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McCoy on Movies: The Nice Guys

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“What do we have here … It looks like … A script!” Holland March (Ryan Gosling, left), Jessica (Daisy Tahan, next to Gosling), Holly (Angourie Rice) and Jackson Healey (Russell Crowe, far right) take a gander in a scene from co-writer/director Shane Black’s action-comedy THE NICE GUYS. Credit: Courtesy of Warner Bros. Pictures. © 2016 Nice Guys, LLC.

WATCH THE TRAILER HERE:


 

 


KEY CAST MEMBERS: Ryan Gosling, Russell Crowe, Angourie Rice, Margaret Qualley, Keith David, Beau Knapp, Matt Bomer, Yaya DaCosta, Daisy Tahan, Jack Kilmer and Kim Basinger
WRITER(S): Anthony Bagarozzi and Shane Black
DIRECTOR(S): Shane Black
THE STORY AS BEST WE KNOW IT: Set in the sleaziest of times of 1977 Los Angeles, The Nice Guys stars Ryan Gosling as Holland March, a private investigator who is more apt at taking gullible clients’ money than he is at actually solving cases. Raising his precocious daughter Holly (Angourie Rice) by himself after the death of his wife, Holland stumbles upon the wrong case when Mrs. Glenn (Lois Smith) asks him to find her niece, adult film star Misty Mountains (Murielle Tielo). 
Unfortunately, Misty died in a massive car crash a few days ago. And the girl that might know something, Amelia (Margaret Qualley), does not want to be found – which is why she has hired Jackson Healy (Russell Crowe) – to do what he does best: Send a “message” (via a physical assault) to stop Holland from checking up on her. 
What Holland and Jackson both don’t know, however, is why Amelia is trying to make herself so scarce. But once two thugs (Keith David and Beau Knapp) start showing up and the head of the Justice Department (Kim Basinger) gets thrown into the mix, one thing becomes clear: Amelia’s life is clearly in danger and our unlikely tandem is about to get involved WAY over their head.
WHO WILL LIKE THIS MOVIE THE MOST? Ryan Gosling fans; people who love the 1970s and all its over-the-top (or at least as depicted in movies) excess; people who can appreciate when a child actress steps up in a big way to not only add to a story, but be an integral part of it; people who like it when characters in films meet ends that seem fitting 
WHO WILL HATE THIS MOVIE THE MOST? People who hate the 1970s and all its over-the-top (or at least as depicted in movies) excess; people who hate when a child actor is an integral part of a story no child should be mixed up in; those who hate watching a lighthearted character in fatal situations; those who can’t buy in to the film’s premise
SO IS IT GOOD, GREAT, JUST ALL RIGHT OR DOWNRIGHT AWFUL? For a film that on the surface looks like it could be just another mismatched homage to a bygone era, The Nice Guys is actually a very entertaining adventure that allows its cast to use their collective range to the audience’s enjoyment. 
Co-writer and director Shane Black’s 1970s send up is equal parts comical and dramatic while making sure to never let one extreme become too extreme for the film’s own good. While the premise of the film seems a bit outlandish to say the least once you’ve figured out how all the moving parts work together, Black does a stellar job of making sure you understand why they fit within the world he’s created. Never trying to emulate too much a Boogie Nights vibe or imitate other ‘70s crime stories, he keeps The Nice Guys balanced but making sure each scene fits in the overall mix to add as things go back and forth from comical to (somewhat) dramatic. You get your laughs, you get some unexpected surprises and – while he never leans in on making the film have a truly serious tone – you get enough of a semblance of reason to keep you involved in watching his characters progress.
Speaking of the characters, Ryan Gosling is hilarious as the sleazy-yet-sensitive Holland March, proving himself proficient at being both the comical butt of the joke time and time again whilst others get to deliver the (in many cases) literal punchline. His take on the role of the private investigator never falls into the stereotypically stupid department, instead teetering on the line between clever and corny quite well throughout the film’s near 2 hour run time. Likewise, Crowe plays the straight man with artistic ease, using all his off-screen bravado to channel a very simple character into one you enjoy rooting for thoroughly. 
The biggest scene-stealer, however, is by far any of those that happen to feature Angourie Rice as Holly. A classic WAY-too-beyond-her-13-years-of-age character, Rice accomplishes the rare feat of not only making her character essential to the story, but also so likable you nearly forget she shouldn’t be so good – both as a character and an actress. Black gets the most out of his cast by continually placing them into wacky scenarios, but be it one where she needs to help out her dad or provide a sensitive moment, Rice comes out as the biggest winner. While Black and his fellow co-writer Anthony Bagarozzi deliver enough of a story to keep you intrigued with its various twists and not-so-predictable turns, the cast’s ability to run with it is what ultimately makes The Nice Guys as enjoyable as it is. 
And what it is is a pretty nice way to enjoy something different at the movies. 
 
RATING OUT OF FOUR BUCKETS OF POPCORN:
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Susan Sarandon in THE MEDDLER, SING STREET Continues + MADONNA at THE NEON!

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The_Meddler_-_PosterHello Everyone,

If you still need to see CITY OF GOLD, it won’t be at THE NEON much longer. It will only screen for one matinee per day over the weekend. On Friday, we will open a film that many of you will adore – THE MEDDLER – starring Susan Sarandon, Rose Byrne and a great supporting performance by J.K. Simmons. SING STREET is going to stick around for one more week! (If you’ve already seen this gem, please help us spread the word!)

Synopsis for THE MEDDLER: “With a new iPhone, an apartment near the Grove, and a comfortable bank account left to her by her beloved late husband, Marnie Minervini (Susan Sarandon) has happily relocated from New Jersey to LosAngeles to be near her daughter Lori (Rose Byrne), a successful (but still single) screenwriter, and smother her with motherly love. But when the dozens of texts, unexpected visits, and conversations dominated by unsolicited advice force Lori to draw strict personal boundaries, Marnie finds ways to channel her eternal optimism and forceful generosity to change the lives of others – as well as her own – and find a new purpose in life.” (Sony Pictures Classics) Click this LINK to visit the film’s official website.

I can hardly believe it, but the documentary TRUTH OR DARE is now 25 years old! Take a Holiday with Madonna and her entourage as we celebrate the film’s anniversary on the big screen…one of the great concert films of the past 30 years…and an incredibly important film to me when I first saw it at age 17! “This documentary chronicles Madonna’s controversial 1990 ‘Blonde Ambition’ international tour (which ROLLING STONE has recently called “the best concert tour of the 1990’s”). The film is a behind-the-scenes look at Madonna’s relationships with her dancers and crew, her then-boyfriend Warren Beatty, and her family and friends, achieving an intimate glimpse into the boundary-pushing singer’s drive and individuality.” Gene Siskel said it was “One of the best and most entertaining films of the year.” Come dressed as Madonna or wear your favorite Madonna T-shirt for discounts at the Concession Stand! Tickets are now on sale. TRUTH OR DARE will screen this Thursday, May 19 at 7:30 and Saturday, May 21 at 10pm.  Watch the original (“scandalous” albeit censored) trailer from 25 years ago:

“Massie Creek Paddlers and Tomfoolery Outdoors are pleased to announce the Dayton screening of THE REEL PADDLING FILM FESTIVAL WORLD TOUR. The festival is an international adventure film tour presenting the world’s best paddling films of the year – categories include: whitewater, sea kayaking, canoeing, SUP, action and lifestyle. Audiences will see hairy whitewater action, sea kayakers exploring remote coastlines, northern river canoe expeditions, international river travel films, motivating environmental documentaries, grueling kayak fishing battles and hilarious short films capturing the lighter side of paddling life. Join us on May 25 at 7:30 for the best paddling films of the year.” Tickets are $10 in advance and are only available at this LINK. If tickets remain on the day of the show, they will be $15 each and available at our box office one hour before showtime.

“LUNAFEST, a national festival of women’s films, comes to Dayton for the 7th time Sunday June 5 at 3:00 at THE NEON. The program features six award-winning short films that are international in scope, plus a short film by local filmmaker Aisha Ford. The films examine women’s stories told through the lens of women filmmakers in places ranging from Dayton, Ohio to the Philippines, Cuba and Iran. The diverse, thought-provoking stories for 2016 include challenges facing a woman boxer, a deaf woman dealing with cancer, the effects of drug addiction, raising a transgender child and more. Funds raised by this event will go to the Breast Cancer Fund and to Planned Parenthood Southwest Ohio Region. Tickets are $10.00 ($5.00 for students) and donations over this amount are gratefully accepted. The event is sponsored nationally by Luna and locally by Dayton Women’s Rights Alliance & the Dayton chapter of the American Association of University Women. Tickets can be purchased in advance at THE NEON.” (taken from press notes) To read about each of this year’s films, visit this LINK. And here’s a trailer for Aisha Ford’s film WREN:

https://vimeo.com/149449892

Eric Totel has partnered with Tugg to hopefully bring the film RANGE 15 to town on Wednesday, June 15 at 7:30. As of this posting, they still need to sell 17 tickets in order to make the screening a reality. Here’s a synopsis: “A group of veterans wake up after a night of partying to find out that the zombie apocalypse has spread across the United States. Together, they must fight their way across the country in order to find a cure for the outbreak and restore freedom before it’s too late.” To watch a trailer and/or secure your ticket, visit this screening’s OFFICIAL PAGE. (If not enough tickets are reserved, the screening will not take place and your card will never be charged.)

If you were at THE NEON this weekend, you’ve already seen a sample of the chairs we’re hoping to purchase and install this September. Because we’re not a non-profit, I don’t like to seek or accept donations…but for this big project, we are going to ask for some assistance. (Interestingly, a couple people have approached me over the past year and asked how they might be able to help us financially – this is the way!) This June, I’ll start a campaign to help us raise a bit of extra money in order to make our auditoriums more comfortable for everyone – finally including our guests in wheelchairs. Stay tuned for updates!

Next week, we will bring Whit Stillman’s LOVE & FRIENDSHIP to town. This film is based on the novella LADY SUSAN by Jane Austen, and it is currently rated “100% Fresh” on rottentomatoes.com – a score that almost never happens! We will have a special sneak preview screening of the film on Thursday, May 26.

Thanks for your continued support.

See you soon!
Jonathan

SHOWTIMES for Tuesday, May 17- Thursday, May 26:

KRISHA (R) 1 Hr 23 Min
Tuesday – Thursday (May 17-19): 5:15
FINAL DAY – May 19!

CITY OF GOLD (R) 1 Hr 36 Min
Tuesday & Wednesday (May 17 &18): 3:00, 7:15
Thursday (May 19): 3:00
Friday, Saturday, Sunday (May 20-22): 12:30
FINAL DAY – May 22!

SING STREET (PG-13) 1 Hr 46 Min
Monday – Thursday (May 16-19): 3:10, 5:30, 7:50
Friday (May 20): 2:50, 5:10, 7:20, 9:40
Saturday – Wednesday (May 21-25): 2:50, 5:10, 7:20
Thursday (May 26): 2:50, 5:10

MADONNA: TRUTH OR DARE (R) 2 Hrs
Thursday (May 19): 7:30
Saturday (May 21): 10:00

THE MEDDLER (PG-13) 1 Hr 40 Min
Friday & Saturday (May 20 & 21): 12:45, 3:00, 5:15, 7:30, 9:45
Sunday (May 22): 12:45, 3:00, 5:15, 7:30
Monday & Tuesday (May 23 & 24): 3:00, 5:15, 7:30
Wednesday (May 25): 3:00, 5:15
Thursday (May 26): 3:00, 5:15, 7:30

LOVE & FRIENDSHIP (PG) 1 Hr 32 Min
Thursday (May 26) – Preview Screening – 7:30

COMING SOON:
(All Dates Are Tentative. Dates Often Move And Sometimes Disappear.)
May 27 – LOVE & FRIENDSHIP
TBD – A BIGGER SPLASH
June 10 – MAGGIE’S PLAN
June 17 – DARK HORSE
TBD – HUNT FOR THE WILDERPEOPLE
TBD – SWISS ARMY MAN
TBD – CAPTAIN FANTASTIC
July 22 – ABSOLUTELY FABULOUS
July 29 – CAFE SOCIETY

2 New Gems – CITY OF GOLD & KRISHA – Open Friday + Madonna’s TRUTH OR DARE Turns 25!

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getmovieposter_city_of_goldHello Everyone,

I just got back from a short, revitalizing vacation, and we’re ready to tackle the next several weeks (which are currently overbooked). If you still need to see MILES AHEAD or A HOLOGRAM FOR THE KING, you only have until Thursday to see them at THE NEON. Though audiences are loving SING STREET, I’m sad to say that it didn’t perform nearly as well as I had hoped. Though it will stick around, it won’t be here for long. On Friday, we will open 2 films that will likely only play for one week. First is a film that foodies and doc lovers will devour – CITY OF GOLD. Second is a film that won big awards at SXSW last year (and also played as part of the FilmDayton Festival – one of the best reviewed films of the year) – KRISHA.

Synopsis for CITY OF GOLD: “In this richly penetrating documentary odyssey, Pulitzer Prize-winning food critic Jonathan Gold shows us a Los Angeles where ethnic cooking is a kaleidoscopic portal to the mysteries of an unwieldy city and the soul of America. Combing through colorful neighborhoods in his green pickup truck, Gold is sniffing out his next strip-mall discovery-whether Oaxacan grasshopper soup, hand-cut tonkotsu ramen, or a particularly unctuous pad see ew. As piping-hot platters are served up, so are stories of immigrants whose secret family recipes are like sacred offerings pledged for the opportunity to build their American Dream. With eternal curiosity, razor-sharp intellect, and existential longing, Gold is a culinary geographer taking us where no critic has gone before.” Click this LINK to visit the film’s official website.

Synopsis for KRISHA: One of the best reviewed films of the year and a big winner from last year’s SXSW Film Festival! ONE WEEK ONLY! “When Krisha shows up at her sister’s Texas home on Thanksgiving morning, her close and extended family greet her with a mixture of warmth and wariness. Almost immediately, a palpable unease permeates the air, one which only grows in force as Krisha gets to work cooking the turkey and trying to make up for lost time by catching up with her various relatives, chief among them her nephew, Trey. As Krisha’s attempts at reconciliation become increasingly rebuffed, tension and suspicion reach their peak, with long-buried secrets and deep-seated resentments coming to the fore as everyone becomes immersed in an emotionally charged familial reckoning.” Click this LINK to visit the film’s official website.

It’s almost time for our Madonna celebration. I can hardly believe it, but the documentary MADONNA: TRUTH OR DARE is now 25 years old! Take a Holiday with Madonna and her entourage as we celebrate the film’s anniversary on the big screen…one of the great concert films of the past 30 years…and an incredibly important film to me when I first saw it at age 17! “This documentary chronicles Madonna’s controversial 1990 ‘Blonde Ambition’ international tour (which ROLLING STONE has recently called “the best concert tour of the 1990’s”). The film is a behind-the-scenes look at Madonna’s relationships with her dancers and crew, her then-boyfriend Warren Beatty, and her family and friends, achieving an intimate glimpse into the boundary-pushing singer’s drive and individuality.” Gene Siskel said it was “One of the best and most entertaining films of the year.” Come dressed as Madonna or wear your favorite Madonna T-shirt for discounts at the Concession Stand! Tickets are now on sale. TRUTH OR DARE will screen Thursday, May 19 at 7:30 and Saturday, May 21 at 10pm.

“Massie Creek Paddlers and Tomfoolery Outdoors are pleased to announce the Dayton screening of THE REEL PADDLING FILM FESTIVAL WORLD TOUR. The festival is an international adventure film tour presenting the world’s best paddling films of the year – categories include: whitewater, sea kayaking, canoeing, SUP, action and lifestyle. Audiences will see hairy whitewater action, sea kayakers exploring remote coastlines, northern river canoe expeditions, international river travel films, motivating environmental documentaries, grueling kayak fishing battles and hilarious short films capturing the lighter side of paddling life. Join us on May 25 at 7:30 for the best paddling films of the year.” Tickets are $10 in advance and are only available at this LINK. If tickets remain on the day of the show, they will be $15 each and available at our box office one hour before showtime.

“LUNAFEST, a national festival of women’s films, comes to Dayton for the 7th time Sunday June 5 at 3:00 at THE NEON. The program features six award-winning short films that are international in scope, plus a short film by local filmmaker Aisha Ford. The films examine women’s stories told through the lens of women filmmakers in places ranging from Dayton, Ohio to the Philippines, Cuba and Iran. The diverse, thought-provoking stories for 2016 include challenges facing a woman boxer, a deaf woman dealing with cancer, the effects of drug addiction, raising a transgender child and more. Funds raised by this event will go to the Breast Cancer Fund and to Planned Parenthood Southwest Ohio Region. Tickets are $10.00 ($5.00 for students) and donations over this amount are gratefully accepted. The event is sponsored nationally by Luna and locally by Dayton Women’s Rights Alliance & the Dayton chapter of the American Association of University Women. Tickets can be purchased in advance at THE NEON.” (taken from press notes) To read about each of this year’s films, visit this LINK. A trailer for Aisha Ford’s film WREN can be viewed below.

https://vimeo.com/149449892

Eric Totel has partnered with Tugg to hopefully bring the film RANGE 15 to town on Wednesday, June 15 at 7:30. As of this email, they still need to sell 22 tickets in order to make the screening a reality. Here’s a synopsis: “A group of veterans wake up after a night of partying to find out that the zombie apocalypse has spread across the United States. Together, they must fight their way across the country in order to find a cure for the outbreak and restore freedom before it’s too late.” To watch a trailer and/or secure your ticket, visit this screening’s OFFICIAL PAGE. (If not enough tickets are reserved, the screening will not take place and your card will never be charged.)

Next week, we plan to bring Susan Sarandon’s new film THE MEDDLER to town – a film that Rex Reed called “Charming, Insightful and Funny.”

Thanks for your continued support.

See you soon!
Jonathan

SHOWTIMES for Tuesday, May 10- Thursday, May 19:

MILES AHEAD (R) 1 Hr 40 Min
Tuesday – Thursday (May 10-12): 5:10
FINAL DAY – May 12!

A HOLOGRAM FOR THE KING (R) 1 Hr 37 Min
Tuesday (May 10): 2:50
Wednesday (May 11): 2:50, 7:30
Thursday (May 12): 2:50
FINAL DAY – May 12!

SING STREET (PG-13) 1 Hr 46 Min
Tuesday – Thursday (May 10-12): 3:10, 5:30, 7:50
Friday & Saturday (May 13 & 14): 12:30, 2:50, 5:10, 7:30, 9:45
Sunday (May 15): 12:30, 2:50, 5:10, 7:30
Monday – Thursday (May 16-19): 3:10, 5:30, 7:50

CITY OF GOLD (R) 1 Hr 36 Min
Friday, Saturday, Sunday (May 13-15): 12:50, 3:00, 7:15
Monday – Wednesday (May 16-18): 3:00, 7:15
Thursday (May 19): 3:00

KRISHA (R) 1 Hr 23 Min
Friday, Saturday, Sunday (May 13-15): 5:15, 9:30
Monday – Thursday (May 16-19): 5:15

MADONNA: TRUTH OR DARE (R) 2 Hrs
Thursday (May 19): 7:30

COMING SOON:
(All Dates Are Tentative. Dates Often Move And Sometimes Disappear.)
May 20 – THE MEDDLER
May 27 – LOVE AND FRIENDSHIP
TBD – A BIGGER SPLASH
TBD – THE CONGRESSMAN
June 10 – MAGGIE’S PLAN
June 17 – DARK HORSE
TBD – HUNT FOR THE WILDERPEOPLE
TBD – SWISS ARMY MAN
TBD – CAPTAIN FANTASTIC
July 22 – ABSOLUTELY FABULOUS
July 29 – CAFE SOCIETY

McCoy on Movies: Captain America

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Marvel’s first Avenger returns for another spectacular superhero adventure in Civil War

“… And we say, we like Pepsi better than Coke! What?! ‘Dem’s fighting words!” L to R: Black Panther/T’Challa (Chadwick Boseman), Vision (Paul Bettany), Iron Man/Tony Stark (Robert Downey Jr.), Black Widow/Natasha Romanoff (Scarlett Johansson), and War Machine/James Rhodey (Don Cheadle) prepare to square off against their fellow superheroes in a scene from CAPTAIN AMERICA: CIVIL WAR. Credit: Film Frame..© Marvel 2016.


WATCH THE TRAILER(S) HERE:



 

KEY CAST MEMBERS: Chris Evans, Robert Downey, Jr., Chadwick Boseman, Scarlett Johansson, Jeremy Renner, Don Cheadle, Paul Rudd, Tom Holland, Elizabeth Olsen, Paul Bettany, Martin Freeman, Emily VanCamp, Sebastian Stan and Anthony Mackie with Frank Grillo, William Hurt, Marisa Tomei, Daniel Brühl and John Kani.

WRITER(S): Christopher Markus and Stephen McFeely (screenplay); Mark Millar (comic book); Joe Simon and Jack Kirby (characters) 

DIRECTOR(S): Anthony & Joe Russo

WEB SITE: http://marvel.com/captainamericapremiere
60 SECOND PLOT SUMMARY (OR AS CLOSE TO THAT TIME AS ONE CAN MAKE IT): Following up after the events of Avengers: Age of Ultron and Ant-Man, Captain America: Civil War does something most Marvel movies don’t do: Flashing back in time to 1991 to find Joseph Buchanan “Bucky” Barnes in the control of Hydra agents being read a seemingly innocuous series of words that have a very specific purpose: Triggering the “Winter Soldier,” a near-unstoppable one-man killing machine capable of crimes on command.


The Avengers, however, have their own problem in the modern world: The Sokovia Accords, a document that 117 countries have come together to sign in favor of get the team under control given all the collateral damage they have done in New York, Washington, D.C., Sokovia and most recently Lagos in dealing with Brock Rumlow (Frank Grillo), which has earned the ire of King T’Chaka (John Kani), ruler of Wakanda (the African nation where the vibranium comes from. If you don’t know what vibranium is, you’re watching the wrong movie. Anyway …)


Iron Man’s human alter ego Tony Stark (Robert Downey, Jr.) knows which side he is on. It’s the same one his best friend James “Rhodey” Rhodes a.k.a Iron Patriot (Don Cheadle), Black Widow (Scarlett Johansson), the Vision (Paul Bettany) and now Secretary of State Thunderbolt Ross (William Hurt) is on: Putting the Avengers in check and signing off on the document. Unfortunately, Steve Rogers a.k.a. Captain America (Chris Evans) is not – and neither is Wanda Maximoff a.ka. the Scarlett Witch (Elizabeth Olsen), Sam Wilson a.k.a. the Falcon (Anthony Mackie) nor the now-retired Clint Barton (Jeremy Renner). But despite their objections, the countries are going to sign the document, making it a foregone conclusion that the world’s protectors must play by the rules or be subjected to the law lie anyone else when they wantonly break it. 


Then there’s a bombing in Geneva the day the accords are to be signed, which kills King T’Chaka, much to chagrin of his son T’Challa (Chadwick Boseman). And to make things worse, the Winter Soldier is believed to be the culprit. So now, with the world placing blame on the Avengers for even more trouble, the suspected bomber being Steve Rogers’ former best friend Bucky Barnes who’s been on the run since the events of the last Captain America film. So now, Captain America is trying to protect his friend and fight off the Sokova Accords, while Iron Man is trying to bring Cap in before the government does – and not in a nice fashion. And therein lies a bit of a conflict in terms of how far will someone go for friendship and does the end justify the means when people are dying in the process?


And that would be bad enough … But since no one is quite sure what in the world Helmut Zemo (Daniel Brühl) is up and why, Captain America is going to have his hands full if he is to prevent the world from falling apart. 

WHO WILL LIKE THIS FILM THE MOST? Fans of just about every other Marvel movie; Chris Evans fans; Robert Downey, Jr. fans; Chadwick Boseman fans; people who were worried about how Black Panther and Spider-Man would fit into the mix; people who love Stan Lee’s cameos 

WHO WON’T (OR SHOULDN’T) LIKE THIS MOVIE? Pretty much anyone who still thinks D.C. makes better movies than Marvel and/or anyone who doesn’t like superhero movies 
SO, IS IT GOOD, BAD OR ABSOLUTELY AWFUL? OK, show of hands – How many of you would have picked the Captain America franchise to be the one to turn out three terrific (dare I say classic) superhero films when you heard about Marvel Studios’ plans to make films centered around its core Avengers characters? Exactly. For while Captain America might be the oldest, he certainly was never considered to be the coolest of the bunch in the comic book world. 


Now, not only is Captain America an essential part of the Marvel Universe, he’s possibly its on-screen MVP, with Civil War being another top notch on his belt – or shield, as the case may be. 

Say what you want about superhero movies; there is no way – and if I was to channel my inner Dwayne Johnson, no way! – Civil War would work without the actors behind the characters layering and committing their respective selves to their roles as well as they do in the movie. Fortunately, directors Joe and Anthony Russo and their cast continue their excellent precedent set in The Winter Soldier by ACTING AS IF THEY ARE ADJUSTING TO THE WORLD and NOT AS IF THEY ARE ACTING IN A SUPERHERO MOVIE. If you’ve seen last summer’s disastrous Fantastic Four reboot, you know exactly what I mean. Instead of acting like they are doing something heroic, Evans, Downey, Jr. and company are simply trying to do what each thinks is best to secure the world. Yes, there are moments of cracking jokes and some really dynamic action sequences, but none of it would matter if the characters were not presented in a fashion were you felt their highs, lows and the relationships between them felt as real as possible. Civil War delivers on all those fronts to the point where you are emotionally invested in their individual outcomes, which is enhanced by the storytelling which never drags, features major incomprehensible sequences (looking at YOU, Batman Vs. Superman) and manages to tie up most if not all of its loose ends well. 


Thrown in the grand introduction of a major character seamlessly into the mix and the interpolation of the one that many fans wanted to see in the main Marvel universe and Civil War hits high marks at every turn. Instead of being a typical good-vs-evil story, this is a battle of principles that turns high stakes and adds to the overall Marvel canon. Evans holds the Captain America mantle with ease and aplomb as the moral center while Downey, Jr. serves as the hotheaded-even-though-he’s-calmer-and-less-impulsive perfect adversary (even though both should be concerned with someone else). Meanwhile, Bettany brings the Dr. Manhattan-like (yes, I DID mention a D.C. Comics character in a Marvel review in a positive sense!) nature of the Vision to life better than he did in Age of Ultron and Boseman does a strong job of establishing the man you can now look forward to seeing in two years in his own solo flick. 


While the film is fairly serious in tone, subject matter and its battles, Civil War does feature some great joke exchanges of near Deadpool like quality (but NOT subject manner and language!) Rudd delivers “giant” comic relief as Scott Lang (a.k.a. Ant-Man) and Tom Holland may have found a way to master a role that some may have thought near impossible for another actor to make his own.  To say much more about that would ruin how well things are tied together and excel … And that would be enough to cause a war between myself and anyone who reads this review.


But if you’re still reading this, you likely haven’t figured out you need to just go see the movie, I’m not sure what I can say that will. For Captain America: Civil War is another great Marvel flick – and one worthy of your time and interest … If you’re into that sort of thing.


OVERALL RATING (OUT OF FOUR POSSIBLE BUCKETS OF POPCORN):

Audiences & Critics Love SING STREET – Opening Friday at THE NEON!

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-132434-poster-xlarge-resizedHello Everyone,

We had a really nice weekend at THE NEON. Folks in the packed house on Saturday night really loved the screening of PURPLE RAIN…so we’re bringing it back one more time this Saturday at 10pm (last week’s screening sold out, and numerous people were disappointed not to get tickets). In addition to holding both MILES AHEAD and A HOLOGRAM FOR THE KING, we’re opening a brand new film that is currently rated “97% Fresh” on rottentomatoes – SING STREET. This charming, uplifting and funny film is a complete gem, and it’s from John Carney – director of ONCE.

Synopsis for SING STREET: “In 1980s Dublin, 14-year-old Conor is looking for a break from a home strained by his parents’ relationship and money troubles, while trying to adjust to his new inner-city public school where the kids are rough and the teachers are rougher. He finds a glimmer of hope in the mysterious, uber-cool and beautiful Raphina, and with the aim of winning her heart he invites her to star in his band’s music videos. There’s only one problem: he’s not part of a band…yet. She agrees, and now Conor must deliver what he’s promised – calling himself ‘Cosmo’ and immersing himself in the vibrant rock music trends of the decade, he forms a band with a few lads, and the group pours their heart into writing lyrics and shooting videos.” Click this LINK to visit the film’s official website.

https://www.youtube.com/watch?v=C_YqJ_aimkM

Don’t forget about this Thursday, May 5th’s special screening! Stivers School for the Arts is coming back to THE NEON with a new edition of student work – THE SHOWCASE. “This eclectic compilation of short films includes comedies, documentaries, animations, music videos, as well as experimental work. Some of these films have won national and regional awards. Following the show we’ll have a Q & A with the student filmmakers. All proceeds go towards updating equipment in the film and animation studio. Tickets will be $5.00 during the pre-sale and $7.00 day of the screening. Tickets are now available at THE NEON’s box office. Our students thank you for your continued support!” (taken from press notes)

“The Dayton International Peace Museum invites you to save Sunday, May 8, 2016 at 3:00 p.m. for HIP-HOPERATION. In conjunction with our ‘Invent Peace’ theme, this funny documentary follows the Journey of Seniors from New Zealand as they not only learn to dance Hip Hop, but attend a World Hip Hop Dance Championship in Las Vegas. Enjoy their delight in discovering a new world. Suggested Donation: $10 (includes popcorn!) More info at: daytonpeacemuseum.org or call Jerry at 937-999-7314.” (If you liked YOUNG AT HEART – the documentary about seniors singing rock songs – you’ll love this film.) Check out the trailer by clicking this LINK.

Mark your calendars! I can hardly believe it, but the documentary TRUTH OR DARE is now 25 years old! Take a Holiday with Madonna and her entourage as we celebrate the film’s anniversary on the big screen…one of the great concert films of the past 30 years…and an incredibly important film to me when I first saw it at age 17! “This documentary chronicles Madonna’s controversial 1990 ‘Blonde Ambition’ international tour (which ROLLING STONE has recently called “the best concert tour of the 1990’s”). The film is a behind-the-scenes look at Madonna’s relationships with her dancers and crew, her then-boyfriend Warren Beatty, and her family and friends, achieving an intimate glimpse into the boundary-pushing singer’s drive and individuality.” Gene Siskel said it was “One of the best and most entertaining films of the year.” Come dressed as Madonna or wear your favorite Madonna T-shirt for discounts at the Concession Stand! Tickets are now on sale. TRUTH OR DARE will screen Thursday, May 19 at 7:30 and Saturday, May 21 at 10pm.

“Massie Creek Paddlers and Tomfoolery Outdoors are pleased to announce the Dayton screening of THE REEL PADDLING FILM FESTIVAL WORLD TOUR. The festival is an international adventure film tour presenting the world’s best paddling films of the year – categories include: whitewater, sea kayaking, canoeing, SUP, action and lifestyle. Audiences will see hairy whitewater action, sea kayakers exploring remote coastlines, northern river canoe expeditions, international river travel films, motivating environmental documentaries, grueling kayak fishing battles and hilarious short films capturing the lighter side of paddling life. Join us on May 25 at 7:30 for the best paddling films of the year.” Tickets are $10 in advance and are only available at this LINK. If tickets remain on the day of the show, they will be $15 each and available at our box office one hour before showtime.

“LUNAFEST, a national festival of women’s films, comes to Dayton for the 7th time Sunday June 5 at 3:00 at THE NEON. The program features six award-winning short films that are international in scope, plus a short film by local filmmaker Aisha Ford. The films examine women’s stories told through the lens of women filmmakers in places ranging from Dayton, Ohio to the Philippines, Cuba and Iran. The diverse, thought-provoking stories for 2016 include challenges facing a woman boxer, a deaf woman dealing with cancer, the effects of drug addiction, raising a transgender child and more. Funds raised by this event will go to the Breast Cancer Fund and to Planned Parenthood Southwest Ohio Region. Tickets are $10.00 ($5.00 for students) and donations over this amount are gratefully accepted. The event is sponsored nationally by Luna and locally by Dayton Women’s Rights Alliance & the Dayton chapter of the American Association of University Women. Tickets can be purchased in advance at THE NEON.” (taken from press notes) To read about each of this year’s films, visit this LINK. A trailer for Aisha Ford’s film WREN can be viewed at this LINK.

Next week, we plan to bring a film that will absolutely delight foodies – CITY OF GOLD. If we have room, we’ll also open the big SXSW winner KRISHA.

Thanks for your continued support.

See you soon!
Jonathan

SHOWTIMES for Tuesday, May 3- Thursday, May 12:

MILES AHEAD (R) 1 Hr 40 Min
Tuesday & Wednesday (May 3 & 4): 3:00, 5:10, 7:30
Thursday (May 5): 3:00, 5:10
Friday (May 6): 12:20, 5:00, 9:30
Saturday (May 7): 12:20, 5:00
Sunday (May 8): 12:20, 5:15
Monday – Thursday (May 9-12): 5:10

A HOLOGRAM FOR THE KING (R) 1 Hr 37 Min
Tuesday-Thursday (May 3-5): 3:10, 5:20, 7:40
Friday & Saturday (May 6 & 7): 2:45, 7:15
Sunday (May 8): 7:30
Monday (May 9): 2:50, 7:30
Tuesday (May 10): 2:50
Wednesday (May 11): 2:50, 7:30
Thursday (May 12): 2:50

STIVERS FILM & ANIMATION – THE SHOWCASE (NR)
Thursday (May 5): 7:30

SING STREET (PG-13) 1 Hr 46 Min
Friday & Saturday (May 6 & 7): 12:30, 2:50, 5:10, 7:30, 9:45
Sunday (May 8): 12:30, 2:50, 5:10, 7:30
Monday – Thursday (May 9-12): 3:10, 5:30, 7:50

PURPLE RAIN (R) 1 Hr 51 Min
Saturday (May 7): 10:00pm

HIP HOP-ERATION (NR) 1 Hr 33 Min
Sunday (May 8): 3:00

COMING SOON:
(All Dates Are Tentative. Dates Often Move And Sometimes Disappear.)
May 13 – CITY OF GOLD
May 13 – KRISHA
May 20 – THE MEDDLER
May 27 – LOVE AND FRIENDSHIP
TBD – A BIGGER SPLASH
TBD – THE CONGRESSMAN
June 10 – MAGGIE’S PLAN
June 17 – DARK HORSE
TBD – HUNT FOR THE WILDERPEOPLE
TBD – SWISS ARMY MAN
TBD – CAPTAIN FANTASTIC
July 22 – ABSOLUTELY FABULOUS
July 29 – CAFE SOCIETY

McCoy on Movies: Keanu

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Visionary sketch duo offer up laughs (but in a less-than-purr-fect) big screen feature debut

“Whaa … Comedy Central was gonna give us the money Dave Chappelle didn’t take if we stayed on the air longer? Son of a …” Clarence (Keegan Michael-Key) and Rell (Jordan Peele), with the titular character, get some new information in a scene from director Peter Atencio’s action-comedy KEANU. Credit: Steve Dietl. © 2016 Warner Bros. Pictures and Ratpac-Dune Entertainment, LLC. All rights reserved. 


WATCH THE TRAILER(S) HERE:



KEY CAST MEMBERS: Keegan Michael-Key, Jordan Peele, Method Man, Tiffany Haddish, Will Forte, Jason Mitchell, Luis Guzmán, Anna Faris, Rob Huebel and Nia Long

WRITER(S): Jordan Peele, Alex Rubens

DIRECTOR(S): Peter Atencio

WEB SITE: http://keanumovie.com/
60 SECOND PLOT SUMMARY (OR AS CLOSE TO THAT TIME AS ONE CAN MAKE IT): The first feature length offering starring the two leads behind Comedy Central too short-lived hit sketch series Key & Peele, Keanu stars Jordan Peele as Rell, a man who has just been dumped by his girlfriend and is down in the emotional doldrums as a result. Fortunately for Rell, his cousin Clarence (Keegan Michael-Key) is determined to cheer him up with his can-do attitude … And love of George Michael. But before Clarence can reach Rell, his cousin gets an unexpected visitor in the form of an adorably cute kitten which Rell names Keanu. And it blossoms into a beautiful relationship which uplifts Rell’s spirits in a tremendous – some might almost say dangerously obsessive – fashion.


Then Rell and Clarence go out one night – and come back to Rell’s home to discover that the place has been ransacked and Keanu is gone.


Checking with his drug dealer/neighbor Hulka (Will Forte), Rell learns that Keanu might be in the hands of the 17th Street Blips gang, run by a notorious drug kingpin named Cheddar (Method Man of Wu-Tang Clan fame). And once they realize their initial plan of going in to ask for the kitten back won’t work, Clarence and Rell launch a hair-brained scheme on the fly that just might work: pose as the notorious Allentown hitmen (also played by Key and Peele) that just shot up a rival drug dealer’s church hideout. In exchange for their service, Cheddar agrees to give the duo the kitten back, provided they show his crew – Hi-C (Tiffany Haddish), Trunk (Darrell Britt-Gibson), Stitches (Jamar Malachi Neighbors) and Bud (Straight Outta Compton‘s Jason Mitchell) – how to do things like real gangsters.


Now all Clarence and Rell have to do is survive … And prove that when it comes to the drug game, they are the cat’s pajamas. 

WHO WILL LIKE THIS FILM THE MOST? Key & Peele fans; Luis Guzman fans; people who can enjoy a silly comedy; kitten lovers; PETA; anyone looking for something … Different … At the movies this Spring.

WHO WON’T (OR SHOULDN’T) LIKE THIS MOVIE? People who hate movies with silly plots; people who don’t like Anna Faris; people of all races uncomfortable with the use of the “n” word (don’t like you don’t know what I’m talking about) for comedic purposes; those who like comedies that don’t spend an extended period of time setting up the remainder of the movie.
SO, IS IT GOOD, BAD OR ABSOLUTELY AWFUL? A film that is not what even the most die-hard Key & Peele fan would expect, Keanu is a ridiculously silly film about a man’s love for his cat … That more often than it does not hits with entertaining jokes. 


As anyone well-versed in Key & Peele’s five season run on Comedy Central (or, prior to that, their respective time on the under-appreciated MADTV), the duo was prone to find humor in just about anything (and I do mean, anything) – but their best work was unquestionably in exploring different racial constructs and deconstructing various avenues of African-American/ethnic culture, such as the East-West college football game, their formerly-of-an-inner-city-school-and-now-in-the-suburbs substitute teacher, the world’s two biggest Liam Neeson fans and of course, President Obama’s anger translator. Keanu, however, really doesn’t do that as much simply present the duo in roles that in anything other than a really silly (and in turn, mostly fun for the audience) situation and watch them work their way out of it. ‘


Now, when I say silly, I mean “silly” with a capital “S.” This is a story of a grown-ass man. Who goes into the nest of a drug dealer. And gets his cousin to go along with him. To rescue a kitten. If you cannot get past that idea because it is admittedly too silly, you should stop here. If you are willing to look past that and just go with it, however, you will eventually be treated to a mix of physical and situational humor that will feel like (or at least, what I assume) a comedic acid trip is like thanks to plays on traditional action movie staples like gun battles, what villains act like and getting out of sticky situations. It will, however, take a moment to get to those moments as for a 1 hour, 38 minute film, Keanu drags a bit for the first half of the film with a lot of needless filler that could be wrapped up quicker (see the Anna Faris scene … Or rather, just see the latter half of it, anyway). 


Other than that, there’s not a whole lot else you need to know about Keanu – stand-up comic Tiffany Haddish does a decent job in her role as do Method Man and Will Forte, but this is really Key and Peele’s show (no pun intended). The duo expands upon their abilities to play things comedically by playing them out as if they are simply just regular guys dealing with extreme circumstances while staying true to the nature of their characters (and in turn, their respective selves).


And if you’re expecting me to end this on a “they’re the coolest cats in the comedy game” bad joke, well … I’m not. But they have laid an interesting foundation that should make comedy fans interested to see what they do next. OVERALL RATING (OUT OF FOUR POSSIBLE BUCKETS OF POPCORN):

 

Big Lens Film Festival Sunday at Neon

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The seniors from the award winning Motion Picture program at Wright State University are showcasing their thesis work at the annual Big Lens Film Festival. The film festival is returning on May 1st, 2016 at the Neon in downtown Dayton. There will be work from Joe Cook, Alan Lewin, Mitch Centers, Sydney Waltz, Brian Roll, C. B. Hovey, Jessica Barton, Michaela Scholl, and Eric Risher.
13047825_988717661177030_6627502686652725560_o
SSome of the films you can expect to see:

THE TOOTH MAN COMETHAn aging salesman believes that stealing a baby tooth will make him become visible to others.

Director/Writer: Mitch Centers
Produced by: Jessica Barton and Liz Lowe
Director of Photography: Joe Cook

IN A WARM DARK PLACE
“In a Warm Dark Place” is psychological thriller about a mother and her relationship with her newborn son.
Written/Directed by: Sydney Waltz
Produced by: Sydney Waltz & Randy Miller
Cinematographer: Eryn Montgomery

TO CHILDREN ARDENT
Two young brothers turn their game of war into a mission to find out what has happened to their father.
Written by: Joe Cook
Directed by: Alan Lewin
Produced by: Michaela Scholl
Cinematographer: Joe Cook

The past participants in Big Lens Film Festival have won awards at festivals such as Slamdance, Student Academy Award, and Sundance. Tickets are $7 at the door and can be purchased at the Neon starting April 5th. After Big Lens please celebrate with us at our after party at the Dublin Pub from 9:45-12am. Appetizers will be provided and a cash bar will be available.If you would like more information on Big Lens contact Michaela Scholl, Production Manager at 614.302.8916 or [email protected]
R

McCoy on Movies: EVERYBODY WANTS SOME

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The “Spiritual Sequel” to Dazed & Confused offers up plenty of funky outfits, music and fun despite a lack of emotional depth

“Yeah, boy – let’s rock these horrible 80s pastels & get busy, fellas!” Plummer (Temple Baker), Roper (Ryan Guzman) and Jake (Blake Jenner) get ready to rock the disco in a scene from writer/director Richard Linklater’s “spiritual sequel” to Dazed & Confused, EVERYBODY WANTS SOME. Credit: Van Redin © 2015 Paramount Pictures. All rights reserved. 


WATCH THE TRAILER(S) HERE:



KEY CAST MEMBERS: Will Brittain, Zoey Deutch, Ryan Guzman, Tyler Hoechlin, Blake Jenner, J. Quinton Johnson, Glen Powell, Juston Street, Tanner Kalina, Forrest Vickery and Wyatt Russell

WRITER(S): Richard Linklater 

DIRECTOR(S): Richard Linklater 

WEB SITE: http://www.everybodywantssomemovie.com/

60 SECOND PLOT SUMMARY (OR AS CLOSE TO THAT TIME AS ONE CAN MAKE IT): The “spiritual sequel” to his beloved (by many) 1970s opus Dazed & Confused, Everybody Wants Some begins by introducing us to Jake (Blake Jenner), a 1979 second team high school all-star baseball player preparing to enter his first year in college in his native Texas. Moving into one of the two off-campus houses the baseball team occupies, Jake meets a cast of colorful characters within minutes of each other. 


This includes Roper (Ryan Guzman) and Finnegan (Glen Powell), the unofficial leaders and ladies men of the house who are always down for a good time; Reynolds (Tyler Hoechlin), a strong, Mike Schmidt-styled mustachioed power hitter; Jay Niles (Juston Street), a Detroit-born pitcher who tells everyone who will listen that the “raw dog” is a top pro prospect; resident knuckles game champ Nesbit (Austin Amelio), Dale (J. Quinton Johnson), the resident cool black guy/second baseman; heavy sleeper Coma (Forest Vickery), fellow freshman outfielder Brumley (Tanner Kalina); Willoughby (Wyatt Russell), a California transfer who’s got many tricks up his sleeve and Beuter (Will Brittain), Jake’s country roommate who has very strong opinions on following the coach’s rules. And over the course of the next three days, Jake and his newfound cast of merry men will party hard and often now that they are away from home with no direct adult supervisor to lord over them.


And Beverly (Zoey Deutch) is an alluring young woman on her own … But where could she possibly fit into Jake’s newfound world of beer, babes and baseball? The weekend is young – and he’s got plenty of time to figure that out. 
WHO WILL LIKE THIS FILM THE MOST? People who enjoyed Dazed & Confused; those who enjoyed the 70s portion of Boogie Nights before they hit the 80s second act; children of the late 70s/early 80s; people who like upbeat, coming-of-age stories filled with nostalgia; those who enjoyed 70s-era disco and country music and fashion; anyone in search of a light-hearted romp that is more focused on the fun aspects of youth than truly “growing up” 

WHO WON’T (OR SHOULDN’T) LIKE THIS MOVIE? Those looking for a direct Dazed & Confused link in terms of tone or character development; people who find 70s/80s nostalgia a bit over-romanticized; those who wish the film dived into deeper levels of what it meant to grow up during the time period depicted 
SO, IS IT GOOD, BAD OR ABSOLUTELY AWFUL? A film that is essentially a 2 hour party on film that celebrates all the debauchery, care-free spirit and optimism of being young and male at the onset of the 1980s – as well as how guys become friends – Everybody Wants Some is a fun diversion of a film … Even if it doesn’t say or represent nearly as much as it could. 


Whereas Dazed & Confused had a feeling of “this is how many kids in the 1970s felt about growing up and being on the verge of adulthood,” Everybody Wants Some essentially has one vibe: It’s time to party – and party it does. For if there has been a film that has embraced the mantra of letting the proverbial good times role more than Linklater’s 117 minute homage to bad 80s fashion, Smokey and the Bandit-style hair and the national pastime, you’d be hard to find one that has as much fun doing so. Jenner does a strong job presenting Blake as just a guy – not a bad guy, not a good guy but a decent guy – venturing out into the world on his own for the first time.


Much akin to the fashion that Steve Carell’s character was embraced in The 40 Year-Old Virgin by his co-workers, Jake is quickly swept under the tutelage of his newfound chums, each of which adds their own unique element to the mix, save for a few oddballs that add their own sense of humorous lunacy to the proceedings. Whether its Glen Powell channeling his inner Brad Pitt/Matthew McConaughey while spouting off romantic and/or philosophic witticism, Johnson being the cool black guy who isn’t defined by his melanin or dual butts of many jokes Austin Amelio and Juston Street being, well, the butts of many jokes, everything works well together to add to the fun. 


This makes Everybody Wants Some much more of an outright comedy than Dazed ever was, but in turn fails to give it as much impact on your conscious. (You won’t leave the theater pondering anything other than how much time did it take to get those clothes and get the actors’ hair to have that perfect fall 1980s look.) While Deutsch adds a nice balance that adds a little depth to both the film and Jake as he discovers meeting someone who at first is your opposite but may be the perfect person for you once you get to know and realize your commonalities, Everybody Wants Some isn’t here to be deep.


It’s here for you to have fun – and if you’re looking for some, this is what you and everybody you’re going to the movies with should want.

OVERALL RATING (OUT OF FOUR POSSIBLE BUCKETS OF POPCORN):

McCoy on Movies: THE HUNTSMAN: WINTER’S WAR

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Unexpected prequel/sequel to Snow White & The Huntsman turns in an entertaining, estrogen-filled experience

 
“I’m gonna hold your face real still … Now work that celery out of your teeth!” Sara (Jessica Chastain) embraces her fellow huntsman – and husband – Eric (Chris Hemsworth) in a scene from THE HUNTSMAN: WINTER’S WAR. Credit: Giles Keyte. © 2016 Universal Studios. All rights reserved.


WATCH THE TRAILER(S) HERE:



KEY CAST MEMBERS: Chris Hemsworth, Jessica Chastain, Charlize Theron, Emily Blunt, Nick Frost, Rob Brydon, Alexandra Roach, Sheridan Smith and Sope Dirisu

WRITER(S): Evan Spiliotopoulos, Craig Mazan (screenplay), Evan Daugherty (characters)

DIRECTOR(S): Cedric Nicolas-Troyan

WEB SITE: http://www.thehuntsmanmovie.com/#!/
60 SECOND PLOT SUMMARY (OR AS CLOSE TO THAT TIME AS ONE CAN MAKE IT): A prequel AND a sequel at the same time, The Huntsman: Winter’s War once again stars Chris “I’m more than Thor!” Hemsworth as Eric, a.k.a. the Huntsman who once helped save and then fight alongside (a mostly absent for this go-round) Snow White against the evil Queen Ravenna (Charlize Theron). But that’s not where this story starts.


No, it goes back in time a few years earlier when Ravenna was the unquestioned ruler of the land after the unfortunate passing of the king. Her younger sister Freya (Emily Blunt), however, was not as concerned with ruling as she was in love with William (Sam Clafin), who her sister correctly predicted would bear her a daughter. But, as Ravenna also predicted, he would not – despite his promises – break off his engagement with the woman he was supposed to marry for Freya, leading Freya to have an epic breakdown that transformed her into “the Ice Queen.” Leaving Ravenna before her demise, Freya would head to the north and encapsulate the entire land into a frozen wasteland where the children she would “save” would grow into a powerful army for her and live, provided they never broke one rule: Letting their hearts be open to the idea of love – which is what turned Freya into a woman so feared they were afraid to speak her name – was forbidden.


Fast forward a few years later and Freya is now on the warpath to take the one thing she has never tried to before: Snow White’s kingdom. And to do so, she seeks the one thing that Snow White has cast out of her kingdom: The mirror that once belonged to Ravenna, hence the reason Eric and his dwarf sidekicks Gryff (Rob Brydon) and Nion (Nick Frost) are out tracking – or hunting, if you will – where it could be since someone (or something) has stolen it in hopes of finding it before Freya does.


There’s just one little thing that none of the trio counted on getting in their way: Sara (Jessica Chastain), the female huntsman Eric thought was dead … That also just so happened to once be his wife. 

WHO WILL LIKE THIS FILM THE MOST? Fantasy film and cosplay enthusiasts; films where female characters drive the story; those looking for a date night activity that will have enough to keep the attention of both sexes (or those in the LGBT community – this is not an exclusionary review!) by catering to traditional male and female story elements of interest; people who enjoyed the more serious, straightforward tone of the first film but wanted a bit more humor at times to balance out the swordplay

WHO WON’T (OR SHOULDN’T) LIKE THIS MOVIE? People who were not that enthused with the first Huntsman movie; those who are “too grown” to watch a long adaptation of a story based on a fairy tale and/or simply aren’t interested in the subject matter … And anyone who suffers from Achondroplasiaphobia (look it up for yourself; I took the time to type that in correctly!)
SO, IS IT GOOD, BAD OR ABSOLUTELY AWFUL? The original Snow White & The Huntsman was a surprisingly entertaining tale that did what little thought could – or perhaps, more accurately, should – be done: Put a new spin on a told-to-death (no pun intended) story. That being said, one could be forgiven for wondering who (besides Universal Pictures given the previous installment’s success) was actively clamoring for a follow-up, especially one that serves as both a prequel in its first half and a sequel for the second act.


Well, if you were among those who in fact was in that camp, I have news that once again may be surprising as it was the first time: Winter’s War is a fairly entertaining tale that manages to wrap itself up happily ever after. 


For a film that delves more into the Huntsman’s background, Winter’s War is essentially a feminist power movement … That just so happens to be draped in a world of goblins, fairies and mystical characters. For while Hemsworth character does pretty much everything you’d expect – be charming, smile and be self-deprecating while exhibiting powerful strikes and just enough emotion to let you know he’s likable like John Cena at his non-movie day job. However, Hemsworth’s character is not really so much the star of Winter’s War as much a necessary component of a story that dives into a tale that explores sibling rivalry, relationships and the good ol’ element of good vs. evil – all of which is essentially driven by Winter’s War‘s female characters. 


Whereas Chastain plays alongside Hemsworth as his equal and personal protagonist, Blunt and Theron work as extremely well as the films’ overarching villains. Chastain provides a great personal rival for Hemsworth to keep him in check in regards to both his past and present as they work through their respective issues without ever feeling hokey. Whereas you can feel the emotion crack in Blunt’s character’s psyche, you can feel the pure, unabashed and unflappable evil flowing out of Theron with each sneer, calculated body movement and verbal spear. The biggest scene stealer, however, is Sheridan Smith as Mrs. Bromwyn, a fellow dwarf who sparring sessions with Rob Brydon’s Gryff are at times the best parts of the film. The four ladies really produce a nice spectrum of a range of talent in the film that makes things enjoyable and interesting, which is something that most things pertaining to the words “Snow White” are absent for just about anyone over the age of 13 (or at least should be). But back to what matters …


This is not to suggest Hemsworth is capable in his role by any means; it’s simply to acknowledge just how much Winter’s War smartly uses its female stars in ways that showcase their talent and make them integral as much more than any typical damsel in distress. Whereas the roles of women in film is still something of constant debate – just look at the online scuttlebutt regarding Hemsworth’s upcoming other summer film, the all-female Ghostbusters reboot – Winter’s War is another example that quality acting is quality acting, which is all that ultimately should and does matter at the box office. Yes, the film isn’t perfect– there are a few fairy tale staples that are easy to foresee – but thanks to the well-paced melodrama and special effects as executed under the direction of first-timer Cedric Nicolas-Troyan, Winter’s War is a welcome addition to the spring movie season.


Feel free to bite this apple with no worries of a poisonous aftertaste. 

OVERALL RATING (OUT OF FOUR POSSIBLE BUCKETS OF POPCORN):

Tom Hanks Fever + Cincinnati & Dayton’s MILES AHEAD at THE NEON!

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26004198166_ffa375b1b8_oHello Everyone,

We’re cleaning house this week!  On Friday, we will start two brand new films. First is Don Cheadle’s MILES AHEAD. This film was shot in Cincinnati and Dayton, and many filmmakers and actors from the region participated in the production (I even had the privilege of being an extra for a day back in 2014). In addition, we’ll open A HOLOGRAM FOR THE KING – starring Tom Hanks. Dayton is currently quite excited about Hanks and his attachment to Wright State University. Interestingly, Stuart McDowell of WSU visited Hanks on the set of HOLOGRAM FOR A KING in Berlin. It was during this meeting that Hanks agreed to put his name on the new “Tom Hanks Center for Motion Pictures” at WSU. (Would you like to win an autographed poster? Keep reading.)

Synopsis for MILES AHEAD: “In the midst of a dazzling and prolific career at the forefront of modern jazz innovation, Miles Davis (Don Cheadle) virtually disappears from public view for a period of five years in the late 1970s. Alone and holed up in his home, he is beset by chronic pain from a deteriorating hip, his musical voice stifled and numbed by drugs and pain medications, his mind haunted by unsettling ghosts from the past.” (taken from Sony Classics) Shot in Cincinnati & Dayton, this improvisation on the life of Miles Davis is a treat for music lovers! Click this LINK to visit the film’s official website.

 

Synopsis for A HOLOGRAM FOR THE KING: This film is based on the beloved novel by Dave Eggers and directed by visionary director Tom Tykwer. “Cultures collide when an American businessman (Tom Hanks) is sent to Saudi Arabia to close what he hopes will be the deal of a lifetime. Baffled by local customs and stymied by an opaque bureaucracy, he eventually finds his footing with the help of a wise-cracking taxi driver (Alexander Black) and a beautiful Saudi doctor (Sarita Choudhury).” (taken from Roadside Attractions) Click this LINK to visit the film’s official website. (More about Hanks, HOLOGRAM and WSU below.)

On Monday, April 25 at 7:30, Gathr Films along with Tricia Rau-Hammond will present a one-time screening of the new documentary MILK. “Through an intimate and artistic lens, MILK brings a universal perspective on the politics, commercialization and controversies surrounding birth and infant feeding over the canvas of stunningly beautiful visuals and poignant voices from around the globe. Inspiring, informative, provocative and sensitive, MILK celebrates bringing a new life into this world with a strong call to action and reflection.” (taken from Press Notes) In addition to the screening, the evening will feature a raffle of prizes from Luna Blue’s Boutique. Advanced tickets must be purchased on the Gathr site by following this LINK. If tickets remain, they will be available at our box office one hour before the screening.

“The seniors from the award winning Motion Picture program at Wright State University are showcasing their thesis work at the annual BIG LENS FILM FESTIVAL. The film festival of new work is scheduled for May 1st, 2016 at 7:30. There will be work from Joe Cook, Alan Lewin, Mitch Centers, Sydney Waltz, Brian Roll, C. B. Hovey, Jessica Barton, Michaela Scholl, Eric Risher, and Liz Lowe. Past participants in Big Lens have won awards at festivals such as Slamdance, Student Academy Awards, and Sundance.” (taken from press notes) Tickets are $7 and can now be purchased at THE NEON’s box office.

Thursday, May 5 at 7:30 has been reserved for a showcase of student work from Stivers School for the Arts. I’ll have more details for you soon!

“The Dayton International Peace Museum invites you to save Sunday, May 8, 2016 at 3:00 p.m. for HIP-HOPERATION. In conjunction with our ‘Invent Peace’ theme, this funny documentary follows the Journey of Seniors from New Zealand as they not only learn to dance Hip Hop, but attend a World Hip Hop Dance Championship in Las Vegas. Enjoy their delight in discovering a new world. Suggested Donation: $10 (includes popcorn!) More info at: daytonpeacemuseum.org or call Jerry at 937-999-7314.” (If you liked YOUNG AT HEART – the documentary about seniors singing rock songs – you’ll love this film.) Check out the trailer by clicking this LINK.

Would you like to win a poster from HOLOGRAM FOR THE KING signed by Tom Hanks? During our run of the film, you can enter your name for a chance to win one. Stuart McDowell helped to get posters autographed for us during yesterday’s festivities at WSU with Hanks – a truly fantastic event! Here are a couple photos I took from the ceremony.

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Thanks for your continued support.
I hope to see you soon at THE NEON,
Jonathan

SHOWTIMES for Friday, April 22 – Thursday, April 28:

MILES AHEAD (R) 1 Hr 40 Min
Friday & Saturday (Apr 22 & 23): 12:50, 3:00, 5:10, 7:30, 9:45
Sunday (Apr 24): 12:50, 3:00, 5:10, 7:30
Monday-Thursday (Apr 25-28): 3:00, 5:10, 7:30

A HOLOGRAM FOR THE KING (R) 1 Hr 37 Min
Friday & Saturday (Apr 22 & 23): 12:30, 2:45, 5:00, 7:20, 9:40
Sunday (Apr 24): 12:30, 2:45, 5:00, 7:20
Monday (Apr 25): 3:10, 5:20
Tuesday-Thursday (Apr 26-28): 3:10, 5:20, 7:40

MILK – BORN INTO THIS WORLD (NR) 1 Hr 30 Min
Monday (Apr 25): 7:30
ONE NIGHT ONLY!

COMING SOON:
(All Dates Are Tentative. Dates Often Move And Sometimes Disappear.)
TBD – THE DARK HORSE
TBD – KRISHA
TBD – THE CONGRESSMAN
May 6 – SING STREET
May 13 – LOVE AND FRIENDSHIP
May 27 – THE MEDDLER
June 10 – MAGGIE’S PLAN
June 17 – DARK HORSE

McCoy on Movies: The Jungle Book

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Rudyard Kipling’s beloved collection of short stories gets brought to life in grand fashion in Disney’s latest offering

“Please … For the love of everything … Don’t make this a horror movie and eat me!” Mowgli (Neel Seethi) shares a moment with his adoptive wolf mother Raksha (voiced by Lupita Nyong’o) in a scene from director Jon Favreau’s live-action adaptation of the Rudyard Kipling classic THE JUNGLE BOOK. Credit: © 2015 Disney Enterprises. All rights reserved.
 



WATCH THE TRAILER(S) HERE:





KEY CAST MEMBERS: Neel Seethi, Bill Murray, Idris Elba, Ben Kingsley, Lupita Nyong’o, Giancarlo Esposito, Garry Shandling, Brighton Rose, Scarlett Johansson, and Christopher Walken

WRITER(S): Justin Marks (screenplay); Rudyard Kipling (novel on which the movie is based)

DIRECTOR(S): Jon Favreau

WEB SITE: http://movies.disney.com/the-jungle-book-2016
60 SECOND PLOT SUMMARY (OR AS CLOSE TO THAT TIME AS ONE CAN MAKE IT): Based on part of Joseph Rudyard Kipling’s best-known collection of short stories, the live action version of The Jungle Book stars newcomer Neel Seethi as Mowgli. Mowgli is a “man-cub,” a boy raised by wolves in the jungle after being discovered by Bagheera (voiced by Ben Kingsley), a black panther who discovered him all alone in a cave. While serving as a mentor of sorts, Bagheera turned the young boy over to Raksha (voiced by Lupita Nyong’o) and Akela (voiced by Giancarlo Esposito), a pair of wolves who in turn raised him as one of their own. And all is well.


That is until Shere Khan (voiced by Idris Elba), a tiger with burned face, lets Akela and Raksha that he wants Mowgli turned over to him at once – or face dire consequences. 


Doing what they think is right, Akela and Raksha ask Bagheera to lead Mowgli out of the jungle, which is a tough moment for the young man-cub since he doesn’t want to leave the only mother and father he’s ever really known. But once he’s out on his own, Mowgli will discover a side of the jungle he’s never known, full of characters from the slithering Kaa (voiced by Scarlett Johansson) to the lazy but ingenuitive Baloo (voiced by Bill Murray) and the loquacious King Louie (voiced by Christopher Walken), all of which may make the man-cub have to face a decision he never anticipated:


Is he a man-cub or a man – and if so, what does that mean for him in regards to his place in the only home he’s ever known.  

WHO WILL LIKE THIS FILM THE MOST? People who enjoy films with gorgeous visuals; those who enjoy live action films where the the story moves at a snappy pace; those who felt that the animated version of The Jungle Book is a bit too over-the-top happy/sappy; people who want some realistic “edge” to a tale that should, by its very nature, inherently have some. 

WHO WON’T (OR SHOULDN’T) LIKE THIS MOVIE? People that find animals talking creepy and/or weird; anyone who believes older, revered films shouldn’t be remade for any reason; those who find the action scenes a bit too intense for young children (or his or her self); anyone who feels a more “hard-edged” Jungle Book is not needed
SO, IS IT GOOD, BAD OR ABSOLUTELY AWFUL? A film that brings a maturity to a coming of age tale that by its very nature needs to embrace its animalistic nature, The Jungle Book is a very well done tale that brings its subject matter to life in a way where the call of the wild is answered loudly and vividly.


Child actors are a very mixed lot; while some make a breakthrough performance in their debut film (see Osment, Haley Joe), others often go on to fail to live up to and/or embrace the talent they show in that role thereafter (see Osment, Haley Joe) or worse (see Lloyd, Jake for a recent example). Newcomer Neel Seethi doesn’t do anything remarkable to show superstar potential as the man-cub of the jungle, but he does a very competent job in bringing the essence of Mowgli – a young boy in a world that is clearly not his by birth but becomes his by his actions and spirit – to life. 


What really makes the movie, however, is the synchronicity between the vocal performances of the film’s animal stars and the animation under director Jon Favreau (Iron Man, Elf, the big guy from Swingers and Chef – don’t get mad at me; he was heavy in both movies!) Whereas Nyong’o brings heart, depth and a mother’s love to her role as Raksha and Kingsley adds a stern, old world father sensibility, Murray brings a terrific sense of humor to Baloo that makes the character lovable at each turn while Walken brings a fantastic balance of blowhard and boyish enthusiasm to his role. 


Still, what brings everything together so well is the coordination of the action, emotion and humor under Favreau’s watch, all of which makes for a wonderfully entertaining package enjoyable for adults and children alike. The intense scenes are truly intense, the heartfelt ones are touching without being sappy and the humor comes at the right times without ever being insulting to your intelligence, no matter your age.


And as far as remakes of films you never thought you’d ever want to see go, The Jungle Book delivers a wild and wonderful romp through the jungle with moralistic undertones of which Kipling himself would likely be proud.

OVERALL RATING (OUT OF FOUR POSSIBLE BUCKETS OF POPCORN):

 

Local Filmmakers Debut Short Film at Jewish Film Festival

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MakingMorningStarAcademy Award-nominated, Yellow Springs-based filmmakers Julia Reichert and Steven Bognar debut their latest short film Sunday, April 17th at 5:15pm at The Neon, as part of the Dayton Jewish Film Festival.

 

Featuring interviews and footage of the composer Ricky Ian Gordon, librettist William M. Hoffman, and stage director Ron Daniels, Making Morning Star presents a behind-the-scenes look at the joys and challenges of developing a new opera. Much of the footage was shot in Cincinnati during a 10-day workshop hosted by Cincinnati Opera and CCM, part of the Opera Fusion: New Works collaboration. The 36-minute documentary tells the story of the creation a new opera, Morning Star, that tells the story of immigrants living in New York’s Lower East Side in the early 20th century who find their dreams tarnished by hardships – the Triangle Shirtwaist Factory fire, World War I, and the Great Depression.



Stick around after the screening for a panel discussion of the film with local Academy Award nominated filmmakers Julia Reichert & Steven Bognar along with artists from the Cincinnati Opera. $9 per ticket, $8 for students (student tickets available at the door only).

 

 

McCoy on Movies: The Boss

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THE BOSS

“You think I look crazy? You should have seen what happened the last time I had a taco salad!” Orphan-turned-entrepreneur Michelle Darnell (Melissa McCarthy) gets some help with her teeth whitening ritual from her assistant Claire (Kristen Bell) in a scene from co-writer/director/McCarthy’s husband Ben Falcone’s comedy THE BOSS. Credit: Hopper Stone. © 2015 Universal Pictures. All rights reserved.

WATCH THE TRAILER(S) HERE: 


 



KEY CAST MEMBERS: Melissa McCarthy, Kristen Bell, Peter Dinklage, Kathy Bates, Tyler Labine, Ella Anderson, Cecily Strong , Annie Mumolo, Kristen Schaal, Timothy Simons and Eva Peterson


WRITER(S): Ben Falcone, Steve Mallory and Melissa McCarthy

DIRECTOR(S): Ben Falcone 

WEB SITE: http://www.thebossfilm.com/
60 SECOND PLOT SUMMARY (OR AS CLOSE TO THAT TIME AS ONE CAN MAKE IT): Michelle Darnell (Melissa McCarthy) had it rough growing up in Illinois. Abandoned/orphaned by her parents in her youth, Michelle has overcome her rough upbringing to become the 47th wealthiest woman in America. Now a powerhouse  as the CEO of three various companies, Michelle is on top of the world. Her success hasn’t made life an easier for Claire (Kristen Bell), Michelle’s top assistant, the Smithers to her Mr. Burns who is also a single mother to Rachel (Ella Anderson), a nice young girl who spends most of her free time with her Dandelions youth troop.


Then her former lover and top rival Renault – a.k.a. Ron (Peter Dinklage) – gets her busted for insider trading, which lands her in federal prison for 5 months and her empire in shambles.


Now with nowhere else to go, Michelle comes looking for refuge at the home of her former assistant, who reluctantly agrees to take her in until she can get back on her feet. But as one might expect, going from the penthouse to the proverbial outhouse of Claire’s tiny two-bedroom apartment. But Michelle is a woman with grit, determination and a never take “no” for an answer attitude, so once she sees an opportunity to re-establish herself, she is ready to seize it – even if that means shaking up Claire and Rachel’s world to no end.


And that’s because she’s the boss – and a boss does what a boss has to do to stay on top.

WHO WILL LIKE THIS FILM THE MOST? Melissa McCarthy fans; people who enjoy watching children – and to lesser extent, adults – behave inappropriately for their age; people who enjoy movies where the nice guy gets a break; people who like movies with characters that, while they may not be well-developed, are fun

WHO WON’T (OR SHOULDN’T) LIKE THIS MOVIE? People that will find Peter Dinklage and/or his character creepy; Anyone who doesn’t find likable characters enough to carry the film’s rather ludicrous third act; people who believe that McCarthy (whether fairly or unfairly) tends to play the same type of characters, anyone who hates when Saturday Night Live sketches seem to run on too long. 
SO, IS IT GOOD, BAD OR ABSOLUTELY AWFUL? A movie with some really likable characters that aren’t exactly placed into a great movie all the time, The Boss is entertaining enough to be forgiven for its shortcomings … Which is why at times it feels like an overly long SNL sketch.


McCarthy is very good at playing characters who appear to be one thing but have a little more going on underneath the surface than one might think at first glance. The Boss continues that streak by adding layers to her character, who is all bluster at first before a more sensitive side is eventually revealed. However, given how Dinklage was either asked or chose to play his character in ridiculously creepy fashion, you might find yourself unsettled or at the very least a little freaked out at times and not so much comedically as McCarthy’s husband/co-writer/director Ben Falcone intended. I’m sure the creative team of the McCarthy. Falcone and Steven Mallory were thinking of a Zoolander– or Anchorman-like level comedic foil for McCarthy, but … Nah, it just doesn’t always come off that way. 


Likewise, Bell is capable at playing the straight woman to McCarthy’s antics as her character is supposed to be a dull single mom … And MAN does she nail it almost to the point where you care about everyone around her more than her. She’s too much of the straightwoman at times, which in turn makes you feel her pain way too much. She’s not bad; it’s just that her character has no value on her own and is only best when paired with McCarthy’s or Tyler Labine as her co-worker/potential would be love interest. While we know everyone around Claire is having fun, it gets to a point where EVERYONE but Claire is having fun.


Fortunately, McCarthy has enough to gumption to keep things moving along and both the supporting and younger cast really shine in the lunatic situations in which they are placed. The aforementioned Labine is terrific in representing the everyman who works in a boring job and is a nice guy who deserves better while never coming off as a lovable loser and McCarthy’s female co-stars – Kristen Schaal, Cecily Strong and Annie Mumolo bring a lot of the party as zany/over-the-top sparring partners for McCarthy, Mumolo especially as a would be power mom of an ambitious girl scout-type. (Eva Peterson plays a scary, foul-mouthed teenage girl about as well as you can comedically, so The Boss could be a start of a nice career for her.)


In short, The Boss is entertaining at its best – there’s a rumble sequence that’s phenomenal – but it’s far fro a perfect film by any means. Dinklage’s character is supposed to be over-the-top, but whether or not you find it funny or just dumb remains to be seen. Likewise, there are a lot of lulls between the funny moments and some are much funnier than others, so depending on your attention level you may find the boss somewhere between “good” to “just okay” on your entertainment scale. 


If nothing else, The Boss will serve as a nice palate cleanser to anyone who has found spring’s early offerings at the theaters to be a bit … Well, not suitable for full-time employment. 

OVERALL RATING (OUT OF FOUR POSSIBLE BUCKETS OF POPCORN):

Sally Field’s DORIS Soars! Hank Williams Biopic Opens Friday at THE NEON!

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I SAW DMMHello Everyone,

Many thanks to everyone who came out to see HELLO, MY NAME IS DORIS this weekend. The response was terrific, and DORIS will certainly stick around. If you’re a Terrence Malick fan (or a fan of Christian Bale, Cate Blanchett or Natalie Portman) and you still need to see KNIGHT OF CUPS, Thursday will be your last chance to see it at THE NEON. On Friday, we will open the new Hank Williams biopic – I SAW THE LIGHT – featuring an incredible central performance by Tom Hiddleston.

Synopsis for I SAW THE LIGHT: “I SAW THE LIGHT tells the story of the iconic, tormented singer-songwriter Hank Williams who revolutionized country music with his raw charisma, haunting voice and original songs, most of which are considered American standards today and have been recorded many times over by pop, rock and country artists alike. Hank Williams (Tom Hiddleston) emerged from the local Alabama music scene after World War II. Wife Audrey (Elizabeth Olsen) was desperate to sing by his side despite being of lesser talent, which fueled an extremely turbulent home life.” (Sony Classics) Stephen Hubbard of ABC-Nashville wrote, “Not since Sissy Spacek portrayed Loretta Lynn as an actor inhabited a legend like Tom Hiddleston playing Hank Williams.” Click this LINK to visit the film’s official site.

https://www.youtube.com/watch?v=jc2TEsl7vC8

We’re only a week away from THE DAYTON JEWISH FILM FESTIVAL, and this year’s selections look like a winning line-up! The fest begins in early April with screenings and speakers all around town. Here’s a list of films that will screen at THE NEON:
Thursday, April 7 – 7:15pm – ATOMIC FALAFEL
Sunday, April 10 – 7:15pm – THE LAST MENTSCH
Tuesday, April 12 – 9:30am – GETT: THE TRIAL OF VIVIANE AMSALEM
Tuesday, April 12 – 7:15pm – BORROWED IDENTITY
Thursday, April 14 – 7:15pm – APPLES FROM THE DESERT
Sunday, April 17 – 5:20pm – MAKING MORNING STAR
Sunday, April 17 – 7:15pm – DOUGH
Advanced tickets are available on the festival’s official site.

On Wednesday, April 20 at 7:30, “Go Wild for Earth Month at the WILD AND SCENIC FILM FESTIVAL presented by Aveda and the SierraClub. The evening will be a celebration of wilderness and waterways as we take a cinematic tour of rivers, lakes, oceans and the individuals exploring, enjoying, and protecting them. Over 15 films spanning the globe highlight why our waterways should be wild.” (taken from press notes) Tickets are $10 each in advance, and they can be purchased via this LINK. If tickets remain, they will be sold one hour before the event at our box office for $12 each. All proceeds benefit the Sierra Club.

On Monday, April 25 at 7:30, Gathr Films along with Tricia Rau-Hammond will present a one-time screening of the new documentary MILK. “Through an intimate and artistic lens, MILK brings a universal perspective on the politics, commercialization and controversies surrounding birth and infant feeding over the canvas of stunningly beautiful visuals and poignant voices from around the globe. Inspiring, informative, provocative and sensitive, MILK celebrates bringing a new life into this world with a strong call to action and reflection.” (taken from Press Notes) In addition to the screening, the evening will feature a raffle of prizes from Luna Blue’s Boutique. Advanced tickets must be purchased on the Gathr site by following this LINK. If tickets remain, they will be available at our box office one hour before the screening.

Next Friday (April 8), we’re slated to open DEMOLITION – the new film from Jean Marc Vallee (director of WILD and DALLAS BUYERS CLUB). It stars Jake Gyllenhaal & Naomi Watts, and it was the Opening Night Film at last year’s Toronto International Film Festival. I think many of you will love it!

We hope to see you soon!
Thanks for your continued support,
Jonathan

SHOWTIMES for Monday, March 28 – Thursday, April 7:

KNIGHT OF CUPS (R) 1 Hr 58 Min
Monday – Thursday (March 28-31): 3:00, 5:30, 8:00
FINAL DAY – March 31!

HELLO, MY NAME IS DORIS (R) 1 Hr 35 Min
Monday – Thursday (March 28-31): 3:00, 5:15, 7:30
Friday & Saturday (April 1 & 2): 12:20, 2:40, 5:00, 7:20, 9:30
Sunday (April 3): 12:20, 2:40, 5:00, 7:20
Monday – Wednesday (April 4-6): 3:00, 5:15, 7:30
Thursday (April 7): 3:00, 5:15

I SAW THE LIGHT (R) 2 Hrs 3 Min
Friday & Saturday (April 1 & 2): 1:00, 4:00, 7:00, 9:30
Sunday (April 3): 1:00, 4:00, 7:00
Monday – Thursday (April 4-7): 3:00, 5:30, 8:00

DAYTON JEWISH FILM FESTIVAL
Thursday (April 7): ATOMIC FALAFEL (NR) – 7:15

COMING SOON:
(All Dates Are Tentative. Dates Often Move And Sometimes Disappear.)
April 8 – DEMOLITION (Opening Night film from TIFF)
April ? – REMEMBER
April 22 – MILES AHEAD (shot in Cincinnati & Dayton)
April ? – THE DARK HORSE
April ? – KRISHA
May 6 – SING STREET
May 13 – LOVE AND FRIENDSHIP
May 27 – THE MEDDLER
June 10 – MAGGIE’S PLAN
June 17 – DARK HORSE

Dayton Jewish International Film Festival Kicks off April 5

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onceThe 16th Annual Dayton Jewish Film Festival will open at the newly renovated Historic Plaza Theatre in Miamisburg on Tuesday, April 5 at 7:30 p.m. The festival (running from April 5 through April 19) will bring to Dayton, Yellow Springs, Beavercreek, and Miamisburg the best in Jewish, Israeli, and local cinema. This year’s selection includes the Dayton premiere of Making Morning Star, a new documentary from local filmmakers and Academy Award nominees Julia Reichert and Steven Bognar, along with an international selection of feature and documentary films. Festival venues include the Historic Plaza Theatre in Miamisburg, The Neon in downtown Dayton, The Little Art Theatre in Yellow Springs, and Cinemark @ The Greene 14 in Beavercreek.

 

Opening night (Tuesday, April 5, 7:30p.m.) at the Historic Plaza Theatre in Miamisburg will feature Once in a Lifetime (Feature, 105 min., French with English subtitles) sponsored by Morris Home Furnishings. Once In A Lifetime brings into focus a teacher in France who is confronted with apathetic and short-fused students in a multicultural, struggling inner city setting. She chooses to push them into a national competition. The theme: Child victims of the Holocaust. The rebellious teens come to see each other — and their history — in a new light, demonstrating the enduring impact of the Holocaust in transforming future generations. The Opening Night dessert reception will take place at 6:30 p.m. at the Mosaic Institute of Greater Dayton, which is next door to the Historic Plaza Theatre. The dessert reception will include as well as musical entertainment from Mediterranean folk band, Baladino. Baladino is brought to our festival as a part of the Arts Midwest World Fest through the sponsorship of 3M, the Ohio Arts Council, Murphy Theatre, and the Israel Consul General to the Midwest.

 
The 2016 line-up of nine films and ten screenings includes American and foreign films. The festival spans genres from thriller to drama to documentary, and explores varied themes of injustice, love, war, politics, religion, and family relationships. This year, five of our films will have special guest speakers following their showings.

. Wednesday, April 6 Yellow Springs showing of Once In A Lifetime features guest speaker and Holocaust education expert Renate Frydman.

. Tuesday, April 12 showing of Gett: The Trial of Viviane Amsalem, partnering with Hadassah and sponsored by Square One Salon and Spa features guest speaker and retired lawyer Ellen Leffak.MorningStar

. Sunday, April 17 showing of Making Morning Star, sponsored by the Washington Centerville Library and Friends of Washington Centerville Library features a discussion with local Academy Award nominated filmmakers Julia Reichert and Steven Bognar.

. Closing Night of the JCC Film Festival on Tuesday, April 19 screening of Rosenwald, sponsored by Economy Linen and Towel Service, Inc. features a special Q & A with award-winning Rosenwald director, Aviva Kempner.

The Dayton Jewish Film Festival is presented annually by the Jewish Community Center (JCC) of Greater Dayton. “On behalf of the Dayton Jewish Community Center, we are excited to bring an array of thought provoking, captivating, and award-winning films to the community. Our festival allows participants to view excellent movies that might not otherwise make it to the Dayton area. We are thrilled to showcase these unique films; we have something for everyone.” says Jane Hochstein, director of the JCC.

 
The chairperson of this year’s festival, Martin Gottlieb, comments in regards to this year’s special local selection. “We are honored and excited to have a Bognar-Reichert film this year: Making Morning Star, a short documentary about the making of an opera by an accomplished New York writer working with the Cincinnati Opera and University of Cincinnati. The Opera is about the 1911 fire at the Triangle Shirtwaist Factory in New York, where lots of immigrant Jews worked.”
Season passes ($75) and group tickets for single events are available at a discount in advance. For more information please call the JCC at 937-610-1555 or visit www.jewishdayton.org.

McCoy on Movies: BATMAN V SUPERMAN: DAWN OF JUSTICE

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DC Comics two biggest superheroes finally battle on the big screen to mixed results

“That’s right, super guy – this suit won’t rust out in the rain like Iron Jerk’s!” Batman (Ben Affleck) prepares to face off against Clark Kent, a.k.a. Superman (Henry Cavill) in a scene from director Zack Snyder’s superhero epic BATMAN V SUPERMAN: DAWN OF JUSTICE. Credit: Clay Enos ™ & © DC Comics. © 2016 Warner Bros. Pictures and Ratpac-Dune Entertainment and Ratpac Entertainment LLC. All rights reserved. 

Clay Enos / TM & © DC Comics


WATCH THE TRAILER(S) HERE: 


 



KEY CAST MEMBERS: Henry Cavill, Amy Adams, Ben Affleck, Jesse Eisenberg, Holly Hunter, Gal Gadot, Laurence Fishburne, Jeremy Irons, Diane Lane … And a few other people in smaller yet notable roles

WRITER(S): Chris Terrio and David S. Goyer (screenplay); Bob Kane and Bill Finger (characters); Jerry Siegel and Joel Schuster (characters)

DIRECTOR(S): Zack Snyder


WEB SITE: http://batmanvsuperman.dccomics.com/
60 SECOND PLOT SUMMARY (OR AS CLOSE TO THAT TIME AS ONE CAN MAKE IT): Following up on the events found in director Zack Snyder’s previous effort Man of Steel, Batman V Superman: Dawn of Justice finds mankind at odds with the godlike figure that protects them from evil … Who they fear in turn could wipe them all out at a given moment should he choose to do so. This is why billionaire Bruce Wayne, a.k.a. the masked caped crusader better known to criminals throughout Gotham City as Batman (Ben Affleck) is worried about all of the damage and destruction Superman is capable of causing. Bruce’s fears are elevated when Superman (Henry Cavill) shows up on the scene of a supposed terrorist in Africa where journalist Lois Lane (Amy Adams) – has been taken hostage. Considering that Lois is the girlfriend of Superman’s alter ego Clark Kent, however, it shouldn’t come as a surprise that the Krytonian came to rescue her. Of course, Superman has his own concerns about the armored vigilante that is seemingly running around Metropolis, taking the law into his own hands – or in some cases, permanently onto his “victims” bodies. 


But what might come as a surprise is who set up the whole scenario and why … But let’s just say the offspring of a certain well-known businessman (Jesse Eisenberg) might have a very dastardly plan up his sleeve that might just take out all super-powered people – human and alien – alike. 


That is, of course, if the world’s greatest detective and the adopted son of a farmer from Kansas don’t destroy each other first …

WHO WILL LIKE THIS FILM THE MOST? Henry Cavill fans; people who have longed to see a film set-up the arrival of D.C. Comics’ Justice League franchise; people who enjoy extended fight sequences in superhero movies; those who have wanted Lex Luthor to be portrayed with less of a campy villainy to him


WHO WON’T (OR SHOULDN’T) LIKE THIS MOVIE? People who don’t like Ben Affleck and/or Jesse Eisenberg; people growing tired of the brooding superhero thing; anyone who has found Zack Snyder’s previous works too bombastic; those who want their characters presented in more traditional than modern means; those who may become bored over the film’s two-and-a-half-hours with all the over-the-top exposition of the plot; anyone suffering from superhero movie hangover; those who just find the whole idea of Superman vs. Batman ludicrous, even in a comic book-inspired world
SO, IS IT GOOD, BAD OR ABSOLUTELY AWFUL? A film that will certainly entertain many while making others entertain the idea of certainly not watching another film in the franchise, Batman V Superman: Dawn of Justice does enough things well to make it watchable … Even if it isn’t exactly a “marvel” of a start for franchise universe of costumed superheroes and villains. 


The things that B V S does well are fine, but they often come off with the classic “mixed bag” role of effectiveness: While he’s going to be polarizing no matter what he does simply by being in the film, Affleck does a decent job as portraying Batman as a man steadfast in his cause who truly believes in what he’s doing to the point that even if you don’t like him personally, you have to give him credit for his dedication to the role. Likewise, the addition of Jeremy Irons in a Lucius Fox (remember when Morgan Freeman was in those three Batman movies Christopher Nolan did?) role as Batman’s key assistant can be viewed as a breath of fresh air … Provided that you don’t find Irons’ portrayal as droll as his character apparently views some of his boss’ evening pursuits. Eisenberg, who discussed the advanced criticism of his casting as Lex Luthor during his visit to Cincinnati this January, does a fine job of making the role as the new antagonist for Superman and “the Bat” as he calls him his own. Whether or not you are ready for a hipster (or at least one that is much more a hipster than not as you could picture him on a half pipe at the X-Games or at an Arcade Fire concert more easily than any Luthor prior) version of him, however, remains to be seen …Likewise, some might find the critical (in terms of the story) inclusions of Diane Lane as Ma Kent, Adams as Lois Lane and Gal Gadot as Ms. Diana Prince a.k.a. a famous hot pants-wearing woman of wonder in the 70s re-imagined as a more mysterious super “meta-human” here as good moves. For each has a vital role to the plot and each plays their respective role well … Some, however, might be a bit taken aback at just how involved one of those three is in the unfolding events during the film’s climax – and it ain’t gonna be the one you’d think would make the most sense.

In short, it used to be an old standard that it was impossible to make everyone happy when it came to movies, especially those based on comic books. While Marvel has pretty much taken that idea and thrown it out the window, movies like Green Lantern (yeah, I DID like it) and last summer’s debacle Fantastic Four (NO ONE likes that movie … NO ONE) prove that it still rings as true as any good cliché would. Batman V Superman: Dawn of Justice isn’t going to end that debate any time soon, but perhaps that was the point: By creating a film with so many different things going on at once, it’s guaranteed to at least get people talking about the film enough to pique most people’s interests …

Here’s to hoping the inevitable and already well on its way Justice League film it sets up doesn’t leave audiences feeling like a hung jury as much as this one might.

OVERALL RATING (OUT OF FOUR POSSIBLE BUCKETS OF POPCORN):

Two+and+a+half+buckets+of+popcorn
Tabari McCoy (http://mccoyonmovies.blogspot.com)