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Arts & Entertainment

The Cher Show

February 3, 2024 By Dayton937

The Tony Award®-winning musical! Her life. Her story. Her legend. Superstars come and go. Cher is forever. For six straight decades, only one unstoppable force has flat-out dominated popular culture – breaking down barriers, pushing boundaries, and letting nothing and no one stand in her way. THE CHER SHOW is the Tony Award®-winning musical of her story, and it’s packed with so much Cher that it takes three women to play her: the kid starting out, the glam pop star, and the icon. THE CHER SHOW is 35 smash hits, six decades of stardom, two rock-star husbands, a Grammy®, an Oscar®, an Emmy® and enough Tony Award®-winning Bob Mackie gowns to cause a sequin shortage in New York City, all in one unabashedly fabulous new musical that will have you dancing in the aisles!

THE CHER SHOW is a new Broadway musical production created to celebrate the story of Cher’s life featuring fabulous Bob Mackie costumes, energetic performances, and 35 of her greatest hits. The role of Cher is woven together by three performers who depict Cher throughout distinct periods in the superstar’s life. Cher does not appear in the show.

Showtimes

Saturday, Feb 3, 2:00PM
Saturday, Feb 3 8:00PM
Sunday, Feb 4.  1:00PM
Sunday, Feb 4. 6:30PM
Tickets for the 2 hour,  25 minute show at The Schuster  range from $29 – $119 and can be bought online.

Filed Under: Arts & Entertainment

Ohio Plein Air Society Paint-In

January 22, 2024 By Dayton937

Come see artists from the Ohio Plein Air Society in action! Artists will be stationed throughout the museum from 9 a.m. – 5 p.m. each day, using the airplanes and artifacts as inspiration for their one-of-a-kind creations.

Don’t be shy! If you are curious about what an artist is doing, and what inspires them – stop and ask! They’d love to share!

*This is not a hands-on opportunity for museum visitors.

Filed Under: Arts & Entertainment

(title of show) Getting Raves at TheatreLab Dayton!

January 22, 2024 By Y. K. Cuts

 

The cast of (title of show.)

Theater in Dayton continues to provide high quality programming for the area…and TheatreLab‘s (title of show) is one outstanding example. Two of TL’s directors, Phillip Drennen and Mackensie King gave us a look at the show, and what’s driving the new energy that is TheatreLab Dayton!

D9: The town is a-buzz with (tos). Mackensie, what makes this show a must-see in your opinion?

MK: This show is spectacular because it truly feels like watching a group of people write a musical in real time. We rarely get the opportunity to see that side of the creation process. All of the performers are letting themselves into each of the characters and allowing truly sincere moments that will bring you to tears while also having you split your sides open with laughter. The harmonies and vocals are SO tight you will question if you are listening to recordings!

D9: Philip, this show takes place in the TheatreLab space, which I hear is going through some changes. Why do this performance there?

PD: Presenting the show in the TheatreLab space is a perfect way to make this show feel even more immersive and really let the audience into the action. The show is mostly a comedy and the score is very intricate so our performers really had to have the chops to pull it off. The acoustics in the TLD space really highlight the complicated and beautiful harmonies in the show. We are finding new ways to bring people into the TheatreLab space as well. Our recent Holiday Trivia party was a huge hit, too. It’s intimate and it brings a whole new energy! More to come with our space, for sure.

Mackensie King

D9: And Mackensie, what do you feel the TL space affords for a patron?

MK: They can  expect a very close-knit performance. We have less than 60 seats and the action happens right in their face! We have a donation bar and snacks available as well.

PD: Right. I feel like this is  a launching pad for what people can expect more of from TLD going forward. Evocative and authentic pieces of theater told in an intimate setting. By the end of the show, you will feel like you’re just one of our friends, rooting just as hard to get our show to Broadway!

D9: I know there has been much chatter around TheatreLab’s new vision for their part in the Dayton Area Theater scene. With a ‘grassroots group’ of performers and pals, a new path is being forged! Tell us about that!

PD: Yes, we have some very dedicated folks…a group of volunteers made up of performers and friends that are putting their time and resources into all things TheatreLab!  It feels very genuine and heartfelt! So thankful for their energy!

MK: With that, we want to continue to offer intimate and unique staging of unknown shows and familiar shows. We truly want to bring Theatre into Dayton by producing shows in unconventional spaces and partnerships with local companies.

D9: When can folks still catch (title of show?)

PD: [title of show] runs for one more week, Thursday, Jan 24 – Sunday Jan 28, 7:30pm on Wednesday and Thursday, 8p on Friday and Saturday, and 2p on Sunday. Tickets range from $10-25 and our Wednesday performance is pay what you can!

D9: Congratulations to you both….and to the entire cast and crew of (title of show.) Looking forward to more from TheatreLab Dayton!

For More Information Visit:

www.theatrelabdayton.org

Filed Under: Arts & Entertainment, Community, On Stage Dayton, The Featured Articles

TheaterLab Presents: [title of show] Musical

January 17, 2024 By Dayton937

[title of show] is a musical about two nobodies named Hunter and Jeff who decide to write a completely original musical starring themselves and their attractive and talented ladyfriends, Susan and Heidi.

Their musical, [title of show], gets into the New York Musical Theatre Festival, and becomes a hit. Then it gets an off-Broadway production at the Vineyard Theatre, and wins three Obie Awards! Then (drumroll if you’ve got a drum) it’s announced that their musical is going to Broadway (hooray!) and people start seeing this blurb everywhere! They read that The New York Times called [title of show]“DELECTABLE ENTERTAINMENT! A postmodern homage to the grand tradition of backstage musicals like Babes in Arms, Kiss Me, Kate and A Chorus Line.” Fully intrigued, those people snatch up tickets and help make Hunter and Jeff’s life-long dream come true!

Filed Under: Arts & Entertainment

TRUE WEST Opens At Dayton Theatre Guild

January 11, 2024 By Dayton937

This Pulitzer Prize finalist and Tony-nominated play examines the relationship between two estranged brothers. It is set in the kitchen of their mother’s home in the desert, 40 miles east of Los Angeles. Austin, a screenwriter and achiever, is working on a script he has sold to producer Saul Kimmer. Lee is a demented petty thief who drops in and pitches his own idea for a movie to the producer. Sal then wants Austin to junk his bleak, modern love story and write Lee’s trashy Western tale.

Filed Under: Arts & Entertainment

Burning Down The (Fire)House

January 11, 2024 By Dayton937

Dave Chappelle brings laughter, community at new comedy venue

It was a bad night to be Brian Housh, but a good night to be Dave Chappelle.

Yellow Springs’ most famous – or depending on your take on some of his feelings about certain communities and politicians, infamous – resident performed two sold out shows this week at the YS Firehouse. The YS Firehouse is the former Miami Twp. Fire Station on Corry Street, a mere few blocks away from his Chappelle Shop where dedicated fans can (and have) buy the comic’s merchandise in droves.

In much the same manner of his shows during the pandemic, entry into the YS Firehouse came with several rules that can make you feel like you’re entering a secret comedic society. Patrons paying the $90 ticket entry (before fees) were advised to leave all phones, smart devices, purses and anything else that could house a recording device in the car. Yondr bags and a coat check ensured none of the evening’s affair would be transmitted without Chappelle’s OK, the release form notifying all those entering the show would be recorded, however, by Chappelle’s team. Where that footage ends up remains to be seen; what was clear, however, was everyone in attendance was there to see what would transpire. 

Chicken wings and french fry baskets were available just outside the venue courtesy of Let’s Eat Food Truck, which, based on constant presence of both inside the showroom, apparently lives up to its motto that it’s “food be slappin’.” It was clear aesthetics were carefully considered in the construction of what looked to be the 200-250 seat venue. As opposed to traditional tables, the inside of the YS Firehouse featured rows of chairs arranged in an elongated “C” shape around the stage, perhaps in honor of the venue’s owner. The natural brick gave the building a fancy lodge feel, the lighting and wood floor working in concert to create exactly what Chappelle wanted: A vibe where all those in attendance felt like they were part of the coolest party in town.

With DJ Fatty Lumpkin spinning classic golden era hip-hop pre-show – it’s hard to imagine another Ohio venue where Grand Puba and Camp Lo receive extended playtime in 2024 – the building was abuzz upon entry. As the clock rolled past 8 p.m., stagehands began taping down cords and cables; a woman brought two stools on stage, one featuring the comedian’s signature pack of cigarettes and an ashtray he would remember he could use later in the show. 

Despite all pre-show’s hush-hush nature, Wednesday night’s show didn’t feel anything like a secret society akin to Katt Williams recently alluded to on Shannon Sharpe’s podcast. Chappelle would, however, mention the Ohio native/cornfield show alumni several times throughout the night. 

Taking the stage just before or right at 8:30 p.m., Chappelle swiftly maneuvered through a litany of topics hosting the show, doing time before introducing the night’s three other performers. In addition to Williams, topics included Chappelle’s purchase of Yellow Springs property, Donald Trump … And the debut of a Chewbacca-like voice for a specific segment of a community that has voiced displeasure with him. The events leading up to/following the aforementioned Yellow Springs council member’s removal as Village President would bear the brunt of the comic’s vitriol Wednesday night, Chappelle at one point (genuinely?) apologizing for the repeated blows. 

It was one of a few moments of the night that makes the comedian so conflicting for some: While the laughs came fast and furiously from the audience, determining the line between what is simply joke fodder and his true feelings about Housh might still be blurred for Chappelle himself. Would anything Chappelle said Wednesday change his critics’ thoughts about him? Probably not. Was it clear to anyone in attendance that he can be a comedic powerhouse in his element? Most definitely.

While some in attendance were clearly hoping for quote-unquote “big” name comics to round out the evening’s bill, those concerns were alleviated as the night played out. DJ Cipha Sounds – who is quick to let you know he’s “very famous in New York” – has clearly dedicated himself to stand-up comedy as much as he did hip-hop during his days on WQHT-FM “Hot 97.” At times, Sounds’ set almost felt like watching a developing version of a young Chappelle himself, especially when re-assuring all the straight white males in attendance he knows they’ve had it rough. 

Connecticut native and BET/TV One alumni Marshall Brandon would take the stage next, weaving intricate wordplay with stories about sex, parenting, family and relationships. While Sounds brought a high energy model to the stage, Brandon was much more of a relaxed orator, delivering jokes in a way that felt like Bob Newhart-meets-Franklin Ajaye-with-just-a-touch-of-middle-finger attitude underneath.

 

Closing out Wednesday’s show was musical guest Issa Ali, engaging the crowd in traditional block party fashion with two songs, “Levels to This” and “Clap to This.” 

The building with the big “C” on its side in the heart of downtown Yellow Springs has now opened for business. Wednesday night’s sold out affair would seem to make a strong case it may be for quite some time.  

Filed Under: Comedy, The Featured Articles Tagged With: dave chappelle, fire house, Yellow Springs

McCoy on Movies: Mean Girls

January 10, 2024 By Tabari McCoy

“Lindsey Lohan? Never heard of her …” Regina George (Reneé Rapp, center) holds court in the lunchroom with Gretchen Wieners (Bebe Wood) and Karen Shetty (Avantika) in a scene from Samantha Jayne and Arturo Perez, Jr.’s production of MEAN GIRLS. Credit: Jojo Whilden © 2023 Paramount Pictures. All rights reserved. 

WATCH THE TRAILER HERE:

 

 
KEY CAST MEMBERS: Angourie Rice, Jenna Fischer, Reneé Rapp, Auli’I Cravalho, Avantika, Bebe Wood, Jaquel Spivey, Christopher Briney with Busy Phillips, Tim Meadows and Tina Fey

DIRECTOR: 
Samantha Jayne and Arturo Perez Jr.
THE BACK STORY: Based on the hit musical – which itself is based on the original hit 2004 theatrical film – Mean Girls stars Angourie Rice as Cady Heron, a young girl who has been homeschooled by her mother (Jenna Fischer) while living in Kenya. Ms. Heron, however, has taken a job back in the United States, meaning Cady is about to get her first taste of what life is like in an American high school.

And that’s where she encounters a cast of characters that are going to change her life.

After meeting her new homeroom teacher Ms. Norbury (Tina Fey), Cady is observed by Janis (Auli’I Cravalho) and Damian (Jaquel Spivey), two social outcasts who quickly see she needs a rundown of the law of the land. That means letting her know about the Plastics, a.k.a. queen of the school Regina George (Reneé Rapp) and her two faithful underlings, the clueless Karen Shetty (Avantika) and the smart-yet-still-fearful-of-her Gretchen Wieners (Bebe Wood). None of this would be a problem for Cady if Regina hadn’t also taken an interest in her … And Cady took an interest in Aaron Samuels (Christopher Briney), a.k.a. her ex. 

So … What happens when you mix teenagers, insecurity, hormones and life lessons all to the beat of a diverse musical soundtrack? A film that is sure to turn plenty of potentially mean older fans into pleasantly surprised moviegoers …

THE REVIEW: The musical version of a beloved stage production … Sometimes, it can turn out great (like Les Misérables) …Other times, you get Cats. But creating a movie musical based on a stage musical that was originally a film that came out just 20 years – YUP, 2004 was two decades ago now – ago? Now that could be a daunting task for any directing duo … But for one that is primarily known for shorts and music videos like Samantha Jayne and Arturo Perez Jr.? It has “make or break” written all over it.

Fortunately for Jayne and Perez, Jr. – and fans of the original film – Mean Girls 2024 makes for an entertaining film fans old and new will enjoy.

 
Here’s what works well about the musical film adaptation of Mean Girls: The story is told efficiently through a clever mix of traditional dialogue and song, the latter diving deeper into their respective characters’ psyches, motivations, fears and insecurities in a way the original did not. In addition, the dance sequences enhance each moment or scene in similar fashion, serving as a complement rather than a distraction. 

None of this would matter, however, without the performances of the relatively unknown cast. Whereas Rice channels Cady with the same innocence Lindsey Lohan did in the original, Rapp owns pretty much every scene she’s in – while yet being more relatable arguably than Rachel McAdams was in the role in 2004. Wood likewise gives Gretchen considerable spunk and Avantika plays her role with such a wide-eyed aloofness it honors the work her predecessor Amanda Seyfried did and then some. 

Cravalho and newcomer Spivey, however, may have the best star turns of the entire affair, each bringing a dynamic (and needed) entertainment aspect to the film. Fey, Tim Meadows (reprising his role as the beleaguered Mr. Duvall) and the other adults are wise to mostly stay out of the way, letting the young people – even though it’s hard to buy in to most of the cast outside of Rice, Cravalho and Avantika being in their teens –  shine. Of course, Jayne and Perez, Jr. deserve kudos for their interpolation of TikTok and the modern world into the mix to deliver the best package possible – then again, having Fey on board for this go round likely helps.

Whether you prefer the 2024 version of Mean Girls likely comes down to how much you love the original versus you love musicals. The new one has all the exploration of the insanity that is high school, the humor and utlimately the empowerment that made the original so beloved by so many, plus a few new wrinkles thrown in for good measure. Thus, both are fine, both are entertaining …

And don’t worry, both are worthy of fetch-ing your attention.

 
OVERALL RATING (OUT OF FOUR POSSIBLE BUCKETS OF POPCORN):

Filed Under: On Screen Dayton, The Featured Articles Tagged With: MEAN GIRLS

Doc Night Showcases Nonfiction Films by Wright State Motion Picture Students

January 9, 2024 By Guest Contributor

Students in Wright State University’s Motion Pictures Program will screen their short nonfiction films at Doc Night on Thursday, Jan. 11, at 7:30 p.m. at The Neon, 130 E. 5th St. in Dayton.

Tickets are $10, and additional donations supporting the Motion Pictures Program will also be accepted.

Doc Night will feature an eclectic mix of provocative, embracing and humorous films exploring young entrepreneurs, the world of industrial marijuana harvesting, a road trip across Ohio exploring roadside attractions, and an Army veteran’s experience as a trumpeter in Vietnam.

A question-and-answer session with the student filmmakers will be held after the screening.

Doc Night will showcase films by Sabian Berdin, Nathanael Blair, Ben Gabriel, Hannah Hall, Barry Kingston, Alex Kuhn, Maddie Pfahler, Jude Powell, Sam Shaffer, Zach Vogt-Lowell, Isaac Warnecke and Sam White.

Doc Night showcases the best short student documentaries from the Documentary Semester of the junior year of the Motion Pictures Program. Students spend the semester learning the art form and producing different types of documentaries. They also learn important skills that help them become future filmmakers.

Many of the documentaries screened at previous Doc Nights have played at film festivals around the country, and past Doc Night filmmakers have gone on to win Emmy and Academy Awards.


This story By Bob Mihalek first appeared on the Wright State Newsroom website.

Filed Under: On Screen Dayton Tagged With: Mo Pix, WSU Doc Night

MANIA – THE ABBA TRIBUTE

January 8, 2024 By Dayton937

An astounding tribute to the beloved music of one of the most successful acts in musical history.

Tickets start at $24.50 | $5.50 increase day of show
Password pre-sale begins Wednesday, May 17th at 10:00 AM EDT and concludes Thursday, May 18th at 10:00 PM EDT.
Pre-sale password: WATERLOO
On Sale: Friday, May 19th at 10:00 AM EDT
Tickets are available online at:
https://bit.ly/3O7owit
All Ages | Reserved Seating
Doors are at 6:30 PM | Show at 7:30 PM

Filed Under: Arts & Entertainment

Artist Opportunity Grantee Spotlight: Jennifer Perkins

January 2, 2024 By Curtis Bowman

Jen Perkins is a 2023 Artist Opportunity Grantee. The Artist Opportunity Grant is funded by the Montgomery County Arts and Cultural District (MCACD) and administered by Culture Works, the region’s United Arts Fund and Local Arts Agency. Her project sent her to Greece in the spring of 2023 to participate in a relief sculpture workshop. An encaustic artist, Jen blends media to build layers of colors, adding dimension and depth to her interpretations of the world, creating dreamlike landscapes and otherworldly dimensional forms. Encaustic is ancient art form, born in Greece, and Jen felt that traveling to the birthplace of encaustic painting would broaden her knowledge and enhance her creative practice. 

Jen spent 10 days in Greece, the majority of which were on the Island of Naxos in the Cycladic Islands where she worked with her collaborator in an intense 10-day workshop marble relief carving. The workshop was documented in photos and videos to be shared in both Naxos and the United States. Maggie Ross, an American ex-pat and a recognized Naxian marble sculptor and instructor, created all the marble relief carvings from drawings created by Jen. 

Magge and Jen worked with a master mold maker to create silicon molds from the marble sculptures. The creation of the “mother” silicon mold allowed Jen to create multiple plaster casts of the reliefs. In her studio in Dayton, Jen spent the summer casting multiples of each relief in the studio. Each plaster had to be unmolded and sanded in preparation for painting. The process was photographed for slide presentation and display. 

An exhibition of plaster relief works, including photographs of the original marble, will be on display at the Dayton Metro Library Main Branch from January 7 until the end of February. On January 13, Jen and Maggie will simulcast artists’ talks in WebX, with Jen in Dayton and Maggie on Naxos, where she will be hosting an exhibition of the marble relief works with photographs of Jen’s plasters. 

Register here: https://dayton.bibliocommons.com/events/653aadc58c62833a00bc18d5

Filed Under: The Featured Articles, Visual Arts

Upcoming Community Theater Auditions

January 1, 2024 By Dayton937

Attention all actors and actresses! We are excited to announce auditions for several upcoming community theater productions. This is a great opportunity to showcase your talent and be a part of a wonderful production. Performers of all levels of experience are welcome to audition! Let us see what you can bring to the stage!
January 2 & 3 @ 7:00 pm – 9:00 pm

Auditions for “Big Fish”

The Gabriel House
15 West Mill Street, Springboro
Springboro Community Theatre is excited to announce upcoming auditions for BIG FISH! Auditions will be held at The Gabriel House, next to United Church of Christ (15 West Mill Street, Springboro, OH 45066) on 2 & 3 Jan at 7pm with tentative callbacks on 4 Jan.
Performances will run 23-25 Feb and 1-3 Mar 2024.
Auditions will include singing and dancing and may also require cold reading/sight reading from the script. Auditioners should prepare 32 bars of a song (1-1:30 minutes) to share with us. An accompanist and a Bluetooth speaker will both be available.
You may also bring a comfortable change of clothes and shoes for the dancing call.
Please be aware that due to the short rehearsal timeline, show rehearsals are expected to run Mon-Thurs evenings and some Saturday mornings (13/20 Jan, 3/10 Feb). That said, we respect and value your time and are committed to call you ONLY if/when needed.
Available roles include:
Edward – Adult male (35-60)
Sandra – Edward’s wife. Adult female (25-55).
Will – Edward’s adult son. Adult male (20-30).
Josephine – Will’s wife. Adult female (18-30).
Young Will – Young male (11-15).
Karl – A giant and Edward’s best friend. Adult male (18-40).
Amos – Circus ringleader. Adult male (30-50).
Witch – Fortune teller. Adult female (20-40).
Jenny Hill – Edward’s first love. Adult female (20-40).
Don Price – Edward’s childhood frenemy. Adult male (20-45).
Zacky Price – Don’s younger brother. Adult male (20-45).
Ensemble – An additional 30+ characters will be filled by the highly involved Ensemble! Looking for 8-10 adults and 2-3 children of assorted ages. Should be comfortable singing and moving.
January 7 @ 7:00 pm

Auditions for Sense and Sensibility

Dayton Playhouse
1301 E. Siebenthaler Ave, Dayton
 
Announcing auditions for Sense and Sensibility by Kate Hamill, Based on the novel by Jane Austen
THE STORY: A playful new adaptation of Jane Austen’s beloved novel follows the fortunes (and misfortunes) of the Dashwood sisters—sensible Elinor and hypersensitive Marianne—after their father’s sudden death leaves them financially destitute and socially vulnerable. Set in gossipy late 18th-century England, with a fresh female voice, the play is full of humor, emotional depth, and bold theatricality. SENSE AND SENSIBILITY examines our reactions, both reasonable and ridiculous, to societal pressures. When reputation is everything, how do you follow your heart?
Opens: March 8, 2024
Closes: March 17, 2024
Auditions: January 15 & 16, 2024 7 PM At Dayton Playhouse
Auditions will consist of cold readings and improvisation games. All races, genders and abilities are encouraged to audition.
This is not your mother’s Jane Austen. Please come prepared to play. If you have a British accent, bring it with you however, it is not required for auditions. Looking for actors who are willing to have fun, learn, explore, work as part of a true ensemble and maybe get your hands dirty along the way.
All roles are available as follows. For ages given, anyone that can play that age will be considered. Final cast will include 10-12 people. Other than the two main characters, Elinor and Marianne, all actors will likely play multiple roles.
Marianne Dashwood: The middle Dashwood sister; sensitive
Elinor Dashwood: The eldest Dashwood sister; sensible
Margaret Dashwood: The youngest Dashwood sister: 10-13 years old.
Mrs. Dashwood: Mother to the Dashwood sisters
John Dashwood: half brother to the Dashwood sisters (from the father’s side; no blood relation to Mrs. Dashwood)
Edward Ferrars: A gentleman; a bachelor
Fanny (Ferrars) Dashwood: wife to John Dashwood and sister to Edward; Nasty.
Colonel Brandon: an older bachelor; over 45 years old.
John Willoughby: An unusually handsome young man.
Sir John Middleton: A country gentleman; distant relation to Mrs. Dashwood
Mrs. Jennings: A good natured, boisterous woman; mother in law to Sir John and a terror to the countryside.
Lady Middleton: An over-bred lady
Lucy Steele: A young girl from no fortune
Anne Steele: Lucy’s sister; indiscreet
Robert Ferrars: A callow young man; Edward Ferrars’ younger brother.
Also to be doubled with the cast:
Gossips 1-5: A chorus of high society creatures
Servants – including THOMAS
Doctor
Please contact the director, Jenni Cypher, with any questions by email at [email protected] or by text message at 937-430-7820.
January 8 & 9 @ 7:00 pm 

AUDITIONS- NO EXIT by Jean-Paul Sartre

Xenia Area Community Theater
45 East Second St., Xenia
 
Auditions are Monday and Tuesday January 8 and 9 2024 at 7pm at Xenia Area Community Theater (X*ACT),
– Auditions consist of cold readings. Email the director ([email protected]) for the audition sides if you’d like an advance copy. Monologues not required (but we’ll be glad to hear it if you wish).
– Can’t make the audition dates? Email the director for another option.
– Please bring all schedule conflicts from January 11 through March 10
– An actor’s CV or biography is HIGHLY recommended.
– Rehearsals will be Tuesdays through Thursdays, 7 – 9:15 pm at X*ACT. Note: Valet will normally have only 1 rehearsal per week
– All roles are open.
– There is some very light touching and one small bit of stage combat (stabbing) planned. All of this, of course, will be done with the actor’s full consent. Some productions of this play are rather explicit (undressing, fondling) – this is NOT the plan here. This play is about ideas and dialog, not stage action. Feel free to email the director if you have any questions or want more details.
– For all questions, please contact the director, Mike Taint at [email protected]
Performances are March 1 – 10, 2024
PLOT SUMMARY
Two women and one man are locked up together for eternity in one ordinary looking room in Hell, with no way out. The irony of this Hell is that its torture is not the traditional “fire and brimstone”, but of the humiliation of each soul as it is stripped of its pretenses by the cruel curiosity of the other two damned. It is an eternal torment. Now almost a century old, Sartre’s morality play remains a masterpiece of Existentialist Theater
CHARACTER LIST
– Ages listed are ages the actors need to be capable of playing
– All 4 roles are open to all ethnicities.
Joseph Garcin (some translations as “Vincent Cradeu”)
Lead. Male. 30ish to 50ish A journalist from Rio who arrives in hell after having been shot twelve times for refusing to fight in an unnamed war; he is cowardly, self-centered, and often cruel.
Estelle Rigault
Lead. 30ish to 50ish A wealthy socialite who is in Hell for infanticide. She relies on her looks to manipulate others; she is vain, shallow, and desperate for attention.
Inez Serrano
Lead. Female. 30ish to 50ish A manipulative and sadistic postal worker; she is blunt, abrasive, and fiercely independent. She is in Hell for seducing a married woman which results in a murder/suicide
Valet (“Boy” in some translations)
Supporting. Male or Female or Nonbinary. 20ish and up An enigmatic figure who acts as jailer for the three damned.

 

January 15 & 15 @ 7:00 pm – 9:00 pm 

Open audition notice for Flight of the Lawnchair Man

Dayton Theatre Guild
430 Wayne Avenue, Dayton
937-278-5993 — www.daytontheatreguild.or
Book by Peter Ullian, Music & Lyrics by Robert Lindsey-Nassif
Based on a concept by Robert Lindsey-Nassif
Auditions will be held Mon & Tue, January 15 & 16, 2024, starting at 7:00 pm both nights.
Production dates: March 22-April 7, 2024
Stage and Vocal Direction by David Shough
Music Direction by Sarah Lingg
Produced by Christina Tomazinis
CASTING REQUIREMENTS:
All cast and crew are required to be vaccinated for COVID-19
You need only attend one night, but are welcome at both. If you cannot attend either audition date, contact the director at [email protected] or 937-626-2674, and we will make time or permit a video audition. Performance dates: March 22-April 7, 2024; Friday – Sunday. Rehearsals will generally be Monday through Thursday evenings, subject to cast schedules.
SEEKING:
2 male and 3 female principals and 6-8 ensemble (at least 3 men) with featured roles – see descriptions below. All characters are adults, with some specific age ranges listed in the role descriptions.
Race is not relevant to any role. All races & ethnicities are encouraged to audition.
Yes, this is a musical comedy at the Dayton Theatre Guild, and because the house is intimate we are not planning to use microphones. So we are looking for strong singing voices, especially for Jerry and Gracie, who have big anthem numbers. It doesn’t have to be “pretty” but it has to be strong.
THE PLAY:
The title is not a metaphor. Jerry Gorman is a regular guy from New Jersey who just wants to fly. The neighbors think he’s nuts. His mother disapproves. Big Jack and Blaire scoff. But Gracie believes in him. When Jerry soars to 16,000 feet with nothing but a lawnchair and helium balloons, this funny tuneful musical reminds us that the air is free and dreams can come true if only you believe in yourself.
THE AUDITION:
Prepare at least 32 measures of one musical theatre standard to sing fearlessly. An accompanist will be provided, or you can bring a track to play via Bluetooth. Acappella auditions are discouraged. In addition, everyone will be asked to read scenes. Sides will be made available online in early January. There may also be a short minimal dance audition.
Please being a resume and a list of all conflicts January 17 through April 7, 2024
THE ROLES:
-) Jerry Gorman
(34; tenor or lyric baritone): Extremely likeable, but the kind of guy whose likeability never seems to get him anywhere in life. A dreamer who until recently never felt he had a right to his dreams. You’d almost call him a loser, if he didn’t have such a great girlfriend.
-) Gracie
Jerry’s girlfriend (32-35; soprano/mixed belt): embraces life and all that it offers, including her job as a toll booth operator on I-95, and Jerry, whom she adores despite what others see as his shortcomings, and his sometimes frustrating hesitation to allow their relationship to progress to the “next level.” A nice New Jersey accent is a plus.
-) Big Jack Preston
(35-37; high baritone): is the kind of guy uniforms were created for. He looks really good in one. He is all man, a man’s man, a manly man, an exemplar of manlitude. He’s also quite tall. He exudes self-confidence and never (until later in the show) lets the cracks show.
-) Blaire
(mezzo soprano or soprano/mixed belt): a flight attendant who exudes a bubbly, ditsy enthusiasm that masks a competence and ability that no one has ever imagined, but which will become apparent to us later in the show.
-) Mother Gorman
Jerry’s mother (late middle age; lyric soprano/mixed belt): can be a bit of a steamroller and a nag where her son is involved, but she does it out of love – and fear. She’s a suburban working mother trying to maintain an upper middle-class lifestyle with a lower-middle class income. She has been hiding what, to her, is a terrible, terrible secret. A nice New Jersey accent is a plus.
-) ENSEMBLE MEMBERS (*)
Ensemble members will each play one or more of the following roles in addition to neighbors, Walmart shoppers and employees, commuters, flying mechanics, etc.:
*) Mr. Frankel
Jerry’s boss. High strung, often angry, he nevertheless has a heart that starts to pump warm blood when he spends time with Jerry’s Mom later in the show.
*) FAA Agent
a Federal Aviation Administration Agent of indeterminate gender. Takes his (or is it her?) job very, very seriously.
*) Leonardo da Vinci
(tenor or high bari – one solo song): the great painter, inventor, and all around Renaissance Man of the Italian Renaissance. Speaks and sings with an alarming similarity to Chico Marx.
*) Charles Lindbergh
(baritone – one solo song): the great aviator who made the first solo flight across the Atlantic. Speaks and sings with an alarming similarity to Jimmy Stewart.
*) Amelia Earhart
(mezzo soprano/mixed belt – one solo song): the great aviatrix who almost became the first woman to circumnavigate the globe by air. Speaks and sings with an alarming similarity to Katherine Hepburn.
*) French Boy
(mezzo soprano – one solo song; played by a woman): a classic little French boy from classic French movie.
*) NASA Official
(an official from NASA): he’s all business, but hates to have to be the bearer of bad news.
*) TV Reporter
a handsome, serious, callow reporter from a major cable news organization.
For more information please contact Director David Shough
[email protected] or 937-626-2674
The show runs weekends Mar 22-Apr 7, 2024
First Weekend: Friday 8pm, Saturday 8pm, Sunday 3pm
Second & Third Weekend: Friday 8pm, Saturday 5pm, Sunday 3pm
*Children under seven will not be admitted
Individual tickets on sale now
Adult: $20, Senior (60 or older): $18, Student: $13
To purchase:
– https://daytontheatreguild.thundertix.com/

Filed Under: Arts & Entertainment Tagged With: Auditions, Theater

Libby Recommendations For the End of The Year

December 26, 2023 By LIbby Ballengee


Many of you are off work for the holiday, and if you are looking for film, music, tv, podcast recommendations for the end of the holiday and year… here you go!! 🤗

HOLIDAY FILM – If you want something to watch as Christmas winds down, I love “A Very Murray Christmas” on Netflix. It’s a fun NYC romp that is delightful, entertaining, and lighthearted. It’s extra special if you’ve watched “Always at The Carlyle” documentary on Amazon Prime about the famous hotel where the Murray Christmas is filmed. 🎤
DOCUMENTARY– Having difficulty finding something to be grateful for this holiday season? “American Symphony” on Netflix shows that everyone’s life can be a roller coaster at times, including the brightest stars among us. Life can deliver the highest highs and lowest lows in the same moments. So much of the dynamics reminded me of when my Dad was sick at home. If you have your health, there is much to be grateful for! 💕
MUSIC – Local Dayton band Crabswithoutlegs had a banner year, winning Dayton Battle of the Bands, not just as a Dayton band, but also a JAZZ band. They were so compelling as a modern, fresh jazz band, they beat all the rock bands! Watch their BOTB finale video here:

PS – If you love them and want to support Culture Works – then come see them at the one-and-only Arcade NYE Countdown fundraiser! 🥂
TV SHOW – The Bear on Hulu – If you missed this one, definitely check out this show this winter. It came out of nowhere initially, and this year’s Season 2 was a thoughtful follow-up. The episode “Fishes” is a holiday episode for the history books. For my hard-working Midwestern friends, there is so much to relate to! 🐻
MUSIC DOCUMENTARY – Taylor Swift Eras Tour concert film – currently available to rent on streaming apps, including Amazon Prime, Apple TV, YouTube. I was not into Taylor until a friend took me to the concert film, and I was hooked. I loved the variety and depth of her music, the dancing, showwomanship, and the unbeliveable production. This film will make you a fan – prepare yourself!

PODCAST / INTERVIEW – I love podcasts – and ending the year listening to the “How to be Happy” Arthur C. Brooks interview on the Tim Ferriss show was a great mental reset before the start of a fresh new year!

(also found in podcast form streaming everywhere)

Filed Under: Arts & Entertainment, Community

Miracle on 34th Street: The Musical at La Comedia

December 23, 2023 By Dayton937

The story of the real Santa Claus, Miracle on 34th Street is one of the most beloved holiday films of all time, and one of the most popular shows La Comedia has ever produced.

This touching musical version of the classic holiday film proves that miracles do happen and is sure to fill both the young and the young at heart with the Christmas spirit. Along with La Comedia’s delicious buffet, it’s the perfect way to celebrate the holidays.

Filed Under: Arts & Entertainment

Comedian Ryan Singer- Home for the Holidays

December 21, 2023 By Lisa Grigsby

Ryan Singer is a comics comic who electrihes mainstream audiences with material that is both uncompromising and unpretentious. He recently filmed his comedy special in an old, haunted school in Poasttown. Ohio, set for a 2022 release and there are few comics venturing into the unknown like he does.

He’s been seen on IFC, ScFy and has released 4 full-length comedy albums, FREE LOVE (2018), IMMORTAL FOR NOW (2015), COMEDY WONDER TOWN (2012) and HOW TO GET HIGH WITHOUT DRUGS (2010), 3 of which were chosen as Top Comedy Album of the Year. He is the creator and host of the popular ME & PARANORMAL YOU, the twice-weekly mindcast (podcast) in which he has in-dep:h interviews with paranormal investigators, experiencers and members of secret societies.

Selected by LA Weekly as one of lO LA Comics to Watch”, mentionea in NY Magazine as a “Comic to Watch,” was one of 4 finalists in the origin al CMT’s Next Big Comic Contest, i!; a frequent guest on the WTF Podcii!\t w/Marc Maron and the Bob & Tom Show, and his joke “United Snack:; of America” has nearly 1 1 million listens on Pandora.

Filed Under: Arts & Entertainment

Dayton Battle of the Bands 2024 Line-Up Announced

December 20, 2023 By Dayton937

It’s here! The Dayton Battle of the Bands 2024 line-up has been announced! The 4th annual local music showcase features 6 weeks of playoff rounds starting on January 18, 2024, and a finale on March 9, 2024 at The Brightside Music & Event Venue.

The series was launched in 2020 pre-pandemic by The Brightside, Venus Child Productions, and Sound Valley Dayton. A few of the features that differentiate this showcase from other Battle of the Bands include: playoff rounds are decided by a mix of audience and judge’s votes, each week of the playoff rounds features a different genre of music, and plays down the idea of it being a “competition.”

Photo by Jordan Lynn Freshour

Organizers explained that in this competition, simply participating is a “win.” All the bands who participate get to network with industry professionals, perform in front of area music bookers, and get professional photos from Jordan Lynn Freshour. The finalists who move on all get a cash prize, the opportunity to perform on the big stage at The Brightside, and get a live music video of one of their songs from Ashley Karsen, of Sound Valley Dayton. The grand prize winner gets all of the above, plus free pizza for rehearsals from Dayton Pizza Factory, custom band merchandise from Little Monster Printing, a performance next summer at Levitt Pavilion, and an EP recording session at Dayton Sound Studios.

Along with helping up-and-coming bands get to the next level in their music journey, the Dayton Battle of the Bands team is inspired to help introduce Dayton audiences to new music to love.

“People are busy, so it’s hard to keep up with what’s new with the local music scene,” organizer Libby Ballengee shared with us. “Having a curated showcase like this during the winter especially, when people have fewer other entertainment options, makes it more enticing to come out and check out new bands. We’re trying to stimulate Dayton’s curiosity about the music being created here. Plus the shows are 7:30-10pm, so plenty of time to get home and to sleep!”

FULL SCHEDULE:

Jan 18, 2024 – WEEK 1 – POP / ROCK

– Ace Slite, Arianna Holiday, Dukes of Owls, The Bruins

Jan 25, 2024 – WEEK 2 – AMERICANA / FOLK / SINGER-SONGWRITER

– Austin Wolfe, Jeff William Butcher, Mrs. Midwestern, The Nautical Theme

Feb 1, 2024 – WEEK 3 – HIP-HOP / R&B

– Blanch Robinson, Damac, D. Knight, Dos.Grandiose, MelinaMarie

Feb 8, 2024 – WEEK 4 – ALTERNATIVE / PUNK / METAL

– ATTN Deficit Squirrel, DayGloom, Sheller, Toxic Nobility

Feb 15, 2024 – WEEK 5 – COUNTRY / BLUEGRASS

– Controversy For Breakfast, Possum Creek Ramblers, The Barnharts, The Shady Pine

Feb 22, 2024 – WEEK 6 – FUNK / JAM / PROGRESSIVE / JAZZ

– EverybodyEats, Freakquency, Intergalactic Spaceforce, KindHost

HOW TO GO?

The Brightside, 905 E 3rd St., Dayton, OH

Tickets available at thebrightsidedayton.com by Jan 1, 2024

$10 advance / $15 day of show for the playoff rounds

7pm Doors open / 7:30pm – 10pm music starts

All ages welcome

More information: https://www.daytonbattleofthebands.com/

 

Filed Under: Arts & Entertainment, Community, Dayton Music, DMM's Best Bets, Downtown Dayton, The Featured Articles Tagged With: arts, bands, Dayton Battle of the Bands, Dayton Music, Dayton Ohio, downtown, Downtown Dayton, The Brightside, Things to Do, Things to do in Dayton

Gem City Burlesque Presents…SOLSTICE SOIRÉE

December 18, 2023 By Dayton937

Booty Swing is back and bringing the jazzy and sensual side of the holiday season!

This live band burlesque show will be taking place in the big ballroom of the The Brightside on Thursday, December 21st.

Come see The High Standards play live music with this lovely burlesque cast!

 

Doors open at 7pm. Must be 21+ to attend.

Filed Under: Arts & Entertainment

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