6 Reasons to Shop at Your Local Farmers Market

fresh produce from your local farmers market

The 2016 Farmers Market season is just getting started, and we’re all waiting with anticipation for the fresh, local foods they’ll bring! But access to amazing local produce isn’t the only reason to shop at a farmers’ market. Farmers markets provide additional benefits that you may not know about, for your body, community, and wallet. A regular trip to a farmers market is one of the best ways to connect with where your food comes from. Meeting and talking to farmers and food artisans is a great opportunity to learn more about how and where food is produced.  Read on for more reasons why you should check out your local farmers market this season!

1. Taste the difference.
Farmer’s markets offer the freshest food around—usually only hours from the field—so you get top quality, perfectly ripe flavor.

2. Help the environment.
Eating locally saves vast amounts of packaging waste and energy required to ship food around the globe.

3. Eat Seasonally
Farmer’s markets are filled with food that is fresh and ripe. Because it was grown locally, there is a good chance that the apple you buy from the farmer was picked a few days ago. This is virtually impossible in a big supermarket.

Female hands holding an aubergine

4. Become part of your community.
Festive and lively, farmer’s markets are social venues where you bump into friends and meet local farmers face to face.

5. Save money.
Buying from farmers eliminates the cost of the middleman and pricey shipping, so you get more value for your dollar. There are also many farmers that carry products that are not technically “organic,” (as this is a costly and often beurocratic-heavy process), but have many low-priced foods that are pesticide and herbicide free.

6. Find new cooking ideas.
Community chefs at the farmer’s market are often happy to share recipes for in-season foods.

Need help finding your local farmers market?  Check the DMM Calendar for our list of markets!

Double-Decker Food Truck Debuts Friday

It’s been a long time coming, and this Friday you’ll be able to experience Dayton’s newest food truck, the Menehune Tiki Bus! Owner Danny Webb got into food trucks a few years ago, launching his Paranormal Concessions, featuring frozen drinks, smoothies and other treats from his Alien Infusions trailer. After learning the ropes and deciding he wanted to do more he began shopping for a food truck and came across a double-decker bus in Iowa.

0f5478_aae62a35434149f9be08f78b80845f13And it got him thinking.  At many truck rallies he watched folks walk a way with an armful of food with no place to sit and eat. What if he could use the upper level of this bus as a dining room for his customers.  But what would he serve in this double-decker food truck?  Friends suggested the obvious British theme, but a limited menu of shepherds pie and fish and chips just didn’t seem like it would work.  Then Danny remembered about the Mythical Menehunes of Hawaii, often thought of as Polynesian leprechaun’s and this seemed to fit with his corporate paranormal identity and a concept was born.

MenehunecollageAs a frequent visitor to Hawaii in his work with the military and as an airline pilot, then fusion flavors of food found there served as an inspiration for the menu of Menehunes.  The south pacific inspiration will include a menu of Deep Fried Mahi-Mahi & Chips, Mahi Fish Tacos, Kalua Pork Grilled Cheese, Moco-Loco, Musubi, Big Kahuna Burger, Menehune Sliders, Island Poutine, Spam Fries, Hawaiian Cubano Sliders, Mac Salad, King Kamehameha Coconut Shrimp, Huli-Huli Chicken, Teriyaki Beef & Rice to name just a few.

 

And guests will be able to enjoy their meal in air-conditioned comfort, as the upper deck of the bus has been transformed into tiki hut seating for 16 at booths, reupholstered in a Hawaiian 0f5478_3a6f352795da41bd8c95b721aa93f472~mv1floral by  Danny’s wife Karen, and 10 stools at the counter.

 

The inaugural outing fo the double-decker food truck will be at Food Truck Fridays, in the Kmart parking lot across from the Greene on Indian Ripple Road from 5 pm – 9 pm. Then onward on Saturday the 28th to Eastwood Metro Park for the Humane Society of Greater Dayton’s Furry Scurry from 11 am – 5 pm

UPDATE- the tiki bus will not be at Furry Scurry.

From Menehune Tiki Bus’s Facebook Page:  James & his crew from Custom Creations came out today & determined that we have a bad fryer. He & crew are driving to Columbus to get a replacement & will install it on Monday. Additionally, we have a power problem. Our generator can’t handle the load so we are adding a second one to share the load. Fortunately, I still have the Honda generator that came with the bus. They will have to re-wire some components to run on the additional generator. That should solve those issues. However, we just found out, because of todays temps, that the air conditioning can’t keep up with the sunlight heating up the upper deck. So, we are bumping & grinding installing curtains on 17 upstairs windows! That should help quite a bit. We still have the rest of tomorrow and Sunday to get ready for Tuesday. James & crew will have it on Monday. Wish us luck!

 

For a full calendar of upcoming stops for the Tiki Bus, visit their calendar on their website.  We wish Menehune Maikaʻi Pomaikaʻi (Hawaiian for good luck)!

McCoy on Movies: Alice Through the Looking Glass

Alice Through the Looking Glass may make anyone who’s hit puberty want to look away for a better family-friendly film

 

“That watch is NEVER gonna fit on my wrist!” Alice (Mia Wasikowska) gets a look at the Grand Clock of time in a scene from ALICE THROUGH THE LOOKING GLASS. Credit: Disney Pictures. All rights reserved. 

 

WATCH THE TRAILER HERE:


KEY CAST MEMBERS: Johnny Depp, Mia Wasikowska, Sacha Baron Cohen, Helena Bonham Carter, Anne Hathaway, Lindsey Duncan, Matt Lucas, Michael Sheen, Stephen Fry, Rhys Ifans, Leo Bill and the late Alan Rickman
WRITER(S): Linda Woolverton (screenplay); Lewis Carroll (original novel on which the film is based)
DIRECTOR(S): James Bobin
THE STORY AS BEST WE KNOW IT: Loosely inspired by the works of Lewis Carroll, Alice Through the Looking Glass stars Mia Wasikowska as Alice Kingsleigh. Now grown up, Alice has spent the last few years at sea as the captain of her late father’s boat. Returning to London, Alice comes across a magical looking glass (hence the title) – and of course, she steps in only to find herself returned to the Underland. And once she’s there, she’s reunited with her old friends the White Rabbit (Michael Sheen), Absolem (the late Alan Rickman), the Cheshire Cat (Stephen Fry) and
the Mad Hatter (Johnny Depp). But the Mad Hatter is not himself – for he has lost his muchness and no one seems to know why, save for perhaps the Hatter himself. For he is convinced his family is alive, which prompts Mirana the White Queen (Anne Hathaway) to send Alice on a new mission: Find the Chronosphere from Time himself (Sacha Baron Cohen) and see what she can do to help save the Hatter’s life. For the Chronosphere will allow Alice to travel throughout time and – while she cannot change the past – she might learn something that may help figure out how to save his life.But of course, if Iracabeth the Red Queen (Helena Bonham Carter) wasn’t involved in the story, Alice’s quest wouldn’t be the same now, would it?

WHO WILL LIKE THIS MOVIE THE MOST? Johnny Depp fans; Helena Bonham Carter fans; people who enjoy easily digestible fantasy tales; those happy to see a strong female character presented in a film 
WHO WILL HATE THIS MOVIE THE MOST? Those “over” Tim Burton style movies; adult males who despite the film having a good, strong female lead character will be bored by the story’s somewhat plodding pace and predictable story; those who don’t enjoy children’s fare when it’s strictly kiddie business
SO IS IT GOOD, GREAT, JUST ALL RIGHT OR DOWNRIGHT AWFUL? Alice Through the Looking Glass is a movie that could have been better and honestly should have been better … But given just how well, boring, the finished result is, it would have been better likely being re-done before it hits theaters this week. 


Alice Through the Looking Glass looks like it should be good. After all, the cast is solid, the visuals are good and there is enough of a pedigree present to make this Tim Burton-produced (he didn’t direct this one; that task fell upon James Bobin of Muppets Most Wanted infamy). Likewise, Wasikowska does a formidable job as Alice, making her a convincing lead character that is equal parts courageous and courteous, strong and yet sensitive. And Bonham Carter delivers a very enjoyable performance as the Red Queen, delivering much needed humor that doesn’t feel as zany (but not out of place, mind you) as that as delivered by Baron Cohen as the embodiment of time as a half human, half machine creature.


There’s just one – well, more than one, but that’s not the expression now is it? – problem: Alice Through the Looking Glass is boring, suitable mostly only for children (ages 12 and younger) from start to finish and is fairly predictable for far too long before it garners any intrigue. I don’t say this because I found myself fighting sleep for the first 40 minutes of the film … But because the guy next to me at the screening I saw DID fall asleep … As did the guy behind me. Throw in the fact the women next to me offered up an “eh” shoulder shrug at the end of the film and the claps that were to be heard quickly faded into the larger surrounding silence and you’ll come to the same conclusion I did: This paint by numbers feature isn’t exactly a fabulous fairy tale after all.Does Alice Through the Looking Glass add anything to the tale of Alice in Wonderland or the Tim Burton 2010 release? No, not in particular. Is it horrible? No – it’s just slooooooowwww. Too slow. And the whole Chronosphere time travel device thing never comes together as it should; sadly, while Sacha Baron Cohen plays his over-the-top character in fine over-the-top fashion, the lack of defintion of the character becomes some one note that each tick-tock feels longer than the last. Poor Anne Hathaway looks lost – literally – for most of the picture, so it’s no wonder her character feels like an add-on when she is supposed to be an important cog in the overall story.

If it seems like I’m having a hard time articulating the disappointment of the experience of watching the film, it’s because the film should be so much better than it is. Instead, it comes off so heavy-handed that it’s hard to become engrossed in it when the paint-by-numbers nature of it that feels like it was aimed at nothing BUT a pre-puberty audience. Sure, there are some good moments, but they rarely feel organic and come too few and far between. Sorry, James Bobin, but your lackluster Muppets misadventure has now tagged another would-be franchise with too many lame jokes, outlandish episodes and missed opportunities.

In short, instead of going through the looking glass, poor Alice should have seen that nothing that was as good as it could, should and would have been better if maybe she came back later instead.

 
RATING OUT OF FOUR BUCKETS OF POPCORN:

 

The False Choice Between Yoga and Strength Training

False dichotomy is one of those nickel phrases college freshmen toss around to sound smart. I know I’ve used it before exactly for that purpose (along with paradigm. Paradigm’s a good one for that first Thanksgiving visit home from college). But just because the phrase is trite at this point doesn’t make it entirely without merit. I can think of no other example than the false dichotomy between yoga and strength training.

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I’ve talked to yoga people who have a warped view of what strength training is, and it tracks with the popular view of why one would chalk up one’s hands and attempt to pull a few hundred pounds from the floor, swing a heavy kettlebell around, or press a dumbbell over one’s face. Vanity. Narcissism. Testosterone. General bro-rificness.

And I’ve talked to strength people who have a warped view of what yoga is. That it’s just stretching, or that it’s woo-woo Oprah-fied soft fitness, or that people do it when they want to avoid actually working hard.

These sound like straw man arguments, but I promise you I’ve heard them in one capacity or another recently from otherwise well-informed, smart people.

Generally I’ve found that the people who engage in such arguments back and forth generally don’t know a lot about the exercise modality they’re busy bad-mouthing.

I don’t enjoy yoga. I actually think it’s safe to say that I find it torturous. I find it to be boring, and rather than leaving a class feeling energized, rejuvenated, and relieved of stress, I feel almost the opposite of all of those things.

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Yoga isn’t for me, in other words. But it might just be for you! And even though I’m a barbell, kettlebell, and dumbbell guy I think yoga is one of the best exercise practices one can learn.

  • It can be progressively overloaded to an extent, so body transformation is possible.
  • The right studio can be an empowering and comfortable space.
  • It promotes mindfulness, body awareness, and good posture.
  • You can take it anywhere–hotel rooms, vacations, and studio apartments.

And though I love the gym, I recognize that there’s a significant portion of the population out there who will never love strength training the way I do. But everyone needs to do some form of strength training if they wish to build and maintain muscle, develop mobility, and enjoy quality of life during the aging process.

Yoga can fill that void. It is a form of strength training. Instead of barbells, one is using gravity and body weight to build muscle and mobility. The downside of yoga as I see it is its comparatively limited capacity for progressive overload: with good programming and solid nutrition, I can keep adding weight, and thus new stimulus, to a barbell. There’s a ceiling for that kind of overload with yoga–but this amounts to the picking of nits when one considers that more than two in three adults in the United States are obese. Chances are if you’re a couch potato right now that the overload for which yoga allows will be enough to change your body and get you stronger for several months to come (if your nutrition is on point and you’re getting enough sleep).

On the other end of the spectrum, yoga enthusiasts tend to downplay the mobility requirements of barbell strength. The strongest people I know happen to spend a lot of time on warmup, mobility, cooldown, and recovery. Not exactly meathead principles we’re talking about. Don’t confuse the guys you see doing bicep curls in front of the dumbbell rack at your big chain gym for the type of strong, mobile, athletic men and women I’m referencing. You can’t truly get strong unless you’re also mobile–it’s just too difficult to avoid injury otherwise.

These two seemingly disparate communities ought to learn from one another. If you’re a gym rat, challenge yourself to take a yoga class–and don’t judge the process or turn it into a competition. Allow yourself to be humbled. (You will be humbled.)

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Likewise if you’re a multiple-day-a-week yoga practitioner, I challenge you to learn some basic strength training movements. If yoga is your only form of strength training, your biggest gaps are likely to be pulling movements (like pull-ups and rows) and weighted squatting or hinging movements (like squats and deadlifts). By supplementing your yoga practice with some targeted strength training movements you’ll likely gain muscle mass and burn a bit more fat than you might otherwise from yoga alone.

The key takeaway is this: stop being so judgmental of things you don’t understand. Yoga and barbell training have been resilient against other, more dubious exercise trends. There’s a simple reason for this.

They work.

Rock N Green Tomato Festival Set for Sat. July 23rd

A 14 piece Elvis Tribute band will play a FREE concert

Green Tomatoes, Elvis Impersonators, Cornhole Contests and Food Vendors are just some of the sights to be seen at the Rock n Green Tomato Festival.  Due to park construction, the normally June event will be held on  Saturday, July 23rd this year, in Riverfront Park in Miamisburg, behind Ron’s Pizza.   This will mark the 5th year of this popular, annual celebration.

Get ready Dayton, there is so much in store at this festival we have compiled a list for it.  And the best part, ADMISSION IS FREE !!

 

Green Tomatoes

HERE’S THE SKINNY: 

WHAT: The 5th Annual Rock n Green Tomato Festival

WHEN: Saturday July 23rd, Noon – 11pm

WHERE: Riverfront Park in Downtown Miamisburg, 3 North Miami Ave.

Ron’s Pizza will be selling Green Beer

MUST DO’S:

TIMELINE OF EVENTS:

5 K WALK/RUN – 8:30AM  Register online at www.keysports.net

— CORN HOLE TOURNAMENT:  11:30am Check In – $250 First Place Cash Prize – CLICK HERE to sign up

— FOOD AND CRAFT VENDORS:  Fried Green Tomatoes, Green Tomato Salsa, Burgers, BBQ Pork, Ice Cream, Green Tomato Pizza and much more! 

                    IMPORTANT NOTE *** We are still signing up vendors, CLICK HERE to register ***

— KIDS PLAY AREA WITH BOUNCE CASTLE !  Noon – 10pm

— HAMBURGER EATING CONTEST : Time to be determined

$250 First Prize Cornhole Tournament !!

— HULA HOOP CONTEST: Time to be determined

— GREEN TOMATO PIE CONTEST, 5 pmCLICK HERE to enter your pie here win a big trophy !
Contest judged by lovable food bloggers from FOOD ADVENTURES !
Big Ragu, Hungry Jax, and Chef House will be on site judging!

— LIVE MUSIC FEATURES:

          B-CAGED: Middletown Band singing Classic Rock and Classic Country

          NIGHT MAGIC: Miamisburg band with good harmonies, and a mix of Oldies, Rock & Roll, Pop, Blue Grass & Country.

         

Live Music All Day — FOR FREE !

COMEBACK SPECIAL:  
— Vegas era, 14 piece, Elvis Tribute Band with Ryan Roth as Elvis.
— A dynamic horn section, back up singers (just like his Sweet Inspirations).
— Take a trip back in time and enjoy this taste of nostalgia.  Don’t miss Comeback Special!

The concerts are FREE !  What more could you ask for?  Don’t forget, Ron’s Pizza Patio will be open with Green Beer and a full menu !

Fried Green Tomatoes

Also, special event host and emcee is Jim Bucher, Dayton’s funny TV guy.  Join “Buch” for laughs and fun at the festival!

We are also expecting appearances from ABC 22 / Fox 45 On-Air Personalities.  Look for a Celebrity Dunk Tank as well.

This is definitely a family event and there will be some seating, but concert listeners, you should plan on bringing your own lawn chair for a more comfortable experience.  Mark your calendar now for the one and only, Rock N Green Tomato Festival!

Do you like local area food, restaurants, festivals and fun?  Then “like” Food Adventures on Facebook by clicking HERE.  You can also follow us on Twitter, where we keep the fun conversations going !

There is a Green Tomato Pie Baking Contest – ANYONE can enter !!

LOGO

Green Tomato Pie with Bacon

Walt’s Green Tomato Salsa

Ice Cream

Miamisburgs Favorite

Ron’s Deluxe

103 Year tradition – get a double !

Ron’s Mascot, a friend, Ron Holp, a friend

Coney Dog

Cheers Green Beers

Sticky Buns?

Deluxe Gyros

Friendly Service !

Green Tomato Pizza

Hamburger Eating Contest

In the building

Green Tomato Sliders

Jack from Burger Wagon with burger eating winner

Judging the tomato pie

French Fries

One of the top 3 Pie winners

Deluxe Gyro

Pepperoni and Anchovies from Rons

Face painting

Fried Green Tomatoes

All day live music

Cheese Fries

McCoy on Movies: The Nice Guys

 

“What do we have here … It looks like … A script!” Holland March (Ryan Gosling, left), Jessica (Daisy Tahan, next to Gosling), Holly (Angourie Rice) and Jackson Healey (Russell Crowe, far right) take a gander in a scene from co-writer/director Shane Black’s action-comedy THE NICE GUYS. Credit: Courtesy of Warner Bros. Pictures. © 2016 Nice Guys, LLC.

WATCH THE TRAILER HERE:


 

 


KEY CAST MEMBERS: Ryan Gosling, Russell Crowe, Angourie Rice, Margaret Qualley, Keith David, Beau Knapp, Matt Bomer, Yaya DaCosta, Daisy Tahan, Jack Kilmer and Kim Basinger
WRITER(S): Anthony Bagarozzi and Shane Black
DIRECTOR(S): Shane Black
THE STORY AS BEST WE KNOW IT: Set in the sleaziest of times of 1977 Los Angeles, The Nice Guys stars Ryan Gosling as Holland March, a private investigator who is more apt at taking gullible clients’ money than he is at actually solving cases. Raising his precocious daughter Holly (Angourie Rice) by himself after the death of his wife, Holland stumbles upon the wrong case when Mrs. Glenn (Lois Smith) asks him to find her niece, adult film star Misty Mountains (Murielle Tielo). 
Unfortunately, Misty died in a massive car crash a few days ago. And the girl that might know something, Amelia (Margaret Qualley), does not want to be found – which is why she has hired Jackson Healy (Russell Crowe) – to do what he does best: Send a “message” (via a physical assault) to stop Holland from checking up on her. 
What Holland and Jackson both don’t know, however, is why Amelia is trying to make herself so scarce. But once two thugs (Keith David and Beau Knapp) start showing up and the head of the Justice Department (Kim Basinger) gets thrown into the mix, one thing becomes clear: Amelia’s life is clearly in danger and our unlikely tandem is about to get involved WAY over their head.
WHO WILL LIKE THIS MOVIE THE MOST? Ryan Gosling fans; people who love the 1970s and all its over-the-top (or at least as depicted in movies) excess; people who can appreciate when a child actress steps up in a big way to not only add to a story, but be an integral part of it; people who like it when characters in films meet ends that seem fitting 
WHO WILL HATE THIS MOVIE THE MOST? People who hate the 1970s and all its over-the-top (or at least as depicted in movies) excess; people who hate when a child actor is an integral part of a story no child should be mixed up in; those who hate watching a lighthearted character in fatal situations; those who can’t buy in to the film’s premise
SO IS IT GOOD, GREAT, JUST ALL RIGHT OR DOWNRIGHT AWFUL? For a film that on the surface looks like it could be just another mismatched homage to a bygone era, The Nice Guys is actually a very entertaining adventure that allows its cast to use their collective range to the audience’s enjoyment. 
Co-writer and director Shane Black’s 1970s send up is equal parts comical and dramatic while making sure to never let one extreme become too extreme for the film’s own good. While the premise of the film seems a bit outlandish to say the least once you’ve figured out how all the moving parts work together, Black does a stellar job of making sure you understand why they fit within the world he’s created. Never trying to emulate too much a Boogie Nights vibe or imitate other ‘70s crime stories, he keeps The Nice Guys balanced but making sure each scene fits in the overall mix to add as things go back and forth from comical to (somewhat) dramatic. You get your laughs, you get some unexpected surprises and – while he never leans in on making the film have a truly serious tone – you get enough of a semblance of reason to keep you involved in watching his characters progress.
Speaking of the characters, Ryan Gosling is hilarious as the sleazy-yet-sensitive Holland March, proving himself proficient at being both the comical butt of the joke time and time again whilst others get to deliver the (in many cases) literal punchline. His take on the role of the private investigator never falls into the stereotypically stupid department, instead teetering on the line between clever and corny quite well throughout the film’s near 2 hour run time. Likewise, Crowe plays the straight man with artistic ease, using all his off-screen bravado to channel a very simple character into one you enjoy rooting for thoroughly. 
The biggest scene-stealer, however, is by far any of those that happen to feature Angourie Rice as Holly. A classic WAY-too-beyond-her-13-years-of-age character, Rice accomplishes the rare feat of not only making her character essential to the story, but also so likable you nearly forget she shouldn’t be so good – both as a character and an actress. Black gets the most out of his cast by continually placing them into wacky scenarios, but be it one where she needs to help out her dad or provide a sensitive moment, Rice comes out as the biggest winner. While Black and his fellow co-writer Anthony Bagarozzi deliver enough of a story to keep you intrigued with its various twists and not-so-predictable turns, the cast’s ability to run with it is what ultimately makes The Nice Guys as enjoyable as it is. 
And what it is is a pretty nice way to enjoy something different at the movies. 
 
RATING OUT OF FOUR BUCKETS OF POPCORN:
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Mystery Monday – May 23, 2016

Welcome to Week 17 of Mystery Mondays. The answer to Week 16’s Mystery Photo is: The John Henry Patterson Memorial Monument at Hills & Dales MetroPark. I took this photo on April 10, 2014.

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John H. Patterson, co-founder of the National Cash Register Company (NCR), donated the land to create Hills & Dales Park and hired world famous landscape architect, Frederick Law Olmsted, the architect responsible for Central Park in New York City to design the park, which opened in 1907. The monument to Patterson was built in 1928, six years after his death. For more information about the history of Hills & Dales MetroPark, visit history.metroparks.org/parks/hills-dales.

We congratulate our randomly drawn winner Tessa of Centerville! Rapid Fired Pizza certificates are coming your way!

We challenge you to tell us where in the Dayton area this photo was taken by filling out the form below.  We’ll do a random drawing from all those with a correct answer and the winner will get 2 pizzas from Rapid Fired Pizza.

Enter here:

http://goo.gl/forms/dyU55fzc48

We’ll post the winner next Monday with details about the photo as well as a new photo to challenge your knowledge of the Dayton area.

Thanks for playing and good luck!

Here’s our Mystery Photo for Week 17:

DMM Mystery Monday-17

Photo by Tom Gilliam of DaytonGram & Tom Gilliam Photography.

Call for FutureFest Actors!

DP_mask_LogoThe Dayton Playhouse will hold auditions for it’s annual “FutureFest” new play festival on the following dates:  May 30 & 31 at 7 p.m. Fully staged plays will audition on Monday and staged readings on Tuesday.

FutureFest is a festival of previously unproduced plays, which have been submitted from playwrights across the United States.  Hundreds of submissions are read and the top six are selected to be performed at the festival.  Playwrights of these plays will attend the festival, as will five adjudicators from across the country.  Three plays will be performed as staged readings and three will be fully staged over the 3-day festival.  Feedback will be given by adjudicators and audience members and a festival winner will be selected.  This year marks the 26th FutureFest, which is the largest new play festival in the country sponsored by a community theatre.

The finalists in this year’s “FutureFest” include:

Memories of the Game (fully staged)

Synopsis:   Memories of the Game centers on the McIntosh household, an African-American family of four, who must struggle with the father’s progressing Alzheimer’s disease, while grappling with their own demons and strained family dynamics.

Cast:  2m, 2f

  • Kenneth McIntosh: mid-late 60s, African-American, big personality, loving father and husband, loves the game of football.
  • Karen McIntosh: early 60s, African-American, faithful wife and mother, loves her family.
  • Sharon Evans: mid 30s, African-American, the good child, always willing to help, dealing with a great loss.
  • Michael McIntosh: early 30s, African-American, a drug addict who uses his family for money to feed his habit. Has a good soul that has been lost.

[Miss] (fully staged)

Synopsis:  Frances Oldham Kelsey saved an estimated 20,000 American children from crippling deformities by battling the William S. Merrell Company over the release of thalidomide in the United States from September 1960 to November 1961. Merrell’s brand of thalidomide, called Kevadon, was one of the first two drugs Dr. Kelsey was given upon starting her career at the FDA.  Despite constant threats and intimidation, Dr. Kelsey stubbornly refused to approve the drug because she had concerns about its possible effect on the fetus. When the story broke that thalidomide had caused a world-wide epidemic of infant deformities and death, Dr. Kelsey learned that Merrell had been distributing the drug without approval through a sham investigational study. The fall-out from this revelation combined with the heroism of Dr. Kelsey’s actions caused the United States to reform its regulation of prescription drugs.

Cast:  6m (4m with doubling), 4f

  • Dr. Frances Oldham Kelsey:  40s for most of the play, FDA investigator
  • Dr. Raymond Stehle: McGill professor
  • Dr. Eugene Geiling: University of Chicago professor
  • John: husband of Betty
  • Betty: pharmaceutical rep
  • Dr. Joseph Murray: Merrell contact man
  • Dr. Raymond Pogge:  Merrell medical director
  • FDA staff: female
  • Mary: pharmaceutical rep
  • Dr. Ray Nulsen: physician

The Griots (fully staged)

Synopsis:  Set in rural Georgia in the late 1930s, The Griots focuses on an elderly African-American woman (Ada) who grew up in slavery, a young woman who is the descendant of the plantation owner’s family (Lizzie), and a young white man from Ohio (John) who has been sent to the South to interview ex-slaves as a part of the WPA Writers’ Project. As John gains Ada’s trust over a period of several weeks, her stories turn from quaint tales of happy field hands, to brutal accounts of violence and intolerance. And when her tales contradict Lizzie’s family legends, exposing the truth may have too great a cost.

Cast:  1m, 2f

  • Lizzie Dupree:  mid 20s, pleasant looking, Caucasian. Lizzie has grown up in rural Georgia, in a relatively affluent family.
  • John Holt: mid 20s, a somewhat bookish Caucasian man who has grown up in a Quaker family in Ohio.
  • Ada Coalson:  elderly, African-American, a former slave who now lives alone in a cabin on the land that used to be part of Lizzie’s great grandfather’s plantation.

Shepherd’s Bush  (staged reading)

Synopsis:  England, 1930: renowned man-of-letters E. M. Forster, 52, meets and falls in love with 28 year old policeman, Bob Buckingham. Their secret romance blossoms until police scrutiny inspired Bob to court and eventually marry May, a young nurse. Jealousy and rivalry evolves into a lifelong friendship with surprising consequences.

Cast:  3m, 2f

  • Bob Buckingham: 28 to 68, roguish young policeman with aspirations of being more.  Forster’s friend and lover. Darkly handsome, masculine, athletic and temperamental.  Bob is very physically affectionate.
  • May Buckingham: 23 to 62. Formerly May Hockey. Bob’s fiancée and later his wife. A nurse. Strong willed, direct and patient. Never wears make-up.
  • E. M. Forster: 51 to 91.  The writer. Acerbic, witty, generous, either a cynical romantic or a romantic cynic.
  • J. R. Ackerley: Friend of Forster & the Buckinghams. Strikingly handsome and distinguished radio producer and writer. Flamboyant homosexual.
  • Lily Forster: 70s-80s, E. M. Forster’s mother. A very strong, often overbearing woman.

N   (staged reading)

Synopsis:  “N”   explores both the personal relationship and the working relationship from the opening of The Emperor Jones in 1920 through the last major revival of the play  of African-American actor Charles S. Gilpin and playwright Eugene O’Neill, 1926.

Cast:  2m, 1f

  • Charles S. Gilpin: 35-40 (40 at the start of the play), African-American, Charles is an average size and build, but he has confidence, and a presence. He’s intelligent, somewhat sophisticated, and always looks sharp.  Charles lives and dies by his emotions but also knows how to live in his very segregated times.
  • Eugene O’Neill: 35-40 (37 at the start of the play), Caucasian. O’Neill, the brooding master playwright, early in his career. He is brilliant, cynical, and dryly sarcastic; he doesn’t smile or laugh easily so when he does it is noticeable.
  • Florence Gilpin: 25-30 (30 at the start of the play), African-American, Charles’s wife. She’s pretty and curvy.  She is the woman behind the man who is proud of the man she loves but tries to keep him grounded.

The Violin Maker (staged reading)

Synopsis:  The Violin Maker is the story of Karl Mosel, who after his father’s death, tries to learn from his grandfather the family trade of Violin making.  Ultimately he must decide whether he will continue the 300 year old family tradition or let the family legacy go.

Cast:  2m, 1f

  • Wilhelm Mosel:  80s, a Master violin maker.
  • Karl Mosel:  early 20s, Wilhelm’s grandson.
  • Angela Brunelle:  20s, an intern.

Auditions will consist of cold readings from the scripts.

Auditions will be held at the Dayton Playhouse, 1301 E. Siebenthaler Ave., Dayton, OH 45414.   Those auditioning should bring a list of any scheduling conflicts through July 24.  Rehearsals are typically in the evening, or on weekends.

FutureFest performances will be July 22-24.  Weekend passes are $100 and will be available by calling the box office at 937-424-8477. The box office is staffed Mondays and Wednesdays from 1:30 – 4:30 p.m., however messages may be left at any time and calls will be returned.  Tickets to individual performances will be $18.

The Dayton Playhouse is a community theatre providing outstanding theatrical productions to Miami Valley audiences of all ages for more than fifty years. The Playhouse is nationally recognized for “FutureFest,” a festival of new plays.

 

‘American Idiot’ Review –Dare to Defy Productions – Explosive Angst

Green Day’s 2010 Tony Award-nominated rock musical “American Idiot,” based on the 2004 Grammy-winning album of the same name with additional tunes from the 2009 Grammy-winning album “21st Century Breakdown,” receives a wonderfully compelling and vigorous presentation courtesy of Dare to Defy Productions at the Victoria Theatre.

AMERICAN IDIOT

The cast of Dare to Defy Productions’ presentation of Green Day’s “American Idiot” (Contributed photo)

Under the terrifically fluid, character-specific direction of Angie Thacker and bolstered by expressively exuberant and physical choreography by Kimberly Isaacs, “American Idiot” certainly retains its post-9/11 sociopolitical sting. However, there is much more within the soul-searching journeys of slacker buddies Johnny, Tunny and Will fueling this version, one of the strongest, seamless and emotionally-driven I’ve seen since the Broadway original. For instance, Johnny (a.k.a. Jesus of Suburbia) is still a disillusioned man-child venturing down a dark path of drug abuse, but he’s also in search of being loved no matter the risk. In the same regard, Tunny is attracted to the idea of joining the military, but is very wary underneath even when he’s in basic training. Will spends most of his time reacting rather than participating (an underwritten misstep in an otherwise sturdy collaboration between Green Day frontman Billie Joe Armstrong and co-librettist Michael Mayer), but his perspective entices nonetheless as his woeful suburban existence with his pregnant girlfriend Heather suffocates and perplexes him. Thanks to Thacker’s desire to go beyond the surface, the fundamental truth that choices have consequences is not lost here by any means. And the vocally strong, communicative ensemble vividly interprets Isaacs’ movement as they drive and push this trio along. With passion and intensity, they are absolutely fascinating extensions of the characters.

Layne Roate (Johnny), Bobby Mitchum (Tunny) and Zach Erhardt (Will) are remarkably paired. In fact, Roate and Erhardt, Dare to Defy newcomers, are very talented guitarists. The tall, lanky and animated Roate fittingly reveals Johnny’s anger and frustration, but greatly captivates in terms of vulnerability. His stellar rendition of “Boulevard of Broken Dreams,” complete with stage pictures recalling “Say Anything” and “West Side Story,” is filled with haunting melancholy, and I also found his plaintive rendition of “Whatsername” beautifully mysterious. Mitchum’s sensitivity propels Tunny’s distressing yet inspirational arc accented by the fiery presence of Maddie Vaughn as the Extraordinary Girl who changes Tunny’s outlook. The contemplative, striking Erhardt leads a pensive “Give Me Novacaine” and turns Will’s anthem “Nobody Likes You” into a powerful epiphany.

Additionally, the supremely fierce Lisa Glover is a highly energetic knockout as the sexual, rebellious Whatsername, Johnny’s love. Glover’s defiant scream in the pulsating “Letterbomb,” her brief appearance in “Boulevard of Broken Dreams,” and her gentle pleading in “21 Guns” (notably shared with Vaughn and a very effective Natalie Sanders as Heather) are highlights. The marvelously menacing Thomas Cole Schreier delivers a breakthrough portrayal of St. Jimmy, the personification of Johnny’s drug addiction, with fantastic renditions of “St. Jimmy” and “Know Your Enemy” containing vocal flourishes that elevate both numbers. The rip-roaring ensemble includes A.J. Breslin (notable in “Holiday”), Aaron Brewer (notable in “Rock and Roll Girlfriend”), Naman Clark, Samantha Creech, Brent Hoggatt (notable in “East 12th St.”), Mackensie King, Zach King, Abby Land, Jeffrey Mack, Skyler McNeely, Laura Moore (notable in “Too Much Too Soon”), Brett Norgaard (notable in “Favorite Son”), Desmond Thomas, Andre Tomlinson, Jenna Valyn, and Ella Wylie.

Thacker’s first-rate artistic team includes scenic designer Ray Zupp (creating a gritty world of dismantling and decay with great use of scaffolding), superbly evocative lighting designer Matthew Benjamin (in a rare departure from his duties at Wright State University), and musical director Lorri Topping who assembles a firmly balanced seven-piece orchestra that doesn’t overpower the actors. There were multiple sound hindrances on opening night, but it didn’t deter momentum.
In the words of Whatsername, there is nothing left to analyze. Go see this show.

 

“American Idiot” concludes today at 2 and 8 p.m. at the Victoria Theatre, 138 N. Main St., Dayton. Act One: 45 minutes; Act Two: 50 minutes. Tickets are $26.50-$51.50. For tickets or more information, call Ticket Center Stage at (937) 228-3630 or visit www.ticketcenterstage.com. Patrons are advised the show contains adult themes.