, I am serving notice. In the immortal words of Bette Davis, “Fasten your seatbelts, it’s going to be a bumpy night!” This film is here for a limited one-week engagement if you miss it, shame on you. This is the level we should all be striving for as art makers and patrons. It took a movie to give me the visceral dance experience that I have desperately wanted to see on our local stages.
The world premiere of “Tenderly: The Rosemary Clooney Musical” reveals a tunefully appealing dose of nostalgia in search of a shaper narrative.
Written by Cincinnati-based composers Janet Yates Vogt and Mark Friedman (“Green Gables”) and produced by the Human Race Theatre Company at the Victoria Theatre, “Tenderly” tolerably tackles the triumphs and pitfalls that framed the career of the legendary singer-actress from Maysville, Kentucky. Widely known for the cheeky hit “Come On-A My House” (among 15 songs featured in this one-act), Rosemary rose to fame in the 1954 film “White Christmas” and several TV variety shows of the era, but her rocky upbringing (she regarded her grandmother’s house as home), relationship woes (she married and divorced Tony and Oscar winner Jose Ferrer twice, a union which produced five children) and personal destruction (pill addiction) are the key compelling factors attempting to propel this project past mere jukebox musical thrills.
Vogt and Freidman introduce Rosemary at age 40 in 1968, a month after she heard the shots which killed Bobby Kennedy at the Ambassador Hotel in Los Angeles. While performing at a Reno, Nevada club she had a nervous breakdown which led to her hospitalization and eight years of psychoanalysis therapy. Oddly, Vogt and Freidman’s decision to begin the show with Rosemary’s frazzled, mean-spirited breakdown (which occurs while she happily sings “Come On-A My House”) produces one of the most jarring, disconcerting openings I have seen. I don’t doubt the moment’s authenticity, but it cruelly pulls the rug out from under the audience when the musical’s tone is freshly gestating. In addition to a revamped opening, the material would be better served as a one-woman outing. Rosemary’s amiable doctor doubles as various individuals in her life, but it’s an occasionally distracting, needlessly cutesy device that hinders her thoughts being front and center. I’m instantly reminded of how well the Human Race’s 2009 production of “Ethel Waters: His Eye is on the Sparrow” flowed as Ethel’s experiences vividly resonated with greater depth in her own words.
Despite navigating through conceptual shortcomings and appearing roughly 10 years too young, Muse Machine alumna Tory Ross (Broadway’s “9 to 5: The Musical” and “Cry-Baby”) wonderfully excels as Rosemary. Delicately guided by director Kevin Moore and admirably supported by Scott Stoney, the vibrant, funny Ross warmly embraces Rosemary’s lighthearted persona and grows believably tortured as her downward spiral and resentment of success takes shape. Most importantly, she delivers terrific vocals. Instead of outright impersonation, Ross astutely adopts the legend’s familiar phrasing and lyric-driven flair, particularly delivering marvelous renditions of “When October Goes,” “Hey There,” “Mambo Italiano,” “Slow Boat to China,” “Count Your Blessing Instead of Sheep” (beautifully lit by John Rensel in a soft pink hue), and the gorgeously lush title tune. The final numbers, “What Are You Doing the Rest of Your Life?” and “From This Moment On,” are given upbeat jazz treatments, expertly performed by music director Scot Woolley’s orchestra, perfectly evoking Rosemary’s breezy technique.
“Tenderly” hasn’t reached its potential, but hearing Ross execute some of the timeless standards in the Great American Songbook is a significant plus.
“Tenderly: The Rosemary Clooney Musical” continues through March 4 at the Victoria Theatre, 138 N. Main St. Performances are Tuesday-Friday at 8 p.m., Saturday at 2 and 8 p.m. and Sunday at 2 and 7:30 p.m. The show is performed in 90 minutes without intermission. Tickets are $40-$83. For tickets or more information, call Ticket Center Stage at (937) 228-3630 or visit www.ticketcenterstage.com
If you haven’t already found that perfect thing to do tonight, grab your favorite record and head over to UD’s Artstreet Cafe for Vinyl Party Vol 2. The free event is hosted by The Jaywalkers’ Sean Kaschak and sponsored by Omega Music on 5th Street. It’s an opportunity to share your favorite music and meet new musically-minded people. It runs from 7-9pm so if you do have other plans, you can make this your first stop.
It’s Here: 2 of 3 from Sean Kaschak on Vimeo.
Fareed Haque
The Dayton Art Institute has long been a home for jazz in the Miami Valley with the Vectren Just Jazz series performances taking place on the first Thursday of March – November (save for July when they take a month off). This year the series is being renamed the Vectren Jazz & Beyond Series and will feature performances from some established favorites as well as some newer artists. All performances are 5:30-830pm in the Dayton Art Institute’s Shaw Gothic Cloister. Admission is free for museum members or $8 for non-members.
The 2012 Vectren Jazz & Beyond Season Lineup:
March 1: Fareed Haque Trio
April 5: Kick-N-Flava
May 3: Chicago Afrobeat Project
June 7: Soul Express
August 2: Dayton Jazz Orchestra
September 6: Rob Dixon Quartet
October 4: MathGames!
November 8: Puzzle of Light
It has come to my attention in recent weeks that there is a growing problem with legitiment eyelash extensions. You may have read one of my earlier columns on lashes and what to look for when thinking about getting them. After talking with several girls recently and hearing numerous stories from other salon professionals I felt like this was something people needed to know about. Before I begin with the horror stories here is my number one advice to you when even thinking about getting extensions, make sure the person doing your lashes is licensed and trained in lash extensions. You not only have to be a board certified aethescian or cosmotologist but you also have to have outside training from lash line you are using.
When it comes down to it most of us would love to have eyelash extensions, however, the price is a concern for most people. Enter in the “nail spa” where things always seem to be cheaper somehow. I recently heard 
a story from a woman who went to a nail spa in Centerville that was supposebly doing extensions. They offered her a great and much cheaper price than leading salons in the area so she said yes. She had the extensions applied and within 24hrs she was begging to have them taken off. She quoted, “they burned and were painful” luckily the place took them off and she headed to Enhance Spa and Lash Studio. Angi Wolfe, an award winning Xtreme Lash professional was able to get some real extensions on the client but stated that lashes were definitly compromised and would need time to grow back in. This is just one of the stories that we are hearing every week . I have had model clients who have told me they went to nail spas and they attached lashes with nail glue!! This is absolutly terrifying. To put things in perspective for those readers who have not had extensions, when done correctly you do not have any pain or burning in fact you cant even feel them. These are just a couple of the stories that have been going around. I have also heard of people working out of their homes and not being certified but charging far less to attract customers. One woman who went to such a place stated “the woman worked out of her home not the flashy ad she had on the internet of a beautiful spa” she went on to say ” the woman who applied the lashes said she had just learned in the last month from a friend” The result, “the lashes were clumped together and uncomfortable. Some were even turned around a poking in my eye” Another woman who went to an uncertified technician complained that when she washed her face all the lashes fell out along with many of her own.
So what happens when you do get extensions from a real place? I can tell from my personal experience that I go every two weeks to get mine filled. The initial set took about two hours and the fills usually take 45min to an hour depending on how much I am shedding. It is a spa atmosphere, there is a comfy bed and a warm neck pillow and I lay there nearly falling asleep. I have never experienced any type of pain when getting my lashes done and I have never lost an excessive amount of my own lashes. In fact my lashes have grown in thicker from not wearing so much mascara. I constantly get compliments on my lashes and people cannot believe they are not mine. What can you expect when you get lash extensions?
You will arrive and meet with your lash artist he or she will go over all the details of your lashes and find out whether or not you are a good candidate for them. They will discuss the proper way to care for them and how they are applied. Once you both have decided that they are a good match for you, you will lay down and have undereye patches placed under your eyes. This is so that the artist can see your lashes more easily. Then they will begin placing lash extensions on your own lashes with tweezers with a medical grade glue. (see why you dont want just anyone doing them?) Many lash artists will use magnifying lenses to get a closer and better view of each individual lash. All in all its relaxing and you sit up with beautiful lashes! There is no pain, no sticky glue mess and no lashes poking you in the eye. You can wash your face, go swimming, wear mascara and even cry (within reason lol and still have fabulous lashes. Now that is not to say that they wont fall out. The extensions fall out naturally with your own lashes so there are things that will make them come out faster. For example if you are an “eye rubber” an overzealous fashwasher, or excessive sweater and or cryer these are things that make your own lashes come out faster. As long as you take care to be gentle with them and brush them once or twice a day you will be good to go with fabulous lashes in tow.
What should you look for when deciding to try lash extensions? First and formost the technician must be certified, not only by the state but also by the lash company. Xtreme lashes is the most popular brand and the one I 
personally wear. You can go on their website and find certified technicians in your area. Be sure and ask questions and find out how long the person has been applying the lashes dont let just anyone get near your lashes! Finally dont be attracted to cheaper pricing, Xtreme lashes set a standard that salons cannot price under so if you are seeing a cheaper price they are not Xtreme lashes. You can expect to pay around 200.00 for your first set and then around 50.00 for your refills. Look around at certified spas and see what they are charging dont be fooled by false advertising. If you have any questions or concerns regarding lashes or if you think you would like to have some of your own please contact Angi Wolfe at 937-748-7294 you can also visit her site at http://www.enhancespaandlashstudio.com/
(see ticket give-away details below)
So, you want to start a rock band? The four of you’ve got piano, drums, bass, and lead guitar covered. And you all do vocals…well. All you need is a name. Let’s see…how ‘bout Smile? Yeah, that’s it, Smile. That’s a name that will echo down the corridors of time and everyone will know and remember. Smile.
Sounds a bit on the weird side, eh? Who in their right mind would ever name a rock band Smile?
Guitarist Brian May and drummer Roger Taylor, that’s who. Names sound familiar? They should, and they are because of a fan of theirs, a pianist by the name of Farrokh Bulsara. Brian and Roger played in a band called – wait for it – Smile.
Farrokh was certainly no dummy. He joined the band, and his first order of business was to change its name…and his. Taking his inspiration from the line “Mother Mercury, look what they’ve done to me” in the song My Fairy King, he renamed himself Freddie Mercury. And he came up with a new name for the band, one he thought “…very regal obviously, and it sounds splendid. It’s a strong name, very universal and immediate.” The name? Queen.
And history proved the band to be everything Freddie felt its name implied.
As music lovers, we tend to make things easy on ourselves and pigeonhole our favorite performers into narrow, easily defined categories. That is one thing no one will ever be able to do with Queen.
Follow the band’s musical progression.
When Queen formed in London in 1971 (John Deacon, replacing Smile bassist Tim Staffell, joined Freddie, Brian, and Roger), it began performing tunes influenced by progressive rock, but the band steadily moved forward into more predictable and marketable songs, adding more diversity and inventive styles into its music.
In 1973 the group launched its debut album named (what else?) Queen, influenced by heavy metal and progressive rock. With 1974 came Queen II (clever titling, what?), that featured lengthy, complicated sections, a fantasy-theme to some lyrics, instrumental genius, and The March of the Black Queen, a six-minute-long marathon with no song structure or chorus.
The members were becoming musicians.
Ragtime, heavy metal, ballads, British music hall, and Caribbean music all found their way into the group’s 1974 Sheer Heart Attack album. Testing the water with these diverse genres, Queen began to move away from its progressive roots toward a more airplay-friendly style. And the cut Killer Queen became the group’s breakthrough hit, rising to number two in the UK and number 12 in the United States.
In 1975 A Night at the Opera carried on the musical experimentation Sheer Heart Attack had begun. One of Freddie Mercury’s compositions even featured a harp and vocal harmonies dubbed over. Another song, Bohemian Rhapsody, became the only single ever to sell a million copies…twice, prompting the group to produce a video to go with the single. A video some have touted to have been the first “true” music video ever produced.
1976 saw Queen recording A Day at the Races; inspired by gospel, the album’s big hit Somebody to Love featured Mercury, May, and Taylor singing on multiple tracks to create the sonic illusion of a 100-voice gospel choir.
The 1977 studio album News of the World featured songs written for live performance, including We Will Rock You and We Are the Champions. Doubtless the group couldn’t foresee these two cuts becoming lasting international sports anthems.
1978’s Jazz included the hit singles Fat Bottomed Girls. Another notable track from Jazz, Don’t Stop Me Now, provides another example of the band’s energetic vocal harmonies.
In 1984 The Works featured the successful single Radio Ga Ga, not to be confused with, well, you know…
1986’s A Kind of Magic included another musical breakthrough; Who Wants to Live Forever? featured an orchestra conducted by Michael Kamen.
Music of Queen
Queen released The Miracle in 1989, which used a pop-rock sound mixed with a few heavy numbers and produced the hit I Want It All.
In 1991, Mercury died of bronchopneumonia, a complication of AIDS, and Deacon retired in 1997. For the last two albums made while Mercury was still alive, the band credited all songs to Queen, rather than specific members of the group, freeing them of internal conflict and differences.
On Saturday, March 10 in the Schuster Center at 3pm and 8pm, as part of their Rockin’ Orchestra Series, Assistant Conductor Patrick Reynolds and the Dayton Philharmonic Orchestra present Queen: A Rock and Symphonic Spectacular. With guest artists Music of Queen, a full rock band and stars from the London West End smash hit musical We Will Rock You, the DPO and over 70 performers on stage will perform all of Queen’s classic hits, including the hit singles I mentioned previously.
And keep the hit-making trail Freddie and the boys started blazing 40 years ago alive.
And hotter than ever.
See more details at the Dayton Philharmonic Website
The anticipation for this show was so high that the 3/10 8pm show was SOLD OUT! So, DPO just added a matinee show for 3pm on 3/10… and we have ticket pairs for that show to give away! Starting on Wednesday February 29th, we’ll announce one random winner every day for the following 7 days! All you have to do isthis article and share with your FB friends, and then comment below and name your favorite Queen song. Good luck!
UPDATE:
And… Congratulations to our winners – enjoy the show!
Heather Chandler
Jennifer Larew
Brian Kesson
Gina Kay Landis
Dan Forshaw
Jamie Werling
Mike Reitz
Founded in 1989, Gas Daddy Go! Records had been mostly inactive for the past 10 years. However, after the label’s relaunch in late 2011, the label has wasted no time in putting out some great local music. Their first release was the Smug Brothers’ Treasure Virgins EP, which coincided with the label’s relaunch. Treasure Virgins was the first in what will be a series of EPs released on cassette and accompanied by download codes.
“I’m excited to have the label up and running again,” said Don Thrasher, found of Gas Daddy Go! Records, upon the label’s relaunch. “I’m even more stoked that we’ve returned to our roots and are once again releasing new projects on cassette. Of course, now we have added the modern twist of being able to include a free download with each tape we release so we can offer the perfect balance of analog and digital.”
Oh Condor on stage at Blind Bob's (Photo by Carly Short)
Thrasher has teamed up with Smug Brothers bandmate and Dayton Music Fest co-organizer, Kyle Melton for this incarnation of the label.
Saturday, February 25th, will mark two more releases from Gas Daddy Go!: new EPs from The Motel Beds and Oh Condor, both on the cassette/download format. Both EPs are currently available for pre-order at the official Gas Daddy Go! website. There will be a release party for the “Low Noise” and “Reflector” on February 25th at South Park Tavern featuring performances by the Motel Beds, Oh Condor, Roley Yuma and Pretty & Nice (Boston).
Look for more local releases from Gas Daddy Go! later this year including music from King Elk, Astro Fang, Me and Mountains, Roley Yuma, and The Esther Caulfield Orchestra.
It is not very often that I get to write about dance presented in a different medium. But a film like Pina is an exception worthy of all of the attention and buzz. This incredible documentary is of the works of Pina Bausch, one the most stunningly original artistic voices of our lifetime. Ms. Bausch agreed to work with the brilliant film director Wim Wenders, who was inspired to create the film after seeing a performance of her company Tanztheater Wuppertal Pina Bausch. Filmed in 3-D and 2-D, this is a dazzling treat no matter the cinematic format. In the film, you will get the opportunity to see her work as presented on the stage and also re-staged for non traditional spaces, including the outdoors. The visceral nature of her work was ripe for this cinematic love poem. Her singular vision is something to behold. Do not be surprised if you encounter all of the dancers from our community in the audience. They are delirious with excitement to experience this film. I can think of no better endorsement.
[yframe url=’http://www.youtube.com/watch?v=CNuQVS7q7-A’]
To learn more about the company and Pina Bausch go to:
http://www.pina-bausch.de/en/index.php
Pina is currently in the running for a Best Documentary Oscar at the 84th Annual Academy Awards being presented this Sunday. And honestly when can you say you have seen one of the oscar nominated films in this category?
Kristen Wicker and Amelia Robinson spar at Drake's Downtown Gym to prepare for Dayton Knockout. PHOTO COURTESY OF TOM GREENE.
“Girl, the jig is up,” my best friend is telling me on the phone as I’m freaking out about my recent discovery that I am not, after all, a born fighter. “Your shit is totally exposed.”
She’s right, and I know it. I rappelled off a 27-story office tower. In the bazaars of Cairo, Egypt, I’ve nonchalantly weaved through cow carcasses hanging from their hooves and dripping blood. I’ve chased a group of punk kids in my former inner city hood. I have a bunch of big tattoos and own three genuine leather jackets. I’ve hiked through the Grand Canyon on trails forged by mountain goats and swam with sharks and barracuda in the Red Sea. (OK, I admit that last one was by accident, but it still didn’t faze me.) I will walk right up to a sketchy-looking somebody hanging out downtown and tell him to move it right along.
But my bad ass credentials have never before been tested as they have in the past three months as I’ve trained to box some of my best friends as part of Dayton Knockout.
I signed up for this charity boxing event ― which will be held this Saturday, Feb. 25, at Memorial Hall ― to be part of something super cool, help a good cause, get in shape and maybe lose a few pounds. I’d been boxing at Drake’s Downtown Gym for nearly two years, and I’ve yet to encounter a workout that makes me feel like more of a bad ass than giving a punching bag a hefty one-two.
Immediately, it was on. My girlfriend and I started trash talking. And texting. And posting.
I hope your bucket list is wheelchair accessible.
They’re gonna find your torso in a corn maze.
I hope you enjoyed your smoothie because after I knock all your teeth out, you’ll only be able to digest soft foods.
I’m gonna snack on your kidney on a stick.
I hope you liked wearing head gear because soon it will be a permanent fashion accessory for you.
I hear they make software now that can help you re-learn how to walk.
Halfway through our training, I missed nearly two weeks of practice after some complications from what was supposed to be minor surgery. She sent me flowers ― a beautiful bouquet of roses, actually ― with a card reading, “Sickness will not protect you.”
Then we sparred for the first time. And she rattled my teeth as if they were shells in a wind chime.
Which took the muscle right out of my trash talking. Truth is, I’m not a bad ass. I’m just really good at pretending.
I even had my friend fooled.
“What do you mean, you’ve never fought before? I thought you said you were some kind of crazy, black-haired punk rocker in high school!”
“Those Barbies wouldn’t fight me,” I explained. “Their Aqua Net puff bangs would have gotten flattened.”
“Didn’t you fight your sister?” She was incredulous at this point.
“My sister is eight years younger than me. The worst thing I ever did was put peas in her peanut butter and jelly sandwich.”
***
Monster Truck Rally at Hara Arena. Bad ass grade: D
I did try to up my bad ass quotient after my first Saturday-practice skull crushing. I figured it would help me find my inner fighter.
A friend and I went to a monster truck rally at Hara Arena. I imagined it just like in the commercials: big ass trucks crushing cars and motor bikes daredeviling over piles of dirt. Whoopee! We picked out the perfect outfits, complete with cowboy boots and denim and plaid flannel and bandanas. I insisted we arrive early to have a cocktail at the Hara Pub and spotted an extra five bucks for VIP tickets so we could gain access to a pre-party and obtain a complimentary skull and crossbones flag.
Commercials can be misleading.
“We don’t open the bar for family events,” the woman scanning our tickets tartly replied at my dismay that the pub was closed. The VIP tickets must have stood for Very Ignorant Person, because everyone seemed to be enjoying the “perks” of said tickets. The skull and crossbones flags appeared to have come from one of those little plastic cups in a pizza parlor vending machine. The cars were already crushed, and there wasn’t a speck of dirt (unless you count the grime coating all that is Hara Arena). Some of the drivers couldn’t even get their trucks to spin in the donut competition. Some dude in an ostrich costume as raggedy as an old shag carpet came out and did a 10-minute skit that nearly made us peel our eyeballs out of our skulls.
The best part of the night was when a kid in the row behind us recognized Hell’s Bells two gongs into the song. “Your mother would be so proud,” sighed the woman with him.
We left at intermission. I think my bad-assery actually dropped in value that night.
Rock Star Wrestling in Dayton. Bad ass grade: A
Then I took the grand opening of Rock Star Wrestling on East Third Street for a spin. Now, this was some bad ass I could get behind ― men in singlets and Captain America-esque costumes jumping on the ropes around the ring and tossing each other like salad. Hell, YES, that’s what I’m talking about! Complete with kids heckling the wrestlers from the front row!
I definitely ingested a nice womp of bad ass that night. Problem was, I drowned it in beer and Long Island Iced Teas and was left with only blurry pictures on my phone.
***
I have been humiliated by the realization I’m lacking in the bona fide bad ass department before.
The first time I went to a Gem City Roller Girls bout, I was convinced it should be me out there zipping around on skates, hunched into the breeze created by my own speed, elbowing and snarling and falling-but-getting-right-back-up. Oh, the girl power! The striped socks and black skirts and skulls! The clever yet sinister names!
Then I went to Skateworld of Vandalia with my rock star girlfriend. She’s trotted the globe playing searing guitar with bands and always has been much cooler than I am. It was the same in the skating rink.
Gem City Roller Girls. Bad ass grade: A+
My feet had not known a pair of roller skates since Members Only jackets were in style, you did the Hokey Pokey and Space Invaders was the game to beat. I decided I should warm up with a spin in the kids’ practice area.
At first, I figured the floor was warped in weird ways that were preventing me from getting my Pac Man Fever back. Then, I decided I was just too tired and sloppy from an exhausting week. Next, I concluded that I was just being sensible, as the place was jam-packed with little kids’ birthday parties. If a big girl like me fell on one of these 3-year-olds, that youngster could be smushed like a cupcake. Why risk it?
Finally, my friend ― skating backward and doing spins ― convinced me to make my way to the big kids rink. By then, I was too paranoid to let go of the side railing. As I clunked and slithered my way around the ring as if I were walking on an oil spill, I felt a poke in the small of my back.
I turned to find a little girl, probably five years old, her hair in pig tails. “Excuse me, miss,” she asked in her pip-squeak voice. “Can you move? You’re blocking my way.”
“No,” I said, the word falling from my mouth like a brick. I grabbed her hand and ― still desperately clutching the railing ― swung her around me.
I then proceeded to get the hell out of the rink and take off those damned skates as fast as I could. On our way out, my friend handed me a brochure about skating lessons. I shoved it in the bottom of my purse.
***
Twisted Wicker in the blue corner psyching herself up to bust some jaw. PHOTO COURTESY OF TOM GREENE.
I haven’t given up on becoming a boxer as I did with becoming a Gem City Roller Derby Girl. I have been practicing my jab to the point where my knuckles are bruised. I’ve watched Rocky I, II and III, along with YouTube videos of real-life boxers, to observe in-the-ring moves. I’ve been listening incessantly to “We Are the Champions,” “Eye of the Tiger” and the song I chose to play as I make my way to the stage at Memorial Hall, “Mama Said Knock You Out.”
And I’ve been spending a lot of time envisioning myself as a fighter. Faking it. Which I know I can do. After all, these days, when I tell people I’m clinically shy (I am! Like turning a bowling ball in your stomach to talk to a stranger kind of shy!), they don’t believe me. They are totally faked out.
I realize now that becoming a bad ass is like aging: It’s less about the number of times you’ve toasted your birthday or the number of years you’ve been giddy about the arrival of spring. It’s just a a thought you create and control in the mechanics of your brain.
At least, that’s what I’m telling myself as I walk into that ring. I may be wearing a costume of sorts, but it’s genuine boxing garb, the same the pros wear. And I will be feeling like a genuine boxer ― and bad ass.
JAB!
Dayton Knockout benefits AIDS Resource Center Ohio and Dayton History. The event takes place at 8 p.m. this Saturday, Feb. 25, at Memorial Hall. Doors open at 7 p.m. Buy advance tickets online or at Drake’s Downtown Gym, Ghostlight Coffee, Lucky’s Taproom & Eatery, Brixx Ice Co., Square One Salon, and the Dublin Pub. Food and drinks will be available, and an after party featuring live music by Funky G and the Groove Machine will be held in the Memorial Hall basement after the fights.
Click here to read J.T. Ryder’s article on the history of boxing in Dayton. Click here to listen to a radio story Amelia Robinson and I produced about the fight.
Mushroom Omelette and Toast
Do you know The Muffin Man? He lives at The Blueberry Cafe ! We set out on a morning Food Adventure to check out this Bellbrook restaurant that has developed quite a loyal following, including some of our friends. Nestled into a row of shops, not far from State Route 725 and main street lies this popular eatery. What keeps people coming back? The quaintness, the menu, and the Muffin Man! Packed with personality, The Blueberry Cafe has a small dining room that stays fairly busy all year long.
Upon entering, customers are greeted by a hostess, who stands in the midst of a mini-country store filled with various knick-knacks from purses to homemade items. As patrons are seated in the tiny dining room, one may realize this is not your ordinary breakfast joint.
Sure, the menu staples are the traditional French toast and Belgian waffles, but it is accented by specialty quiches, fantastic bacon and Queen City Sausage. They also feature “big as your plate” pancakes that are fluffy and tasty. A true Food Adventure.
One a side note, each serving plate in the restaurant is as unique as the food. We recommend going for one of the signature breakfast platters, which range from four to nine dollars, and give a great value for your dollar. For the whole menu including lunch choices, click here.
The Strawberry Shortcake Muffin
Last but not least, is one of the biggest attractions at The Blueberry Cafe, …. the MUFFINS ! We told you this place has personality emanating from the menu to the employees. One such employee is Tony the “Muffin Man.”
Almost like a superhero, he enters the dining room with his trademark chef’s hat. He twirls from table to table with his display plate of muffins, dazzling the diners. Excitement builds as he delicately describes the day’s specialty muffins in his deep, rich voice. Appealing to the eyes and the mouth, the fresh homemade muffins are around $2.50-$3.00 and worth a try.
The Blueberry Cafe is open daily from 7am -2pm, and is open for dinner only on Friday evenings from 5pm-8pm.
Next time you wake up on a lazy day, with your stomach growling, take a trip to Bellbrook’s Blueberry Cafe. When you see the muffin man, tell him Food Adventures sent you !
Have you been to see the muffin man? Please comment below with your thoughts on The Blueberry Cafe.
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