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Arts & Entertainment

Gem City Burlesque at Fairborn Phoenix

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Come seize the first night of autumn as we transport you into the enchanting and bizarre world of sideshow acts burlesque aerial arts and more! This show will present some of the greatest performers from across the Midwest at none other than the Fairborn Phoenix Theatre! A portion of the proceeds will be donated to the theatre to assist in renovations!

VIP: $60

Exclusive VIP performances featuring..
Snake Dance by Zattana, Burlesque and more!

Also includes a complimentary drink

Table seat by stage (no assigned seating, first come first serve)

VIP Theatre doors open at 7pm for VIP show.

Gen Admission: $30

Lobby door opens at 7pm  Enjoy vendors, food truck and a drink at the concession stand before showtime and during intermissions.

Main show begins after 8pm.

Neon Introduces Cult Movie Mondays

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Downtown Dayton’s only movie theater will be starting a new film series featuring cult movies.  The Neon will kick this off on Monday, September 25th at 7:30pm with the cult classic and locally filmed DEADBEAT AT DAWN, written and directed by Jim Van Bebber.

Synopsis: One last job separates the leader of the Ravens gang from an early retirement. When he finds his girlfriend beaten to death by members of a rival gang, he seeks revenge, knowing that he may be dead by dawn. Will more blood bring her back?

In addition to the film, they will host a Q & A with Jim Van Bebber before the film along with screenings of some of his early short films.
Everything starts with special programming at 7:30pm and the film starting promptly at 8:00pm.
Tickets are $11 in advance, $14 at the door, and $53 for a 6 pack of tickets in advance (only available at cultmoviemonday.com or in-person 30 min. before the screening).

TIFF Day #9 – 2023

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Hello Dayton937,

Today was my final day of screenings for 2023.  Over the past 9 days, I’ve gone to 35 screenings..and I’ve screened 33 films.  How’s that possible?  I walked out of one and I saw one film 2 times.

There are/were so many other films at the festival that I wish I had been able to see – sometimes it was a matter of scheduling, and other times it was a matter of buzz not happening until after the opportunities had passed. HIT MAN, DREAM SCENARIO, AMERICAN FICTION, SING SING, and ZONE OF INTEREST are among the films I hope to catch in the months ahead.  Then there are the films of the season that didn’t screen at TIFF…they either already played at Cannes, Venice or Telluride…or they’ll be screening at NYFF – like PRISCILLA, POOR THINGS, ALL OF US STRANGERS, MAESTRO, FERRARI or KILLERS OF THE FLOWER MOON.  So there’s still a lot to see this year!

My first film today was complicated subject matter. MEMORY, dir Michel Franco (USA) “Past, present, and future collide when Saul (Peter Sarsgaard) follows Sylvia (Jessica Chastain) home from a high school reunion, in this touching and masterful film by director Michel Franco.” (TIFF Catalog)  Without giving too much away, Sarsgaard’s character is dealing with dementia – so his memories are inconsistent and unreliable.  Chastain’s character made accusations as a young person that weren’t believed…so her memories are challenged at every step.  The performances here are strong, but there are clearly moments of improvisation within the script – and some moments/performers are better than others.  Though there’s some great work happening here, I found myself cringing so often at decisions that characters were making…which I found truly upsetting.  But in the end, I guess that would only work if I felt an investment in them.

STRANGE WAY OF LIFE, dir Pedro Almodovar (Spain) – REPEAT VIEWING!  I wanted to see the new Almodovar on the big screen again.  The film is only 30 minutes, so I scurried and chose a front row seat.  I wanted to be consumed by it…it’s Almodovar – so the production design and color palette are incredible, and the guys are all beautiful.  One fun fact about this short is that Almodovar shot it on an old set that Sergio Leone used to shoot three Westerns with Clint Eastwood (so many classic Westerns were shot in Spain…so when uninformed actors like Sam Elliott complain that there’s no place for gay characters in Westerns…and that directors who aren’t from America shouldn’t be making American Westerns – they need a bit of education).  The thrust of this film is mostly to answer a question that was posed in BROKEBACK MOUNTAIN but never answered…and because Almodovar was originally courted to direct BROKEBACK, he decided to answer the question 20 years later. (That said, Almodovar means no disrespect to BROKEBACK.  He says he loves what Ang Lee created.)

My next film was new Blanchett.  I couldn’t skip a chance to see Blanchett at work.  THE NEW BOY, dir. Warwick Thornton (Australia) “Starring Oscar winner Cate Blanchett, this spiritual drama from Warwick Thornton (TIFF ’17’s Sweet Country) hauntingly evokes Australia’s fraught colonial legacy through the story of one very special child.” (TIFF Catalog).  This story is about an Aboriginal boy who is dropped off at at place for orphans in the middle of nowhere Australia where a nun – Sister Eileen (Blanchett) – runs the shop….and Sister Eileen is also charged with converting the boys to Christianity (the pastor who is supposed to be in charge is mysteriously absent).  The boy seems to have a special gift – a little light that he conjures and uses for healing and comfort.  The film is gorgeously shot, relatively quiet and full of great performances.  It shows us what happens when we force our own doctrines on those around us.

What a way to end my festival! My final film was a documentary about one of my favorite filmmakers/filmmaking personalities – the late, incredible Agnes Varda!  VIVA VARDA, dir. Pierre-Henri Gibert (France) “This profile of filmmaker Agnès Varda brings fresh perspectives missing from her autobiographical work, as it covers her oeuvre spanning from her emergence in the French New Wave to acclaimed works such as Vagabond and The Gleaners and I.” (TIFF Catalog). I was a little nervous about this film.  How could a filmmaker create something fresh and new about Varda – she spent the last several years of her career telling us all about her life.   Well…In fact, there was a lot more to tell!  This concise, hour+ documentary is so packed with great material that I want to see it again again – sometimes focusing on the subtitles, sometimes focusing on the visuals…and then going back to the source material and watching the films.  (Next Criterion sale, I’ll be buying the 15-disc set.). Varda was a pioneer and quite a character.  The director introduced the film (and did a Q&A), and he said that the French have pivoted to a positive gaze of Varda’s work due in part to North America’s embrace…France had often written her off and not included her in much talk of the French New Wave until “recently.” I can’t wait to see this film again.

Before walking into  VIVA VARDA tonight, I was already mourning the end of this year’s festival.  I often hear industry folks complaining about being at the festival.  It’s like people complaining about where they live – what a bore.  I have absolutely adored submerging myself in international cinema over the past nine days.  During the last few years, I have truly missed this part of my job…and I’m so glad I was able to come back.

Over the coming days and weeks (and possibly through repeat viewings), I’m sure my feelings on certain films will evolve (sometimes due simply to more rested eyes).  I know that I can be a little rough on films sometimes, but I’ve been honest with my gut responses to all 33 films immediately after seeing them.  Thanks for coming along on the journey with me…I hope to see you back in Dayton.

My best,

Jonathan

TIFF Day #8 – 2023 – 30 Films Screened So Far

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Hello Dayton937!

Today was looking slim initially.  My only official film on the books today was NYAD – everything else came as surprises…and we all know that not all surprises are good.

My first film was from Cuba. WILD WOMAN, dir. Alán González (Cuba). “Yolanda, a Cuban woman, goes from dancing her heart out at a house party to running against the clock to find her son and skip town once a video circulates from that gathering that seems to incriminate her.” (TIFF Catalog)  Not only did I feel like this film was missing a reel (that doesn’t really happen anymore), it also is as much about the landscape as it is about the main character.  Though the lead actress was quite compelling and gives an honest and rather heartbreaking performance, not everyone is as good. I ultimately was only slightly invested to find out “what happens” at the end, and I don’t see this film breaking out.

My next film was my first “early departure” from TIFF.  If you’re new to my blog, you might not know that I don’t review or name names for films that I don’t finish.  I don’t think it’s fair to write reviews for films that I don’t watch from beginning to end.  In this case, the idiot dialog and some really poor performances (it seemed like every line was said with a knowing smile) made me cringe a lot…and my eyes were starting to hurt from rolling so much.  It was noted at the start that it was being presented courtesy of Paramount+, so maybe you’ll stumble upon it there one day – let me know if you watch a movie with some really big stars there in the near future.

Next up was a film I was anxious to see…and it didn’t disappoint. NYAD, dir. Elizabeth Chai Vasarhelyi, Jimmy Chin (USA). “Annette Bening and Jodie Foster dive into the dangerous waters of the Florida Straits, in this film based on the true story of the woman who, at the age of 64, became the first person to swim from Cuba to the US without a shark cage.” (TIFF Catalog) This film was directed by the folks who brought us the incredible doc FREE SOLO – and it’s their first time directing a narrative.  They’s got the chops to do it…and with Bening and Foster as the talent, it turns into crowd-pleasing gold. As a bonus, Elizabeth Chai Vasarhelyi & the real Bonnie (Nyad’s best friend turned coach) were in attendance to introduce the film and partake in a Q&A after.  It was spectacular, and Bening is so very present and alive in this performance!  The film is inspiring on a lot of levels, and every now and then, I saw a little glimmer of my friend Julia Reichert in Annette Bening. I’m sad that most people will see this on Netflix…it deserves a big screen with good sound.

I tried to get a ticket to the film AMERICAN FICTION tonight, but demand was too high – and even though I waited over an hour, at least 100 of us were turned away…so instead, I chose a documentary about a performer I admire but didn’t know much about. LIL NAS X: LONG LIVE MONTERO, dir. Carlos López Estrada, Zac Manuel (USA). “Watch superstar Lil Nas X transcend genres and defy expectations in this revealing, jubilant, and inspiring musical documentary.”  This documentary, though certainly a PR piece, shined some light on a performer who is breaking down barriers.  I admire how unabashedly queer and flamboyant Lil Nas has become in the public eye over the past couple years, and it was nice to get some background on him as well as explore some production moments of the tour I wasn’t able to attend.  For all the quick fame and money that has come his way, Lil Nas still seems a bit naive but also grounded on some level…and that’s refreshing.  Madonna makes a quick appearance in the doc – which certainly seems to give a nod to TRUTH OR DARE – which was groundbreaking 30+ years ago.

Tomorrow is my last full day of screenings.  On some level, it’s hard to believe it’s winding down…on another, it seems like I’ve been here for months.

Thanks for reading!

Jonathan

Offensive & Outstanding!! ‘The PRODUCERS’ delivers the laughs.

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TheatreLab is finding it’s footing in the Dayton performance scene…hence the 24 piece band, the largest cast in their history, and a show that demands all of it. This weekend, Friday September 15th and Saturday the 16th, Mel Brooks masterpiece ‘The Producers’ comes to life on the Victoria Theater Stage! Watching the Wednesday ‘dress,’ you can see this cast has worked themselves…into a frenzy!

‘The show is just soooo much fun,’ says Steve Lakes who plays gay costume designer Kevin. ‘It’s timely. With our news today being such a joke, this just seems to fit in….what’s great is it spotlights the problems we face like bigotry, racism and hate….but we get to chuckle at it. It’s a welcome relief!’ The play has long come with a warning…if you are easily offended this may not be for you. ‘It’s a comedy…you have to be able to laugh at what’s happening on the stage. It’s cathartic.’ says Lakes.

TheatreLab Executive Director, Philip Drennen chimes in, ‘It is so great to get to be in a play like ‘The Producers.’ For me, playing in a comedy (which he rarely does), being a straight love interest (which he never is) and sharing the stage with some of my dearest friends (which he has always hoped for.), it’s a dream come true.’ Drennen, who plays Leo Bloom, the hopeful Producer is perfectly matched with Jason Satterly who plays Max Bialystock. Where Drennen is the demure one, Satterly takes the role of the crass and crafty other Producer. The pair has found magic together. ‘I love this role, because it is so challenging.’ Satterly says. He is on stage a good 80% of the show. ‘Bialystock learns a great life lesson in this production. If you let poeple care for you…they will!’ And caring for him, and the entire musical is easy to do.The Producers pushes the envelope for sure. No one is left untouched….it is nicknamed ‘an equal opportunity offender.’ Women, gays, African-Americans, the Jewish Community, the elderly…..Brooks was fair about his ‘unfairness.’  Two of the chorus girls, Robin Shank and Taylor Reister, each have a take on it. Shank put it this way, ‘No one should take themselves so seriously. It’s a blast to laugh!’ For Reister, ‘I have watched this movie since I was little, and it’s iconic to me. The characters are people I have referenced in my own life for years!’

Of course, at its pinnacle, the show resurrects the German Dictator, Adolph Hitler. And that was, from the outset, an outrage. But Brooks adds a magical tongue in cheek approach to the evil Nazi and his gang. Hitler, played in this production, by the hysterical Joshua Stucky, is to be laughed at much more than with. Stucky has a way of performing roles with sarcasm and sass. He is matched up with Joshua Hughes (Carmen) who is scene stealer.

The cast gives its all through tap, song and silliness. The iconic Ulla is played by Abby Kress with spunk and sweetness. Also top of mind is Roger’s group of Gays….David Moyer, Lakes, Scott Winters and Shank are obviously having a ball. What’s more, the songs are just so memorable. ‘That Face,’ ‘When You Got it Flaunt It!‘ and ‘Springtime For Hitler’ made the multi-Tony Award winner a staple for theaters nationwide. The show is directed by Angie Thacker.

Grifters. Politicians. Swindlers. Phonies.  Although it sounds like a headline for today’s news, it all can be found in TheatreLab’s ‘the Producers!’

For tickets and info:

https://www.daytonlive.org/events/the-producers/

 

 

 

 

 

 

 

 

 

 

TIFF Day #7 – 2023

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Hello Dayton937!

24 hours ago, my schedule for today was slim.  I only had a couple potential screenings scheduled (and they were tentative)…then first thing this morning I mapped out 5 movies.  And a couple of them were fantastic.  It was a very full day!

My first screening of the day was a musical of sorts…all songs/performances are motivated from the radio or a boom box – and characters sing along. CHUCK CHUCK BABY, dir. Janis Pugh (UK). “A film of love, loss, music, and female friendship, set in and around the falling feathers of a chicken processing plant in industrial north Wales.” (TIFF Catalog) This love story is sweet and touching and some of it it is in a rather unlikely setting – a chicken processing plant. Though I found some of the story and motivations a little thin, there’s still a lot to like.

I had only read a little bit about my next film…and nothing had prepared me for it! MOTHER, COUCH, dir. Niclas Larsson (USA). “Three estranged children come together when their mother refuses to move from a couch in a furniture store, in this film boasting all-star talent including Taylor Russell, Ewan McGregor, Ellen Burstyn, F. Murray Abraham, Lara Flynn Boyle, and Rhys Ifans.” (TIFF Catalog) Very shortly after the start, I wondered, “Are we in purgatory?  Is this an existential crisis?  Is this the love-child of Charlie Kaufman and David Lynch?” With an ominous/0ften thriller-like score, this film is a strange one – set in a furniture store selling furniture from the past with current-day prices…but if you stick with with it until the end, it slowly reveals itself and has and you figure it out. I won’t give it away.

Knowing I was going to potentially screen 5 films today, I almost cancelled this one in order to meet up with some friends…but upon reading a bit more about it, I decided to keep on schedule.  The original French title for this film is HLM PUSSY – a codename the young ladies of this film give to themselves – meaning low income housing pussy. I’m so glad I went to see it.  SISTERHOOD, dir. Nora El Hourch (France). “Three teenage girls, inseparable friends, struggle with the aftermath of a pivotal incident that brings to light their differences in race, social class, and cultural privilege, threatening their seemingly invincible bond.” (TIFF Catalog). The performances in this film are incredible…the three young leads are all phenomenal – and I didn’t feel like I was watching performances.  The story of social media and class, and race and privilege are contemporary and so honest.  This is Nora El Hourch’s first feature, and I’m absolutely certain we’ll see more from her – I was shaken and moved and very invested in this great film.

My next film was my third film dealing with WWII…and it’s also based on a real person. IRENA’S VOW, dir. Louise Archambault (Canada, Poland). “In occupied Poland, a former nurse (Sophie Nélisse) risks her own life to shelter a dozen Jewish men and women from the Nazi war machine.” (TIFF Catalog). This is an absolutely fascinating story told with a lot of gloss.  There were some big eye roll moments (like the Jews hidden in the basement preparing food for a dinner party so Irena could keep up with the pace)…that said, there were some good moments of tension, too.  Overall, it wasn’t gritty enough for me to totally get behind it (I also questioned some of its messaging, t00)…but I think it will find an audience – particularly in the Jewish Film Fest circuit.  The historical updates at the end were a treat after seeing the film.

My last film of the day turned out to be a gem….something that really spoke to me. FLIPSIDE, dir. Chris Wilcha (USA). “Chris Wilcha helped adapt This American Life to television. His new documentary embodies the spirit of that show as he tries to save a New Jersey record store, in this comic yet deeply moving reflection on opportunities lost and gained.” (TIFF Catalog). This doc is about so many things…it’s about a filmmaker who has several unfinished projects, it’s about his closets in his parents’ house – full of stuff from his childhood and teenage years, it’s about writing and working, it’s about family, it’s about a dying record store.  In the course of making this film, the filmmaker is able to include segments of many unfinished films (which validates the initial work in some regard), and he went back home to talk with his parents about where he came from and what he’s achieved.  I related so much to this film, and it even had me in tears.  (I have to paraphrase because I can’t read my scrawling handwriting) – at one point in the film, Wilcha talks about being middle-aged and beginning to understand one of life’s great paradoxes…he said you can feel devastating, debilitating heartbreak for not accomplishing certain things you set out to do in life – while also feeling good about where you’re at and the choices you’ve made. This struck a real chord with me, and I hope we can bring this film to town.

 

Thanks for reading!

Jonathan

Tix Now On Sale for Triangle Park Movie

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In the fall of 2020, Centerville filmmaker Allen Farst held a press conference at Carillon Park, in front of the old locker room of the Dayton Triangles announcing he was making a movie about the first NFL football game played here in Dayton on October 3, 1920.

In an interview with Dayton Daily News reporter Don Thrasher Farst said, “to be honest, I can’t believe no one’s ever told the story about the first ever NFL football game. The thing is, you’d have to be from here to even know about it.”

Check out this behind the scenes video about Triangle Park.

The film will uncover the facts around this seminal game in over 100 years.  One of 14 original professional teams, the Dayton Triangles played on Sunday October 3rd, 1920 in front of 5,000 fans. Farst goes to the depths to connect family decedents of former players even finding never before seen football treasures while leaning on football greats such as Troy Aikman, Ben Roethlisberger, Eric Dickerson, Joe Buck, Cooper Kupp, Joe Theismann, Larry Fitzgerald, Cris Collinsworth, Tony Dungy and more to uncover this generational story.

In filming the reenactments of the game here in Dayton at Triangle Park, Farst used the helmets, pads and uniforms worn in the 2008 George Clooney comedy “Leatherheads.”

The film is now ready to be shared with our community and the first screening will be held on Oct 25th at The Plaza Theatre, in Miamisburg. Get Tickets here.

There will be more screening November 7th – 9th at the NEON Theater in Dayton. The worldwide release on digital platforms Amazon Prime & Apple TV will be on Thanksgiving Day.

TIFF Day #6 – 2023

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Hello Everyone.

I saw three films today, and that has my count up to 22 over the past  6 days.

I started my day with the biggest sob of the fest so far. ONE LIFE, dir James Hawes (UK). “Sir Anthony Hopkins stars as Sir Nicholas Winton, a British stockbroker who helped rescue hundreds of children from Europe on the verge of the Second World War, an act of compassion that was almost forgotten for 50 years.” (TIFF Catalog). Some might think this little film is too easy or on-the-nose…and I would understand where they’re coming from…but I don’t agree.  This film works and achieves exactly what it set out to do.   The narrative has parallel story lines – a more contemporary story about a man cleaning his office and remembering his past…and the memories come to life of the work he did just before WWII.  It’s powerful…it’s inspiring…it speaks to current political and humanitarian issues.  With handsome photography, score and production design, I know this would be a hit with our audience.  I’m showing two pics from this film because Hopkins isn’t the only big star in this film.

My next film covered some similar territory as ONE LIFE – but this biopic is itching to get Kate Winslet another Oscar nomination. LEE, dir. Ellen Kuras (UK). “Oscar winner Kate Winslet stars in this fascinating portrait of the great American war correspondent Lee Miller, whose singular talent and ferocious tenacity gave us some of the 20th century’s most indelible images.” (TIFF catalog) Lee Miller was a model turned photographer, and she most famously worked as a war correspondent for British Vogue.  The film is set up as Miller is being interviewed about her life and career – so the life story is told through flashbacks that are motivated by photos that she is showing her interviewer (played by Josh O’Connor from THE CROWN).  I questioned some tonal “shifts” in the film, but ultimately thought it was a strong endeavor and spurred my interest to learn more about the subject.  Some people might feel cheated by the last 15 minutes…I rather liked the ending (as well as the contextual photos and “update” at the end).

My final film today was a mini crowdpleaser – complete with audience applause in the middle of the movie…but sadly, it’s not the next JOJO RABBIT.  NEXT GOAL WINS, dir. Taika Waititi (USA). “Michael Fassbender, Elisabeth Moss, and Oscar Kightley star in Taika Waititi’s comedy about the American Samoa soccer team’s attempt to make a World Cup — 12 years after their infamous 31-0 loss in a 2002 World Cup qualifying match.” (TIFF catalog) This film treads familiar territory.  In fact, it’s so familiar that some of the jokes seem lifted directly from TED LASSO.  It’s an underdog story, and you really start rooting for the losing team – and I did find myself on the edge of my seat a few times.  Unfortunately, there were moments when Michael Fassbender’s disposition changed on a dime – and I questioned a few times if I had fallen asleep and missed something.  Regardless, there’s still a lot to like about this rag-tag soccer team, and I think audiences will embrace the movie together on the big screen…but it’s not great. (And I kinda hate that Waititi put himself in the film…his intro is so unnecessary, and his caricature is cringe-worthy.)

No big parties or anything crazy tonight.  I’m going to write THE NEON’s newsletter and hopefully get a good night’s slepp.

Thanks for reading!

Jonathan

 

TIFF Day #5 – 2023

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Hello Everyone,

My first film of the day was a story I knew in part because we’ve played material over the years at The Dayton LGBT Film Fest  (now known as OUT HERE DAYTON FILM FEST) about Bayard Rustin.  RUSTIN, dir George C. Wolfe (USA). “George C. Wolfe brings Bayard Rustin’s story to life, with a joyous performance by Colman Domingo as the activist who organized the 1963 March on Washington while being forced into the background because of his sexuality.” (TIFF Catalog)  I was a little nervous about this film with its opening scenes.  There was a little too much camera mugging and the tone seemed too easy and light…but I ultimately think it was a device to get the masses hooked into sitting down for a good history lesson. Rustin was ahead of his time for a lot of his reasons, and I hope people of all backgrounds check out this crowd pleasing film.  One line that really stood out for me was when Rustin talks about his detractors.  “The day I was born, I was born a homosexual.  They either believe in freedom and justice for all – or they don’t.”  Domingo is fantastic!

My second film of the day was a public screening, and Elliot Page and director Dominic Savage were in attendance. CLOSE TO YOU, dir. Dominic Savage (Canada, UK). “Sam (Elliot Page) has a chance encounter with an old friend (Hillary Baack) on his way home to a dreaded family reunion that forces him to confront long-buried memories.” (TIFF Catalog) This trans story about a man visiting family who hasn’t been home in almost 5 years has some really incredible moments.  In fact, there’s a moment when my audience burst into applause about 80 minutes into the film.  Savage’s process for filmmaking is to essentially have a draft…he knows where he wants the film to go and the trajectory of the story – but dialog is up to the actors.  Some takes go 20-50 minutes long as actors play their roles and figure out the material together.  Unfortunately, I felt like this rawness didn’t always work…there were some moments that seemed a little too stilted – as though some of the family members had never met (and maybe that’s the point…they never really did get to know each other) – but I can’t help but feel like more editing would help.  This film is worth it for a few key moments and for the original story.

At my next screening, I fell in love.  The three lead character’s in Alexander Payne’s new film are incredible.  THE HOLDOVERS, dir. Alexander Payne (USA). “Paul Giamatti stars in Alexander Payne’s latest about the bond that forms between a strict professor and a belligerent student he’s stuck supervising over the winter holiday at an elite boarding school.” (TIFF Catalog)  The screenplay to this film is gold, and the performances are spectacular.  Underneath the bristling and biting dialog are warm and tender moments that are well-earned. Alexander Payne was in attendance, and he spoke of his love for TIFF audiences.  He said he loves how cinema culture is woven into the fabric of Toronto life…and “for my money, Toronto is the Paris of North America.” Da’Vine Joy Randolph (who also had a very small part in RUSTIN) and Dominic Sessa will hopefully become even bigger stars! I loved this film…and I can’t wait to see it again.

My last film of the day has a big Dayton/Ohio connection.  Produced by Daytonian Karri O’Reilly, this film had a lot of familiar names attached.  I attended the premiere, and Karri was one of the very first people Ethan Hawke thanked.  He said that she “willed this film into being.” WILDCAT, dir. Ethan Hawke (USA). “Ethan Hawke explores the life and art of American author Flannery O’Connor — played by his own daughter, Maya Hawke — in his latest interrogation of the artist’s way.” (TIFF Catalog) This film is a bit complicated as it is about an writer’s process…we hop around from Flannery’s life to her inspirations and her stories – being told on-screen using people from her daily life – so I can already hear some of our customers saying they’re confused.  That said, if you let the film wash over you, the visual styles are different enough to let you understand where you are in Flannery’s early days of writing.  For such an “intimate” story, it’s a really big film…and Karri told me they were able to do it with a very modest budget.  Flannery O’Connor fans, literature fans and people who enjoy thoughtful, well-crafted films will find a lot to love in this film.  The Q&A after the film and the after-party were a blast.  I’ve attached a couple photos for you below.  Maya Hawke, Laura Linney and Christine Dye are all terrific in this film…and they (among numerous other cast and crew) were at the party.

Maya Hawke as Flannery O’Connor in WILDCAT

Photo taken by Soozie Eastman of 502 Film in Louisville. (My hand is in the right corner taking a similar picture, but Soozie’s was better!)

The praises of Daytonian Karri O’Reilly were flowing from Ethan Hawke.  I even overheard “let’s do more” while posing for this pic!

Thanks for reading.  It’s super-late…and I have an 8:30 screening.

My best,

Jonathan

TIFF Day #4 – 2023

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Hello Everyone!

I discovered a great feature about my industry pass which allows me to gain access to even more films.  I was afraid some of my days would only have a couple screenings…but now I’m certain I’ll have at least 3 each day.

Today I screened 4 films and popped into Janus’s industry party where I saw a few familiar faces (sometimes you have to go to Toronto to see people from Columbus and Cincinnati).

UNICORNS, dir. Sally El Hosaini, James Krishna Floyd (UK, USA, Sweden) “An alluring fusion of forbidden romance and colliding cultures, Unicorns stars Ben Hardy and newcomer Jason Patel as two people who might become lovers, if only they can build a bridge between their very different worlds.” (TIFF Catalog) Though rather predictable and familiar, this tale will find an audience based on strong performances – particularly from Ben Hardy.

My second film of the day was such a treat! WICKED LITTLE LETTERS, dir.Thea Sharrock (UK) “Olivia Colman and Jessie Buckley play neighbours who get on each other’s nerves in this dark comedy about a small English town where residents start receiving anonymous, expletive-laden letters, igniting a scandal in their community.” (TIFF Catalog) Because the director and producers (one of whom is Olivia Colman’s husband) had a flight to catch, they were interviewed about the making of the film before we screened it…and I’m so glad I went in with a bit of background.  Based on a true story, this cheeky comedy is laugh-out-loud funny but has so much to say (about gender and even religion).  The absolutely splendid performances and production design/cinematography/costumes make for a terrific film.  Certainly a favorite so far! (I was filled with glee when Eileen Atkins appeared on screen…a personal favorite!)

SEVEN VEILS, dir. Atom Egoyen (Canada). “Atom Egoyan and his Chloe star Amanda Seyfried reunite for this knotty psychodrama about a young theatre director forced to re-examine her own trauma while working on a remount of Salome.” (TIFF Catalog) Fans of opera will certainly like this visually intriguing, behind-the-scenes film about the mounting of a SALOME production – but something was missing for me. I like seeing an artist at work, and I like seeing how a show/performance/film comes together…but I never really felt an honesty in the home-video flashbacks and in Seyfried’s performance to feel like we were getting to a real place.  There were some laughable moments in the material in some of the drama (as in several audience members started laughing) that had me question tone/intention.

My final film of the day was perhaps the most “mainstream” of my selections so far. KNOX GOES AWAY, dir. Michael Keaton (USA). “Michael Keaton directs and plays Knox, a hitman losing his memory, putting him in a race against time to help his estranged son (James Marsden) cover up a messy crime.” (TIFF Catalog) This entertaining film is surprisingly touching with some laughs and tense moments along the way.  I think it will certainly find distribution. This film also stars Al Pacino and a sweet, small role with Marcia Gay Harden.

Off to bed.  Looking forward to WILDCAT and THE HOLDOVERS tomorrow!

Thanks for reading,

Jonathan

CALL FOR ENTRY: Holiday CoSHOP Submissions

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The Contemporary Daytin is currently seeking artist / artisan-created items, ornaments, and decor for consignment for the holiday season.
The CoSHOP features small works of fine art as well as a selection of design-and foodie-forward home goods, wearables, wellness items, and paper goods that are created by Dayton, Ohio, and Midwest artists and artisans. SHOP items are selected on an ongoing basis through submission through the Co’s website codayton.org/call-for-entry. Items are accepted on consignment with artists receiving 60% of the retail sale of their item(s).
Submission Deadline: Sep 30, 2023
Inventory Drop-off: Oct 23-Nov 5, 2023
How to Apply:
1. Complete online submission form at www.codayton.org/shop or submit images to [email protected]
2. Upload JPEG images of proposed items
• up to 5 images of items of the same media (eg 5 handblown glass vases)
• up to 10 products will be accepted (exceptions apply to smaller items such as ornaments & jewelry)

TIFF Day #3 – 2023

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Hello Everyone,

Just three screenings today…but a solid day.  It’s hard to believe that 3 days have flown by so quickly.  I’ve seen 11 films, spent time with Jake (before he returned to Dayton earlier today) run into a handful of old friends and colleagues on the street, watched a movie with a filmmaker whose work we’ve screened at OUT HERE DAYTON FILM FEST (formerly known as The Dayton LGBT Film Fest), and still managed to keep up with this blog.  That said, I have yet to do the whole late night party scene…things have changed a bit since I’ve been gone – the festival and myself.

My first film was made in Montreal.  SOLO, dir. Sophie Dupois (Canada). “Set in Montreal’s vivacious drag scene, this tender character study from writer-director Sophie Dupuis (Underground) focuses on a talented young performer whose past and present merge in unexpected ways.” (TIFF Catalog) Simon is a successful makeup artist and drag performer, but when a Oliver, new guy shows up in the dressing room, he sets his eyes on something new.  At first, the chemistry is wonderful – but eventually we realize that Simon is willing to compromise himself for what he thinks he needs in his life..and Oliver is a master manipulator.  This film is well done with great, fleshed out performances…and full of people I “know.”

HIS THREE DAUGHTERS, dir. Azazel Jacobs (USA). “A tense, captivating, and touching portrait of family dynamics starring Carrie Coon, Elizabeth Olsen, and Natasha Lyonne as sisters who converge after their father’s health declines.” (TIFF Catalog) What this film lacks in visual appeal (there are some very strange choices about shooting people up against a blank wall), it makes up for in screenplay and performances.  This little gem’s third act is terrific…and the claustrophobia of being in a relatively small New York apartment for the majority of the film works on a lot of levels in creating tension and drama.  These women are all terrific.

IN CONVERSATION WITH PEDRO ALMODOVAR (with screening of STRANGE WAY OF LIFE, dir. Pedro Almodovar (SPAIN)).  Today’s event with Almodovar was a treat.  Almodovar talked with Cameron Bailey for about 45 minutes about his career – and it was insightful and delightful.  He talked about the “transition” from screwball comedies to melodrama and the industry’s rating system.  Then he screened the short film STRANGE WAY OF LIFE – a gay Western with Ethan Hawke and Pedro Pascal…which Almodovar explained was his sort of answer to BROKEBACK MOUNTAIN (which he had been asked to direct years ago).  “Two lovers reunite after 25 years apart, but secret ulterior motives threaten to spoil the relationship, in this emotional western from Pedro Almodóvar.” (TIFF Catalog)  Pedro then returned to the stage to talk for a bit more before taking questions from the audience.  Sadly, there wasn’t much time for questions and I didn’t get to ask mine.  (Almodovar apologized to the audience that neither of the lead actors would be seen naked in the film.)

 

I’m about to head out and meet one of our Board members for a cocktail this evening.  Susan and her husband are at the festival for the first time, and I’m anxious to hear what they’re seeing and how they like their experience so far.

Until tomorrow!

Thanks for reading,

Jonathan

 

Dayton’s Beloved Human Race Theatre Provides Much Needed Laughs in ‘Tom Jones!’

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Wells, Brown and Cordes

 

The Human Race Theatre Company is on a mission…to be a resource for laughter with the World Premiere (yes, I said World) of the bawdy and outrageous ‘This is Tom Jones!’ I am again, so fortunate to have the opportunity to talk to some of the folks responsible for this fun, frenzied love story. This time around, I was able to chat with Emily Wells (Director), Mark Brown (The musical’s writer) and Jamie Cordes (one of the stars!)

JS: Thank you all for taking a minute to talk about what looks like a hoot! Mark, can you tell us a bit about the show?

Mark Brown: Of course. It’s a two hour romp…fast-paced, Boy meets Girl story based on Henry Fielding’s work.  It’s chock full of 1960’s British Invasion style music…set in the 1700’s.

JS: Weird?

MB: Yes, but this weird world that’s been created really works…full of hi-jinx and surprises.

Emily Wells: It really does work. There’s romance blended seamlessly into the show as well. It’s beautifully done.

Jamie Cordes: It has such a vibe….its a groovy, hip, fast paced, blast of a time.

JS: Mark, I know your ‘Around the World in 80 Days’ also played at the Race! Are you from somewhere near here?

MB: Actually, I am from New Jersey, but reside in Los Angeles.

Cast of ‘This is Tom Jones!’

JS: Well, I can tell you, you have quite a fan base here with ’80 Days!’ So, this being a World Premiere, have you had to make changes, or work the show differently than you anticipated.

MB: Funny you should ask….yes, putting it together here, there have been 7 revisions, 2 songs have been cut….and I have incorporated 2 scenes from the non-musical version of the show. It really has helped make the show special. I have been so lucky working with Kyle Mangold and Melinda Porto, the whole cast and crew actually. Everyone here is super nice! Truly.

EW: And the cast is only 9 people, yet they tackle 34 characters. And they do it well.

JS: Speaking of the cast, Jamie what attracted you to ‘Jones?’

JC: I am a huge fan of new(er) works in theatre.  I’ve been a part of numerous workshops of new works at The Human Race and The Puzzle in NYC.  When I read the script, I laughed out loud so many times.  I LOVE what Mark Brown has written.  It is Monty Python, Austin Powers and Airplane (the movie) humor set in an 18th century story.  Being involved in this premiere and sharing it with Dayton audiences is exciting.

JS: And the cast and crew include folks from here. Right Emily?x

EW: Yes. Correct. The show has some of our resident artists as well as others who call Dayton home. That has been a goal of ours, involving community in our productions. I believe our show Bar-B-Q was made up of 75% local people. So, we are committed to making that part of the Human Race. It’s important to put dollars into our city and our people.

JS: Great point! I feel like the Human Race is connecting well with the community and ticket-buyers. Do you guys feel that for this season?

JC: The Human Race Theatre continues to entertain and inspire audiences with new(er) works that are thought provoking and explore the human condition.  The stories on this 2023-24 season are diverse in content providing opportunities to see unique, beautiful and humorous theatrical works.

EW: We are reaching out to theater lovers in a time when many people have limited resources. We have special ticket pricing like ‘pay what can’ productions. We want everyone to see the shows. We have many young folks on staff who remind us to keep things accessible for all ages. It’s important because there is a magic in theater, that relationship between audience and artist that can only happen live. And each and every night is a unique one night experience!

Laughs Abound in 'Jones!'JS: And what do you feel audiences can expect from ‘Jones?’ 

MB: It’s one of those plays that has a message that isn’t in your face, or hitting you over the head. The show is total escapism blended with some nonsense and the message is revealed simply. I am hopeful people will laugh for 2 hours…who doesn’t want to do that?!

JC: I can’t express enough the joy This is Tom Jones! has provided.  The cast, creative team, and band are wonderful.  So much laughter in exploring this piece and we can’t wait for audiences to go on the journey with us!

JS: BREAK-A-LEG and again, thank you ALL for giving us a little insight into this show! Emily, continued success for you and your Company! BRAVO!

 

 

‘This is Tom Jones’ Plays September 7 – Septmber 24.

Showtimes :

Tuesdays and Wednesdays 7pm.

Thursdays, Fridays and Saturdays 8pm

Sundays (varied, check times.)

For tickets, visit:

https://www.daytonlive.org/events/this-is-tom-jones/

The Human Race Theatre is at 126 North Main Street, Downtown.

 

 

 

 

 

 

TIFF Day #2 – 2023

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Hello Dayton937,

Today was a slimmer day for screenings.  Only three movies!

GONZO GIRL, dir. Patricia Arquette (USA). “Willem Dafoe and Camila Morrone star in Patricia Arquette’s high-flying, fast-paced directorial debut based on Cheryl Della Pietra’s semi-autobiographical novel chronicling her time as Hunter S. Thompson’s personal assistant.” (TIFF Catalog)  Though the names have been changed for the sake of the “novel,” this story of a young woman’s time as Hunter S. Thompson’s assistant is about a person meeting their “idol,” only to be be disappointed (but nonetheless grateful for the experience and the lessons along the way…and the material).  The performances are strong and Arquette’s direction is assured (Arquette has a subtle, strong supporting role, too) and the energetic “trip” is worth the ride.  There’s a cautionary line that Thompson’s secretary gives the new assistant in the movie – “Water down your drinks and fake half the lines he gives you, that’s the only way to survive.” That’s not a bad life lesson.

SUMMER QAMP, Jennifer Markowitz (Canada). “At Camp fYrefly in rural Alberta, queer, non-binary, and trans teens get to just be kids in a supportive space, surrounded by counsellors who can relate to their experience ― and help them toast the perfect marshmallow.” (TIFF Catalog). There are some powerful moments in this little documentary about queer youth going to summer camp…and there’s something wonderful about LGBTQIA+ kids getting such positive affirmations in a place where they don’t have to be afraid to express who they are.  There’s a lot to like here (I wouldn’t mind a short film about Marshall – one of the counselors), but overall, I didn’t love this doc.  I found it to be overscored and a bit repetitive. I recommend seeing it (but it’s not something I’d need to revisit).

DICKS: THE MUSICAL, Larry Charles (USA). “Larry Charles (Borat) conducts an uproarious musical-comedy riff on The Parent Trap that follows a pair of identical twins who conspire to reunite their divorced and disturbingly deranged parents (Nathan Lane and Megan Mullally).” (TIFF Catalog) A24’s raunchy, irreverent musical was my last film for the day.  This movie is based on material that comedians Josh Sharp and Aaron Jackson have been working on for years (they’re also the stars of the film).  IndieWire wrote this about the opening night, midnight screening: “No amount of context can prepare folks for the film’s final number, with a chorus that refers to God as a slur. The song that leapt from the screen out into the audience, with a flash mob of chorus members jumping out their seats to sing along, and pride balloons and penis inflatables dropping down onto attendees.”  This movie has some great melodies, fun material (Megan Thee Stallion & Megan Mullally steal the show), and some real laugh-out-loud moments.  It is destined to reach cult status, but I thought it wore a little thin pretty quickly.  The cast appears to be having a blast making this film (that’s almost always true when there’s a gag reel at the end), and I think it would be much more fun in a party-like environment (instead of the industry screening I attended).

Jake is heading back to Dayton tomorrow, and I’m sticking around for another week…lots more films to see.

Tomorrow is something I’m looking forward to most of all – IN CONVERSATION WITH PEDRO ALMODOVAR!

Hope you tune back in for Day #3.

Thanks for reading,
Jonathan

TIFF 2023 – Day #1

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Hello Everyone,

Off to the races.  I had five screenings on the agenda for today – 3 with industry folks and 2 with the general public.  Of the five, one was a real winner…and one had a lot of merit but could have been trimmed by 30 minutes (I know some critics will greatly disagree with me on that).

LAST SUMMER, dir Catherine Breillat (France).  My first film of the day was from a director who is quite used to working with taboo subject matter…and this was no exception. “In the latest film by French provocateur Catherine Breillat, a prominent lawyer’s passionate affair with her 17-year-old stepson threatens both her career and family.”  (TIFF Catalog)  In the opening scene of this (intentionally) cringe-inducing film, the protagonist is dealing with an underage client who is preparing for court.  She tells the girl, “in court, the victims often become the accused” – which sets a certain tone for the rest of the film.  Though the film certainly has some memorable moments and worked on some levels,  there were multiple decisions for a lingering camera which became frustrating and laborious.  And in the end, I ultimately didn’t buy the attraction and thus the affair – so the film really didn’t work for me.

THE CRITIC, dir Anand Tucker (United Kingdom).  Next up was a rather handsomely designed period film with Ian McKellan chewing up the dimly lit scenery. “Gemma Arterton and Ian McKellen star as adversaries forced to take desperate measures to save their careers, in this scintillating tale of ambition and deceit in the theatre world.” (TIFF Catalog). Though lovely to look at, I found some of the story a bit hard to follow initially…this was due in part to tiredness and the fact that all interior scenes at night appeared to be lit with a 20 watt bulb…which had me a little confused keeping track of characters who mostly appeared in shadows.  Though McKellan is having a ball, he is sadly better than the material.    It’s a noir-ish story which doesn’t quite commit to the genre.

FLORA AND SON, dir John Carney (US & Ireland).  My winner for the day was this little gem! “The latest from writer-director John Carney (ONCE, SING STREET) features a revelatory performance from Eve Hewson as a young mother trying to connect with her teenage son through a shared love of music.” (TIFF Catalog) The rough-around-the-edges characters are so wonderful in this heartwarming (and occasionally crass) story about an Irish woman who ends up taking on-line guitar lessons from a guy in California (played by Joseph Gordon Levitt) while trying to build a relationship with her son.  Lots of laughs and several tears…it really works.  (NOTE: We may bring this to THE NEON at the end of the month.)

ANATOMY OF A FALL, dir. Justine Triet (France). “Winner of this year’s Palme d’Or, and starring German actress Sandra Hüller, Justine Triet’s Anatomy of a Fall is a riveting portrait of a complex woman put on trial for the murder of her spouse.” (TIFF Catalog) (One big detail of the short synopsis from the catalog is the fact that the only potential witness of what transpired is the woman’s visually impaired son.)  I’ve heard a lot of great things about this (mostly) courtroom drama, and it works on a lot of levels…but boy, oh boy – it’s longer than it needs to be.  (And this was the 2nd film today which thematically explored a victim being put on trial during court proceedings.)  One of the strongest moments of the film is a tennis-match-like argument that is fascinating for its character development.  A solid film with an outstanding lead performance (but don’t go in the slightest bit tired).

NORTH STAR, dir. Kristin Scott Thomas (United Kingdom).  This is Kristin Scott Thomas’s directorial debut, and I was sadly a bit disappointed.  I considered leaving early and just going to bed…but I’m glad I didn’t.  There’s a 10-minute scene in a cemetery that’s worth the whole film (and I’d bet my next paycheck it’s the scene that was the genesis for the entire movie).  Some funny moments.  Some touching moments.  But I could have easily seen this as a short film.

NORTH STAR – directed by Kristin Scott Thomas

And now it’s time for bed!  Bright and early tomorrow!

Thanks for reading!!

Jonathan

P.S.  Here’s a little picture of me and Jake just before heading into the NORTH STAR screening.

 

Returning to Toronto International Film Fest – 4 Years Later!

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Hello Dayton937!

It’s been 4 years since I’ve made the trip to Toronto for TIFF (The Toronto International Film Festival), and my soul has truly missed it.  I know that this year will be very different.  Not only has COVID changed how festivals work, the ongoing writer & actor strikes will also likely change the energy at this year’s festival.  Regardless, I’m anxious to go and submerge myself in multiple screenings of international cinema for 9 days.

The illuminated sign on King Street West indicates the start of the festival!

I’m feeling a little out of practice, but I hope to update you every day with details about the films I’m seeing, the Q&A’s I’m observing and the glitterati I’m spotting.  I’m not sure how many parties will be happening this year, but I hope to pop in on a couple.

For industry folks, the fest works a little different.  I will have an opportunity to see 10 films with the general public.  These are the screenings where directors, producers and stars might walk the Red Carpet and be interviewed for television.  When people think “glamorous film festivals,” these are the screenings that come to mind.  That said, the majority of the films I screen will be in multiplex settings with other press and industry folks.  I might get sandwiched between an international sales agent on one side and someone writing for HOLLYWOOD REPORTER on the other.  It’s fun to rub elbows with a variety of people who make this industry tick.

Maya Hawke as Flannery O’Connor in WILDCAT

I already have a handful of tickets to screenings and events.  In addition to the premiere of NORTH STAR on Opening Night (the directorial debut of Kristin Scott Thomas – starring Scarlett Johansson), Taika Waititi’s latest NEXT GOAL WINS and the anticipated feature WILDCAT (directed by Ethan Hawke and produced by Dayton’s own Karri O’Reilly), I’m so delighted that I scored a ticket to IN CONVERSATION WITH PEDRO ALMODOVAR – a sit down interview (Charlie Rose-style – but in front of an audience)  with my favorite filmmaker of all time!

I’ll try to stay on top of updating this blog on a daily basis after my first day of movie watching.  (Screenings start on Sept. 7 – and I’ll have a full day!)  I’ll screen films through the 15th and head back to Dayton on the 16th.

Thanks for reading.

More soon,

Jonathan