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Heartwarming Holiday Treat

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David Shough (left) and male ensemble of Scrooge! (Photo by Art Fabian)

Any production that opens in December has the potential to get lost in the hustle and bustle of the holidays, but the Dayton Playhouse’s staging of Leslie Bricusse’s heartwarming if musically limited “Scrooge!” is certainly worthwhile.
Director Jennifer Lockwood, using the revised adaptation of Bricusse’s 1970 Academy Award nominated film of the same name, assembles a warm, purposeful cast to portray the familiar Dickensian characters that comprise an eventful Christmas Eve in England circa 1843.  Bricusse oddly simplifies his score with sound-alike lullabies and marches, but Lockwood keeps the action engaging and emotionally sound nonetheless by ensuring effective characterizations in addition to breezy pacing and pleasant unity in the ensemble scenes.
David Shough, duly intimidating and in fine vocal form, deliciously embodies the titular miser whose reflective journey of self-discovery, particularly the importance of cherishing and loving life, remains very impactful. It’s particularly great to see Shough fully invest in the iconic time travel that gives the show its meaningful pulse. As Ebenezer’s past, present and future is revealed he becomes more than a mere bystander thanks to the joy, heartache, inquisitiveness, and regret permeating throughout Shough’s excellently detailed performance. In fact, his truly wonderful execution of Ebenezer’s climactic transformation, interpreted with abundant glee and tenderness, might bring tears to your eyes.
Elsewhere, the Cratchit clan delightfully consists of Brad Bishop, Laura Bloomingdale, Gabrielle Culver, Ryan Hedberg, and the very endearing Emily Cypher as Tiny Tim. Booming baritone Michael Taint, kindly Heather Martin and jovial John Bukowski respectively tackle the roles of Jacob Marley/Ghost of Christmas Yet To Come, Ghost of Christmas Past and Ghost of Christmas Present. Real-life spouses Doug and Mary Louise Warrick are enjoyable as Young Scrooge/Nephew and Isabel/Helen. Jim Lockwood and Dawn Roth Smith are equally compatible as Mr. and Mrs. Fezziwig. Darren Brown shines as Dick Wilkins/Tom Jenkins, specifically in “The Milk of Human Kindness” and “Thank You Very Much” spiritedly choreographed by Debra Strauss.
In related news, Brooklyn playwright Beau Willimon, winner of the 2005 Dayton Playhouse FutureFest for his marvelous political drama “Farragut North,” has received a Golden Globe nomination for his “Farragut”-inspired screenplay of “The Ides of March.” Willimon’s nomination, which he shares with George Clooney and Grant Heslov, bodes well for his chances at an Academy Award nomination. The Golden Globe Awards will air Jan. 15 on NBC. Academy Award nominations will be announced Jan. 24.

“Scrooge!” continues through Dec. 18 at the Dayton Playhouse, 1301 E. Siebenthaler Ave. Performances are Friday and Saturday at 8 p.m. and Sunday at 2 p.m. Act One: 70 minutes; Act Two: 50 minutes. Tickets are $10-$15. For tickets or more information, call (937) 424-8477 or visit www.daytonplayhouse.com

Telling American Stories in Pictures…with Music

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DPO presents Musical Gallery, honoring the life’s work of iconic American painter/illustrator Norman Rockwell

“I love to tell stories in pictures. The story is the first thing and the last thing.”

With those words Norman Rockwell summed up his modus operandi for a lifetime of artistic achievement. For forty-plus years, his illustrations of the covers of The Saturday Evening Post magazine became an integral part of American popular culture. The Willie Gillis and Four Freedoms series, Rosie the Riveter, and my personal favorite, Saying Grace, captured the essence of the beauty, joy, seriousness, and camaraderie of everyday American life.

Picture this: a small-town café peopled by working-class people. Two big, burly, cigarette-smoking truck drivers share a table with a small, red-headed boy and an older woman (ostensibly his grandmother). One trucker reads a menu; the other holds a cup of coffee and stares inquisitively at the woman and boy, both of whom have their heads bowed, their eyes closed, and their hands folded in prayer and saying grace.

That juxtaposition of characters, that slice-of-life realism was how Norman Rockwell told pictures in stories.

Organized by the Norman Rockwell Museum, American Chronicles: The Art of Norman Rockwell (At the Dayton Art Institute November 12, 2011 – February 5, 2012) is an exhibition spanning 56 years of his work (1914 – 1970) that traces his artistic contributions and the impact of his images on American popular culture.

Concurrently, on Fri­day, Ja­nu­ary 6 and Saturday, January 7, at 8 pm in the Schuster Center, the Dayton Philharmonic Orchestra will present Musical Gallery, a concert program that features a Debussy prelude, the Brahms Piano Concerto No. 1 performed by American pianist William Wolfram, and Rockwell Reflections, a study in Americana  by national and international award-winning composer Stella Sung.

For Rockwell Reflections, Stella Sung chose five seminal paintings by Norman Rockwell to use as points of departure for her compositions. Like Rockwell’s paintings, these compositions have a strong narrative quality. During the performance of Rockwell Reflections, the DPO will project imagery of these five of Rockwell’s most famous paintings on a screen above the DPO in the Mead Theater:

"Artist Facing Blank Canvas"

Artist Facing Blank Canvas, 1938

This painting is an unusual self-portrait. Rockwell does not show us his likeness; instead, the artist lets us look over his shoulder at a dilemma that ruled his working life. With clarity and wit he communicates his exasperation through such telling details as the head scratch, the splayed shirt collar, the upside-down horseshoe, and the rejected sketches piled on the floor.

The Stay at Homes, 1927

In this charming scene a boy and his grandfather seem to be lost in a reverie as they gaze out at a schooner leaving the harbor for open water. For the child such journeys are yet to come; for the grandfather the journeys are memories to be savored. Rockwell elaborates his theme with a swirl of gulls above the two figures. Birds in flight are an age-old metaphor for flights of imagination and spirit.

"Checkers"

Checkers, 1928

Rockwell’s painting illustrates a key moment in a short story about a circus clown named Pokey Joe. Pokey Joe has been suffering from self-doubt about his ability to perform. His friends and fellow performers organize a little deception to cheer him up, letting him win an important game of checkers. The painting captures Pokey Joe’s delight in his moment of triumph. Also apparent is Rockwell’s delight in painting the brilliantly colored circus setting.

In this musical composition, the DPO playing in the background represents the circus, while the individual players of the strings represent the five figures in the foreground of the painting. The concertmaster is the checkers player on the left and the principal cellist is the clown on the right. The dog that is quite content to continue sleeping is played by the viola that never changes pitch!

"Murder in Mississippi"

Murder in Mississippi, 1965

In the 1960s Rockwell began to do assignments for Look Magazine, which addressed important current events. The most dramatic painting of this period was Murder in Mississippi. Rockwell was horrified by the murder of three young, dedicated civil rights workers near Philadelphia, Mississippi in 1964.  Klansmen stopped the three men at night on a deserted road, took them to a remote location, and shot them. Rockwell’s painting of their last moments is not a documentary. Instead, the artist created his work in the style of a formal heroic composition. It honors the courage and sacrifice of these three young men.

The Peace Corp, JFK’s Bold Legacy, 1966

Rockwell was deeply affected by the turmoil of the 1960s, the racial conflicts, assassinations, Vietnam War, and nuclear threat. Rockwell, though, always found a reason for optimism in young people. The Peace Corp represents this optimism in a group of profile portraits of young men and women looking up and outward toward a bright vision beyond the confines of the picture. The profile portrait composition is a reprise of his famous 1942 painting Freedom of Worship. Here, though, the faith that Rockwell celebrates is the spirit of the next generation to make the world a better place.

Exasperation. Reverie. Delight. Courage. Optimism. Those are the emotions, sentiments, and character traits that Norman Rockwell set down on canvas for us all to look at and see reflections of ourselves as people.

And as Americans.

Dayton Philharmonic Presents “Musical Gallery”

Ja­nu­ary 6 and January 7 at 8 pm

Schuster Performing Arts Center

Click for Tickets

Astounding Athleticism

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In any given season the Victoria Theatre Association relishes the opportunity to present unique diversions outside the traditional box office realms of musical theater and straight plays. We have seen the Victoria deliver such crowd-pleasers as Blue Man Group, “Blast” and “Stomp” yet startlingly stumble with “Cirque Dreams” and the excruciating “Aluminum Show.” This time around the alternative bill of fare is “Traces,” a thinly conceived yet highly entertaining display of urban athleticism that breezily fulfills its purpose to astound, engage and surprise. Courtesy of the Premier Health Partners Broadway Series and held at the Victoria Theatre, “Traces,” the circus-inspired brainchild of Montreal-based dance troupe 7 Fingers, pits five dancers inside a bunker framed within the confines of a reality TV competition. Oddly, this premise isn’t clear at the outset and the presentation’s central theme addressing the importance of leaving indelible impressions or traces in one’s life is a surface level narrative device that could be greatly expounded. Still, the fantastic, flawlessly fluid blend of acrobatics and street elements, melded with charming snippets of personal statements from the dancers, creates a genuinely satisfying experience overall. Antoine Auger, Francisco Cruz, Devin Henderson, Genevieve Morin and Xia Zhengqi cohesively execute the clever, ingenious and jaw-dropping routines marvelously choreographed by directors Shana Carroll and Gyspy Snider.  Whether vaulting into the air or scaling two large poles, this confident, personable, musically inclined quintet truly shines. In addition to a delightfully debonair skateboarding segment set to “It’s Only a Paper Moon,” a lively game of basketball and a dynamic finale involving a tower of rings, notable highlights include Auger and Morin’s striking pas de deux, Morin’s lovely aerial work reminiscent of Cirque du Soleil and Henderson’s applause-inducing mastery of a large hoop. Last week, theater critic Richard Zoglin of Time magazine placed “Traces” ninth among his Top 10 plays and musicals of 2011.  Zoglin’s year-end choices can be puzzling (“The Little Mermaid” actually ranked among his favorites of 2008) but there’s no denying the immense appeal this show inherently provides. “Traces” continues through Dec. 18 at the Victoria Theatre, 138 N. Main St. Performances are Tuesday-Friday at 8 p.m., Saturday at 2 and 8 p.m. and Sunday at 2 and 7:30 p.m. The production is performed in 85 minutes without intermission. The cast also includes Camille Legris and Tristan Nielsen. Tickets are $40-$83. For tickets or more information, call Ticket Center Stage at (937) 228-3630 or visit www.ticketcenterstage.com

WEEKEND This Weekend at THE NEON

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Hello Everyone,

Even though we’re going to hold both of our current attractions – THE DESCENDANTS and MELANCHOLIA – we are going to open a new film on Friday.  WEEKEND – which was the sold-out, closing film of this year’s Downtown Dayton LGBT Film Festival  – has been winning awards around the world.  In addition, it’s one of my favorite films of the year.  Eric Hynes of the The Village Voice wrote, “Naturalistic without being ineloquent, heartfelt yet unsentimental, WEEKEND is the rarest of birds: a movie romance that rings true.”  David Edelstein of New York Magazine wrote, “I hate to damage so fragile a work with overpraise, but, gay or straight, if you don’t see yourself in this movie, you need to get a life.”  This film has not screened much in Ohio…we’re hoping you’ll help support one of the small, true indie gems of the year.

Synopsis for WEEKEND:  “After meeting one lonely Friday night at a bar, Russell and Glen find themselves caught up in an lost weekend full of sex, drugs, and intimate conversation. Although they have conflicting ideas of what it is they want from life and certainly how to get it, they form a startling emotional connection that will resonate throughout their lives.” (Sundance Selects)

Click this link to visit the film’s official website.

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I’m delighted to announce that MY WEEK WITH MARILYN has now been set to open on December 23.  It seems like the date might really stick this time (but I’ll keep you posted regardless).  Just remember that we’re open 365 days a year…so we hope to be part of your plans during the holidays.

This Saturday marks the last of The Holiday Family Movie Series…sponsored by The Downtown Dayton Partnership, DP&L and THE NEON.  The film begins at noon and is free for children 12 and under; other tickets are only $2 each.  This Saturday’s movie is A CHRISTMAS STORY.  Last week’s screening was a huge success…so come early for a good seat (doors open at 11:30).  (presented via digital video projection)

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Have you tried one of our new wines?  In addition to the Woodbridge Merlot and Chardonnay, we are trying Carernet Sauvignon and Moscato.  If you want to make certain that we keep these two wines in the mix, please order a glass during your next visit.

When shopping for the holidays, don’t forget that NEON Gift Certificates are a perfect gift for film lovers…and for people who still need to be introduced to us.  For every $50 worth of gift certificates you purchase, we’ll give you a hearty-sized bag of Candy Cane Granola…making your gift all the sweeter.

NYC was a blast.  Thanks to all of you who sent well-wishes!

See you soon at THE NEON,

Jonathan

SHOWTIMES for Fri. December 16 – Thur. December 22:  

THE DESCENDANTS (R) 1 Hrs 55 Min

Friday,Saturday, Sunday:  12:15, 2:40, 5:00, 7:20, 9:45

Monday – Thursday:  2:40, 5:00, 7:20

MELANCHOLIA (R) 2 Hr 16 Min

Friday: 1:00, 4:00, 9:30

Saturday: 4:00, 9:30

Sunday:  1:00, 4:00, 9:30

Monday – Thursday:  2:30, 5:15

WEEKEND (NR) 1 Hr 37 Min

Friday, Saturday, Sunday: 7:15

Mon-Thur: 8:00

A CHRISTMAS STORY  (PG) 1 Hr 40 Min

Saturday: 12:00 (Noon)

COMING SOON:

As always, all dates are tentative.  Some of these dates will change.

In some cases, titles may disappear.

Dec. 23  MY WEEK WITH MARILYN

TBD   THE HEDGEHOG

TBD   THE ARTIST

Jan. 13   TINKER TAILOR SOLDIER SPY

Jan. 20   SHAME

Jan. 20   CARNAGE

Jan. 27   A DANGEROUS METHOD

WEEKEND – One week only!  Starts Friday!

MY WEEK WITH MARILYN…Opening Next week!

Meet Jean Howat Berry – Building Culture Through Community at Cityfolk

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Pandora, one of artists in residence during the 2011 Culture Builds Community program, works with students (Photo by Rodney Veal)

Jean Howat Berry is the new education and outreach manager at Cityfolk.

Cityfolk is the Dayton-based “only full-time, professional presenter of traditional and ethnic performing arts” in Ohio, according to the Cityfolk website.

Berry’s main responsibility is overseeing the Culture Builds Community program, which is in its sixth year.

“The main thrust of the job is this huge project that happens in the spring,” said Berry.

The CBC project, which culminates in April, focuses on engaging participating elementary students in research and practice of specific cultural activities. The project incorporates local ethnic centers and national and local artists of music and dance.

This year’s Culture Builds Community project is called Sole Rhythms and five neighborhood schools are participating. The schools are Ruskin, Edison, Cleveland, Kiser and Fairview elementary schools.

Each school has its own team that focuses on an assigned specific cultural tradition.

Berry said this year’s theme is percussion music and dance. The traditions of focus include Turkish dance, Mexican folk dance, traditional American spirituals and the roots of jazz, the African American fraternity step dance tradition and old time clogging of Appalachia mixed with Irish step dance.

“The whole idea, and what City Folk strives to do with this, is build community,” she said. “There’s so many different facets to Dayton, because we are so immigrant friendly and because we have tremendous gifted artists that work here, we’re able to pull all those folks together to build a team that can go out and connect with those many communities. Because we’re all really one big community.”

Within the context of the schools, CBC helps kids learn new skills, new information about culture and practice physical activity, since this year’s project is a danced based program.

“Kids have the opportunity to use all facets of themselves within the project,” Berry said.

She said from the kids perspective, the project is completely voluntary. CBC provides a few teasers informing the students about their school’s cultural focus. They will then take 15 students 5th through 8th grade and another 10 participants at 16 and older.

Big Mijo teaches students the basics of krump dancing during the 2011 Culture Builds Community program (Photo by Rodney Veal)

According to Berry, last year’s project only encompassed three schools and took ten students from each. So this year’s project is taking on two-to-three times as many participants.

She wants participants to be educated in their specific cultures, but more so she wants them to learn the importance of commitment.

“We want it to be at will, we want a particular age group, but we mostly want commitment, and that’s something this project really seeks to develop in the young people,” Berry said.

Berry said her previous job working at East End Community Services, which sponsors Ruskin Elementary afterschool programming, prepared her well for her new position. Her theatre background will also be helpful in her new role. She said she’s played the role of the artist educating kids in the classroom, just as the artists she’s assigning to the five groups will do.

Berry said CBC has a fairly broad funding base for this project that includes Sinclair Community College, Dayton Power and Light, Target and Arts Midwest.

“It’s a really exciting program,” Berry said. “I just think that it has the capacity by what it’s goals are to continue to grow and to be a real force for bringing folks together in Dayton and that’s what we really want to reach out and do.”

For more information visit Culture Builds Community online at http://www.cityfolk.org/cbc.htm.

Dayton Ballet presents The Nutcracker

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Kettering Health Network and Vectren present Dayton Ballet’s 18th annual holiday production, The Nutcracker, December 9-11 and 16-18, 2011. Dayton Ballet has sculpted this classic winter gem to sparkle with Dayton shine, replacing traditional characters with historical Dayton figures, including Virginia Weiffenbach Kettering and Dayton Ballet founders, Josephine and Hermene Schwarz. Dayton Ballet’s professional and pre-professional companies will appear in nine magical performances over two weekends at the Benjamin & Marian Schuster Performing Arts Center. Tickets may be purchased by visiting www.ticketcenterstage.com or by calling Ticket Center Stage at (937) 228-3630 or (888) 228-3630.

Over 100 children from the Dayton Ballet School and 13 other area dance schools will take the stage in the Miami Valley’s only professional production of The Nutcracker, showcasing the critically acclaimed and nationally recognized Dayton Ballet Company, plus the Dayton Ballet II Senior and Junior Companies and students from the University of Cincinnati College-Conservatory of Music and Ohio University dance departments.

Performances of Dayton Ballet’s The Nutcracker will play Friday, Dec. 9 at 7:30 p.m.; Saturday, Dec. 10 at 2:30 p.m. and 7:30 p.m.; Sunday, Dec. 11 at 1:00 p.m. and 4:30 p.m.; Friday, Dec. 16 at 7:30 p.m.; Saturday, Dec. 17 at 2:30 p.m. and 7:30 p.m.; and Sunday, Dec. 18 at 2:30 p.m.

Celebrity Mother Ginger’s!

Mother Ginger is one of the most colorful and spirited characters in Dayton Ballet’s The Nutcracker. This year, several local celebrities have volunteered to appear on stage as Mother Ginger.  

  • Ryan Phillips , On-Air Personality and Promotions Director, from 94.5 Lite FM appears Friday, Dec. 9 at 7:30 PM.
  • Kim Faris, On Air Personality at 94.5 Lite FM, is a frequentMotherGinger guest, appearing for the fourth year in a row on Saturday, Dec. 10 at 2:30 PM.
  • Neal Gittleman, Music Director for the Dayton Philharmonic Orchestra will make his debut appearance on Saturday, Dec. 10 at 7:30 PM.
  • Rachel Murray, news anchor from WHIO AM/FM and weekend announcer, a.k.a.RoxyReynolds, from K99 will debut on Sunday, Dec. 11 at 1:00 PM.
  • Dave Alexander from the Mix FM 107.7 morning show makes his second appearance on Saturday, Dec. 17 at 2:30 p.m.
  • Mike Hartsock, from WHIO TV, News Center 7 Sports, will once again appear on Sunday, Dec. 18 at 2:30 p.m.

Don’t miss your chance to see Daytoncelebrities as Mother Ginger in Dayton Ballet’s The Nutcracker.

Have Tea with the Sugar Plum Fairy!

Enjoy an English Tea inspired luncheon at the SchusterCenteron Saturday, Dec. 10 from 12:30 p.m. to 2 p.m. Your ticket for the Sugar Plum Tea will include: desserts from the “Land of Sweets,” Sugar Plum Fairy crafts, listening to The Nutcracker story read by a special guest, pictures with a ballet dancer in costume and the opportunity to participate in a silent auction. You can purchase tickets to the Sugar Plum Tea from Ticket Center Stage. Discounted tickets to The Nutcracker may be purchased in conjunction with tickets to the Tea.

Enter The Nutcracker Coloring Contest!

Enter to win four tickets to Dayton Ballet’s The Nutcracker, four tickets to Behind the Magic Backstage Tour and autographed keepsakes from the Sugar Plum Fairy. In order to win, children must send Dayton Ballet their coloring page, which can be downloaded at the Dayton Ballet website.  Children may also send original artwork inspired by The Nutcracker. Only one entry per child will be considered; children must be between the ages of four and ten and every entry must include the child’s name, age, address, city, state, zip code, parent or guardian’s name, phone number and email on the back of the coloring page. The deadline for all entries is Friday, Dec. 2, 2011. Entries must be mailed or delivered in person to Dayton Ballet 140 N. Main St. Dayton, OH, 45402.

“Behind the Magic” Backstage Tour

The Nutcracker at theSchusterCenter offers excitement and beauty as well as a fun learning experience. Following the Saturday matinee performances, Dayton Ballet will offer “Behind the Magic” BackstageTours (approximately 4:30 p.m.). For $10 patrons can take a backstage tour of theSchusterCenter, meet Dayton Ballet dancers and enjoy refreshments. Simply tell the ticket agent at Ticket Center Stage that you would like the Backstage Tour when you purchase your ticket.

Shop at Dayton Ballet.

If you and those on your holiday shopping list love all things ballet, visit the Ballet Boutique for all of your holiday shopping needs. You can purchase nutcrackers of all shapes and sizes, ballet trinkets and Dayton Ballet apparel to sport around town.

Get a Deal on Nutcracker Tickets.

Visit the Entertainment Book Online and check the Dayton Ballet website at, www.daytonballet.org, for a list of discount opportunities.

For tickets to Dayton Ballet’s The Nutcracker, the “Behind the Magic” Backstage Tour or the Sugar Plum Tea, call Ticket Center Stage at (937) 228-3630 or (888) 228-3630 or visit online at www.ticketcenterstage.com.  Ticket Center Stage hours are Monday-Friday 10 a.m. to 6 p.m., Saturday Noon-4 p.m. and two hours prior to each performance.

Dayton Ballet’s season sponsor is Kettering Health Network. The Nutcracker is presented by producing sponsors Kettering Health Network and Vectren.  Performance sponsor is: The Soin Family; Dayton Ballet Media Sponsors include: WHIO TV, 94.5 Lite FM and Dayton Daily News. Additional funding is provided by Culture Works, Ohio Arts Council, Montgomery County Arts and Cultural District and Downtown Dayton Partnership.

We have tickets to give away!

CONGRATULATIONS Bethany Locklear – she won tickets for the 12/10 show!  BUT WAIT…  we have FOUR MORE PAIRS of tickets to give away for the remaining shows from 12/16-12/19 !  We’ll give away one pair for every ten “likes” we get on this article (we have 14 at the time of this update) – so be sure to hit the “like” button when you fill out the form.   We’ll announce the remaining winners on Tuesday 12/13 at 2pm – GOOD LUCK!

Contest Closed

Congratulations to our winners!

Janie Hummel
Andrea Hubler
Amy Price
Pam Elswick

MELANCHOLIA Opens Friday at THE NEON!

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Hello Everyone,

I’m sad to report it, but THE SKIN I LIVE IN did not perform well enough to stick around for a 2nd week. If you still need to see the latest from master filmmaker Pedro Almodovar, Thursday will be your last chance to see it at THE NEON.

On Friday, we will begin the latest film from Lars von Trier (director of BREAKING THE WAVES, DANCER IN THE DARK and DOGVILLE). MELANCHOLIA has received a 100% rating from numerous sources including Entertainment Weekly, Variety, The Los Angeles Times, and the cast includes Kirsten Dunst, Charlotte Gainsbourg, Kiefer Sutherland, and Charlotte Rampling. (Dunst won “Best Actress” for this part at this year’s Cannes Film Festival.)

Synopsis for MELANCHOLIA: “In this beautiful movie about the end of the world, Justine and Michael are celebrating their marriage at a sumptuous party in the home of her sister Claire, and brother-in-law John. Despite Claire’s best efforts, the wedding is a fiasco, with family tensions mounting and relationships fraying. Meanwhile, a planet called Melancholia is heading directly towards Earth.” (Magnolia Pictures)  Click the link to visit the film’s official website.

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I’m certain that some of you will be happy to know that we’re trying out a couple new wines. In addition to the Woodbridge Merlot and Chardonnay, we are trying Carernet Sauvignon and Moscato. If you want to make certain that we keep these two wines in the mix, please order a glass during your next visit.

Current opening dates are moving all around. We don’t know when MY WEEK WITH MARILYN will be available in our market, and we’re disappointed that THE ARTIST has been bumped to sometime in January (which is going to be a very busy time for specialty cinemas). I’ll keep you up-to-date as best I can…that said, this e-mail is the best place for the latest details.

This Saturday marks the 2nd film in The Holiday Family Movie Series…sponsored by The Downtown Dayton Partnership, DP&L and THE NEON. Movies begin at noon and are free for children 12 and under; other tickets are only $2 each. This Saturday will be – THE POLAR EXPRESS. And next week, on December 17, we will play A CHRISTMAS STORY. All of these movies will be presented via digital video projection.

Last week, I mentioned a list of some of our friends and partners in the area, and I’d like to continue that list by thanking 2 additional businesses for their continued help and willingness to spread the word about what’s happening at THE NEON. Omega Music and MJ’s Cafe & Dance Bar always allow me to hang up posters.  Without grassroots marketing, positive word-of-mouth and community support, we’d be long gone by now. Thank you!

When shopping for the holidays, don’t forget that NEON Gift Certificates are a perfect gift for film lovers…and for people who still need to be introduced to us. For every $50 worth of gift certificates you purchase, we’ll give you a hearty-sized bag of Candy Cane Granola…making your gift all the sweeter.

I’m heading to NYC for a long weekend on Thursday morning. I’m terribly excited to go, and I hope you’ll keep the staff plenty busy while I’m gone.

See you soon,

Jonathan

 

SHOWTIMES for Fri. December 9 – Thur. December 15:

THE DESCENDANTS (R) 1 Hrs 55 Min

Friday,Saturday, Sunday: 12:15, 2:40, 5:00, 7:20, 9:45

Monday – Thursday: 2:40, 5:00, 7:20, 9:45

MELANCHOLIA (R) 2 Hr 16 Min

Friday: 1:00, 4:00, 7:00, 9:45

Saturday: 4:00, 7:00, 9:45

Sunday: 1:00, 4:00, 7:00, 9:45

Monday – Thursday: 2:30, 5:15, 8:00

THE POLAR EXPRESS (PG) 1 Hr 40 Min

Saturday: 12:00 (Noon)

COMING SOON:

As always, all dates are tentative. Some of these dates will change.

In some cases, titles may disappear.

??? MY WEEK WITH MARILYN

TBD WEEKEND

TBD THE HEDGEHOG

TBD THE ARTIST

Jan. 13 TINKER TAILOR SOLDIER SPY

Jan. 20   SHAME

Jan. 20   CARNAGE

Jan. 27   A DANGEROUS METHOD

Music on the Orient Express – DPO’s New Year’s Celebration

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DPO presents a New Year’s Eve musical journey from Paris to Vienna

There once was a long-distance passenger train that ran from Paris to Istanbul, crossing many international borders en route. It was just a train, nothing more. Perhaps the exotic locations it connected lent it an air of mystique. Perhaps it was something much more….

In 1883, the Compagnie Internationale des Wagons-Lits initiated railway service on a train it named the Orient Express. Its purpose was to carry passengers in relative style and comfort and provide an enjoyable travel experience.

It was, to say the least, an overachiever.

Imagine for a second what a trip from Paris to Vienna must have been like in 1883. In Paris, the City of Light, you would board the train at Gare de Strasbourg station for a 6:30 pm departure, and a mere 28 hours and 50 minutes later you would arrive in Vienna, Austria, the City of Waltzes. And while, admittedly, that is a very long time by today’s travel standards, the employees of Wagons-Lits did everything possible to make your trip optimally enjoyable.

It started with the train itself. In addition to the locomotive and other support cars, the Orient Express consisted of a baggage car, four sleeping coaches with a total of 58 beds, and a restaurant car.

And when Wagons-Lits said restaurant car, they meant restaurant car. A typical menu might include oysters, soup with Italian pasta, turbot with green sauce, chicken à la chasseur, fillet of beef with château potatoes, chaud-froid of game animals, lettuce, chocolate pudding, and a buffet of desserts.
Sort of like C’est Tout or Rue Dumaine, only on wheels.

Dayton Philharmonic Orchestra presents Paris to Vienna: A New Year’s Celebration on Saturday, December 31 at 8pm at the Schuster Center

At first Express d’Orient as the French called it ran only as far as Vienna and back; eventually it expanded its service as far as Istanbul. Regardless of its name and the frontiers it crossed, the Orient Express was as French as French gets. The various stations in the countries along its route lent the train an air of intrigue, and its method of operation and attention to style and personal comfort made it a world standard for luxury travel.
In her novel Murder on the Orient Express, prolific English mystery writer Agatha Christie immortalized the train. And, when he wrote the score for the 1974 film of the same name, Richard Rodney Bennett captured the spirit of the experience of riding the fabled train with a main theme written, fittingly, in the style of a luxurious romantic waltz. The song mimicked the movement of the train itself, starting haltingly (short wheel spins), slowly building tempo (gaining steam), and finally waltzing with abandon (running at top speed).

In 2009, the Orient Express ceased operation, shot in the operational heart by a bullet train, the 186-mile-per-hour TGV (Train à Grande Vitesse), and bombed out of the market by cut-rate airlines.

But its musical spirit lives on.

This New Year’s Eve, Saturday, December 31 at 8pm in the ­Schuster Center, the Dayton Philharmonic Orchestra presents Paris to Vienna: A New Year’s Celebration. It can be your ticket to a musical ride on the Orient Express.

Your journey starts in Paris, where the music of Hector Berlioz, Camille Saint-Saëns, Jacques Offenbach, Emmanuel Chabrier, and Maurice Ravel gets your evening off and running at full speed.

Your musical train stops only once en route. And not for water. New Year’s Eve Intermission at the DPO features complimentary champagne!

Back on board, the musical program of light classics, opera arias, and festive favorites continues. Vienna is just around the next bend; the music of Johann Strauss, Jr., the Waltz King – overtures, marches, polkas, and (of course) waltzes – completes the journey.

And a balloon drop in the Mead Theater celebrates your arrival.

Bonne Année! A guads Neichs Johr olle mitanand!

Happy New Year!

TICKET CONTEST

We’ve partnered with the Dayton Philharmonic Orchestra to give away TWO PAIRS of tickets to Paris to Vienna: A New Year’s Celebration!  Simply fill out the form below for a chance to win – we’ll draw winners on Friday, December 9 at 2pm.  Check back here or on our Facebook page to find out if you are a winner… GOOD LUCK!

(Contest Closed)

Congratulations to our two random winners:

Vince Bryant

Julie Westwood

Happy New Year!

A Handmade First Friday

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If you’re reading this, you’ve most likely heard of a little thing called First Fridays. These art walks (and in some cities, African-American business networking or conservative political events) happen in urban areas all over the United States on the first Friday of each month.

first friday logoTheir goal? Connect people with their communities.

But here in Dayton, things are getting a little out of hand. First of all, you’ve got dozens of art studios, performance venues and event leaders offering so many awesome opportunities downtown, how’s a fan supposed to see it all? Second of all, pretty much everything’s free. Whatever happened to good old-fashioned capitalism?

I’m joking, of course. The Gem City’s art scene is as vibrant as any I’ve seen outside the big metropolitan meccas. And good old greedy capitalism can go take a dose of its own medicine in a third-world factory or a Dayton factory layoff line. Because you know what? We’ve got Handmade Holiday.

On the first Friday of December, for the past three to five years (yep, even the organizers can’t remember exactly how many now), Dayton’s best knitters, photographers, crafters, painters, and urban revolutionaries pack themselves into a brightly lit storefront and offer their wares to folks who care about keeping their shopping dollars local.

Etch at work at HH 2009 - photo by Melissa Trent

You can find hand-crocheted caps for babies, joke books for 8-year-olds, edgy phone pouches for the teens on your list, and enough wildly sweet local art (and cupcakes!!!) to satisfy your friends and grandparents from here to the end of Kwanzaa. And your cash? Sure, you’ll hand out more than you’d pay for one of those plastic things from a box store, stamped out by slave kids in other countries whose bosses got our old jobs. But your extra dollars will get at least one more cycle in the Miami Valley, and it makes a world of difference to the dedicated artists sharing their creative energies with us First Friday revelers.

Want to see the wares? Check out the Handmade Holiday market at the St. Clair Lofts, St. Clair Street at 4th Street (just north of the Neon and south of the Dayton Metro Library) from 5 to 10pm Friday, then 11am to 6pm Saturday.

And yes, fans, there’s talk of making this market a monthly event in 2012. Organizer(s) and venue(s) needed!

If you don’t recognize plenty of the works and their creators this weekend, keep on coming to First Fridays! It’s all about connecting us with our communities, after all.

(Click the poster to view it full-size — how many names do you recognize?)

New Almodovar Film at THE NEON!

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Hello Everyone,

Special thanks to all of you who came out over the weekend.  This was our best Thanksgiving Weekend ever, and THE DESCENDANTS is certainly a hit!!  (Interesting to note, 2nd place goes to the Thanksgiving weekend we opened AMELIE in 2001…3rd place to our Thanksgiving opening of SIDEWAYS – also Alexander Payne – back in 2004.)

If you haven’t had a chance to see MARTHA MARCY MAY MARLENE, Thursday will be your last chance to see it at THE NEON.  On Friday, we will open the latest film by my favorite filmmaker of all time – Pedro Almodovar.  THE SKIN I LIVE IN is a melodramatic thriller that reveals itself in a brilliant way.  I sat in the front row during its screening at the Toronto International Film Festival – when the film was introduced by its stars Antonio Banderas and Elena Anaya.  The film has stuck with me ever since – and I’ve grown to like it even more.  That said, I wish I hadn’t read much about it before seeing it on the big screen.  (Due to that reason, the description below will be relatively vague by comparison to the content of the film.)

Synopsis for THE SKIN I LIVE IN:  “Ever since his wife was burned in a car crash, Dr. Robert Ledgard, an eminent plastic surgeon, has been interested in creating a new skin with which he could have saved her. After twelve years, he manages to cultivate a skin that is a real shield against every assault. In addition to years of study and experimentation, Robert needed three things: no scruples, an accomplice and a human guinea pig. Scruples were never a problem. Marilia, the woman who looked after him from the day he was born, is his most faithful accomplice. And as for the human guinea pig…” (Sony Classics)   Visit the film’s official website.

[yframe url=’http://www.youtube.com/watch?v=PavJUoZNT7g’]

As you can tell by now, the Weinstein Co. decided not to open MY WEEK WITH MARILYN in Dayton on December 2.   Right now, we don’t know their intentions for the film in this market.  Though we would certainly love to play the film, it will all be a matter of screen availability when they decide to move forward.

Starting this Saturday, we’ll be hosting The Holiday Family Movie Series…sponsored by The Downtown Dayton Partnership, DP&L and THE NEON.  The movies begin at noon and are free for children 12 and under; other tickets are only $2 each.  On December 3, we will play MIRACLE ON 34th STREET (original 1947 version).  On December 10 – POLAR EXPRESS.  And lastly, on December 17, we will play A CHRISTMAS STORY.  All of these movies will be presented via digital video projection.

For remaining showtimes for this week, visit our site.

Special thanks to our new friends at Ghostlight Coffee for letting us hang posters in their new, adorable coffeeshop.  If you haven’t had a chance to check them out, click on the link – they’re a great addition to Dayton.  Of course we appreciate all of our friends and partners – Meadowlark, Boston Stoker, Ohio Coffee Company, Olive, A Urban Dive, Blind Bob’s, Square One Salon & Spa, 5th Street Wine & Deli, Gem City Records,  and all of you…and of course DAYTON MOST METRO.  Without grassroots marketing and positive word-of-mouth, we wouldn’t still be here.  Thank you!

We hope to see you very soon,

Jonathan

 

SHOWTIMES for Fri. December 2 – Thur. December 8:

THE DESCENDANTS (R) 1 Hrs 55 Min

Friday,Saturday, Sunday:  12:15, 2:40, 5:00, 7:20, 9:45

Monday – Thursday:  2:40, 5:00, 7:20, 9:45

THE SKIN I LIVE IN (R) 1 Hr 57 Min

Friday: 12:20, 2:50, 5:10, 7:30, 9:50

Saturday: 2:50, 5:10, 7:30, 9:50

Sunday:  12:20, 2:50, 5:10, 7:30, 9:50

Monday – Thursday:  2:50, 5:10, 7:30, 9:50

MIRACLE ON 34th STREET 1947 version (G) 1 Hr 36 Min

Saturday: 12:00 (Noon)

COMING SOON:

As always, all dates are tentative.  Some of these dates will change.

In some cases, titles may disappear.

???  MY WEEK WITH MARILYN

TBD   MELANCHOLIA

Dec. 25   THE ARTIST

Jan. 20   SHAME

Jan. 20   CARNAGE

Jan. 27   A DANGEROUS METHOD

TBD   WEEKEND

TBD   THE HEDGEHOG 

Woodland Lights Brings a Month of Magic, Lights & Festivities

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(from Washington Township)

Lights and color abound at the 19th annual Woodland Lights, a month-long festival of holiday lights, displays and activities in Countryside Park, next to the Washington Township Recreation Center, 895 Miamisburg-Centerville Rd.

Woodland Lights offers a half-mile wooded path winding through a park and around a pond where visitors can enjoy whimsical characters and illuminated critters preparing for the holidays. Hours are 6 to 9 p.m. nightly Dec. 2-30, except Dec. 24 and 25.

This year, nine butterflies outlined in lights have been created for the event. Each is about three to five feet high and located where a Butterfly Playground will be installed next spring. Extra spark and color also has been added with more new lights decorating the trees, said Linda Madden, event coordinator.

Along the trail, children can visit with Santa Claus inside an historic log cabin decorated for the holidays. Parents may take their own photos or purchase one for $5.

Other favorite stopping points include eight holiday window displays, an interactive light display for hands-on fun, and the 11th annual collection of home-made gingerbread houses. Visitors can enjoy bonfires, hot chocolate, refreshments and a viewing deck where lights sparkle and reflect off the Woodland Lights pond.

Different nights at Woodland Lights have different moods. Monday and Tuesday Nostalgia Nights offer lights, Santa visits, refreshments and bonfires.

Festival Nights are Wednesday through Sunday and include the same, plus carriage rides, live deer, amusement rides, costumed characters, games and activities. Kids can play on a fun slide and enjoy four amusement rides including a small train, Santa swing, twister and pony carts. Offerings also include face painting and a drawing for a giant stocking filled with toys.

Photo opportunities abound, with whimsical settings that include a country front porch and photo panels where kids can poke their heads through a panel and appear as a jack-in-the box, a mouse, or a gingerbread character.

“When we started Woodland Lights 19 years ago, we wanted it to be magical and enchanting. We’re staying true to that vision,” Madden said, noting that visitors will see areas such as toy land, Santa’s airfield, candy land and a winter play land.

Admission is $3 on Mondays and Tuesdays and $6 on Wednesdays through Sundays. Children under 3 are free. Tickets are available at the gate, or may be purchased from 9 a.m. to 5 p.m. Monday through Saturday and 1 to 5 p.m. Sunday at the front desk of theWashingtonTownshipRecreationCenter. Season passes cost $20 for adults 19 years and older and $15 for youth 3 to 18 years. Group ticket packages also are available.

Details, including options for people with limited mobility and senior tours, are available at woodlandlights.org, or by calling 937-433-0130.Woodland Lights is presented in cooperation with Subaru of Dayton. Media sponsors are Dayton Daily News, MIX 107.7 and 94.5 LITE FM.

Woodland Lights at a Glance… Walk the Path to Holiday Fun!

6 to 9 p.m. nightly December 2 – 30     Closed Dec. 24 & 25
Countryside Park (next to the Washington Township Recreation Center)

Nostalgia Nights
Monday & Tuesday
Cost: $3
Lights, refreshments and visits with Santa

Festival Nights
Wednesday – Sunday
Cost: $6
All the fun of Nostalgia Nights, plus carriage rides, live deer, amusement rides, costumed characters, games & activities

VTA presents Traces

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Victoria Theatre Association is bringing the exciting production “Traces” to Dayton starting December 6 through December 18.  From the Traces website:

Traces takes place in a make-shift shelter, an unknown catastrophe waiting outside the doors of tarp and gaffer tape. The seven characters constructed this clubhouse to live to the fullest what they believe could be their last moments, hoping to leave nothing unsaid or undone. In the face of this impending disaster they have determined that creation is the only antidote to destruction, and their brand of creation is the fleeting impulses and desires that extend through their bodies and unfurl onto stage – the story is told through music, song, dance, speech, illustration, and high-risk acrobatics. The characters use every mode of expression available to them, hoping to leave a lasting mark… to leave their traces as best they can.

As they tell the stories of their past and share their various personal strengths and weaknesses, the audience gets to know these seven performers from every possible angle. The familiarity grows, and the acrobatics – a seemingly “inhuman” element – takes on a startlingly human nature. At its heart, Traces celebrates seven individuals, their particular bond and their particular talents; their risk-taking; the ultimate affirmation of life; and their unbridled energy, proof of a collective pounding pulse.

[yframe url=’http://www.youtube.com/watch?v=i6TX7C6rnwI’]

Traces is a production of the Montreal troupe Les 7 doigts de la main  which translates to “the 7 fingers of the hand” – representing the seven founding directors of the company and a twist on a French idiom (“the five fingers of the hand”) used to describe distinct parts united tightly, moving in coordination towards one common goal.  7 Fingers was founded in 2002 with a simple mission – bring circus to a human scale.  Traces, one of several shows under the 7 Fingers belt, is “a circus that lets its freak flag fly” (NYT).  Unlike mega-productions like Cirque du Soleil (where the founders of 7 Fingers came from), the performers in Traces share their own personal stories in an intimate setting as they combine acrobatics with contemporary dance and urban elements like basketball and skateboarding.

DaytonMostMetro.com is proud to be a media sponsor for Traces, starting at the Victoria Theatre on December 6th.  Tickets are on sale at TicketCenterStage.com.

TICKET CONTEST

We’re giving away THREE PAIRS OF TICKETS to see Traces!  Just fill out the form below for a chance to win – we have one pair of tickets for each of the following shows: 12/6, 12/7 and 12/8.  Winners will be announced on Friday December 2 at 2pm.  Good luck!

(contest closed)

Congratulations to our following winners!

Amy Forsthoefel

Trang Lickliter

Sarah Muench

Getting a ‘Handel’ on the True Spirit of Christmas

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DPO presents Messiah in original seasonal setting

Here’s a quick tutorial on Christmas:

Definition – “Christ’s Mass”; a holiday to memorialize the birth of Jesus, the central figure of Christianity.

Meaning – the celebration of God coming into the world in human form to do penance for mankind’s sins.

Impact – Each year, Christmas and Easter are the periods of highest church attendance.

Decorations – Greenery, such as branches from evergreen plants, ivy, and holly; nativity scenes; the traditional colors of green (symbolizing eternal life) and red (symbolizing the blood Jesus shed at his crucifixion); and the evergreen Christmas tree, which keeps its leaves in the winter.

Songs – Christmas carols, which first appeared in English in 1426, and completely secular Christmas seasonal songs that emerged in the late 18th century. (Deck The Halls and Jingle Bells).

Meals – A traditional Christmas family meal with each country having its own, special menu.

Cards – the first commercial Christmas card dates from 1843 in London.

Figures – Father Christmas, also known as Santa Claus; Père Noël; the Wiehnachtsmann; Saint Nicholas or Sinterklaas; the Christkind; Kris Kringle; Joulupukki; Babbo Natale; Saint Basil; and Father Frost.

Writings – Clement Moore’s poem A Visit From St. Nicholas (‘Twas the Night Before Christmas) and Charles Dickens’s novel A Christmas Carol (It’s where the greeting ‘Merry Christmas’ comes from).

Here endeth the tutorial.

DPO and the DPO Chamber Choir will present Handel’s Messiah
December ­11 at 4pm
Westminster Presbyterian Church, 125 North Wilkinson Street

Religious holidays such as Christmas have always inspired the composition of sacred songs and hymns for use in church services. For example, in 1741, George Frederick Handel composed an oratorio for another church holiday – Easter. Handel was a German composer, who received his musical training in Italy and spent most of his life in England.

A bit of a loose cannon, Handel – eighteen and frustrated with the musical chauvinism where he lived, actually dueled with another composer over opera music. Eventually, he became become court composer, and his patron at court, the Elector of Hanover, became King George I of England. A few years later Handel recognized his chance and moved to England. Permanently.

The sacred, non-dramatic oratorio he had written for Easter was entitled Messiah.

Here’s a quick tutorial on oratorios:

Embodiment – a large musical composition with arias, performed by an orchestra, a choir, soloists, and various distinguishable characters.

Performance – little or no interaction between the characters; no props or elaborate costumes.

Subject Matter – sacred topics, making it appropriate for performance in the church.

Here endeth the tutorial.

Handel was down on his luck. His last two works, both operas, were duds, and he was ready to chuck it all and head back to Chauvinist heaven when Charles Jennens, a collaborator of his on the oratorio Saul, saved him the bother.

Jennens had written a libretto (text for an extended musical work) based around the birth and Passion of Christ. He gave it to Handel, who wrote a score for it in a little over three weeks. The completed work, text and music, bore the name Messiah.

Messiah has three parts: the Prophecy of the Messiah and its fulfillment, the events from the Passion to the triumph of the Resurrection, and the role of the Messiah in life after death. None of the characters have names. The words express the drama. The Hallelujah Chorus of Messiah has become both a musical, and a spiritual, icon.

Today, orchestras and choruses perform Messiah in churches at Christmas almost as much as at Easter. Why?

Because Christmas, as a religious holiday, has been held hostage. It has become a prisoner of war.

In the U.S. there has been a tendency to replace the greeting Merry Christmas with Happy Holidays. Allegations abound that any specific mention of the term “Christmas” or its religious aspects are increasingly suppressed, avoided, or deterred by a number of advertisers and retailers.

Christmas is typically the largest annual economic stimulus for many nations around the world. Sales increase dramatically in almost all retail areas, and shops introduce new products as people purchase gifts, decorations, and supplies. In the U.S., the Christmas shopping season starts as early as October. It has been calculated that a quarter of all personal spending takes place during the Christmas/holiday shopping season.

Some Christian and non-Christians have claimed all this crass commercialization to be an affront to Christmas.

In several Latin American countries such as Venezuela and Colombia they’ve managed a compromise between religious and secular beliefs. Current tradition maintains that Santa makes the toys, which he then gives to the Baby Jesus to deliver to children’s homes.

In Dayton, no one is making any compromises. At least no one at the Dayton Philharmonic Orchestra. On Sunday, December ­11 at 4pm at Westminster Presbyterian Church, 125 North Wilkinson Street, the DPO and the DPO Chamber Choir will present Handel’s Messiah.

Soprano Megan Bell, alto Julia Bentley, tenor Matt Morgan, and bass Curtis Streetman will join DPO Music Director Neal Gittleman and DPO Chamber Choir Director Hank Dahlman for the performance of this revered holiday classic.

And this statement of faith and love at Christmas time, the season of faith and love.

Golden Dragon Acrobats – Family Fun at the Victoria Theatre

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Victoria Theatre Association announces the 2011-2012 PNC Family Series presentation of Golden Dragon Acrobats December 3 & 4 at 1pm and 3:30pm in the historic Victoria Theatre. Tickets are on sale now at the Ticket Center Stage Box Office, via phone 937.228.3630 or online.
Bring the whole family to Victoria Theatre for an amazing experience with the Golden Dragon Acrobats! From contortionists to an eight-person bicycle balancing act to breath-taking acrobatic ballet, Golden Dragon Acrobats will “wow” the audience with their amazing skills.  And while you’re there, check out the Wintergarden Wonderland for holiday fun!
Direct from China world-renowned impresario Danny Chang, choreographer Angela Chang and their Golden Dragon Acrobats combine award-winning acrobatics, traditional Chinese dance, spectacular costumes, ancient and contemporary music and theatrical techniques to present a show of breathtaking skill and spellbinding beauty. The award-winning Golden Dragon Acrobats center their show on 25 centuries of honored Asian skills and traditions. Their dazzling performances received standing ovations and critical acclaim on Broadway as well as two New York Drama Desk nominations for Unique Theatrical Experience and Best Choreography.
[yframe url=’http://www.youtube.com/watch?v=_QnEfUv7Ulg’]
The PNC Family Series is the largest and oldest performing arts series for children in the Miami Valley. For over 25 years, Victoria Theatre Association has presented quality, entertaining programs for families and friends of all ages. Don’t miss out on fun craft activities beginning one hour before each performance on both Saturday and Sunday.
Tickets for Golden Dragon Acrobats are priced at a family-friendly $20 for adults and $18 for children (ages 12 and under). Tickets are on sale now through Ticket Center Stage, and may be purchased at the Schuster Center box office in downtown Dayton or by phone, at (937) 228-3630 or toll free (888) 228-3630. Ticket Center Stage hours are Monday – Friday, 10 a.m. – 6 p.m., Saturday, noon – 4 p.m., and two hours prior to each performance. Tickets may also be purchased online at www.ticketcenterstage.com.

DMM Ticket Contest

We have a family four-pack to give away for the show on December 3, 2011 at 1pm courtesy of Victoria Theatre Association!  Simply fill out the form below to be entered for a chance to win.  We’ll announce winners here and on our On Stage Dayton Facebook page on Wednesday November 30 at 2pm – good luck!

(contest closed)

Congratulations to Heather Dabbs – she is our random winner!

An Epic Tale Reborn

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Alain Boublil and Claude-Michel Schonberg’s Tony Award-winning “Les Miserables,” one of the most internationally beloved musicals of our time adapted from the novel by Victor Hugo, returns to Dayton as a freshly reconceived epic impressively heightened by an outstanding array of vocal and visual pleasures.

This 25th anniversary production, presented at the Schuster Center courtesy of the Victoria Theatre Association’s Good Samaritan and Miami Valley Hospitals Broadway Series, uniquely shines without the familiar trademarks “Les Mis” audiences have grown accustomed to such as the revolving turntable or Trevor Nunn and John Caird’s original whirlwind stagecraft. Co-directors Laurence Connor and James Powell, firmly intent to keep the action just under three hours, refreshingly dial down any morsel of spectacle to effectively place the libretto and score front and center with a great sense of urgency that serves the sweeping if melodramatic tale, which chronicles the redemptive journey of ex-convict Jean Valjean in 19th century France. Connor and Powell, embracing the novel idea of color blind casting, have particularly found new ways to approach the emotional potency that fills practically every scene. For example, in “Turning,” the women of Paris remember the fallen rebels by placing candles on the ground which are subsequently carried away by the deceased men during the haunting “Empty Chairs at Empty Tables,” passionately rendered by Max Quinlan as Marius. The production’s conceptual allure extends to the evocative contributions of set designer Matt Kinley whose work, inspired by Hugo’s paintings, nicely compliments the action rather than appearing showy or distracting. Fifty-Nine Productions is responsible for a striking series of cinematic projections which rank among the finest I have seen since viewing the Broadway premiere of Andrew Lloyd Webber’s short-lived “The Woman in White” in 2005. The fantastic sight of the sewers in Act 2 alone is worth the price of admission.

Authentically clothed by Tony winner Andreane Neofitou with additional designs by Christine Rowland, the uniformly terrific cast, clearly propelling the sung-through score to spine-tingling proportions under the steady guidance of musical director Robert Billig, avoids bombastic urges with sharp, expressive portrayals. Sublime tenor J. Mark McVey, an appealing source of conviction, warmth and vitality as Valjean, duly receives the biggest applause of the night for his absolutely heartfelt rendition of the signature tune “Bring Him Home,” initially interpreted as a pensive lullaby yet climaxing as a powerful plea. Robust baritone Andrew Varela is an excellently imposing presence as Inspector Javert, Valjean’s relentless nemesis. Chasten Harmon, a heartbreaking Eponine, delivers a dynamically poignant “On My Own” and an equally stunning “A Little Fall of Rain” so gripping you will feel every inch of Eponine’s tragic fate. As the delightfully dastardly Thenardiers, Richard Vida and a particularly magnetic Shawna M. Hamic breezily insert a few comical Fagin-esque twists and turns into their rousing version of “Master of the House.” Jenny Latimer, as Cosette, creates a strong bond with Quinlan. Jeremy Hays, a fiery Enjolras, leads a stellar “Do You Hear The People Sing.” Understudy Cornelia Luna, as the ill-fated Fatine, supplies a beautifully sincere rendition of “I Dreamed a Dream.” Lucia Giannetta briefly dazzles opposite Luna as an outspoken Factory Girl.

“Les Mis” purists might have qualms with the artistic makeover on display, but the material, a richly woven tapestry of faith, forgiveness, love, loss, and valiance, certainly remains as captivating and compelling as ever.

“Les Miserables” continues through November 27 at the Schuster Center, Second and Main Streets. Performances are Saturday at 2 and 8 p.m. and Sunday at 2 and 7:30 p.m. Act One: 93 minutes; Act Two: 65 minutes. Tickets are $40-$101. For tickets or more information, call Ticket Center Stage at (937) 228-3630 or visit www.ticketcenterstage.com

Don’t Miss THE DESCENDANTS at THE NEON!

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Hello Everyone,

If you still need to catch TAKE SHELTER or MARGIN CALL, tomorrow (11/22) will be your last chance to see them at THE NEON.  On Wednesday, we open my favorite American film of the year – THE DESCENDANTS – directed by Alexander Payne and starring George Clooney.  I fell in love with this film at The Toronto International Film Festival,  and it has nothing to do with the fact that George Clooney was three feet away from me at the after-party.  As funny as it is touching, this film has been given a 100% review from The Wall Street Journal, The New York Times, The Chicago-Sun Times, USA Today, Entertainment Weekly, Rolling Stone, The Hollywood Reporter and many more.  I think it’s a shoe-in to be nominated for “Best Picture” this year.

Synopsis for THE DESCENDANTS:  “Matt King is an indifferent husband and father of two girls, who is forced to re-examine his past and embrace his future when his wife suffers a boating accident off of Waikiki. The event leads to a rapprochement with his young daughters while Matt wrestles with a decision to sell the family’s land handed down from Hawaiian royalty and missionaries.” (Fox Searchlight)   Click HERE to visit the film’s official website.

[yframe url=’http://www.youtube.com/watch?v=-OBvd5MgPYA’]

Upcoming dates are changing all around, and it’s quite possible that The Weinstein Company may give us MY WEEK WITH MARILYN on December 2…but we’ll have to wait and see.

And don’t forget that we’ll be hosting holiday films on Saturdays in December…sponsored by The Downtown Dayton Partnership, DP&L and THE NEON.  The movies begin at noon and are free for children 12 and under; other tickets are only $2 each.  On December 3, we will play MIRACLE ON 34th STREET (original 1947 version).  On December 10 – POLAR EXPRESS.  And lastly, on December 17, we will play A CHRISTMAS STORY.  All of these movies will be presented via digital video projection.

For remaining showtimes for this week, visit www.neonmovies.com.

Wishing you a wonderful Thanksgiving.

Hope to see you very soon,

Jonathan

 

SHOWTIMES forWed. November 23 – Thur. December 1:

THE DESCENDANTS (R) 1 Hrs 55 Min

Wednesday & Thursday: 2:40, 5:00, 7:20, 9:45

Friday,Saturday, Sunday:  12:15, 2:40, 5:00, 7:20, 9:45

Monday – Thursday:  2:40, 5:00, 7:20, 9:45

 MARTHA MARCY MAY MARLENE (R) 1 Hr 42 Min

Wednesday & Thursday: 3:00, 5:15, 7:30, 9:50

Friday,Saturday, Sunday:  12:45, 3:00, 5:15, 7:30, 9:50

Monday – Thursday:  3:00, 5:15, 7:30, 9:50

COMING SOON:

As always, all dates are tentative.  Some of these dates will change.

In some cases, titles may disappear.

Dec. 2 (?)  MY WEEK WITH MARILYN

TBD   THE SKIN I LIVE IN

TBD   MELANCHOLIA

TBD   WEEKEND

Dec. 25   THE ARTIST

TBD   THE HEDGEHOG

Jan. 20   SHAME

Jan. 20   CARNAGE

Jan. 27   A DANGEROUS METHOD