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Arts & Entertainment

The 20th Century Circus

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The 20th Century Circus is one of the last touring tented circuses in the United States today.Set in the era of the 1920s, our show is an inspiring, family-friendly event that will give audiences a night to remember forever.

We bring old-world circus skills from second-generation circus performers & acclaimed acts from the Vegas strip together to create one and a half hours of circus that is intents!

We invite you and to come out to our tent. Dress up with us! Have some popcorn, cotton candy, and a soda. Enjoy the show, and make memories that will last a lifetime at the 20th Century Circus!

The King and I

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The Miami Valley Symphony Orchestra presents THE KING AND I this summer at the Arbogast Perfroming Arts Center. This timeless musical first premiered on Broadway in March 1951 and has since enjoyed several sensational runs over the last 75 years. Associate Conductor, James Johnston, leads an orchestra of 60 musicians performing the original full symphony score. Brian Sharp directs. Shows Fri – Sun, July 19- 21 at Arbogast Performing Arts Center

Featuring a trove of cherished songs, including “Shall We Dance,” “Something Wonderful,” “Whistle a Happy Tune,” “Hello Young Lovers” and, “Getting to Know You” The year is 1862 in Siam when an English widow, Anna Leonowens, and her young son arrive at the Royal Palace in Bangkok, having been summoned by the King to serve as tutor to his many children and wives. The King is largely considered to be a “barbarian” by those in the West, and he seeks Anna’s assistance in changing his image, if not his ways. With both keeping a firm grip on their respective traditions and values, Anna and the King grow to understand and respect one another in a truly unique love story.

The 20th Century Circus

By

The 20th Century Circus is one of the last touring tented circuses in the United States today.Set in the era of the 1920s, our show is an inspiring, family-friendly event that will give audiences a night to remember forever.

We bring old-world circus skills from second-generation circus performers & acclaimed acts from the Vegas strip together to create one and a half hours of circus that is intents!

(Ha! Sorry…)

We invite you and to come out to our tent. Dress up with us! Have some popcorn, cotton candy, and a soda. Enjoy the show, and make memories that will last a lifetime at the 20th Century Circus!

The Wizard of Oz

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Broadway-style entertainment and delicious dining all under one roof makes La Comedia southwest Ohio’s greatest value in live theatre. See the seating chart, views from tables throughout the theatre, and purchase tickets online.

Come along as we travel with Dorothy, Toto, the Scarecrow, Tin Woodman, and the Cowardly Lion as they head to Emerald City to see the great Wizard, Their encounters with the Wicked Witch, the Munchkins, and the flying monkeys are just some of the adventures they will have along the way! Now playing at La Comedia through August 11th

This delightful stage adaptation based on the classic film features timeless songs such as “Over The Rainbow,” “Munchkinland,” “If I Only Had A Brain,” “We’re Off To See The Wizard,” “Ding Dong! The Witch Is Dead,” “If I Were King Of The Forest,” and “The Merry Old Land of Oz,” to name just a few!

Children under 11 are just $39! Get your tickets online at lacomedia.com or call 937-746-4554. With seating for over 600, La Comedia is one of the nation’s largest professional dinner theatres, and is perfect for celebrating any occasion!  The buffet features chef-carved meats, beer-battered deep-fried white fish, a variety of pastas and vegetables, their famous sweet potato soufflé, freshly-baked breads, and several dishes representing the “flavor” of the current production.

CABER-SLAY an Amanda Sue Musical Revue

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From the raucus mind of Ohio’s own National Miss Comedy Queen 2017, comes CABER-SLAY an Amanda Sue Musical Revue. Join forever Miss Gay Ohio America: Amanda Sue and a bevy of talented friends and drag family as they lead you on a musical theatre journey that will leave you screaming “SLAY!”
Columbus Ohio’s resident Showtunes Queen (and former DTG actor) returns to the 937 for a weekend of musical theatre madness with some of the most talented friends and family in the Gem City.
From Hamilton to Hairspray, Dream Girls to Mean Girls, and everything WICKED in between, Amanda and friends are planning a SIX-ening evening of all things Broadway. Life is a Cabert old chum, so come to the CABER-SLAY! July 5th at 10pm, July 6th at 5pm and 9pm, tickets are $20 (cocktail or mocktail included) and will be for sale on the Dayton Theatre Guild website next week.

Art For All: FREE Admission!

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Join us this Sunday for Art for All! Not only will admission be FREE, but you’ll also have access to the newly opened Special Exhibition “Riveting: Women Artists from the Sara M. and Michelle Vance Waddell Collection” and the focus exhibition “The Quiet World of Edward Hopper”. BUT wait, there’s more; we will also have Dayton-area educator, Danny Rodriguez, for “Criss Cross Capoeira Connections” in the Lange Family Experiencenter.

Originating in Africa and developing further in Brazil, Capoeira is a movement art that incorporates music, singing, and acrobatic, dance-like movements that can be used to disguise practical martial arts techniques.

We will host three half-hour sessions (at 1:30 PM, 2:30 PM and 3:30 PM) focusing on different elements featured in Capoeira. These sessions offer the opportunity to learn simple, fundamental elements that new learners can easily grasp.

We will also have Erin Smith Glen for “Meet the Artist”, painting LIVE from 12:30 PM to 3:30 PM just outside the special exhibition “Riveting” where her work is currently featured.

The Hello Girls At Beavercreek Community Theatre Thru June 30

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From New York to Paris, from ragtime to jazz:  THE HELLO GIRLS chronicles the story of America’s first women soldiers in this new musical inspired by history.  These intrepid heroines served as bilingual telephone operators on the front lines, helping turn the tide of World War I.  They then returned home to fight a decades-long battle for equality and recognition, paving the way for future generations.  THE HELLO GIRLS was commissioned and premiered by NYC’s Prospect Theater Company to celebrate the centennial of these groundbreaking women.

McCoy on Movies: The Bikeriders

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Butler, Comer and Hardy lead Jeff Nichols’ motorcycle-driven snapshot of masculinity in THE BIKERIDERS


WATCH THE TRAILER HERE:

 

THE BACK STORY: Inspired by Danny Lyon’s book of the same name, THE BIKERIDERS stars Jodie Comer as Kathy, a woman living in/around Chicago in the mid 1960s. She is the paramour of Benny (Austin Butler), a rebellious young man who only cares about two things: His Harley-Davidson motorcyle and The Vandals, the bike club of which he is a member. The Vandals are essentially his family as he spends the majority of his time with its various members doing whatever it is they wish to do at any given moment. 
 
The Vandals are led by Johnny (Tom Hardy), a stoic figure who’s presence is understated, yet fully commanding in as much as he doesn’t say compared to what he does. This is why he is rarely challenged, both on decisions and for leadership of the club, making him an inspiration to members like Cockroach (Emory Cohen), Zipco (Michael Shannon), Wahoo (Beau Knapp), Brucie (Damon Herriman) and Corky (Carl Glusman). They live life as they ride: Free and uninhibited with their brothers – and the occasional lady – at their side. 
 
But as The Vandals begin to rise in prominence, they also begin to rise in notoriety, leading to run-ins with the law, townspeople and other bike clubs. But as Danny (Mike Faust) – a college student who interviews Kathy and documents the club’s activities, the goal being to produce a book one day – Kathy and The Vandals will come to learn that all good things must eventually come to an end …
 
THE REVIEW: Did you catch wind of that recent social media debate about which would a woman choose if she was stuck in the middle of the woods with the option of a bear or a man? Watching THE BIKERIDERS, the reasoning behind what would seem to be the ludicrous choice becomes clear from one scene to the next. For in presenting a masterful depiction of the rise of the American motorcycle club and its eventual demise from its glory days, writer/director Jeff Nichols and company have created a definitive 120 minute visual showcase of two words – toxic masculinity – inadvertently. 
 
This is not to suggest by any means that the film is quote-unquote “bad” by any means; instead, in creating a tribute to the men (and women) that have been romanticized in popular culture, THE BIKERIDERS – whether intentionally or unintentionally as it seems – exposes the pitfalls and trappings of what is supposed to define masculinity (being “cool,” “macho” and rebellious) for what they really are: Broken men looking for a sense of family, belonging, self-worth and purpose that have perpetuated from their origin to the 21st century.
 
While his turn as Elvis Presley may not have made him the true household name he surely sought to become, THE BIKERIDERS should help propel Austin Butler to the forefront. Coming with the standard issue teen idol/boyband heartthrob visual presentation, Butler shows that he can work a leather jacket, motorcycle and sideburns and not the other way around. While his character could easily come off as one note (and at times, almost does through no fault of his own due to the circumstances around him), Butler commands attention in each scene he in which he appears.
This in turn plays well off of Hardy’s stoic, Tony Soprano-like performance as Johnny, a man who despite what should be considered the perfect family life for his era, desires something different, something animalistic, something more – his bike club allowing him to enjoy the king of the jungle status so many men crave.  This makes he and Butler’s character two peas in a proverbial pod, the old lion with his young apprentice, both of whom desire to be free of anything (except possibly each other) in an “us against the world” manner for the ages.
In turn, this makes the various members of their club – Army burnouts, blue collar workers who wouldn’t stand out from the pack – look up to them, aspiring to be what they believe they are (true men) and unable to see their faults and flaws. This in turn is reflected in Toby Wallace’s pivotal character, the classic product of a 1960s broken home who sets out to be the opposite of what he feels – trapped, lacking power and unable to become his own man. This is why he sets out on such a destructive path which, of course, leads to pivotal (if not predictable) moments in the film. Yes, there is brotherhood and camaraderie with certain times that reflect the “live free” spirit that THE BIKERIDERS seeks to celebrate … But it’s extremely hard to ignore the cost that comes with it.
This is why the film being narrated by Comer’s character makes for the most interesting component of the film. In Kathy, we don’t get so much of a woman discussing her wild times with her man, but almost more of a mother discussing her children, hoping that all of her prodigal sons will one day return home safely even though she knows they won’t. (Maybe that’s why a friend who is also a parent left an advance screening of the film, the moments of violence and profanity aside? Then again, this isn’t exactly her “type” of movie to begin with, but I digress …)
In a world where ideology is constantly evolving, THE BIKERIDERS, for some, will seem like a breath of fresh air, showcasing a time when “men were men” and how one should look to set their own path as opposing to bowing to society’s standards. For others, it may seem like a documentary of the Cro-Magnon mindset seemingly responsible for all the world’s current major problems – and who’s to say which is right?
As a film, however, THE BIKERIDERS is entertaining – and maybe just leaving it as an intriguing piece of cinema versus the inspiration for a way of life is where it would best be served.

 

OVERALL RATING (OUT OF FOUR POSSIBLE BUCKETS OF POPCORN):

 

 

 

Pride Art Show

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Once again The Secret Chamber House of Oddities And Artwork Will be hosting a pride art show on June 21st Friday. From 5-9pm. It will coincide with our downtown pride event happening in Market square on our same block. Our event will run rain or shine and is a separate entity but we highly encourage everyone to check out both.

Grand Slam of Dayton Storytellers

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Come and join us at Wiley’s to enjoy some of the best storytellers in Dayton! This month, winners of each month from our 2023/24 season will compete, sharing amazing, true life stories. Stories that sound too wild to be true, but rest assured they are.
Our Tellers for the evening are:
September: Nathan Collier
October: Steve Huff
November: Amy O’Neill
December: Jessica Coleman
January: Jill Hamilton
February: Jude Walsh
March: Gabe Huff
April: Nancy Flinchbaugh
May: Kwaunisha Moore
The Gran Slam winner will win $100 and bragging rights!
Tickets are $5 if you buy before 3pm on the day of the event, $10 at the door. There is a 2 item minimum purchase in the showroom. (Food or drink)

Sweet, ‘Superior Donuts’ are ready at the GUILD!

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The Dayton Theatre Guild wraps us its season with Tracy Letts‘ ‘Superior Donuts.’ The show focuses on a Polish loner who keeps his tight grip on what is referred to as the last donut shop in the Northern Part of Chicago. The show opens with a trashed donut shop that will set the stage for reckonings of all kinds, with all kinds!

Arthur P (played marvelously by KL Storer) knows the world around his shop is changing but can’t be nudged to do the same. Enter Franco Wicks (you will feel the energy change when Andre Tomlinson appears on stage in the role, wow!) who tries to put a shot in the arm of the shop as well as the grumpy Mr. P. It is these 2 and their interaction that really keeps you engaged with this production. Their vulnerability is believable, and more-so when they are on the stage alone-together!

As they ‘come to terms’ with their pasts, and we see their future hopes unwind, we are moved from moments of high drama to almost sitcom like scenes. (Yes, the play was a movie and a pilot for just that!) Along the ride of these 2 characters we meet some gems. Mike Beerbower‘s Russian ‘enterpreneur’ has hilarious moments….the sweatsuit alone is laughable. One-liners delivered by Percy Vera (Officer Bailey) and Heather Martin (Officer Osteen) are initially shocking, and then keep the humor alive, in moments of otherwise deep thought. Martin’s first few lines give you a sense of ‘where we are’ in Chi-Town.

Throughout the show, we are thrust into some reminiscing that Letts felt necessary, but to be honest, it’s the present that makes us buy-in to these characters. Lady Boyle (played by Jennifer Lockwood) keeps us grounded in the fact that no one wants to see the shop close, but her expressions prepare us for what seems inevitable. Also wrapped into the story is Franco’s ‘bad decision’ to borrow money from the wrong guys….Maximillian Santucci‘s Luther Flynn is SPOT-ON!

Jared Mola, who directed ‘Donuts’, does a magnificent job of pacing the show! It’s one of those ‘quick’ and impactful 2 hour plays! Red Newman (Scenic Design) and Marjorie Strader (Lighting Design) delivered the goods as well. For my friend Amy and Me, the fight scene (nice work Kayla Graham) was well done…especially having the audience right on top of the action.

If you are a Letts fan, know this is not as extreme as some of his shows can go….it’s really about characters…with real, heartfelt issues to resolve. The Dayton Theatre Guild once again proves they are stellar in their desire to bring plays, worthy of seeing, to life in our town!

For information on ‘Superior Donuts’ and the GUILD, click here:

https://daytontheatreguild.org/production/superior-donuts/

 

 

Cheesecake and Murder: A Golden Father’s Day Murder Mystery

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Join your favorite foursome for a Father’s Day celebration you won’t forget. The suspect list is long and Sophia’s patience is short!

Picture it! 2024 Dayton Ohio! Your favorite girls are back for the Dayton premier of our long running hit, Cheesecake and Murder: A Golden Girls Murder Mystery.

Miami is nice, but Dorothy, Blanche, Sophia and Rose are determined to solve a murder mystery here in Dayton. Gather clues and laugh along as your favorite girls try to figure out whodunnit in this fun interactive show.

Ticket does not include meal or drinks, but a delicious full menu will be available with convenient digital ordering as well as a cash bar with fun specialty themed cocktails.

If you like puzzles, murder, and sassy octogenarians this show is for you! Prizes will be given for Golden Girls Trivia and to whomever solves the mystery. Great for a Fathers Day celebration with your own personal Stan, gal pals, moms and sisters or just a fun brunch with fellow Golden Girls loving friends, join us for a hilarious afternoon of Cheesecake and Murder!

Doors open at 1:30pm show starts at 2pm.

McCoy on Movies: BAD BOYS: RIDE OR DIE

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Lawrence, Smith showcase their chemistry to make familiar police action movie tropes feel entertaining in latest Bad Boys franchise installment

 

Grand Theft Auto … But you get to play as the cops? The theatrical coming soon poster for Sony Pictures’ BAD BOYS: RIDE OR DIE. Credit: © 2024 Sony Pictures. All rights reserved.

WATCH THE TRAILER HERE:

 

KEY CAST MEMBERS: Will Smith, Martin Lawrence, Vanessa Hudgens, Ioan Gruffudd, Tasha Smith, Jacob Scipio, Rhea Seehorn, Eric Dane, Alexander Ludwig, Melanie Liburd, Paola Núñez, Joe Pantoliano, Dennis Greene and Quinn Hemphill with John Salley and Tiffany Haddish

DIRECTOR: Adill & Bilall (Adil El Arbi and Bilall Fallah)
THE BACK STORY: BAD BOYS: RIDE OR DIE picks up following the death of the beloved Captain Howard (Joe Pantoliano), the mentor of his beloved “bad boys” team of family man Marcus’ (Martin Lawrence) and perennial playboy Mike Lowery (Will Smith). His passing has Mike putting things in perspective and settling down, marrying his new wife, Christine (Melanie Liburd). Likewise, their old friend Rita (Paola Núñez) has taken the reigns as the new captain of the department, a position from which she can oversee things – including her boyfriend Lockwood’s (Ioan Grufudd)’s possible ascent to mayor of Miami. 
 
But when Marcus has a medical episode at Mike’s wedding, he begins to have visions: Of both Captain Howard and a situation that is going to force Mike – who he now deems his soulmate across multiple existences – to make a hard choice. 
 
Turns out Marcus won’t have to wait long for that to happen. For while he is battling his sweet tooth, he and Mike soon find themselves battling the unexpected: News that Captain Howard may, in fact, have been working with the very cartel that killed him – and killed him via a hit ordered that was executed by Mike’s estranged son Armando (Jacob Scipio). But knowing the type of man Captain Howard was, both Mike and Marcus know that can’t be true. 
 
What is true, however, is that John McGrath (Eric Dane) is hot on their trail and about to let a series of events unfold to make the men used to being the hunters become the hunted.
 
THE REVIEW: The BAD BOYS franchise, now four films deep, isn’t one you come to for deep, tightly written twists and turns of good vs. evil. No, BAD BOYS is a franchise built around speed, exotic nightlife, humor, gunplay and chemistry among its characters. The latest installment, BAD BOYS: RIDE OR DIE is proof that while the franchise is definitely showing its age like its stars, it has no intentions of slowing down since all the things that have helped carry it along are still present.
 
Lawrence and Smith are at their best playing off each other with quips and jabs before eventually saving the day. RIDE OR DIE attempts to raise the stakes a little bit by giving the characters a little more emotional depth by confronting them with their past sins. In Marcus’ case, his poor diet choices and newfound love of life; in Mike’s case, that means dealing with the scars of seemingly always losing the people he loves while trying to rectify his relationship with the one person still here that is not his wife in Armando. 
 
Even with all those things taken into consideration, RIDE OR DIE plays out pretty much like a standard buddy cop action movie – the fun of watching Lawrence and Smith together like an old married couple being the thing that keeps it from being one. All the other characters are fairly standard issue save for the strong physical performances exhibited by Scipio – a potential future leading man if Hollywood finds the right role for him – and a sequence featuring Marcus’ son-in-law Reggie (Dennis Greene) that adds some nice surprising energy. 
 
The extended action sequences are also well done, which helps keeps things moving along – a must when you have by-the-book villains and a plot that has more holes than it should if you begin to examine it too much. (This is one of those “don’t think, just watch” movies where you can turn off the logic and give in to your more base desires as to do otherwise will ruin your fun.)
 
Outside of that, RIDE OR DIE is a standard action movie ride along. But when you have two entertaining leads like Smith and Lawrence, you get a film that will keep the peace on screen and with movie audiences.
OVERALL RATING (OUT OF FOUR POSSIBLE BUCKETS OF POPCORN):

 

 

 

Dayton Dance Initiative Presents: Unite and Ignite

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You’re invited to immerse yourself in a world of captivating dance performances during the highly anticipated “Unite and Ignite” showcase, hosted by The Dayton Dance Initiative on June 28th and June 29th at the PNC Arts Annex.

The Dayton Dance Initiative (DDI) is dedicated to fostering collaboration among dancers and choreographers from from the Dayton Ballet, Dayton Contemporary Dance Company, Mutual Dance Theatre, and Wright State University. During their summer off-season, these dancers come together to present their own original works, which is a real delight for Dayton arts fans!

DDI’s goal is to create a platform where they can explore innovative dance experiences that reflect the diverse talents within Dayton’s artistic ecosystem. This season the company is led by a new Artistic Director: Jennifer Sydor.

“Unite and Ignite” promises to take you on a breathtaking journey, highlighting a versatile repertoire of choreography that encapsulates the Dayton region’s artistic diversity. Each performance will offer a fusion of styles and storytelling, leaving you feeling inspired and connected to the artistic spirit of the community.

Don’t miss this extraordinary celebration of Dayton’s dance community at the PNC Arts Annex. Secure your tickets now for an unforgettable evening of artistry and unity.


How to Go?
Dates: June 28th at 7:30pm and June 29th at 2pm and 7:30pm
Venue: PNC Arts Annex
Program: Eight original works of choreography performed by dancers and choreographers from Dayton Ballet, Dayton Contemporary Dance Company, Mutual Dance Theatre, and Wright State University
Tickets – $33.50, Students/$28.50
Dayton Live Box Office: (937)228-3630, https://www.daytonlive.org/events/unite-ignite/


Dayton Philharmonic announces new Music and Artistic Director: Keitaro Harada

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Photo of Keitaro Harada by Shin Yamagishi (Contributed)

The Dayton Performing Arts Alliance (DPAA) announced its appointment of conductor Keitaro Harada as the next Music and Artistic Director of the Dayton Philharmonic Orchestra (DPO).

Maestro Harada will become the fifth Music Director in the orchestra’s 92-year history, preceded by founder Paul Katz (1933–1975), Charles Wendelken-Wilson (1975–1987), Isaiah Jackson (1987–1995), and Neal Gittleman (1995–present). Harada will begin his tenure during the 2024–2025 season as Music and Artistic Director Designate; he’ll assume the role of Music and Artistic Director on July 1, 2025. Harada committed to a five-year term with the option to renew.”

“DPAA is privileged to be working with such a stellar conductor with international scope and passion for local communities,” DPAA President and CEO Patrick J. Nugent commented about this announcement. “Maestro Harada has an impressive sense of artistic vision, community engagement, and commitment to our model of three arts in one organization. He also has a keen understanding of the business of the arts and can think in the language of finances and demographics as well as musical scores and artistic strategy. His technical and artistic abilities as a conductor are prodigious, and he electrifies audiences wherever he goes. He will be a major cultural force in Dayton, and we are delighted that he has agreed to lead the Philharmonic.”

Harada responded: “I am honored to join the DPAA family as Music and Artistic Director of the Dayton Philharmonic Orchestra. As the proud leader of two profound American institutions, I look forward to immersing myself in the DPAA community while I continue in my present role as Music and Artistic Director with the Savannah Philharmonic. And as I build new relationships in the Dayton community and deepen my relationships in Savannah, I believe both cities will benefit from this tandem experience. I will forever cherish the Savannah Philharmonic—the organization that provided me with my first Music Director opportunity—while wholeheartedly embracing the Dayton community as we bring the performing arts to life throughout the region.”

Photo of Keitaro Harada by the DPAA (Contributed)

“The DPAA stands out to me as it brings together three art forms I absolutely love: orchestra, opera, and ballet,” Harada continued. “Dayton’s rich history and vibrant art scene will provide us with the inspiration and imagination to build collaborations that can only be achieved at DPAA. Having recently performed together, we began to discover the endless possibilities of our music-making and great community. I am deeply grateful to serve as the next Music and Artistic Director.”

Keitaro Harada is a recipient of the prestigious 2023 Sir Georg Solti Conducting Award, and as Music and Artistic Director of the Savannah Philharmonic in Savannah, Georgia (a position he’s held since the 2020-21 season), Harada has transformed the quality of the orchestra and energized its audiences through his imaginative programs and charismatic presence.

In addition to his American posts, Harada also acts as Permanent Conductor of the Tokyo Symphony Orchestra and is the Principal Guest Conductor and Artistic Partner of the Aichi Chamber Orchestra in Japan. Harada was Associate Conductor for four years at the Cincinnati Symphony and Pops, where he regularly assisted Music Director Louis Langrée (now Music Director Laureate) and collaborated with James Conlon and Juanjo Mena at the orchestra’s annual May Festival.

Harada was the top candidate among nearly 250 applicants from around the globe, according to Arts Consulting Group (ACG), which guided the extensive international executive search. ACG remarked that they had never before received such a response for an Artistic Director position. ACG screened applicants through a rigorous process that yielded a preliminary round of 57 candidates. After conducting initial interviews, ACG presented 27 candidates to the DPAA Search Committee for consideration. The diverse applicant pool represented 40 states and 26 countries and included a substantial number of candidates who self-identified as BIPOC and/or LGBTQIA+.

Photo by Masatoshi Yamashiro (Contributed)

Barbara O’Hara, Chair of the DPAA Search Committee, said: “I feel certain that our Dayton community will heartily welcome and embrace Harada and his family, as will all the musicians, ballet dancers, opera performers, subscribers, future subscribers, donors, and young musicians. To me, a fitting description of Harada is that of a Renaissance man! His background is so varied covering classical music, opera, and ballet as well as contemporary and pops. His rapport with the musicians is outstanding—he challenges them and is respectfully demanding of them. While in Dayton, one of his great desires is to become an involved partner with other performing arts organizations. So, here’s to a wonderful and exciting musical future for the Dayton Performing Arts Alliance as we welcome Keitaro Harada, the next Music and Artistic Director of the Dayton Philharmonic.”

Harada succeeds Neal Gittleman, who announced his intent to retire in May of 2022. Regarding Harada’s appointment, Gittleman said: “I’m excited to see where Maestro Harada leads the Philharmonic in the future. After 30 wonderful years on the podium, I look forward to enjoying what comes next from a seat in the audience. I sincerely hope that Harada finds, as I have, that the DPAA is a place to make great music and build great community. And wish I him, the musicians, and the audience all the best on their adventure together.”

Learn more about Keitaro Harada at kharada.com

Learn more at daytonperformingarts.org

https://www.youtube.com/watch?v=G0D3UHyr5Yk