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Jocelyn Robinson

“Rediscovered Radio: Women’s Voices, Women’s Music in the WYSO Archives.”

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In this new, 6-episode podcast series, WYSO Music Director Juliet Fromholt and WYSO Director of Radio Preservation and Archives Jocelyn Robinson celebrate the work of women musicians and radio hosts in different stages of WYSO’s history. They also critically examine the role those voices played in the local & national music scenes.

In one episode, you’ll hear excerpts
of broadcasts from the Living Arts Center in Dayton, hosted by a local band whose frontwoman was a
major voice in the local roots
music movement.

In another, you’ll learn about the profound effect that Cityfolk founder Phyllis Brzozowska and her WYSO show “A Touch of Gael” had on Dayton’s musical community.

The treasures you’ll discover also include the story of how the station’s long-running “Women in Music” created a space for women musicians in a variety of genres and from diverse backgrounds.

Late filmmaker Julia Reichert credited WYSO with starting her on a media making path. Hear her story on “Making Change,” Episode 1 of the  podcast Rediscovered Radio: Women’s Voices, Women’s Music in the WYSO Archives. Subscribe today wherever you get your podcasts!

WYSO Receives $5 Million Grant

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For the fourth time in as many years, WYSO has been awarded major funding from the Mellon Foundation to support The HBCU Radio Preservation Project. This initiative, a collaborative effort between the WYSO Archives and the Northeast Document Conservation Center (NEDCC), supports radio stations at Historically Black Colleges and Universities throughout the country in preserving their legacies and cultural heritage.

With this latest grant, Mellon’s generous support now totals more than $5.6 million and will allow the HBCU Radio Preservation Project to expand to all 29 HBCU radio stations and their campus archives or libraries.

“This is sacred work,” says Jocelyn Robinson (pictured above), the project’s founding director and the director of radio preservation and archives at WYSO. “And now we can help every HBCU station save precious primary recordings and other historical source materials that document the diversity of the Black experience. And we’re not just preventing the loss of invaluable historical records—we’re encouraging institutions in developing a culture and practice of preservation. That will ensure they never face the looming preservation crisis this project was created to prevent.”

The project’s comprehensive and sustainable approach to preserving past, present and future HBCU radio materials has three parts:

Preservation Training & Education—includes workshops for campus stations, archivists and community members, mini-grants for professional development and hiring a fellow and intern each year of the grant cycle

Preservation—consists of eld archivists collaborating with stations and campus archivists on collections assessments and follow-up eld services such as inventories, reformatting, rehousing and other preservation activities

Public History & Preservation Praxis—consists of oral historians interviewing a range of community members with ties to respective stations, including former radio sta, students, alumni and listeners as well as oral history training, digital content creation, frequent public presentations and annual symposia

As a result of the HBCU Radio Preservation Project work with HBCU radio stations and their campus communities, a collection of reformatted historical HBCU radio material will available at the American Archive of Public Broadcasting along with an oral history collection that will be housed at Jackson State University’s Margaret Walker Center.

The HBCU Radio Preservation Project will ocially kick o this next phase of work on February 1, 2024, at 3:00 p.m. Members of the HBCU and preservation communities and their supporters are invited to attend this free Zoom event by registering at: HBCU Radio Preservation Project Kick-o.