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ON STAGE DAYTON REVIEW: Legally Blonde (Playhouse South) – Pretty in Pink

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Katie McCarthy, bubbly, jovial and endearing, delightfully anchors Playhouse South’s admirable production of the upbeat, silly and surprisingly touching “Legally Blonde: The Musical,” breezily directed by Jim Brown and adapted in 2007 by Laurence O’Keefe, Nell Benjamin and Heather Hach based on the 2001 film of the same name.

McCarthy, colorfully costumed by Jenni Cypher, was born to play fashion-conscious sorority star Elle Woods, who optimistically journeys to Harvard Law School in order to reclaim her ex-boyfriend. Displaying pleasant vocals and a perky spirit that sidesteps annoyance, she firmly grasps Elle’s innate cheerleading instincts, particularly as a Pied Piper enthusiastically drawing crowds, and tender vulnerability, specifically when her world crumbles late in Act 2 after she rediscovers the beauty of staying true to self.

Elsewhere, the supporting cast cohesively gels. The amiable Josh Livecchi is appropriately unassuming as Emmett Forest, the introverted teaching assistant who grows to care for Elle in spite of her outgoing flair. Brad Bishop is sharply hard-nosed as Callahan, Elle’s ruthless professor. Angie Thacker adds enjoyable comic relief as Paulette, the beauty shop proprietor whose self-esteem and love life is reborn. The lively Jackie Darnell, as Elle’s sorority sister Serena, particularly leads the infectious “Bend and Snap” with vim and verve. Meagan Kuchan and Stefanie Dodge are respectively solid as liberal Enid Hoopes and imprisoned fitness guru Brooke Wyndham. Megan Rademacher is effectively snippy as Elle’s nemesis Vivienne Kensington. Matthew Scheerschmidt and Brett Norgaard are funny cohorts in “There! Right There!” Waky Harris fits the bill as Kyle, Paulette’s crush. Jessica Jones, appearing briefly, is a hoot as Elle’s tipsy mother. Brian Kester is too old to play Elle’s boyfriend Warner Huntington III but his efforts are serviceable nonetheless.

Energetic routines from choreographer Greg Andrus and a fine set designed by Ray Zupp are added benefits within this artistically sound endeavor.

“Legally Blonde: The Musical” continues through Nov. 17 at the Clark Haines Theatre of the Kettering Board of Education Building, 3750 Far Hills Ave., Kettering. Performances are Friday and Saturday at 8 p.m. Act One: 70 minutes; Act Two: 55 minutes. Tickets are $13 for adults, $11 for seniors and military and $8 for students. For tickets or more information, call (888) 262-3792 or visit www.playhousesouth.org

 

ON STAGE DAYTON REVIEW: Spring Awakening (Wright State University) – Complex Adolescence

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Composer Duncan Sheik and lyricist/librettist Steven Sater’s dynamic “Spring Awakening,” 2007’s Tony-winning Best Musical, receives an outstanding local collegiate premiere at Wright State University.

Based on Frank Wedekind’s banned, controversial 1891 novel of the same name, “Spring Awakening” is a powerfully provocative coming of age tale set in 19th century Germany with contemporary flourishes. In fact, Sheik’s marvelous melodies, evocatively tied to Sater’s poetic lyrics, are written in the pop/alt rock vein. The musical’s riveting potency cuts deep as issues of abortion, abuse, angst, incest, isolation, suicide and more are explored. Staged by Joe Deer in the black box Herbst Theatre with firm, character-driven intimacy, the thought-provoking story of close-knit, inquisitive, sexually curious teenagers caught between childhood innocence and the dawn of adulthood doesn’t miss a beat, particularly as their questions and desires are regrettably disregarded by authority figures.

The central, ill-fated romance involving headstrong Melchoir Gabor (portrayed with great self-awareness and sensitivity by Jon Hacker) and the sheltered Wendla Bergman (an appealing, vocally beguiling Tommi Harsch) is skillfully executed, but Deer heightens the compelling landscape by emphasizing the awkwardness and emotional scars between parents and their children. Chrissy Bowen and Andrew Quiett portray multiple adult roles, but Bowen’s maternal reticence and fierce admonishment as Wendla’s mother and Quiett’s incredibly irascible disgust as the father of troubled Moritz Stiefel (Drew Helton, splendid and heartbreaking) are specifically striking. Moreover, in favor of an introspective approach, Deer lessens the material’s rock concert essence by eliminating hand-held microphones and microphone stands, a definitive concept of the off-Broadway and Broadway productions.

Helton, a wonderful Edna Turnblad in “Hairspray” last season, uniquely interprets Moritz with a stutter, a decision that generates more empathy for the character and reiterates his peculiarities. Helton is also in terrific voice, particularly in the frenzied “Don’t Do Sadness” brilliantly aided by Erin Jones’ lighting design. Ria Villaver, bringing tender fragility to her role as Ilse Neumann, and Paige Dobkins as Martha Bessell weave a gripping tapestry throughout “The Dark I Know Well.” Caroline Gruber, Liz Romey, Justin King, Logan Torbet, Sean Jones, Zach Warner and Lauren Schorr are uniformly strong in such haunting numbers as “Touch Me,” “I Believe” and “The Guilty Ones” in addition to the carefree “My Junk” and rip-roaring “Totally Fucked.” The cast’s heartwarming rendition of “The Song of Purple Summer,” the absolutely beautiful Act 2 finale, is among the best I have heard.

Choreographer Dionysia Williams’ expressively first-rate routines balance succinct rigor and ecstatic exuberance with the gentility of caressing hands and soft candlelight. Zoe Still provides attractive period costumes and dresses her appropriately stark set with flowing tattered fabric. Musical director Sherri Sutter leads a solid five-piece orchestra.

Wright State offers the third “Spring Awakening” Dayton has seen in two years, but the organization has certainly produced a worthwhile winner.

“Spring Awakening” continues through Nov. 18 in the downstairs, black box Herbst Theatre of the Creative Arts Center at Wright State University, 3640 Col. Glenn Hwy., Fairborn. Performances are Friday at 8 p.m., Saturday at 2 and 8 p.m. and Sunday at 2 p.m. Act One: 70 minutes; Act Two: 55 minutes. The show contains adult language and themes. Tickets are $10 adults and $7 for students and seniors. All seats are $2 for the Saturday matinee. For tickets, call Victoria Oleen at (937) 775-3789.

Coming Up In Dayton Theatre, 11/16 – 12/2

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Among the offerings in this installment I get to tell you about four different pieces of literature being brought to the stage by 5 area theatres. What is it about novels that make such good theatrical fodder? Our tour of books-on-stages begins with:

Closing This Weekend!

 

The Never Ending Story

Kettering Children’s Theatre

The Skinny: Lovers of the classic 1984 fantasy movie of the same name are probably already aware that it was first a book by Michael Ende. KCT’s production of this tale of adventure and self-discovery uses charming puppets (made by local artisan Ayn Wood) to bring to life  the Gnomics and fan favorite Falkor (the Luckdragon) among others. KCT is theatre for children and by children.

Dates: One weekend left, Friday and Saturday (11/16 and 17) performances are at a family-friendly 7 pm and Sunday (11/18) is at 2.

Tickets: Tickets are available for purchase at the door (cash only). For any information further, please call the Rosewood Arts Center office at (937) 296-0294

 

 

 

 

Legally Blonde

Playhouse South

The Skinny: A musical retelling of the story of Elle Woods’ journey through Harvard Law. Most people are familiar, at least passingly, with the 2001 Reese Witherspoon movie of the same name, but Did You Know: That movie was based on a novel by the same name.
Dates:  Two performances left, Friday and Saturday (11/16 and 17).

Tickets: For ticketing information, please visit the Playhouse South website, here.

 

You Better Watch Out

Brookville Community Theatre

The Skinny:A heartwarming holiday comedy about family, love and the spirit of Christmas

Dates: One weekend left! Friday, Saturday and Sunday.

Tickets: Reservations are highly recommended and may be made by calling the Brookville Flower Shop at 937-833-3531

Opening Next Weekend!

Scrooge!

The Dayton Playhouse

The Skinny: Based on Charles Dickens’ classic tale, this musical closely follows the classic story with the miserly Ebenezer undergoing a profound experience of redemption over the course of a Christmas Eve night, after being visited by the ghost of his former partner Jacob Marley and the Spirits of Christmas past, present and future.

Dates: Weekends, opening Friday Nov 30 and closing Sunday Dec 16.

Tickets: For all reservation and purchase information, please visit the Dayton Playhouse Website, here.

Speaking of Dickens…

A Christmas Carol

The Zoot Theatre Company

The Skinny: Like Scrooge!, but with less singing. This is a more straight-forward retelling of the ghostly holiday favorite, using Zoot’s signature beautiful puppetry.

Dates: Weekends, November 30th through December 15th.

Tickets:  Online ticketing for this event doesn’t seem to be working just now, but a wealth of event information can be found on the ZTC event page on Facebook, here.

Speaking of Dickens (wait, that sounds familiar…)

 

Oliver!

The Human Race Theatre Company

The Skinny: Christmas Eve in London, 1838. A small group of working-class, wayward souls gather in a tavern to celebrate when a small, unexpected guest prompts a spontaneous telling of the popular Oliver Twist. With traditional music-hall flair, they delve into Charles Dickens’ haunting moral tale as the lines between story and reality blur. Sized perfectly for The Loft Theatre, this reimagining of the classic Tony Award®-winning musical will touch your heart and challenge your spirit. It’s Oliver with a twist, indeed!

Dates: The original dates of the run have been extended, and now the show will open 11/29 and run through 12/22, making tickets a perfect Hanukkah or early-Christmas present!

Tickets: All ticketing information can be found online, here.

A Tuna Christmas

The Dayton Theatre Guild

The Skinny: It’s Christmas time and local radio personalities Thurston Wheelis and Arles Struvie tell us all about the annual Christmas lawn display contest that Viola Carp keeps winning (14 times), the troubled local production of A Christmas Carol and along the way introduce us to a host of colorful characters, each one funnier than the last, in this little mythical Texas town.  Two actors portray more than twenty roles in this hilarious production.

Dates: November 23rd – December 9th. Remember, in the 2nd and 3rd weekends, Saturday performances are at 5:00 pm.

Tickets: Tickets are available at the Dayton Theatre Guild website, here.

Irving Berlin’s White Christmas

The Victoria Theatre Association

The Skinny: The beloved musical movie of the same name stars Bing Crosby, Danny Kaye, Rosemary Clooney and Vera-Ellen and features some of Berlin’s best-known songs including “Sisters,” “Blue Skies,” and the title song that you may have heard once or twice before.

Dates: November 27th through December 2nd.

Tickets: For ticketing information, please visit the Victoria Theatre Association website, here.

 

Audition Notice!

Ghosts

Directed by Matthew Smith

Dayton Theatre Guild

The Guild is bringing to life Henrik Ibsen’s classic drama. The ‘‘ghosts’’ in this play are taboo topics that cannot be openly discussed.  This drama is one of Ibsen’s most powerful works, but also one of his most controversial.  Family sins are revisited when a son returns home to dedicate an orphanage in his father’s name and becomes involved in a tryst that ends in the painful knowledge of long suppressed family truths.

 Dates: November 26th and 27th.
For more information, including a breakdown of characters and ages, as well as audition requirements, please visit the auditions page of the DTG website, here.

Bad Boy Chef Anthony Bourdain Brings His Opinions To Dayton

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When Anthony Bourdain brings his Guts & Glory tour to the Schuster Center on Sunday, it will be his first visit to Dayton.  It’s also his first solo tour, and Bourdain describes it as ” a rant, a talk, even some kind of imitation of stand-up,” with video clips and a lot of Q-and-A.  He said he’s been secretly doing 5 -10 minutes sets, practicing in comedy clubs around New York City.  “The audiences are incredibly honest,” he says, “and what better way to you find out right away in a brutally painful fashion whether something is amusing or not.”

The notoriously  opinionated Chef, who gained fame as an author of  Kitchen Confidential: Adventures in the Culinary Underbelly, launched the tour just three days after the final episode of his eighth season of “No Reservations” on Travel Channel. His second/final  season of The Layover launches on The Travel Channel the night after his live show here in Dayton.  He says there are 10 episodes of  action-packed, food-filled travel layovers filmed in Chicago, Atlanta, Dublin, New Orleans, Paris, Philadelphia, Sa Paolo, Seattle, Taipei and Toronto. Each episode will have him telling  stories about a place, it’s people and their food.

After that, Bourdain will move over to CNN to launch a new travel docu-series, to launch in early 2013.  The show will be shot on location and examine cultures from around the world through their food and dining and travel rituals.  “I’m really looking forward to coming over to CNN. I think the world is going to get a whole lot bigger for me,” said Bourdain, “traveling with producers that understand shooting in places that are difficult.  I should be able to make smarter tv, but it will still be a travel based show”

In a group interview for the tour, I had a chance to ask a couple of questions and here’s how it went:

DD: This tour has you making eight stops in under two weeks. How does a travel expert pack for such an excursion?
AB: I pack for security, and it’s all carry-on—shoes that slip on and off quickly, jackets that I can beat into submission, shirts that don’t require pressing. I pack light. I’ve always got my iPad with a lot of entertaining apps and books I’ve downloaded to keep me busy when I’m hanging out in the airport.

DD: What can your audience expect from the show?
AB:  I’ll talk about food and travel, whatever’s pissing me off that day, whatever’s exciting me that day, travel tips. Of course I’m going to be talking about people, GuyFieri just opened a 500 seat restaurant in my hometown, that’s very much on my mind.  I worry for Adam Richman’s health,( the host of Man vs Food) I expect he’ll die of a heart attack soon. . I’ll come out and talk for an hour or so and answer questions. It could go in any direction, depending on how good or how bad the questions are.

DD: You’ve just finished The Taste, ABC’s new cooking competition show, how was that experience?
AB:   It’s a network reality show, it’s completely different from what I’ve done on No Reservations- there  I had complete control, where we went, what we did, I really didn’t care if people like it.  This was a really tight show and I had a really enjoyable time doing it.  I coached a team of cooks, we judged them and one wins.

DD: If you had to choose 5 ingredients to put in a basket for a Chopped style competition, what would you include?

AB: I’d keep it really basic, a chicken, egg, salt, butter and an onion – keep it simple – you can learn every thing you need to know about a cook by what they do with these ingredients.
DD: What’s on your rider? What do you have stocked in your dressing room before the show? 
AB:  I never eat before a show.  I’m really simple, I just want a six pack of some local beer and Red Bull.

As much as Bourdain has a reputation for being a hard ass, I have to say, I found him charming and real.  I think the audience for the show will get exactly what they’ll expect from the celebrity chef, world traveler and hater of most Food Network Chefs.  He’s got an opinion, he’s happy to share it, and  he’s entertaining as hell.  Of course, this show is not for the easily offended, Bourdain does not censor his thoughts or his words. If you’re brave enough to ask a question, be ready for whatever might come out of his mouth. And don’t ask him about Dayton restaurants- he’s never been here, he won’t know about them!

Tickets are still available for the Sunday, Nov 18th show and are available at Tickets CenterStage for $52-$122, plus service charges.

[yframe url=’http://www.youtube.com/watch?v=c0bND8u6OsY#!’]

ENTER TO WIN TICKETS TO BOURDAIN!

One of our lucky Dayton Most Metro readers, is going to the show. Fill out the form below and leave a Facebook comment telling us you want to see the Guts & Glory Tour, and we will randomly draw a winner and notify them Wed evening, 11/14.  Good luck!

CONTEST CLOSED

Congratulations to our winner: Shaun Cartwright

ON STAGE DAYTON REVIEW: Funny Girl (Wright State University) – Hello, Gorgeous

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Wright State University supplies an entertaining production of the rarely attempted but incredibly tuneful 1964 musical comedy “Funny Girl,” the Jule Style, Bob Merrill and Isobel Lennart classic chronicling the rise of legendary vaudeville comedienne-turned-Ziegfeld Follies star Fanny Brice.

Director Greg Hellems, offering a fluid, cinematic vision, curiously double casts the spirited, vocally demanding leading role so it’s imperative to tell you this show specifically dazzles in the hands of Melissa Hall, a charming actress who was just as winning and hilarious last season as Penny Pingleton in “Hairspray.” A lively bundle of energy worth rooting for, Hall endearingly depicts Fanny’s larger than life personality, appealing go-getter spirit and the engaging stage presence that fueled her reputation throughout the early 20th century. She also handles Styne and Merrill’s lovely score with impressive vigor and nuance, adeptly conveying the rip-roaring determination within “I’m the Greatest Star” and the tender sentimentality of “People,” “Who Are You Now?” and “The Music That Makes Me Dance.” Most importantly, Hall beautifully interprets “People” as a philosophy and her dynamic “Don’t Rain on My Parade” perfectly captures Fanny’s firm resolve at the end of Act 1 and her amazing resilience at the end of Act 2.

In contrast, Mimi Klipstine-Dick, who particularly portrays Fanny at matinees, eagerly desires to connect with the character but lacks surefire comedic timing and unwisely chooses to sing in the vein of Barbra Streisand, the iconic Fanny of stage and screen. Originality is the crucial requirement missing from Klipstine-Dick’s underwhelming performance, a committed effort that doesn’t evolve into the knockout this show demands.

Nonetheless, both ladies are surrounded by an excellent cast. Zack Steele, sharp, suave and exuding a maturity far beyond his years as flawed gambler Nick Arnstein, skillfully examines Nick’s pride, ambition and disappointment as a breadwinner. Justin Talkington, an exuberant presence recalling Broadway veteran Lee Roy Reams in his prime, lights up the stage as choreographer Eddie Ryan, Fanny’s pal who molded her talents in vaudeville and remained skeptical of Nick’s motives. The equally radiant Michelle Weiser takes her role as Fanny’s earthy mother Rose to compelling heights late in Act 2 when Rose confronts Fanny about Nick’s criminality. The absolutely delightful Kelsey Pohl as Mrs. Strakosh, fine tenor Mark Beyer’s resounding delivery of “His Love Makes Me Beautiful” and Emma Jordan as Fanny’s dutiful assistant Emma are also notable among the featured performers.

Additionally, Teresa Wylie McWilliams (“Hairspray”) creates wonderful routines once again from the busy activity of “Henry Street” and the seductive playfulness of “Cornet Man” to the tap dancing panache of “Rat-Tat-Tat-Tat” featuring scenic designer Pam Knauert Lavarnway’s grand staircase reminiscent of “42nd Street.” Andy Balmert’s first-rate lighting design, D. Bartlett Blair’s attractive period costumes and Scot Woolley’s outstanding orchestra are also pleasurable.
“Funny Girl” is a night and day experience due to Hall and Klipstine-Dick’s polar opposite tactics, but it clearly satisfies as feel-good musical theater.

“Funny Girl” continues through Nov. 11 in the Festival Playhouse of the Creative Arts Center at Wright State University, 3640 Col. Glenn Hwy., Fairborn. Performances are Nov. 7-8 at 7 p.m., Nov. 3, 9-10 at 8 p.m. and Nov. 3-4, 10-11 at 2 p.m. Act One: 95 minutes; Act Two: 50 minutes. Tickets are $20 for adults and $18 for students and seniors. For tickets or more information, call (937) 775-2500.

Coming up in Dayton Theatre, November 2nd – 11th

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Happy All Hallow’s day! November already. Hope you got out to see some of the spooky, Halloween-y themed offerings that Dayton served up. What’s next? Well, there are a few things closing this weekend, but enough opening to hopefully keep you busy!

Closing This Weekend!

Coming Back To Jersey

West Milton Players

The Skinny: Dayton theatre audiences may remember this script as a FutureFest finalist in 2008, when it was voted “Audience Favorite.” A comedy set in New Jersey in 1965.It is a story of Howard Karchmer, a middle-aged tailor who indulges in daydreams to escape his humdrum existence. Norma, his suspicious wife, believes he is fantasizing about Dorothy, a sexy widow friend. Norma schemes to have Dorothy flirt with Howard to test his fidelity, but Norma’s plan backfires when Howard connives with Dorothy to turn the trick around.

Dates: Last performance is Saturday, November 3rd.

Tickets: For all production and ticketing information, please visit the Facebook Event page; here.

A Few Good Men

Xenia Area Community Theatre (X*ACT)

The Skinny: Fans of Aaron Sorkin’s TV and movie work will be delighted to take in his well-known military courtroom drama. Famously brought to the screen by, among others, Tom Cruise and Jack “You Can’t Handle The Truth” Nicholson, this is a gripping tale of whether or not something can be wrong, if your job is to do as you’re told.

Dates: Finishing this weekend, with the last performance on Sunday November 4th

Tickets: Please visit the X*ACT website, here.

Funny Girl

Wright State University, Theatre Department

The Skinny: Funny Girl is the semi-biographical musical based on the life and career of Broadway and film star, the comedienne Fanny Brice and her stormy relationship with entrepreneur and gambler Nicky Arnstein. Audiences may be familiar with the movie starring Barbra Streisand and Omar Sharif. It is from this musical that we get such musical theatre classics as “People” and “Don’t Rain On My Parade”.

Dates: Closing this Sunday, November 4th at the Festival Playhouse.

Tickets: For tickets, please call 937-775-2500

 

Sugar Bean Sisters

Beavercreek Community Theatre

The Skinny: A Southern gothic comedy of romance, murder and alien abduction, Sugar Bean Sisters takes us back to the sticky, humid environs of Sugar Bean, Florida, where audiences last visited in its companion piece, The Sugar Witch, at Dayton Theatre Guild. Sugar Bean Sisters is a lighter, more comedic piece, dripping with the same spanish moss and thrum of supernaturalism.

Dates: Closing this Sunday, November 4th.

Full Disclosure: I’m in this, and in my (naturally, entirely unbiased!) opinion, it’s awesome

Tickets: Please visit the Beavercreek Community Theatre website, here.

 

Opening This Weekend!

Legally Blonde

Playhouse South

The Skinny: Pink-loving sorority princess Elle Woods follows her boyfriend, and her heart, to Harvard Law School. She makes friends, makes enemies and make decisions she never thought she’d have to, all the while, her beloved Delta Nus see her through.

Dates: Opening Friday, 11/2 and running through 11/17.

Tickets: For all ticketing information, please visit the Playhouse South website, here.

Coming Soon!

A Plague of Angels

Sinclair Community College

The Skinny:This drama is based on the actual account of Mary Mallon, better known as “Typhoid Mary” and her struggle with the Public Health system of New York City in 1907. It’s Mary’s rights versus the “public good” which submerges us into medical ethics in our society then and perhaps even now.

Dates: ONE WEEKEND ONLY; Friday, 11/8-Sunday, 11/10.

Tickets: All ticketing information can be found on Sinclair’s website, here.

You Better Watch Out

Brookville Community Theatre

The Skinny: It’s Christmas Eve at the Willow Inn. The hosts Jenny and Tom are having Art, (Jenny’s father who’s still mourning the passing of his wife) see their bed and breakfast for the first time. There’s a snowstorm raging outside and three travelers are forced to lodge at the inn and wait it out. Rudy and Marsha who run a costume business together and a mysterious but cheerful man who claims to be in the delivery business named Mr. Smith. Only the Inn’s handyperson Andy sees who Mr. Smith really is, the spirit of Christmas. Andy must help him make Art, who’s been in a dark place for a very long time, see the joy of Christmas and who Mr. Smith really is!

The Dates: Ring in the Christmas spirit early! This show opens 11/8 and closes 11/18

Tickets: Reservations in advance are highly recommended as shows do sell out. To reserve tickets, please call the Brookville Flower Show at 937.833.3531

Coming Up in Cincinnati Theatre: Oct. 29-Nov. 4

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…BLINK AND YOU’LL MISS

A DOLL’S HOUSE

SSCC Theatre

The Story: This epochal drama of marriage and the individual portrays a controlling husband Torvald Helmer and his wife Nora, a submissive young woman who, when their idealized homelife collapses, comes to the realization that she must finally close the door on her husband, children, and life in “a doll’s house” in order to find and live as her true self.
The Dates: Nov. 2-4, 2012
Tickets and More Information: SSCC Theatre | BTC page |

…OPENING THIS WEEK

HANK WILLIAMS: LOST HIGHWAY

Cincinnati Playhouse in the Park

The Story: Go beyond the legend to the roots of Hank Williams’ music. The journey starts in the backwoods of Alabama and winds up at center stage of the Grand Ole Opry. Featuring more than 20 of the singer’s most popular songs, including “Your Cheatin’ Heart,” “Hey, Good Lookin’” and “I’m So Lonesome I Could Cry,” LOST HIGHWAY is an honest and mesmerizing portrait of the drifting cowboy who became one of the most influential country artists of all time.
The Dates: Nov. 3-Dec. 23, 2012
Tickets and More Information: Cincinnati Playhouse in the Park | BTC page |

MURDER ON THE NILE

Tri-County Players

The Story: Handsome Simon Mostyn marries Kay Ridgeway, a very wealthy woman, after breaking his engagement to Jacqueline de Severac, with whom he was in love and who was also Kay’s best friend. The couple are on their honeymoon on a paddle steamer on the Nile. During the course of the voyage, murder and mayhem ensue. By the time the steamer reaches its destination, Canon Pennefather, Kay’s guardian, has laid bare an audacious conspiracy and has ascertained that the criminals shall not go free.
The Dates: Nov. 2-10, 2012
Tickets and More Information: Tri-County Players | BTC page |

OKLAHOMA!

Loveland Stage Company

The Story: The classic musical is the story of Laurey and the two rivals for her affections: Curly, a cowboy, and Jud, the hired farmhand. The play takes place in 1906 in an Indian territory of the American West during the time when Oklahoma was established as a state. It tackles class issues between the farmers and the cowmen in the still-developing, rugged landscape of a state in its infancy as characters struggle to find hope, love and the fulfillment of “the American Dream.” It is also a romantic tale of love. Curly and Laurey both have feelings for each other but have difficulty expressing it because of their stubbornness.
The Dates: Nov. 2-17, 2012
Tickets and More Information: Loveland Stage Company | BTC page |

SHIRLEY VALENTINE

Middletown Lyric Theatre

The Story: The heroine in this actor’s tour-de-force is an ordinary middle class English housewife. As she prepares chips and egg for dinner, she ruminates on her life and tells the wall about her husband, her children, her past, and an invitation from a girlfriend to join her on holiday in Greece to search for romance and adventure.
The Dates: Nov. 1-10, 2012
Tickets and More Information: Middletown Lyric Theatre | BTC page |

UNDER A RED MOON

The Carnegie and The Human Race Theatre Company

The Story: Witness a chilling psychological thriller inspired by the true events of Britain’s notorious 1949 “Acid Bath Murderer.” Confessed serial killer John George Haigh awaits trial in prison as Dr. Ruth Covington arrives to determine his mental state for the court. While he welcomes their one-on-one encounter, Haigh won’t give up his secrets too easily, knowing full well that it’s the hangman’s noose if he is found sane.
The Dates: Nov. 2-18, 2012
Tickets and More Information: The Carnegie | BTC page |

WEST MOON STREET

Mariemont Players Inc.

The Story: A mysterious palm reader predicts that young Lord Arthur will commit a murder. Hilarious mishaps ensue as Arthur, engaged to be married, believes it is his duty to get this killing business over with before he marries. A comedy exploring the social customs of Victorian England, adapted from an Oscar Wilde short story.
The Dates: Nov. 2-18, 2012
Tickets and More Information: Mariemont Players | BTC page |

…CONTINUING THIS WEEK

BRIGHTON  BEACH MEMOIRS

Cincinnati Playhouse in the Park

The Story: It’s 1937, and 15-year-old Eugene Morris Jerome lives in close quarters with his extended family. While the daily dramas of his parents, brother, cousins and aunt swirl around him, Eugene spends his days dreaming of playing for his beloved Yankees … when he’s not thinking about girls or setting the table for dinner. Neil Simon’s semi-autobiographical play is a heartfelt love letter to his own Jewish childhood and proof that family harmonies and disharmonies transcend time and place.
The Dates: Oct. 13-Nov. 10, 2012
Tickets and More Information: Cincinnati Playhouse in the Park | BTC page |

I DO! I DO!

Covedale Center for the Performing Arts

The Story: The show begins with Michael and Agnes on their wedding day and traces their life together over a period of 50 years, until the day they leave their house to the next pair of newlyweds. In that time we watch them go through their wedding night jitters, raise a family, negotiate mid-life crises, quarrel, separate, reconcile and grow old together, all lovingly to the strains of a tuneful, charming score which includes the standard “My Cup Runneth Over.”
The Dates: Oct. 18-Nov. 11, 2012
Tickets and More Information: Covedale Center for the Performing Arts | BTC page |

ROMEO AND JULIET

Cincinnati Shakespeare Company

The Story: The tale of the Bard’s star crossed lovers, brought to life in a modern world of passion and conflict. In defiance of their families and amidst the animosity of friends, a young couple will risk everything to be together. Receiving a contemporary staging, this production proves its continued relevance in the lives of young and old alike throughout the ages. The Dates: Oct. 12-Nov. 11, 2012
Tickets and More Information: Cincinnati Shakespeare Company | BTC page |

TITUS ANDRONICUS

Cincinnati Shakespeare Company

The Story: One of the bloodiest plays in the canon, Titus Andronicus is full to the brim with revenge, murder, betrayal and crimes most atrocious. Titus Andronicus evokes startling, gruesome and tragic imagery as the mighty Roman general Titus faces off with his mortal enemy, Tamora, Queen of the Goths. Titus and Tamora, in a spiral of bloody revenge, trade murder for hideous murder, each more brutal than the last.
The Dates: Oct. 20-Nov. 11, 2012
Tickets and More Information: Cincinnati Shakespeare Company | BTC page |

…CLOSING THIS WEEK

THE INVESTMENT CLUB

PLOTT Performers

The Story: Big Band music blares as you enter The Investment Club and make your way past armed guards. Continue on to the Bank Vault where the secret word that you “Speak Easy” can lead you to a Bloody Mary. Raise your glass and toast to your retirement; it may be sooner than you think. This is an original interactive dinner show.
The Dates: Oct. 26-Nov. 3, 2012
Tickets and More Information: PLOTT Performers | BTC page |

PROOF

CenterStage Players Inc.

The Story: On the eve of her birthday, Catherine, a troubled woman, has spent years caring for her brilliant but unstable father, a famous mathematician. Now, following his death, she must deal with her own volatile emotions; the arrival of her estranged sister, Claire; and the attentions of Hal, a former student of her father’s who hopes to find valuable work in the 103 notebooks that her father left behind. Over the long weekend that follows, a burgeoning romance and the discovery of a mysterious notebook draw Catherine into the most difficult problem of all: How much of her father’s madness—or genius—will she inherit?
The Dates: Oct. 25-Nov. 3, 2012
Tickets and More Information: CenterStage Players Inc | BTC page |

THE ROYAL GAMBIT

Northern Kentucky University

The Story: King Henry VIII has everything he wants, except a suitable heir. His legacy is all too well known, but what about the women he wooed? In this portrait of the infamous king and the six women in his life, Henry remains the same throughout but the women progress to modern times, showing their knowledge of the lasting effects of Henry’s deeds.
The Dates: Oct. 25-Nov. 4, 2012
Tickets and More Information: Northern Kentucky University | BTC page |

…COMING SOON

COMPANY

Cincinnati Music Theatre

The Dates: Nov. 9-17, 2012
Tickets and More Information: Cincinnati Music Theatre| BTC page |

FOOTLOOSE

Spotlight Community Theatre

The Dates: Nov. 9-11, 2012
Tickets and More Information: Spotlight Community Theatre | BTC page |

GRIMM AND FISCHER

Cincinnati Fringe Festival

The Dates: Nov. 9-10, 2012
Tickets and More Information: Cincinnati Fringe Festival | BTC page |

LOBBY HERO

Fairfield Footlighters

The Dates: Nov. 9-18, 2012
Tickets and More Information: Fairfield Footlighters | BTC page |

LOVE, YOU GOTTA LOVE IT!

Rising Phoenix Theatre Company & Clifton Players

The Dates: Nov. 7, 2012
Tickets and More Information: Rising Phoenix Theatre Company | BTC page |

MY LEFT BREAST

Miami University Hamilton Theatre

The Dates: Nov. 8-10, 2012
Tickets and More Information: Miami University Hamilton Theatre | BTC page |

OUR TOWN

Footlighters Inc.

The Dates: Nov. 8-18, 2012
Tickets and More Information: Footlighters Inc. | BTC page |

SAVAGE IN LIMBO

UNTETHERED THEATRE

The Dates: Nov. 9-25, 2012
Tickets and More Information: Untethered Theatre | BTC page |

Fred Garbo’s Inflatable Theater Company at Victoria Theatre

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Fast-paced, energetic, universally engaging and theatrically clever, FRED GARBO’S INFLATABLE THEATER COMPANY has won the praise and affection of audiences worldwide. Gigantic inflatable props spring to life in the world of pneumatic wizard Fred Garbo and Brazilian ballerina Daielma Santos, a world that mesmerizes audiences with imaginative imagery and artistic foolishness. Rolling, gliding, tumbling, juggling, miming, bouncing, quaking, and dancing in sync to the music, this delightful duo will inflate spirits and open the audience’s eyes in amazement. FRED GARBO’S INFLATABLE THEATER COMPANY has toured in theaters worldwide for audiences of all types, transcending barriers of language, culture and age in a seamless, unique program.

FRED GARBO’S INFLATABLE THEATER COMPANY comes to Dayton’s Victoria Theatre November 3 and 4 at 1 p.m. and 3:30 p.m.. Tickets start at a family-friendly $15 each and are on sale now through Ticket Center Stage (937) 228-3630 or online at www.ticketcenterstage.com.
[yframe url=’http://www.youtube.com/watch?v=awYnuv5oeGc’]

Dayton Most Metro Ticket Contest

We have one family four-pack of tickets to see FRED GARBO’S INFLATABLE THEATER COMPANY at the Victoria Theatre – just fill out the form below and leave us a FB comment saying that YOU want to see this show, and we’ll pick a random winner on Friday 11/2 before noon.  GOOD LUCK!

CONTEST CLOSED

Congratulations to Errin Hahn Siske!

The Past and Future by The Dayton Ballet on Splendid Display (Review)

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Photo Credit: sskphoto

What a whirlwind of a Saturday evening, I knew that I would be running to see Dayton Ballet and then off to the most delirious and over the top fundraiser party in Dayton, ARC’s Masquerage. This is proof positive that there are a plethora of really amazing events happening in our midst. Both events inspire the terpsichorean muse in us all as performers and spectators and illuminate the unseen threads that connect both of them.

Being the 75th anniversary of the Dayton Ballet, this year affords us a rare opportunity to envisage the past, present and future versions of the organization. At first I was very apprehensive about this upcoming season turning into an indulgent trip down memory lane, but after Saturdays concert, my fears have been silenced.

The concert opened with a restaging of Mozart Dances, a work by former Artistic Director, Stuart Sebastian. A structurally sophisticated and cheeky ballet for nine dancers, that reminds us as viewers of the former glory that this institution could possibly reclaim. With a mixture of stalwart veterans and energized newcomers all elegantly coached by Laura Frock Hinders, Mozart Dances highlights a major skill of Stuart’s; his ability to weave intuitive musicality with a wicked sense of humor that never stopped providing pleasures for this reviewer. I marveled at how he transitioned dancers on and off the stage that made the tropes of jeté’s on the diagonal fresh and interesting.

The added bonus to this performance of Mozart Dances was having the live accompaniment of the Dayton Philharmonic. The rarity of having live versus canned music highlights another positive outcome of the newly formed Dayton Performance Alliance. The joy of watching Neal Gittleman conduct was seeing how connected he was to the dancers. They way he maintained tempos and adapted according to the needs of the performers was a joy to behold.

The second ballet on the program was a world premiere of Chasing Ghosts, choreographed by Amy Seiwart. Ms. Seiwart was named one of the “25 to watch” by Dance Magazine and she lives up to the moniker. Watching Chasing Ghosts with the waves of stark and emotionally textured choreography, I was reminded of the power of a beautifully and skillfully constructed work to elevate and inspire. The surging entrances and exits of the dancers combined with the intimate partnering sections of a sensuously ambiguous tactility, which alludes to a mysterious and unknowable narrative. It reminded me of the undercurrents of the painter Edward Hopper combined with the enigmatic directorial skills of Wim Wenders and his seminal film Baghdad Café (This is worth checking out on NetFlix)
The solo work of newcomer Jammie Walker was heartbreaking and artistically so rewarding it deserved to be singled out. To be so thoroughly engaged and mesmerized by a work, I consider Chasing Ghosts to be work that is worth repeat viewings. This bodes well for the future.

While I am not a fan of the final ballet, Sleepy Hollow, I will credit the skills of the dancers in helping to elevate this into an average work at best. After seeing the first two-thirds of this program, Sleepy Hollow felt like an anti-climatic moment for the company. I would have love to have seen one of Karen’s non-narrative works which plays to her strengths as a choreographer and director. As a part of this concert it would have been a better programming choice.

As I entered the Vixen and Villains themed Masquerage, The 11th annual charity fundraiser conducted by the Aids Resource Center, on a perceptible high from the ballet performance, I thought about Stuart Sebastian. We were afforded the opportunity to see his particular brand of craft, wit and musicality as a part of this seventy-fifth season one more time and wistfully recall the potential we lost with his passing from AIDS over twenty years ago. What we lose by not marshalling our collective efforts supporting the cause of the ARC goes beyond a loss for the stage and speaks to the loss of creative voices of a generation and it’s impact on our community, nation and the world. The opener of the Seventy Fifth anniversary season of Dayton Ballet made the compelling case for another seventy-five years of artistic output. Dayton Ballet is now ripe for re-discovery.

Under a Red Moon Review – Human Race Theatre Company – Divine Intervention?

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Bradford Cover and Dee Pelletier in Under a Red Moon (Contributed photo by Scott J. Kimmins)

Michael Slade’s quietly engrossing psychological thriller “Under a Red Moon,” a riveting, relatively sound mind game of mental illness and religion, receives an excellent co-world premiere at the Loft Theatre courtesy of the Human Race Theatre Company and Kentucky’s Carnegie Visual and Performing Arts Center.

Inside a bleak, cold examination room of London’s Lewes Prison (efficiently designed by Scott J. Kimmins and expertly lit by John Rensel), the notorious 1949 “Acid Bath Murderer” John George Haigh (Bradford Cover, deliciously imposing, slick and sophisticated) fights for his life while overseen by prison warden Ralph Gow (an amiable Daniel C. Britt) and tirelessly questioned by the incredibly cool and intuitive Dr. Ruth Covington (Dee Pelletier, terrifically reserved). Awaiting trial, Haigh, the confessed serial killer carrying enormous baggage from his emotionally damaged childhood, entices, threatens and startlingly seduces Covington in the hopes of being deemed insane. For better or worse, Covington takes the bait, but maintains the upper hand in this cat-and-mouse exercise even as Haigh’s shrewd, unyielding prosecutorial aims escalate beyond her expectations

Bradford Cover and Dee Pelletier. Photo: Scott J. Kimmins

Astutely directed with sharp tension by Margarett Perry, whose knack for navigating compelling character studies was also seen in the Human Race’s “God of Carnage” and “The Retreat from Moscow,” “Red Moon” could be shortened by 10 or 15 minutes due to its tendency to go around in circles as Haigh and Covington debate. Even so, the play’s most intriguing, thought-provoking aspects are firm, specifically Haigh’s certainty that his murderous spree was entirely directed by God, a matter smartly left open to interpretation. Considering he was raised within a religious sect, is very familiar with the scriptures and was greatly influenced by a mother who had a fascination with dreams, it’s not surprising how he came to and was continually motivated by this assessment. In fact, and in particularly convincing fashion, Slade parallels Haigh’s penchant for dreams and its repercussions with the biblical story of Joseph, whose visions of supremacy infuriated his brothers so much they sold him into slavery. This interesting comparison gives credence to the effects of Haigh’s religious upbringing while keeping Covington on her toes as she fishes for answers. Slade also effectively dives into Haigh’s psyche as he interprets an eerie dream featuring his mother smiling at him on the titular blood-soaked moon.

Despite a groan-inducing instance that finds rage oddly morphing into romance, “Red Moon” is a fascinating look at evil intertwined with faith.

“Under a Red Moon” continues through Oct. 27 at the Loft Theatre, 126 N. Main St., Dayton.  Performances begin at 8 p.m. The play is performed in 95 minutes without intermission. Tickets are $17.50-$40. For tickets or more information, contact Ticket Center Stage at (937) 228-3630 or visit www.ticketcenterstage.com

 

Coming Up in Cincinnati Theatre: Oct. 22-28

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…BLINK AND YOU’LL MISS

CHESS

UC College-Conservatory of Music

The Story: A rock opera set against the backdrop of the Cold War struggle between the United States and the Soviet Union, the musical presents an intriguing tale of romantic rivalries, cunning gamesmanship and political tensions playing out in master chess tournaments around the world. Time magazine hailed the work as “one of the best rock scores ever produced.”
The Dates: Oct. 25-28, 2012
Tickets and More Information: UC College-Conservatory of Music | BTC page |

FLIPZOIDS

Miami University

The Story: The story of three generations of Filipino immigrants who are searching to understand their identity in a new American world.
The Dates: Oct. 24-28, 2012
Tickets and More Information: Miami University | BTC page |

…OPENING THIS WEEK

THE INVESTMENT CLUB

PLOTT Performers

The Story: Big Band music blares as you enter The Investment Club and make your way past armed guards. Continue on to the Bank Vault where the secret word that you “Speak Easy” can lead you to a Bloody Mary. Raise your glass and toast to your retirement; it may be sooner than you think. This is an original interactive dinner show.
The Dates: Oct. 26-Nov. 3, 2012
Tickets and More Information: PLOTT Performers | BTC page |

PROOF

CenterStage Players Inc.

The Story: On the eve of her birthday, Catherine, a troubled woman, has spent years caring for her brilliant but unstable father, a famous mathematician. Now, following his death, she must deal with her own volatile emotions; the arrival of her estranged sister, Claire; and the attentions of Hal, a former student of her father’s who hopes to find valuable work in the 103 notebooks that her father left behind. Over the long weekend that follows, a burgeoning romance and the discovery of a mysterious notebook draw Catherine into the most difficult problem of all: How much of her father’s madness—or genius—will she inherit?
The Dates: Oct. 25-Nov. 3, 2012
Tickets and More Information: CenterStage Players Inc | BTC page |

THE ROYAL GAMBIT

Northern Kentucky University

The Story: King Henry VIII has everything he wants, except a suitable heir. His legacy is all too well known, but what about the women he wooed? In this portrait of the infamous king and the six women in his life, Henry remains the same throughout but the women progress to modern times, showing their knowledge of the lasting effects of Henry’s deeds.
The Dates: Oct. 25-Nov. 4, 2012
Tickets and More Information: Northern Kentucky University | BTC page |

…CONTINUING THIS WEEK

BRIGHTON  BEACH MEMOIRS

Cincinnati Playhouse in the Park

The Story: It’s 1937, and 15-year-old Eugene Morris Jerome lives in close quarters with his extended family. While the daily dramas of his parents, brother, cousins and aunt swirl around him, Eugene spends his days dreaming of playing for his beloved Yankees … when he’s not thinking about girls or setting the table for dinner. Neil Simon’s semi-autobiographical play is a heartfelt love letter to his own Jewish childhood and proof that family harmonies and disharmonies transcend time and place.
The Dates: Oct. 13-Nov. 10, 2012
Tickets and More Information: Cincinnati Playhouse in the Park | BTC page |

I DO! I DO!

Covedale Center for the Performing Arts

The Story: The show begins with Michael and Agnes on their wedding day and traces their life together over a period of 50 years, until the day they leave their house to the next pair of newlyweds. In that time we watch them go through their wedding night jitters, raise a family, negotiate mid-life crises, quarrel, separate, reconcile and grow old together, all lovingly to the strains of a tuneful, charming score which includes the standard “My Cup Runneth Over.”
The Dates: Oct. 18-Nov. 11, 2012
Tickets and More Information: Covedale Center for the Performing Arts | BTC page |

ROMEO AND JULIET

Cincinnati Shakespeare Company

The Story: The tale of the Bard’s star crossed lovers, brought to life in a modern world of passion and conflict. In defiance of their families and amidst the animosity of friends, a young couple will risk everything to be together. Receiving a contemporary staging, this production proves its continued relevance in the lives of young and old alike throughout the ages. The Dates: Oct. 12-Nov. 11, 2012
Tickets and More Information: Cincinnati Shakespeare Company | BTC page |

TITUS ANDRONICUS

Cincinnati Shakespeare Company

The Story: One of the bloodiest plays in the canon, Titus Andronicus is full to the brim with revenge, murder, betrayal and crimes most atrocious. Titus Andronicus evokes startling, gruesome and tragic imagery as the mighty Roman general Titus faces off with his mortal enemy, Tamora, Queen of the Goths. Titus and Tamora, in a spiral of bloody revenge, trade murder for hideous murder, each more brutal than the last.
The Dates: Oct. 20-Nov. 11, 2012
Tickets and More Information: Cincinnati Shakespeare Company | BTC page |

…CLOSING THIS WEEK

BLUE MAN GROUP

Broadway in Cincinnati

The Story: BLUE MAN GROUP is best known for their wildly popular theatrical shows and concerts which combine comedy, music, and technology to produce a totally unique form of entertainment. The New York Times heralds the show as “One of the most delightful performance pieces ever staged.” E! Entertainment News exclaims, “Blue Man Group is what every live performance aspires to be.” The Baltimore Sun raves, “Blue Man Group packs a wallop. It’s a big, loud, funny, silly, visually arresting production!”
The Dates: Oct. 16-28, 2012
Tickets and More Information: Broadway in Cincinnati | BTC page |

A BRIGHT NEW BOISE

Clifton Players

The Story: In the bleak, corporate breakroom of a craft store in Idaho, someone is summoning The Rapture. Will, who has fled his rural hometown after a scandal at his Evangelical church, comes to the Hobby Lobby, not only for employment, but also to rekindle a relationship with Alex, his brooding teenage son, whom he gave up for adoption several years ago. Alex works there along with Leroy, his adopted brother and protector and Anna, a hapless young woman who reads bland fiction but hopes for dramatic endings. As their manager, foul-mouthed Pauline, tries ceaselessly to find order (and profit) in the chaos of small business, these lost souls of the Hobby Lobby confront an unyielding world through the beige-tinted impossibility of modern faith.
The Dates: Oct. 12-28, 2012
Tickets and More Information: Clifton Players | BTC page |

HAIRSPRAY

Xavier University

The Story: The 1950s are out and change is in the air!  Based on the movie of the same name, the newly combined Department of Music and Theater is proud to present HAIRSPRAY, winner of 9 Tony Awards including Best Musical. HAIRSPRAY is a family-friendly musical piled bouffant-high with laughter, romance, and deliriously tuneful songs.
The Dates: Oct. 19-27, 2012
Tickets and More Information: Xavier University | BTC page |

KING O’ THE MOON

Sunset Players

The Story: A hilarious, heartfelt sequel to OVER THE TAVERN. The Pazinski family has left the conservative 1950s for the rebellious 1960s. But prior knowledge of this working-class family is not a prerequisite to appreciating their ongoing trials and triumphs. As Apollo 11 is about to land on the moon, Rudy is rethinking the priesthood, Eddie is preparing for fatherhood and Vietnam, Annie is contemplating divorce and their mother, Ellen, considers a new romance. The Dates: Oct. 12-27, 2012
Tickets and More Information: Sunset Players | BTC page |

THE LARAMIE PROJECT

CenterStage Players of Ohio

The Story: On October 6th of 1998 Matthew Shepard was beaten and left to die tied to a fence in the outskirts of Laramie, Wyoming. He died six days later. His torture and murder became a watershed historical moment in America that highlighted many of the fault lines in our culture…
The Dates: Oct. 19-27, 2012
Tickets and More Information: CenterStage Players of Ohio | BTC page |

MRS. MANNERLY

Ensemble Theatre Cincinnati

The Story: This irreverent, yet poignant comedy is inspired by the hilarious memories of a childhood etiquette class, wherein playwright Jeffrey Hatcher conjures up the world of a ten-year-old studying manners. Set in 1967, Mrs. Mannerly is a demanding teacher, and no student in her thirty-six years of etiquette classes has ever achieved a perfect score. But, when he discovers her secret past, Young Jeffrey is determined to be the first to achieve this feat. This unique comic tale reveals truths about the face we present and the real selves that lie inside.
The Dates: Oct. 10-28, 2012
Tickets and More Information: Ensemble Theatre Cincinnati | BTC page |

THE PASSION OF DRACULA

Beechmont Players Inc

The Story: This new take on the Dracula legend earns rave reviews due to its artful mixture of romance, classic gothic drama and, at times, nearly farcical comedy. It’s 1911 in the English countryside, site of the ominous Whitby Sanatorium. Several villagers have died mysteriously after the arrival of a reclusive foreigner. Coincidence? According to the notable scientist Dr. Van Helsing, Count Dracula is a threat to humanity and must be destroyed! Follow Van Helsing and his compatriots as they battle the powerful vampire to keep him from stealing the soul of the lovely heroine.
The Dates: Oct. 19-27, 2012
Tickets and More Information: Beechmont Players Inc | BTC page |

SEALED FOR FRESHNESS

Falcon Theatre

The Story: A hilarious comedy set at a 1968 Tupperware party gone awry! Filled with a combination of outrageous humor and serious themes, this play is a wonderful look back at the life of a 1960s housewife and a celebration of how far we’ve come. This show contains adult language and subject matter.
The Dates: Oct. 18-27, 2012
Tickets and More Information: Falcon Theatre | BTC page |

SEE HOW THEY RUN

Oxford Area Community Theatre

The Story: Set in the idyllic village of Merton-cum-Middlewick in 1940s England, the village inhabitants are preparing themselves for the imminent threat of Nazi invasion. Resident nosy-parker and spinster, Miss Skillon, becomes convinced that her beloved vicar’s actress wife is having an affair and attempts to expose her. Add an escaped German prisoner of war, a handsome actor, the visiting Bishop of Lax, a rotund locum priest and some meddling neighbors and hilarious confusion and mayhem result.
The Dates: Oct. 18-28, 2012
Tickets and More Information: Oxford Area Community Theatre | BTC page |

SEUSSICAL JR

Children’s Theatre of Cincinnati

The Story: This fantastical, magical, musical extravaganza features favorite Dr. Seuss characters, including: Horton the Elephant, The Cat in the Hat, Lazy Mayzie, and all of the Whos of Whoville! Lynn Ahrens and Stephen Flaherty (Lucky Stiff, My Favorite Year, Once On This Island, and Ragtime) have lovingly brought to life these classic, colorful tales, brought together by Jojo, a young boy and “thinker of strange and wonderful thinks!” As each story unfolds, audiences will marvel at how relevant and profound Seuss’s subtle themes are, making this musical appealing to all ages.
The Dates: Oct. 19-27, 2012
Tickets and More Information: Children’s Theatre of Cincinnati | BTC page |

…COMING SOON

A DOLL’S HOUSE

SSCC Theatre

The Dates: Nov. 2-4, 2012
Tickets and More Information: SSCC Theatre | BTC page |

HANK WILLIAMS: LOST HIGHWAY

Cincinnati Playhouse in the Park

The Dates: Nov. 3-Dec. 23, 2012
Tickets and More Information: Cincinnati Playhouse in the Park | BTC page |

MURDER ON THE NILE

Tri-County Players

The Dates: Nov. 2-10, 2012
Tickets and More Information: Tri-County Players | BTC page |

OKLAHOMA!

Loveland Stage Company

The Dates: Nov. 2-17, 2012
Tickets and More Information: Loveland Stage Company | BTC page |

SHIRLEY VALENTINE

Middletown Lyric Theatre

The Dates: Nov. 1-10, 2012
Tickets and More Information: Middletown Lyric Theatre | BTC page |

UNDER A RED MOON

The Carnegie and The Human Race Theatre Company

The Dates: Nov. 2-18, 2012
Tickets and More Information: The Carnegie | BTC page |

WEST MOON STREET

Mariemont Players Inc.

The Dates: Nov. 2-18, 2012
Tickets and More Information: Mariemont Players | BTC page |

 

Coming up in Dayton Theatre: Oct. 19-28

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I don’t know about you, but I have had such a great couple weeks. I’ve seen some of the best pieces of community theatre I can remember having seen in a while, and it’s only looking up from here. The next couple weeks bring yet more opportunity for thrills, chills and spills!

Closing This Weekend!

And Miss Reardon Drinks A Little

The Dayton Theatre Guild

The Skinny: Three sisters are each misshapen in a different way by a childhood without order or stability.  Anna is a science teacher convinced she’s contracted a life-threatening illness; Catherine, who has her own life issues, is the sister who cares for her, and Ceil, also in the business of education, has manipulated life often at the expense of the other two. From this twisted mix the playwright has created an unexpected, delightful and ultimately touching comedy.

Dates: Closing this weekend, on Sunday 10/21.

Reviews: Dayton Most Metro/On Stage Dayton

Tickets: Please purchase tickets online at the Dayton Theatre Guild website, here.

Alex Carmichal (l) and Jared Mola in Dracula (Contributed photo)

Dracula

The Dayton Playhouse

The Skinny: Professor Van Helsing and his brave comrades must hunt down and destroy the evil Count Dracula. However, the Count is exceedingly resourceful, employing superhuman strength and psychic powers to confound his antagonists.

Dates: Closing this weekend, on Sunday 10/21

Reviews: Dayton Most Metro/On Stage Dayton

Tickets: Please visit the Dayton Playhouse website, here.

 

Opening This Weekend

Under A Red Moon

The Human Race Theatre Company

The Skinny: Witness a chilling psychological thriller inspired by the true events of Britain’s notorious 1949 “Acid Bath Murderer.” Confessed serial killer John George Haigh awaits trial in prison as Dr. Ruth Covington arrives to determine his mental state for the court. While he welcomes their one-on-one encounter, Haigh won’t give up his secrets too easily, knowing full well that it’s the hangman’s noose if he is found sane. This World Premiere co-production with the Carnegie Visual and Performing Arts Center is a tightly-wound cat-and-mouse game to define the meaning of good and evil.

Dates: Opening 10/18 and running through 10/27

Tickets: Please visit the Human Race website, here.

The Schoolmarm’s In Danger

Tipp City Players

The Skinny: Big things are happening in the little town of Fritter Gulch. Much-loved schoolmarm Molly Dewdrop is about to open her brand new school and marry her true love Biff Baxter. Before that can happen the school and Molly must make the grade with the stern school inspector Tilla DeHon. Lurking in the shadows is the dastardly Blacky LaRoach and his equally evil brother Lefty. Their vile plan … cruel vengeance! Gotta love “meller-dramer!”

The Dates: One Weekend Only! 10/19 – 10/21 at the Tipp City Roller Mill

Tickets: To reserve tickets, please call 937-667-SHOW (7469)

The Winter’s Tale

University of Dayton Theatre Department

The Skinny: This Shakespeare play begins with the darkest tragedy and ends in lighthearted romance, where blinding jealousy gives way to forgiveness in a magical conclusion. It’s also notable that this play includes a line of stage direction, instantly recognizable to all students of theatre or Shakespeare; “Exit, pursued by a Bear.”

Dates: Two weekends, opening 10/19 and closing 10/27

Tickets: For ticketing information, please visit the University of Dayton, Theatre Department website, here.

Opening Next Weekend!

Coming Back To Jersey

West Milton Players

The Skinny: Dayton theatre audiences may remember this script as a FutureFest finalist in 2008, when it was voted “Audience Favorite.” A comedy set in New Jersey in 1965.It is a story of Howard Karchmer, a middle-aged tailor who indulges in daydreams to escape his humdrum existence. Norma, his suspicious wife, believes he is fantasizing about Dorothy, a sexy widow friend. Norma schemes to have Dorothy flirt with Howard to test his fidelity, but Norma’s plan backfires when Howard connives with Dorothy to turn the trick around.

Dates: Weekends, October 26th – November 4th.

Tickets: For all production and ticketing information, please visit the Facebook Event page; here.

A Few Good Men

Xenia Area Community Theatre (X*ACT)

The Skinny: Fans of Aaron Sorkin’s TV and movie work will be delighted to take in his well-known military courtroom drama. Famously brought to the screen by, among others, Tom Cruise and Jack “You Can’t Handle The Truth” Nicholson, this is a gripping tale of whether or not something can be wrong, if your job is to do as you’re told.

Dates: Weekends, October 26th through November 4th

Tickets: Please visit the X*ACT website, here.

Funny Girl

Wright State University, Theatre Department

The Skinny: Funny Girl is the semi-biographical musical based on the life and career of Broadway and film star, the comedienne Fanny Brice and her stormy relationship with entrepreneur and gambler Nicky Arnstein. Audiences may be familiar with the movie starring Barbra Streisand and Omar Sharif. It is from this musical that we get such musical theatre classics as “People” and “Don’t Rain On My Parade”.

Dates: 2 weekends, October 25th through November 4th at the Festival Playhouse.

Tickets: For tickets, please call 937-775-2500

 

Sugar Bean Sisters

Beavercreek Community Theatre

The Skinny: A Southern gothic comedy of romance, murder and alien abduction, Sugar Bean Sisters takes us back to the sticky, humid environs of Sugar Bean, Florida, where audiences last visited in its companion piece, The Sugar Witch, at Dayton Theatre Guild. Sugar Bean Sisters is a lighter, more comedic piece, dripping with the same spanish moss and thrum of supernaturalism.

Dates: 2 weekends, October 26th through November 4th.

Full Disclosure: I’m in this, and in my (naturally, entirely unbiased!) opinion, it’s gonna beawesome.

Tickets: Please visit the Beavercreek Community Theatre website, .

 

 

Coming Up in Cincinnati Theatre: Oct. 15-21

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…BLINK AND YOU’LL MISS

BYE BYE BIRDIE

Children’s Theatre of Mason

The Story: It’s the late 1950s and teenagers from across the United States are going crazy for the handsome rock star, Conrad Birdie. But Conrad has received his draft notice and is about to be inducted into the army!! His manager, Albert Peterson, has staked his financial future on Conrad’s success. Albert’s secretary, Rosie, becomes fed-up with Albert’s lack of a marriage proposal and with his hilarious mother! Thus, as a final publicity stunt, Albert arranges for Conrad to kiss one lucky fan on the Ed Sullivan Show before he leaves for the army. Kim MacAfee, from Sweet Apple, Ohio, is the lucky girl. But conflict arises when her boyfriend, Hugo Peabody, gets jealous and Kim’s dad wants to be on the Ed Sullivan show.
The Dates: Oct. 19-21, 2012
Tickets and More Information: Children’s Theatre of Mason | BTC page |

OVER THE RIVER AND THROUGH THE WOODS

Mad Anthony Theatre Company

The Story: Love of family is the mantra that runs throughout this endearingly warm-hearted comedy. At the heart of the plot is a tight-knit Italian-American family. Nick is a marketing executive who dutifully visits his four grandparents every Sunday for dinners which are governed by “the three F’s”—family, faith, and food. One Sunday he has an exciting, though devastating announcement: He’s being promoted to a new position in Seattle. As Nick is their only relative left in the area, the prospect of losing him calls for some heavy Golden-Ager artillery.
The Dates: Oct. 17-21, 2012
Tickets and More Information: Mad Anthony Theatre Company | BTC page |

…OPENING THIS WEEK

BLUE MAN GROUP

Broadway in Cincinnati

The Story: BLUE MAN GROUP is best known for their wildly popular theatrical shows and concerts which combine comedy, music, and technology to produce a totally unique form of entertainment. The New York Times heralds the show as “One of the most delightful performance pieces ever staged.” E! Entertainment News exclaims, “Blue Man Group is what every live performance aspires to be.” The Baltimore Sun raves, “Blue Man Group packs a wallop. It’s a big, loud, funny, silly, visually arresting production!”
The Dates: Oct. 16-28, 2012
Tickets and More Information: Broadway in Cincinnati | BTC page |

BRIGHTON  BEACH MEMOIRS

Cincinnati Playhouse in the Park

The Story: It’s 1937, and 15-year-old Eugene Morris Jerome lives in close quarters with his extended family. While the daily dramas of his parents, brother, cousins and aunt swirl around him, Eugene spends his days dreaming of playing for his beloved Yankees … when he’s not thinking about girls or setting the table for dinner. Neil Simon’s semi-autobiographical play is a heartfelt love letter to his own Jewish childhood and proof that family harmonies and disharmonies transcend time and place.
The Dates: Oct. 13-Nov. 10, 2012
Tickets and More Information: Cincinnati Playhouse in the Park | BTC page |

HAIRSPRAY

Xavier University

The Story: The 1950s are out and change is in the air!  Based on the movie of the same name, the newly combined Department of Music and Theater is proud to present HAIRSPRAY, winner of 9 Tony Awards including Best Musical. HAIRSPRAY is a family-friendly musical piled bouffant-high with laughter, romance, and deliriously tuneful songs.
The Dates: Oct. 19-27, 2012
Tickets and More Information: Xavier University | BTC page |

I DO! I DO!

Covedale Center for the Performing Arts

The Story: The show begins with Michael and Agnes on their wedding day and traces their life together over a period of 50 years, until the day they leave their house to the next pair of newlyweds. In that time we watch them go through their wedding night jitters, raise a family, negotiate mid-life crises, quarrel, separate, reconcile and grow old together, all lovingly to the strains of a tuneful, charming score which includes the standard “My Cup Runneth Over.”
The Dates: Oct. 18-Nov. 11, 2012
Tickets and More Information: Covedale Center for the Performing Arts | BTC page |

THE LARAMIE PROJECT

CenterStage Players of Ohio

The Story: On October 6th of 1998 Matthew Shepard was beaten and left to die tied to a fence in the outskirts of Laramie, Wyoming. He died six days later. His torture and murder became a watershed historical moment in America that highlighted many of the fault lines in our culture…
The Dates: Oct. 19-27, 2012
Tickets and More Information: CenterStage Players of Ohio | BTC page |

THE PASSION OF DRACULA

Beechmont Players Inc

The Story: This new take on the Dracula legend earns rave reviews due to its artful mixture of romance, classic gothic drama and, at times, nearly farcical comedy. It’s 1911 in the English countryside, site of the ominous Whitby Sanatorium. Several villagers have died mysteriously after the arrival of a reclusive foreigner. Coincidence? According to the notable scientist Dr. Van Helsing, Count Dracula is a threat to humanity and must be destroyed! Follow Van Helsing and his compatriots as they battle the powerful vampire to keep him from stealing the soul of the lovely heroine.
The Dates: Oct. 19-27, 2012
Tickets and More Information: Beechmont Players Inc | BTC page |

SEALED FOR FRESHNESS

Falcon Theatre

The Story: A hilarious comedy set at a 1968 Tupperware party gone awry! Filled with a combination of outrageous humor and serious themes, this play is a wonderful look back at the life of a 1960s housewife and a celebration of how far we’ve come. This show contains adult language and subject matter.
The Dates: Oct. 18-27, 2012
Tickets and More Information: Falcon Theatre | BTC page |

SEE HOW THEY RUN

Oxford Area Community Theatre

The Story: Set in the idyllic village of Merton-cum-Middlewick in 1940s England, the village inhabitants are preparing themselves for the imminent threat of Nazi invasion. Resident nosy-parker and spinster, Miss Skillon, becomes convinced that her beloved vicar’s actress wife is having an affair and attempts to expose her. Add an escaped German prisoner of war, a handsome actor, the visiting Bishop of Lax, a rotund locum priest and some meddling neighbors and hilarious confusion and mayhem result.
The Dates: Oct. 18-28, 2012
Tickets and More Information: Oxford Area Community Theatre | BTC page |

SEUSSICAL JR

Children’s Theatre of Cincinnati

The Story: This fantastical, magical, musical extravaganza features favorite Dr. Seuss characters, including: Horton the Elephant, The Cat in the Hat, Lazy Mayzie, and all of the Whos of Whoville! Lynn Ahrens and Stephen Flaherty (Lucky Stiff, My Favorite Year, Once On This Island, and Ragtime) have lovingly brought to life these classic, colorful tales, brought together by Jojo, a young boy and “thinker of strange and wonderful thinks!” As each story unfolds, audiences will marvel at how relevant and profound Seuss’s subtle themes are, making this musical appealing to all ages.
The Dates: Oct. 19-27, 2012
Tickets and More Information: Children’s Theatre of Cincinnati | BTC page |

TITUS ANDRONICUS

Cincinnati Shakespeare Company

The Story: One of the bloodiest plays in the canon, Titus Andronicus is full to the brim with revenge, murder, betrayal and crimes most atrocious. Titus Andronicus evokes startling, gruesome and tragic imagery as the mighty Roman general Titus faces off with his mortal enemy, Tamora, Queen of the Goths. Titus and Tamora, in a spiral of bloody revenge, trade murder for hideous murder, each more brutal than the last.
The Dates: Oct. 20-Nov. 11, 2012
Tickets and More Information: Cincinnati Shakespeare Company | BTC page |

…CONTINUING THIS WEEK

A BRIGHT NEW BOISE

Clifton Players

The Story: In the bleak, corporate breakroom of a craft store in Idaho, someone is summoning The Rapture. Will, who has fled his rural hometown after a scandal at his Evangelical church, comes to the Hobby Lobby, not only for employment, but also to rekindle a relationship with Alex, his brooding teenage son, whom he gave up for adoption several years ago. Alex works there along with Leroy, his adopted brother and protector and Anna, a hapless young woman who reads bland fiction but hopes for dramatic endings. As their manager, foul-mouthed Pauline, tries ceaselessly to find order (and profit) in the chaos of small business, these lost souls of the Hobby Lobby confront an unyielding world through the beige-tinted impossibility of modern faith.
The Dates: Oct. 12-28, 2012
Tickets and More Information: Clifton Players | BTC page |

KING O’ THE MOON

Sunset Players

The Story: A hilarious, heartfelt sequel to OVER THE TAVERN. The Pazinski family has left the conservative 1950s for the rebellious 1960s. But prior knowledge of this working-class family is not a prerequisite to appreciating their ongoing trials and triumphs. As Apollo 11 is about to land on the moon, Rudy is rethinking the priesthood, Eddie is preparing for fatherhood and Vietnam, Annie is contemplating divorce and their mother, Ellen, considers a new romance. The Dates: Oct. 12-27, 2012
Tickets and More Information: Sunset Players | BTC page |

MRS. MANNERLY

Ensemble Theatre Cincinnati

The Story: This irreverent, yet poignant comedy is inspired by the hilarious memories of a childhood etiquette class, wherein playwright Jeffrey Hatcher conjures up the world of a ten-year-old studying manners. Set in 1967, Mrs. Mannerly is a demanding teacher, and no student in her thirty-six years of etiquette classes has ever achieved a perfect score. But, when he discovers her secret past, Young Jeffrey is determined to be the first to achieve this feat. This unique comic tale reveals truths about the face we present and the real selves that lie inside.
The Dates: Oct. 10-28, 2012 Tickets and More Information: Ensemble Theatre Cincinnati | BTC page |

ROMEO AND JULIET

Cincinnati Shakespeare Company

The Story: The tale of the Bard’s star crossed lovers, brought to life in a modern world of passion and conflict. In defiance of their families and amidst the animosity of friends, a young couple will risk everything to be together. Receiving a contemporary staging, this production proves its continued relevance in the lives of young and old alike throughout the ages. The Dates: Oct. 12-Nov. 11, 2012
Tickets and More Information: Cincinnati Shakespeare Company | BTC page |

…CLOSING THIS WEEK

SNOOPY THE MUSICAL

The Drama Workshop

The Story: This lighthearted, musical romp through the Peanuts canon features Charlie Brown, Sally, Lucy, Linus, Peppermint Patty, Woodstock, and, of course, Snoopy! A charming, warm-hearted musical, Snoopy! The Musical is full of humor and life lessons. The musical features scenes taken from memorable sequences right out of the beloved comic strip, ranging from The Great Pumpkin to the psychiatrist’s office. Perfect for the entire family!
The Dates: Oct. 5-21, 2012
Tickets and More Information: The Drama Workshop | BTC page |

THROUGH THE NIGHT

Cincinnati Playhouse in the Park

The Story: This tour-de-force solo performance embodies the stories of six African-American men, ranging in age from 10 to 60, whose lives are intertwined in beautiful and unexpected ways during one life-changing evening. Dayton native Daniel Beaty’s signature style displays a dazzling blend of humor, poetry, music and drama that earned him Drama Desk and Outer Critics Circle award nominations. Transcending race and gender, THROUGH THE NIGHT is a hard-hitting and inspirational story filled with possibility and promise.
The Dates: Sept. 22-Oct. 21, 2012
Tickets and More Information: Cincinnati Playhouse in the Park | BTC page |

…COMING SOON

CHESS

UC College-Conservatory of Music

The Dates: Oct. 25-28, 2012
Tickets and More Information: UC College-Conservatory of Music | BTC page |

FLIPZOIDS

Miami University

The Dates: Oct. 24-28, 2012
Tickets and More Information: Miami University | BTC page |

THE INVESTMENT CLUB

PLOTT Performers

The Dates: Oct. 26-Nov. 3, 2012
Tickets and More Information: PLOTT Performers | BTC page |

PROOF

CenterStage Players Inc.

The Dates: Oct. 25-Nov. 3, 2012
Tickets and More Information: CenterStage Players Inc | BTC page |

THE ROYAL GAMBIT

Northern Kentucky University

The Dates: Oct. 25-Nov. 4, 2012
Tickets and More Information: Northern Kentucky University | BTC page |

On Stage Dayton Review – “And Miss Reardon Drinks a Little” by Dayton Theatre Guild

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The dysfunctional baggage plaguing the Reardon sisters of Paul Zindel’s 1971 dark comedy “And Miss Reardon Drinks a Little” is commendably explored at the Dayton Theatre Guild.

Crisply staged by Debra Kent and set inside an eye-catching apartment designed by Jeff Sams and dressed by Wendi Michael, “Reardon,” an engaging tale that would have been better served as a one-act, steadily examines the betrayal, hardship and heartbreak between three sisters. Damaged by the absence of their father and the bruised memories of their recently deceased mother, they share a common link as educators but are truly disconnected. Like so many families burdened by emotional scars, the Reardons are stymied by their shared pain, wallowing in animosity instead of recognizing the benefits of growing closer and refining their relationship.

Teresa Connair as the uptight Ceil, Cassandra Engber as the hopelessly unstable Anna and Cheryl Mellen as sardonic alcoholic Catherine are a sharp, well-matched trio. With commanding ease they supply fully realized, nuanced assessments of their combative, peculiar characters, especially the dynamic Engber who nails Anna’s compelling anguish and zany hysterics.

Jennie Hawley and Michael Taint provide firm support as humorously overbearing dinner guests Fleur and Bob Stein. Amy Diederich as Mrs. Pentrano and Leo Santucci as Delivery Boy are suitable in extraneous roles.

“And Miss Reardon Drinks a Little” continues through Oct. 21 at the Dayton Theatre Guild, 430 Wayne Ave., Dayton. Performances are Friday at 8 p.m., Saturday at 5 p.m. and Sunday at 3 p.m. Act One: 50 minutes; Act Two: 40 minutes. Tickets are $12-$19. Patrons are advised that the production contains live gunshot sounds and adult language. For tickets or more information, call (937) 278-5993 or visit www.daytontheatreguild.org.

On Stage Dayton Review – “Dracula” by The Dayton Playhouse

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Alex Carmichal (l) and Jared Mola in Dracula (Contributed photo)

Chills, kills and thrills abound in the Dayton Playhouse’s impressively conceived production of “Dracula,” adapted by William McNulty and originally dramatized by John L. Balderston and Hamilton Deane from Bram Stoker’s classic novel.

Under the striking, cinematic direction of David Shough, “Dracula,” the classic psychological and physical battle between good and evil exposing intriguing aspects of lunacy, power, sexuality and religion, grips from the start and doesn’t let go. Vividly launched by Chris Newman’s stellar prologue illustrations, Shough’s breezily paced, eerily dark and delightfully amusing presentation– effectively heightened with flashy special effects and Puccini’s marvelously melodramatic “Turandot” as inspired underscore –uniformly attacks with purpose. This show could have imploded with actors wallowing in a spooky sea of overblown hysterics or cheesy horror shtick with the rudimentary goal to “be scary,” but Shough ensures his believably conflicted cast remains committed at every turn, giving McNulty’s fully fleshed adaptation, a clear, succinct and tight examination of Count Dracula’s sinister menace and uncontrollable influence pervading Victorian England, the thoroughly engrossing treatment it deserves.

As the titular vampire, the impeccably creepy Alex Carmichal, an actor with a history of villainous roles, delivers one of his best performances. Uniquely possessing a simultaneously charming and contemptible aura, Carmichal meticulously uncovers the multifaceted malevolence within Dracula’s quest for control. He’s certainly good for a laugh, as any Dracula must, but he can also be remarkably seductive, particularly in the terrifying Act 1 finale he shares opposite Sarah Parsons (solid as Lucy Westphal) in which a matter of life and death culminates in hauntingly alluring surrender.

[dropshadowbox align=”right” effect=”lifted-both” width=”250px” height=”” background_color=”#ffffff” border_width=”1″ border_color=”#dddddd” ]”Refreshingly raising the bar for community theater, ‘Dracula’ is a must-see”…[/dropshadowbox]Jared Mola, who delivered a breakthrough performance last season in the Dayton Theatre Guild’s production of “Wittenberg,” is similarly outstanding as delusional inmate Robert Renfield, who relishes his intermediary contributions as the good-natured duo of Thomas Seward (Matthew Lindsay, appropriately conservative) and Abram Van Helsing (Saul Caplan, very authoritative) seek his help in their quest to destroy Dracula, whose allegiance Renfield maintains. Mola’s comedic timing and lively physicality, executed while signaling warnings of impending doom, is a constant joy.

Additionally, Heather Martin wonderfully taps into her inner Carrie White as Margaret Sullivan, Seward’s assistant possessed by Dracula, and her tender bond with David Hallowren (highly enjoyable as the tough yet amiable inmate attendant Norbert Briggs) is palpable. Matthew Glenn as Jonathan Harker, Carolyn Hoogsteden (what a screamer!) as Mina Grant, Margaret Foley, Cari Meixner and Debra Strauss as Dracula’s sadistic brides, David Stephen Thomas as a Monster and Addison Page Wheeler as the Girl completes the cast, attractively costumed by Barbara Pontecorvo. Shough spearheads the production’s terrific atmospherics as set designer, co-lighting designer (with Anita Bachman) and co-sound designer (with Bob Kovach).

Refreshingly raising the bar for community theater, “Dracula” is a must-see.

“Dracula” continues through Oct. 21 at the Dayton Playhouse, 1301 E. Siebenthaler Ave., Dayton. Performances are Friday and Saturday at 8 p.m. and Sunday at 2 p.m. Act One: 75 minutes; Act Two: 50 minutes. Tickets are $15-$17. For tickets or more information, call (937) 424-8477 or visit www.daytonplayhouse.org

Under a Red Moon – A Chilling Production by Human Race Theatre

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The Human Race Theatre Company adds a special production to its 2012-2013 Season with Michael Slade’s new play Under a Red Moon. Witness a chilling psychological thriller inspired by the true events of Britain’s notorious 1949 “Acid Bath Murderer.” Confessed serial killer John George Haigh awaits trial in prison as Dr. Ruth Covington arrives to determine his mental state for the court. While he welcomes their one-on-one encounter, Haigh won’t give up his secrets too easily, knowing full well that it’s the hangman’s noose if he is found sane. This world premiere co-production with The Carnegie Visual and Performing Arts Center is a tightly-wound cat-and-mouse game to define the meaning of good and evil. Under a Red Moon runs for a limited two-week engagement at The Loft Theatre, October 18 through 27, before transferring to The Carnegie’s Covington, Kentucky venue for an additional nine performances, November 2 through 18.

Michael Slade (Photo: Susan Burnstine)

Playwright Michael Slade was intrigued by the story of the Acid Bath Murderer’s horrific deeds years ago when he was having lunch with a wealthy theatre producer who confided in him that she and a friend nearly became Haigh’s victims when they met him while on a European tour in the 1940s. They met him while staying in a London hotel and it was only through luck that a last minute change of plans kept them from a taking a daytrip with him. Slade continues, “Several weeks later, every newspaper had a picture of Haigh and the caption: ‘Acid Bath Murderer Confesses!’ They learned that he routinely befriended his well-off victims and lured them to the country where he killed them and disposed of the bodies in vats of acid.” Haigh’s “confession” and his insanity plea intrigued Slade. “Can any serial killer be considered truly sane? And how does one prove oneself insane?” he wondered. And in that exploration, Slade had found his play.

[dropshadowbox align=”left” effect=”lifted-both” width=”200px” height=”” background_color=”#ffffff” border_width=”1″ border_color=”#dddddd” ]Under a Red Moon
Oct 18 – 27, 2012
Tue: 7pm
Wed, Thu, Fri, Sat: 8pm
Sun: 2pm & 7pm
At The Loft Theatre
Purchase Tickets
[/dropshadowbox]Under a Red Moon’s three-member cast includes returning regional actor Daniel C. Britt (Human Race and Wright State University’s 2010 August: Osage County) as Ralph Gow, and newcomers Bradford Cover (A Thousand Clowns on Broadway) as John George Haigh and Dee Pelletier (Broadway’s August: Osage County) as Dr. Ruth Covington. The production is directed by Margarett Perry (Human Race’s God of Carnage and The Retreat from Moscow) with set design by Scott J. Kimmins, costume design by Ayn Wood, lighting design by John Rensel and sound design by Nathan D. Dean. Aaron Vega is the stage manager.

“We’re very excited to be able to work with The Carnegie Center on Under a Red Moon,” says Human Race Producing Artistic Director Kevin Moore. “We share a similar mission and I’ve long admired their willingness to do daring work. We’ve been looking for a show on which we could collaborate for years, and when Michael presented us with this script, all the pieces just fell into place.” The co-production opportunity allows both companies to present this brand new work to their audiences while sharing expenses and combining resources.

Submitted by The Human Race Theatre Company

Dayton Most Metro Ticket Contest

We have TWO PAIRS OF TICKETS to give away to see Under a Red Moon at the Metropolitan Art Center’s Loft Theatre – simply fill out the form below and leave a comment telling us that YOU want to win tickets (be sure to check the Post To Facebook box so you can share with your FB friends).  We’ll announce winners on Monday 10/15 after 10am – GOOD LUCK!

CONTEST CLOSED

Congratulations to our winners!

Karla Jervis
and
Kathy Chambers