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Archives for March 2013

Human Race Theatre Company Presents RACE + TICKET CONTEST

March 28, 2013 By Dayton Most Metro Leave a Comment

HRTC - RaceThe Human Race Theatre is taking its core mission—“to present universal themes that explore the human condition and startle us all into a renewed awareness of ourselves”—to heart with David Mamet’s Race. No stranger to divisive topics or candid conversation, Pulitzer Prize-winning playwright Mamet (American Buffalo, Glengarry Glen Ross) takes on the explosive subject of race relations. When two cynical lawyers—one black and one white—prepare to defend a powerful white businessman accused of raping a young black woman, they must confront their own perceptions and prejudices. Legal and ethical lines are crossed as shocking revelations come to light. But when their client’s case takes a series of unexpected turns, they realize that not everyone is who they seem in this world of shame and guilt.

Filled with David Mamet’s signature “Mamet speak” true-to-life dialogue and his desire to press hot-button issues, Race has recently become a popular play for regional theatres across the country after its 2009 Broadway premiere, produced by Jeffrey Richards, Jerry Frankel, Jam Theatricals, JK Productions, Peggy Hill and Nicholas Quinn Rosenkranz, Scott M. Delman, Terry Allen Kramer/James L. Nederlander, Swinsky Deitch, Bat-Berry Productions, Ronald Frankel, James Fuld Jr., Kathleen K. Johnson, Terry Schnuck, The Weinstein Company, Marc Frankel and Jay and Cindy Gutterman/Stewart Mercer.

The Human Race Theatre’s production of Race is directed by Resident Artist Richard E. Hess (Doubt, Red, A Delicate Balance), Chair of Drama at the Cincinnati College Conservatory of Music. In preparing for the task, Hess embraced Mamet’s exploration of a universal—though rarely admitted to—truth. “Racism exists in all of us. We are all prejudiced. We are all carefully taught,” he states. “David Mamet dares to point an unwavering finger at prejudice in Race. The story feels like it’s ripped from the headlines of tomorrow’s news.”

Producing Artistic Director Kevin Moore is just as excited about the script. “When I first read Race I could not put it down,” says Moore. “Similar to a good ‘who-done-it’, I loved the dramatic twists and turns. The collision of great theatre and compelling message made it a ‘must see’ for our audiences.”

The 4-member cast includes Human Race Resident Artists Bruce Cromer (Brother Wolf, I am My Own Wife), Alan Bomar Jones (Gem of the Ocean, Permanent Collection) and Michael Kenwood Lippert (Red, The Sunset Limited), plus actress Julia Pace Mitchell (“Sofia Dupre” on The Young and the Restless). “It is rare when we can pull together so many of our talented Resident Artists into one project. I am thrilled to have Alan, Bruce, Michael and Richard all working on this powerful script,” says Kevin Moore. “And the addition of Julia, the gifted newcomer, will add just the right spice to this ‘boys club’.”

The set design is by Mark Halpin, costume design by Charis Weible and lighting design by Resident Artist John Rensel. Kay Carver is the production stage manager and Kristin A. Sutter is the stage manager.

Race runs April 4 through 21, 2013. Opening night is Friday, April 5.

The production sponsor for Race is Morris Home Furnishings, with additional support from Maryann and Jack Bernstein, and Jon and Diana Sebaly and Sebaly Shillito + Dyer.

PERFORMANCE AND SPECIAL EVENT INFORMATION
Tickets for the preview performance of Race on April 4 are $31 for adults, $29 for seniors and $15.50 for students. For all performances April 5 – 21, single ticket prices are $36 and $40 for adults, $34 and $38 for seniors and $17.50 and $19.50 for students. Prices vary depending on the day of the week desired. Group discounts are available. The Human Race Theatre is offering a pair of discount ticket opportunities. Twenty-five special $25 tickets are available at most performances, on sale two weeks prior to that performance. The Sunday, April 7 7:00 p.m. performance is “Sawbuck Sunday”, when a limited number of available seats can be purchased in person for just $10 at The Loft Theatre box office two hours prior to the show. Discounts are subject to availability and some restrictions apply.

All performances are at the Metropolitan Art Center’s Loft Theatre, located at 126 North Main Street in downtown Dayton, Ohio.

Show times for Race are 8:00 p.m. on Wednesday through Saturday evenings and 7:00 p.m. on Sunday and Tuesday evenings. Sunday matinees are at 2:00 p.m. The Pay-What-You-CAN performance is Wednesday, April 3 at 8:00 p.m. The “Inside Track” pre-show discussion begins at 7:15 p.m. on Thursday, April 4, prior to the 8:00 p.m. preview performance. The opening night performance is Friday, April 5 at 8:00 p.m., followed by a free party with the cast in The Loft Lobby. “Lite Fare at the Loft” with food and drink provided by Citilites begins in The Loft Theatre lobby at 5:30 p.m. on Tuesday, April 9. There is no “While We’re on the Subject” post-show talkback for this production.

Tickets and performance information on Race are available at http://www.humanracetheatre.org or by calling Ticket Center Stage at (937) 228-3630, and at the Schuster Center box office.

TICKET CONTEST

Contest Closed – Congratulations to our winners!

Julie Westwood

Christina Tomazinis

Filed Under: On Stage Dayton Previews Tagged With: Human Race Theatre Company, The Loft Theatre

Walking Dead Food Adventure & Zombie Dogz at Horror Hound Weekend

March 28, 2013 By Dayton937 1 Comment

‘Juan of the Dead’ Zombie Dog

Here is something you will not see anywhere else.  The Big Ragu and Crew had a VIP experience at last weekend’s Horror Hound convention in Sharonville.  We had a Food Adventure with Merle & Daryl Dixon from The Walking Dead (Norman Reedus and Michael Rooker)!  Featured along with the Cast of the Walking Dead and many celebrities was a Dayton’s own,  Zombie Dogz.  Typically a food truck, it was a little different this time for the gourmet hot dog masters.   They operated out of a catering booth inside the convention center.     Owners of  Zombie Dogz,  Lee and David VanArtsdalen and Horror Hound Magazine’s Eric Crowley personally invited us to the event and set us up for an unforgettable Food Adventure.

The Big Ragu and Crew shared some iconic Dayton foods with the celebrities:

We had a Zombie Dog with a Reservoir Dog.  That’s right, we dined and joked with Michael Madsen.  Michael was a great sport, and he didn’t carve our ear off.   He shared some good Hollywood stories and laughs with us.  We also learned he was telling other celebrities about his time with us and the Zombie Dogz.

Legendary horror film director John Carpenter also enjoyed one of Dayton’s Zombie Dogz with us, while he was wearing some pretty sweet black velvet sweat pants.  It was almost as scary as his film “Halloween.”   Meeting this giant of the film industry was priceless.

We gave a hungry Twisted Sister Frontman Dee Snider some Mikesell’s Good n Hot Potato chips.  In fact, the whole cast of his show “Holliston” shared the bag.  What does Dee wanna do with his chips?  ‘He wants them hot, HOT !’   This Celebrity Apprentice star loved the taste of Mikesells, and we were not ‘fired’ in the boardroom.

Dee Snider from Twisted Sister & Celeb Apprentice loves Mikesells Chips

The star of the scary Candyman movies Tony Todd, loved the box of Esther Price Candies we gave him.   He enjoyed them so much, he gave us a high five the next day.   Even movie stars like the Candyman love Esther Price Candies !

Remember the classic 60’s TV show The Munsters?  Well, we ate Muenster cheese with Eddie Munster, thanks to Murray’s Cheese from Kroger in Centerville.  Eddie, played by Butch Patrick, appreciated it so much, he signed a photo for us!

The  Big Ragu and Crew ate lunch with Bengals Defensive Tackle Domata Peko .  We enjoyed some LaRosa’s Pizza while sitting with his family.  Domata is one of the nicest guys you will ever meet.  He is also a horror movie fan like us,  and was excited to meet the various celebs.

Where else can you see this kind of stuff?  Only here, only Food Adventures and Dayton Most Metro.  Often imitated, never duplicated.

The Big Ragu also shared French Bread and Perrier Sparkling Mineral Water with 80’s babe Diane Franklin from the movie “Better Off Dead.”  If you saw the movie, you get the significance of the food items, ‘and to drink…. Peru’ .  These days Diane is promoting her new book “Diane Franklin: The Excellent Adventures of the Last American, French-Exchange Babe of the 80s.”  You can buy the book here on Amazon.com.

We hung out with other famous horror actors including Lew Temple, Sid Haig, Tom Savini,  Irwin Keyes, Robert Mukes and many other costumed monsters.  The original car from the movie Christine was there, we wanted to take it to the Root Beer Stande Drive in but she turned us down.  Special mention to our friends at S.T.A.R.S Cincinnati, a costumed fan group of the movie “Resident Evil.”  They do charity appearances and their slogan is “We kill zombies for charity.”  Speaking of Zombies….

The “Calling in Dead” Zombie Dog has Mac N Cheese on top

About Zombie Dogz:

Have you tried a Zombie Dog?  These hot dogs are so big, that they almost look like kielbasa sausages.  The menu at Zombie Dogz is pretty simple.  It all starts with large, juicy all beef hot dog.    The hot dog is placed into a wonderful sandwich roll, strong enough to hold the hot dog and ingredients intact.  What makes a zombie dog special is the choice of toppings.  Each Zombie Dog has a creative name based on those toppings.  The menu is constantly evolving with new creations, but The Big Ragu and Hungry Jax ate these hot dogs all weekend and want to share our favorites.

Zombe’ Grande – The all beef hot dog is topped with cheese queso sauce, lettuce, cilantro sour cream, jalapeno bacon bits and crushed corn chips.  The mix of the cheese sauce and crushed corn chips are a gooey, tasty combination that won us over.  This was definitely one of our favorites

Juan of the Dead – An all beef frank topped with Swiss cheese, homemade bbq pulled pork, sweet and tangy mustard and pickles.  The pulled pork and pickles really make this gourmet hot dog.  The Big Ragu say this is a must eat!

The Nibbler – This time they wrap the hot dog in bacon, then smother it in spicy chili.  The zombie dog is then topped off with diced red onion, sweet & tangy mustard, and shredded muenster cheese.  This one really woke up our taste buds and is a Food Adventure in your mouth.

Owners Dave and Lee VanArtsdalen of Zombie Dogz, with Co-founder/Marketer Michael Whitaker

Calling in Dead  – This over the top creation tops the hot dog with homemade mac n cheese.  The creamy mac n cheese is cooked in truffle oil for a magnificent flavor.  The final touch in this hot dog is a sprinkle of truffle salt and cracker crumbs.  This hot dog was so rich, we could hardly finish it.  It packed a powerful punch on our appetites, but we couldn’t stop eating it.

Brain Daddy – This was the most Caribbean style hot dog that we tried.  The all beef dog is topped with slow roasted mango habanero pulled pork.  It was also topped with pineapple-cherry salsa.  The final dash of white and black sesame seeds finishes this masterpiece.  This gourmet dog promises to have your taste buds dancing the mambo.

The Horror Hound Weekend was incredible. We got to meet Dayton horror film makers like our pals from Concept Media Films.  We even bought a couple of their Dayton-made DVD’s!  Meanwhile The Big Ragu was distracted by the Jersey girls over at GorgeousAndGory.com.  Supporting local people and making new Food Adventure fans seemed to sum up this fantastic experience.

This Zombie Dog is called “The Nibbler”

Miami Valley foodies should keep their eye open for events featuring the Zombie Dogz Food Truck and their unique creations.  The hot dogs will satisfy your hunger at the not so bad price of $6.50 per dog.  There are even have veggie dog options.  Want to catch Zombie Dogz Food Truck’s next event?  Then visit Dayton’s Crafty-Con on April 5th.  The event will be held from 5pm to 11pm at the Yellow Cab Building on 700 East 4th St.   Tell the zombies that The Big Ragu sent you !

 

Feel free to comment on the Zombie Dogz Food Truck below.  Also share any thoughts about Horror Hound Weekend as well.

“Like” Food Adventures on Facebook by clicking here, unless you are scared of zombies and good times.

[flagallery gid=32 name=Gallery]

Filed Under: Dayton Food Trucks, Food Adventures, The Featured Articles Tagged With: bengals, better off dead, Big Ragu, bill, butch patrick, candies, candyman, celebrity apprentice, cheeses, chef house, cincinnati, convention, David, Dayton, dee snider, diane franklin, domata peko, eddie munster, Esther Price, excellent adventure, halloween, holliston, hollywood, horror, horror films, horror hound, hot dog, hot dogs, hungry jax, Irwin Keyes, john carpenter, Kroger, larosas, last american virgin, laura ortiz, Lee, Lew Temple, michael madsen, michael rooker, Michael Whitaker, mike-sells, Mikesells, muenster cheese, munster, Murray's, norman reedus, On Screen Dayton, Perrier, potato chips, resevoir dog, resevoir dogs, robert mukes, S.T.A.R.S., sharonville, sid haig, ted's, the munsters, the walking dead, tom savini, tony todd, twisted sister, VanArtsdalen, walking dead, weekend, zombie dogz, zombies

Mayliner Looking To Join Area Punk Rock Elite

March 27, 2013 By Dayton Most Metro Leave a Comment

The elderly hate it.  Some groups of people find it repulsive.  People question whether or not it’s actually considered music.  There are also those that would fight you for daring to speak out of line about what they are passionate about; those same individuals also say they have found something that makes them feel like they are part of a family.  What I am talking about is punk rock.

Punk rock music is beloved by many around the world.  The Ramones, The Clash, and Sex Pistols brought a brash, rebellious sound that was unapologetic and wild.  Full of energy and emotion, catching a punk show is unpredictable.  Expect a pit of people to start the intense participation of slamming into each other while forming a circle, a practice commonly known as moshing.  There is also a pretty good chance that people will be either crowd surfing or the one of the band members will be stage diving.  You never know what to expect, but you know that you are in for one crazy night.  In Dayton, we are fortunate that we have a great collection of punk rock bands taking local stages.  One band that should you should check out is Mayliner.  Mayliner consists of three memembers-guitarist/vocals Josh Caperton, bassist/vocal Chris Barnett, and drummer Paige Beller (Beller is also the lead singer of band Jasper the Colossal).

(Photo Courtesy-Jennifer Taylor Clarke)

Caperton and Barnett have had Mayliner up and running a little over a year now, but the two have been playing and writing music since their high school days.  The two took part in numerous battle of the bands around the local area and were even asked to be part of the bands that they were competing against.  They have also been there for each other through thick and thin during their previous bands’ journeys.    Mayliner alone has had their share of lineup changes, with drummers coming and going up to last year.  However, both men agree that it doesn’t affect their progress.  “As long as I see Josh next to me, and he sees me next to him-it is all good,” Barnett says.

That chemistry and bond are just part of why they are one of the good up and coming punk bands around town.  Caperton and Barnett play with viciousness, with a rapid pace of play on each of their respective instruments.  The drum play of each of their songs is fast and heavy.  Mayliner wants to do one thing: play as loud as they possibly can, a staple in any punk rock band’s live sets.

“I have been told that we sound like The Who but faster”, Barnett says when asked how he would describe the band’s sound.  The songwriting is shared by both Caperton and Barnett.  They will go to each other and share what they have, keeping the process open and free.  The lyrics songs center on experiences that have come and gone throughout their lives including songs about occurrences and encounters that weren’t delightful.  However, those songs do go into how you overcome bad events and become better, and not let the bad define you as a person.

Mayliner and Jasper the Colossal are will be releasing an split EP from the local record company FM Records this Thursday. Each band will have about 4 songs on the release.  So how was this idea brought up you wonder…

“The idea of doing the split EP was up and in the air for over a year”, Caperton explains.  “We loved the idea of doing something with Jasper, maybe with recording one of their songs and they record one of ours.  We heard that Paige (Beller) went in the studio and recorded, so we went and did our thing.”

Be expecting some fantastic punk rock that will downright be a crime if not played at a maximum level.  After all, isn’t that what punk music is supposed to be played?!

This Thursday, Mayliner and Jasper the Colossal will be playing a split EP release party at One Eyed Jacks in Fairborn, Ohio.   Go out and see why Mayliner is truly one of the up and coming punk bands rocking around the Dayton area.

 

 

Filed Under: Dayton Music Tagged With: Dayton Music, Jasper the Colossal, Mayliner, One Eyed Jacks, paige beller

THE GATEKEEPERS Opens Friday + More NEON News!

March 27, 2013 By Jonathan McNeal Leave a Comment

gatekeepers_xxlg-500x500Hello Everyone,

If you still need to see EMPEROR or WEST OF MEMPHIS, Thursday will be your last chance to see them at THE NEON. For this week’s remaining showtimes, visit our official site: www.neonmovies.com.

On Friday, we will open the highly acclaimed and anticipated documentary THE GATEKEEPERS. This film was nominated for an Academy Award, and numerous critics have given it a 100% review!

Synopsis for THE GATEKEEPERS: “Charged with overseeing Israel’s war on terror-both Palestinian and Jewish- the head of the Shin Bet, Israel’s secret service is present at the crossroad of every decision made. For the first time ever six former heads of the agency agreed to share their insights and reflect publicly on their actions and decisions. The Gatekeepers offers an exclusive account of the sum of their success and failures. It validates the reasons that each man individually and the six as a group came to reconsider their hard-line positions and advocate a conciliatory approach toward their enemies based on a two-state solution.” (taken from Sony Pictures Classics)  Click this LINK to visit the official site.

[yframe url=’http://www.youtube.com/watch?v=Kpk71yrQUQM’]

This Thursday at 7:30, “Peace on Fifth will present movie #3 for their trafficking awareness campaign – Start Freedom Dayton (Sponsored by Love146 Dayton, Stop Human Trafficking Dayton and Peace on Fifth). FLESH, a documentary about sex trafficking in the U.S., challenges our ideas of slavery, human trafficking & prostitution. The story is told by the girls who have escaped and those who are currently enslaved, former and current pimps, and modern day abolitionists. The post-screening discussion will be led by Elizabeth Ranade Janis, Ohio’s first human trafficking coordinator. Tickets: $10 day of show at THE NEON. Advance tickets: $8.50 at Peace on Fifth (508 E. 5th 937-367-7215).” (taken from press notes)

This year’s edition of LUNAFEST – a collection of 9 short films made by, for and about women – will take place on Sunday, April 7 at 3:00. In addition to the nationally touring program (which you can read all about by clicking this LINK), this year’s local line-up will also feature a short film by WSU student Megan Hague – WOMEN WHO YELL. (I previously announced that Hague would be at the screening, but that has changed. She will not be able to attend.) Proceeds will go to the Breast Cancer Fund and Planned Parenthood – Southwest Ohio. The suggested donation for tickets is $10 each (minimum of $5 per ticket). You can purchase advanced tickets by visiting this LINK.

Downtown resident and NEON regular Hector Escobar wants us to screen the film BLESS ME, ULTIMA. In order to make the screening happen, we need to “sell” 65 tickets by the end of March. If that many tickets are reserved, the screening will take place Wednesday, April 10 at 7:30. (This is a lot like our screening of THE CENTRAL PARK FIVE. There’s no gamble. If 65 tickets aren’t reserved, you will not be billed…and the event will not proceed.) Check out this LINK to watch a trailer for the film and to reserve your ticket.

On Tuesday, April 16 at 7:30, Five River Metroparks will host a screening of WHERE THE YELLOWSTONE GOES. The film “follows a 30-day drift boat journey down the longest ‘undammed’ river in the lower 48. Intimate portraits of locals in both booming cities and dusty, dwindling towns along the Yellowstone River illustrate the history and controversies surrounding this enigmatic watershed leading to questions about its future. Connect with colorful characters, get lost in the hypnotic cast of a fly rod, and experience silhouetted moments of fireside stories on this heartfelt river adventure.” (taken from press notes) Tickets will be $11 in advance ($10 plus $1 service fee) or $15 the day of the screening at the door (cash only). We will not be selling advanced tickets to this screening at THE NEON. Click this LINK to purchase advanced tickets. Visit the official site to learn more about the film.

[yframe url=’http://www.youtube.com/watch?v=TAa_mvSViP0′]

Also on the horizon is The 13th Dayton Jewish International Film Festival. You can now visit our lobby to pick up a brochure for this year’s festival . To visit the website and purchase advanced tickets, click this LINK. 8 films from this festival will screen at THE NEON, and the line-up looks terrific! Here are the dates and times:
Thu, Apr 18 at 7:30 – THE OTHER SON (preceded by Opening Reception at 7pm)
Sun, Apr 21 at 3:00 – MY BEST ENEMY
Tue, Apr 23 at 7:15 – MELTING AWAY
Thu, Apr 25 at 7:15 – NICKY’S FAMILY
Tue, Apr 30 at 7:15 – NAOMI
Thu, May 2 at 7:15 – LEA & DARIA
Tue, May 7 at 10am – TORN
Thu, May 9 at 7:15 – A BOTTLE IN THE GAZA SEA

Check out this trailer for the opening night film – THE OTHER SON – it’s quite powerful!:

[yframe url=’http://www.youtube.com/watch?v=65Xk7_Jk0TA’]

Over the years, we have celebrated the work of local filmmakers Julia Reichert and Steve Bognar. Well if you haven’t already heard, they recently unveiled a new website about Dayton, and new content (the 2nd part of a 3-part documentary found on the site) was just released last week. Click this LINK to read an article I wrote about their project.

Did you know that you can take your NEON ticket to Serendipity Bistro for a Free Dessert? Located 2 blocks away under the St. Clair Lofts, the folks at Serendipity would love for you to try out their new restaurant. Come see us for a movie, then grab a bite…and dessert is on them! Visit their facebook page HERE.

This spring looks very promising at THE NEON, and we’re currently overbooked. Check out the list below. Though dates will shift around, the list gives you a good idea of how many good films we want to bring to town in the coming weeks!

All the best,
Jonathan

SHOWTIMES for Fri. March 29 – Thur, April 4:

STOKER (R) 1 Hr 39 Min
Friday, Saturday, Sunday: 12:30, 2:50, 5:10, 7:30, 9:45
Monday – Thursday: 2:50, 5:10, 7:30

THE GATEKEEPERS (PG-13) 1 Hrs 41 Min
Friday, Saturday, Sunday: 12:50, 3:00, 5:10, 7:20, 9:30
Monday – Thursday: 3:00, 5:10, 7:20

COMING SOON:
As always, all dates are tentative. Many of these dates will change.
In some rare cases, titles may disappear.
April 5 – ON THE ROAD
April 12 – NO
April 12 – TRANCE
April 12 – A PLACE BEYOND THE PINES
April 19 – THE SAPPHIRES
April 26 – MUD
April 26 – THE COMPANY YOU KEEP
April 26 – STARBUCK
May ? – TO THE WONDER
May 24 – AT ANY PRICE
June 7 – LOVE IS ALL YOU NEED
TBD – GINGER AND ROSA
TBD – KON TIKI
TBD – FROM UP ON POPPY HILL
TBD – FRANCES HA

Filed Under: On Screen Dayton

Jazz Spotlight: Big Jazz Band + Upcoming Jazz Mar. 27 – Apr. 9

March 27, 2013 By Ron Gable Leave a Comment

Scott Gasaway and the Stivers Jazz Orchestra

Scott Gasaway and the Stivers Jazz Orchestra

Because I’ve been to six big band performances in the last couple of weeks, this is a good time to write about the impact of jazz band music past and present day in our area. The overall subject is too large to cover in depth but you can find an interesting read here.

A big band is a type of musical ensemble that originated in the United States and is associated with jazz and the Swing Era typically consisting of rhythm, brass, and woodwind instruments totaling approximately 12 to 25 musicians. Standard 17-piece instrumentation evolved in the big-bands, for which many commercial arrangements are available. This instrumentation consists of five saxophones (most often two altos, two tenors, and one baritone), four trumpets, four trombones (often including one bass trombone) and a four-piece rhythm section (composed of drums, acoustic bass or electric bass, piano and guitar).

There were two distinct periods in the history of popular bands. Beginning in the mid-1920s, big bands, then typically consisting of 10–25 pieces, came to dominate popular music. At that time they usually played a form of jazz that involved very little improvisation, which included a string section with violins, which was dropped after the introduction of swing in 1935.

Some names you’re likely to be familiar with today: Count Basie, Duke Ellington, Stan Kenton, Woody Herman, Benny Goodman and Glen Miller because today’s bands play much of their music. The big bands of old toured the country and attracted large crowds, today as a rule those audiences are no longer available but we are fortunate to have many college and high school jazz bands in our area in addition several bands that still survive the leaner economics, mainly because the players love the music and want to keep it going. In today’s market you will also find pocket bands made up of fewer players selected in a manner to play the big band charts.

Speaking of pocket bands and getting back to the performances I’ve seen lately on the 14th of this month The ShinSings Orchestra was at the Dayton Art Institute, a week prior on the 7th it was the Jazz Central Big Band, going forward it was the Sinclair Jazz Ensemble on the 15th, Stivers Jazz Orchestra on the 18th, Generations Big Band on the 21st and this last Saturday, March 23rd it was the fourth annual Jazzcakes where the Centerville School’s put on a benefit concert consisting of three middle school and three high school jazz ensembles. Some other area jazz bands/events I should mention are the Beavercreek Weekend of Jazz where a dozen or more local middle and high school bands compete. The Dayton Jazz Orchestra, the Columbus Jazz Orchestra and the Blue Wisp Big Band and coming in August a series of five weeks of big bands at RiverScape in Dayton.

One final note, I’m told on April 10th at Cline Elementary School in Centerville the Stand Kenton Alumni band concert will perform along with a pre-concert student jam session, from 6:30-7:15. Check it out here.

Jazz Calendar

Here are some (not all) of the upcoming jazz events for the next couple of weeks:

Today Wednesday, March 27 – The Blue Wisp Big Band performs in Cincinnati, OH and you can Swing Dance with Lizz & Rex Review at the Dayton Event Connection.

Thursday March 28 – The Phoenix Project Concert is at Brothers Drake Meadery in Columbus and Dottie Warner and Ricky Nye are atArnold’s Bar & Grill in Cincinnati.
Friday March 29 – Shawn Stanley Trio is at Carvers Steaks & Chops in Centerville and The Mike Wade Quintet is at the Thompson House inNewport, KY.

Saturday March 30 – The Urban Jazz Coalition is at Gilly’s In Dayton and James & Moore is at C’est Tout Bistro in Oakwood, OH.

Sunday March 31 – the Jam Session w/ Kenny Baccus continues at Dayton’s Jazz Central and the Hoo Doo Soul Band is at the Rumba Café in Columbus.
Monday April 1 – The Kyle Eastwood Group is at the Blue Wisp in Cincinnati and the John Taylor Trio is at Brio Tuscan Grille in Beavercreek.

Tuesday April 2 – Dave Greer’s Classic Jazz Stompers is at Jimmie’s Ladder 11 in Dayton and Tony Monaco is at the Rumba Café inColumbus.
Wednesday April 3 – Rich Lopez is at Rigsby’s in Columbus and Dave Powers is at Vittoria Ristorante in Powell, OH.
Thursday April 4 – the Jazz Central Big Band plays at Jazz Central in Dayton and the Elizabeth Hayes Jazz Ensemble is at The Blue Wisp inCincinnati.

Friday April 5 – the Urban Jazz Coalition is at the Thompson House  in Newport, KY and there is a  Friday Night Jazz Show at Washington Platform Saloon & Restaurant  in Cincinnati.

Saturday April 6 – Dick’s Den has the Bob Niederriter Quartet and the Lincoln Theater presents Inside Track series: Kyle Eastwood inColumbus.

Sunday April 7 – There are jazz jams at Victory’s in Columbus and at Jazz Central in Dayton.

Monday April 8 – Vaughn Wiester’s Famous Jazz Orchestra is at the Clintonville Woman’s Club in Columbus.
Tuesday April 9 – Ed Moss & the Society Jazz Orchestra is at the Schwartz Point Jazz Club in Cincinnati and Part St. Tavern Jazz Jam  continues in Columbus.
More info and jazz listings can be found at JazzAdvocate.com

Filed Under: Jazz

Pick up the Telephone Weekly – It’s For You

March 26, 2013 By Dayton Most Metro Leave a Comment

Telephone WeeklyI am often looking at articles on other local sites to stay on top of things happening in the Dayton Region, and a few weeks ago I came across an Examiner.com article in which the author mentioned writing for a new weekly paper that was about to launch in Dayton – Telephone Weekly.  What was this?  I hadn’t heard about it, and this is something that I should have heard about – was I slipping?  I followed the link to this brand new website and looked at the Contributors page to see who was behind it.  Brian Johnson – hmm, I had heard that name before but wasn’t sure if I had ever met him.  There wasn’t much info to go by, but it didn’t take long for me to find a friend who did know Brian (this being a small city, most of us are only one Kevin Bacon-degree away from each other).  Soon, Lisa Grigsby and I were having coffee with Brian and his partner/editor Kerry D. Brown at our favorite coffee shop (and unofficial DMM headquarters) Ghostlight Coffee, and we heard all about this new venture.  Soon, we were talking about collaborating together.  But before I get to that, let me share more about the founders of Telephone Weekly and what their new paper is all about.

Brian Johnson had been helping small businesses, including doing screen-printing sales with Four Ambition and doing advertising and branding sales with Clay+Stan.  Kerry D. Brown had done sales and even worked at a homeless shelter before fate connected these two entrepreneurs, and after a lot of convincing from Brian they decided to launch their idea for a new free weekly paper: Telephone Weekly.

Kerry D. Brown - Editor at Telephone Weekly

Kerry D. Brown – Editor at Telephone Weekly

Dayton Most Metro: Welcome to the local Dayton media world, guys!  We’re excited to be collaborating with you, and we’re looking forward to helping introduce you and Telephone Weekly to our readers. What is Telephone Weekly and what inspired you to start it?

Kerry Brown: A lot of different things, really.  As far as what is Telephone – it is an independent free print weekly.  A lot of cities have  one or more, and we thought Dayton could use another.  We wanted to put our take out there on what a free weekly could be.

Brian Johnson:  We wanted a new voice in the Dayton area – something more interactive, more for the people.  Another option… we were tired of reading the same things week in and week out with no options, while seeing other print medias dying off.

DMM: What can people expect when they pick it up and begin to read it?

KB: A lot of fun, interactivity… a lot of great images.  We were inspired a bit by a magazine called Mental Floss – a mash-up of all kinds of things like science, art and humor.  I believe we’re going to do a lot of that.  A focus on the local DIY culture.  And all locally created content – as in nothing syndicated.

BJ: Heavy on solid design, solid well-written content and a focus on local businesses.

DMM: Telephone Weekly is an interesting name – how did you choose it?

BJ: The name Telephone Weekly came from that old game “telephone” that people would play where somebody whispers something to somebody else, and that person repeats it to another, and so on.  We’re building on that idea, where people will read something and talk to others about it.  We also want it to be a two-way conversation.

KB: Our friend Bryan Brady actually came up with the name Telephone after we all brainstormed ideas, wanting a word that people don’t use anymore.  We like the juxtaposition of telephone and magazine, two things that don’t normally go together.

DMM: Where will people be able to find Telephone Weekly?

BJ:  People can find it in places like coffee shops, college campuses, restaurants, museums, etc.  Our reach is Troy to the north, Springboro to the south, Springfield to the east and many places just west of Dayton.

….

So now that you know the story behind Telephone Weekly, look for it next time you’re out – and be sure to pick it up (and check out their website and Facebook page)!  As for the collaboration between Telephone Weekly and Dayton Most Metro…

Telephone Weekly Issue 1Telephone Weekly and Dayton Most Metro

(from the writers at Telephone Weekly)

When Brian and Kerry set out to develop the Dayton’s new independent weekly magazine they knew that providing information about all of the things to do in and around Dayton was going to be an important aspect of the magazine. It turns out that fate had another idea.

What Brian and Kerry had not yet realized was the overwhelming amount of information that would need to be gathered, formatted, checked for accuracy and ultimately published in order to be a source of information on local events. An entire publication could be filled with listings of community organizations, meetings, art events, restaurants, music, theatre, film, active lifestyles; the list goes on-and-on. After thinking on the issue they eventually remembered this little thing called the Internet. Kerry explains “ We were like; why, in-the-name-of-all-that-is-holy, would people turn to a weekly print publication to find out what was going down in their hometown when they could immediately look it up on one of the multiple electronic devices surrounding them?” Why indeed. Someone else was already doing this and doing it better, in a format better suited to it. It was at that point Brian and Kerry formulated their simple solution. Kerry describes the basic thought process behind it “We thought, let’s just pick a few cool events each week, events we think will connect with our readers and that fits with what Telephone is and leave the comprehensive listings to those that are already on it; why be redundant?”

That settled the issue for the time being. Kerry continues “It was like, a couple of weeks later when Brian called me saying that Bill Pote from Dayton Most Metro contacted him and that Bill had hinted at the idea of us working together. We were both, like ‘This is awesome dude!’ They are easily the biggest and best online, local events site there is!”

Jazzed for their meeting with Bill, the two conspired to present the most professional sounding proposal they could. Each knew that it would be great for Telephone to develop a relationship with Dayton Most Metro; having access to such a comprehensive events listing would save them a huge amount time, provide a source from which to curate Telephone’s event listings and avoid the annoying redundancy of pages of printed events listings. Not to mention an initial legitimizing force for the magazine.

But what of Dayton Most Metro; what was in it for them? Kerry explains their thoughts on this “We figured it was basically just a big weekly ad for Dayton Most Metro. We would post our listings and if people weren’t into what they were seeing or just wanted to know more about what was going on . . . Well, go online and check out Dayton Most Metro. Guaranteed you’ll find something there that you like.

So here we are Dayton’s freshest independent free weekly; Telephone Magazine and the most widely used online resource for information on what’s going down in your hometown, Dayton Most Metro, making sweet, sweet music together.

Look for the Dayton Most Metro page in Telephone Weekly where you can see a few featured upcoming events, and check out the DMM Event Calendar here to see 3,000 more!

Filed Under: Community, The Featured Articles Tagged With: Telephone Weekly

El Meson Celebrates the Art of Paella – Contest: Win Paella Dinner for 2

March 24, 2013 By Lisa Grigsby 45 Comments

561396_10150679954864730_1961340320_nPaella is a traditional Spanish dish of saffron-flavored rice, traditionally cooked over an open fire in a flat round pan  for workers in the fields.  At that time chicken, rabbit, duck and snails were often the featured proteins.  Over time the dish has evolved and is now best known as a seafood based dish.

Wednesday, March 27th is National Spanish Paella Day and El Meson, who is celebrating their 35th year as a local owned eatery, now operated by the 3rd generation of family, wants to share their love of this dish with the Miami Valley.  Starting on Monday, March 25th through Friday March 29th you can order Paella for 2 and receive a $10 discount on the meal.  You can chose from the traditional seafood Paella Valenciana which includes chicken,  chorizo, pork, peas, onions, tomatoes, shrimp, mussels, pimentos, and lemons, and of course saffron. or the Paella de Mariscos which is all seafood with shrimp, calamari, scallops, fish, scallops, mussels, peas, onions, tomatoes, piments, garlic, and lemons! When ordering, be aware this dish takes about 30 minuts to prepare,  so feel free to relax over some appetizers and a pitcher of Sangria or try a Pisco Sour.

On Wed, to celebrate the holiday, El Meson will be offering free samples of Paella during happy hour from  4:30-6pm in their bar.

 

elmeson

El Meson is located at 903 E. Dixie Dr in West Carrolton

If you’d like to try to make it yourself ,ElMeson has shared this recipe for Paella for 5:
(To watch Chef Mark Abbott make this dish, check out this clip from WDTN’s Living Dayton.)

1/4 cup Xtra Virgin olive oil

1/2 cup Diced onions

1/2 cup Diced tomatoes

2 T. minced Garlic

Sautee until tender then add –

1/2 lb Chicken cubed

1/2 lb Fish cubed

1/2 lb Chorizo (Spanish Sausage)

When half cooked, add –

2 cups rice

4 cups seasoned fish broth (salt, white pepper, 5 threads of saffron)

Cover and allow rice to bloom (approx 20 minutes)

Add : 10 large shrimp,10 scallops, 10 black mussels

Recover for 5 minutes

Finally add 1 cup thawed green peas

Garnish with roasted red pepper strips and lemon wedges

Add juice of 2 lemons over entire Paella

And then enjoy !!!!
Dayton Most Metro wants to treat 2 of our readers to a Paella Dinner at El Meson.  If you’d like a chance to win, share this article with your friends and enter below. We’ll choose a winner at 5pm on Tuesday, March 26th.

[form 55 “DMM Contest Entry – Generic”]

Filed Under: Dayton Dining Tagged With: El Meson

A Ghastlee Night at Gilly’s….The Sequel

March 23, 2013 By Mike Ritchie 2 Comments

Friday March 8 Gilly’s Jazz club hosted an evening of extreme musical diversity. Hardcore humored adult rated acoustic singing, a human mix master, sound-machine and beat boxer, a screaming electric Ukulele playing misfit, a trippy rock n roll splattering of horror fed haunted charm and the southern Grand Ole Opry, brought to you by Bloodline Video.  The show was in honor and celebration of the evening’s host and performer, legendary local TV personality, actor and Horror Host A Ghastlee Ghoul, who toyed with the crowd played naughty games, told jokes, made rude comments and headlines as only he can.

The ever charming, cussing, swearing gentleman Felix Wussington started the evening strapped with acoustic guitar and a wide array of lyrical poetry making beautiful prose out of STD’s, lesbians, killing your significant other, the reaper and amusing domestic violence. This tattooed R-XXX rated country punk talked the sh- about backyard body burial, a romantic interlude in the Y’s swimming pool and a tribute to Herbert West and his love of playing with dead things. It’s a good thing Wussington’s someone everyone wants to hang out with and Lives Across the Street from Heaven. It might save his songwriting soul from the reaper and eternal damnation, good thing All Dudes go to Heaven. Hmmm… he could’ve beat the devil, if only he played the fiddle. Mr. Wussington also has select tunes from his debut My Cthulu’s Showing on Soundcloud.

Splattertude

Splattertude

The power and talent of the human voice and throat is put on display as human beat box master Thomas Gardner hits the mic, spins the turntable, scratches some vinyl, plays with some techno grooves all with his voice. He’s a walking sub wolfer, PA, night club sound-system, in one shades/hoodie wearing bass heavy package.

Next up Dayton’s answer to a loud live horror movie, emanating trippy sounds of the 60’s drug scene Splattertude. Like a bad stain, they don’t come out. Fronted by the howling leather and laced demoness Susperia, MC himself bassist A Ghastlee Ghoul, the ghost faced guitarist Tony Tone and the skins destroying chrome faced Christmas Devil Louu Stahl. The House of 1000 Corpses opened and your Darkest Hour begins. You won’t carry a cross but you’ll have a handful of Black Roses swirling in a pool of dark dreams and persecution. War, murder it’s just a shot away Down the Rabbit Hole. They take us on a train-wreck voyage to the cinema wastelands of Cleveland.

The always handsome Uke playing tallywacker himself Henrique Couto brought his unique brand of showmanship once again to the Gilly’s stage partnered with his friend bass player multi-talent Jay Madewell.  Often accused or assumed as being a walking wardrobe malfunction Couto’s flashy appearance may clash with itself but overall adds to his undeniable talent for drawing a reaction whether by song lyrics or personalized humor and mastery of an instrument few have dared to unlock the mysteries of. Miley Cyrus is Pregnant with his two headed love child, and Couto doesn’t even have a love mullet. He plays Better than Nothing of his new CD That’s Loud and UPS’s his heart to a stalking admirer. He believes ‘educational films’ are bullsh- and gives everyone the lyrical finger with a laugh and smile playing his most popular iTunes song.  He finishes, with a tribute to the man of his dreams saying he’d do Anything Anything to be The Dream Master.

Queen Victoria and Todd the Fox

Queen Victoria and Todd the Fox

The sovereign Queen Victoria and the Reverbnation voted best blues player in Ohio the exalted Todd the Fox take the stage and swing, swagger and silhouette the sounds of the south and old-school/classic rock with a hillbilly twang that was sweet backwater honkey-tonk  strong.  Welcome to Detroit and the Hotel Yorba, such a lovely place. We party with Mr. John Fogerty and the Old Man Down the Road.  Spin the Stealers Wheel and worship Mr. Clapton then jam to some old-time country road blues with The Carters.  There’s a Little Ghost under the Blue Moon of Kentucky, so Sleep On a beautiful haunting lullaby from Alison Krauss. Oh Boy, I see a reflection of a Bad Moon Rising in the Clearwater, I see trouble on the way in the form of big bad Imelda May and the devil divine her Handsome Man. Miss Victoria can swing an acoustic just fine and hold her own on a mandolin with the sexy grace of a rockin country queen.

Filed Under: Dayton Music Tagged With: A. Ghastlee Ghoul, Dayton Music, Felix Wussington, Gilly's, henrique couto, Jay Madewell, Queen Victoria, Reviews, Splattertude, todd the fox

DRI Thrash Out McGuffy’s

March 23, 2013 By Mike Ritchie 1 Comment

Friday February 22nd six bands threw down their best punk/hardcore /thrash performance bringing back the original spirit of the early 80’s rebellious alternative scene. Spikes, studs, leather, patches, tattooed faces and 12 inch Mohawks were the lay of the land tonight as every Dirty Rotten Imbecile showed up to mosh, thrash out, surf and tumble their way to a good time. Winding Hollow Productions’  second showcase at Dayton’s house of rock proved an initiation of cardio for the more ambitiously exercise minded in the crowd and an all-night free for all for extreme music.

Dayton’s Abortive Issue opened with the pretty, prim and proper Miss Ashley who danced around onstage like she was in her own private padded luxury cell, complete with open sleeved straightjacket and it was playtime. She embodied the spirit of Wendy O Williams fondling the mic like a plasmatic doll. She’s a raging tattooed Pat Benatar screaming in tune with schizophrenic movement, devious eyes and a psycho friendly smile warming up for mosh pit gymnastics. They play with a smack speed and lots of American Pride but those are just their Minor Qualities, and they Trash Talk too, Just for Kicks.

The Hard-Onz

The Hard-Onz

From the snow covered wastelands of Illinois come’s a modern day version of Bad Brains and Fear in hardcover form in the Hard-Onz. Making the treacherous 7 hour trek from the dark, dank back alleyways of Lake County to defeating mother-nature’s fury and passing several overturned semi’s on the way to be here tonight, bringing the smell with them. They earned their way to the McGuffys stage bringing out the old-school noisy but rebellious conglomeration of punk and hardcore that made the sound of the early 80’s the forerunner of the movement. They spent time falling over each other and even turned a few technical mishaps in their favor adlibbing a song or two.  Playing a song with a broken string totally fits the hardcore work ethos. With Leo on vocals the band jams on songs ramming us with colorful tunes about weekend beer, bitches, pigs, unidentified white powder and tramps also hitting Rock Bottom waking up to find a meth lab in the garage and a Hard-core twist on a Minor Threat classic.  They also made the pit user friendly sending their mascot, Richard Hardon the 1st to stimulate crowd participation in the vintage creepy crawl and classic circle dance moves. What they lack in prettiness and grace they make up for with drive and passion, even if they were influenced by the naked talent of GG Allen and they always towel off after finishing.

The m-m-m-m-m metal shop opened for business with Grim State combining thrash, grindcore and just flat out pounding molten metal. It’s a loud noisy state of the union address and it’s Volatile as hell. All the Deadbeats followed the imbeciles in ready to cause/spread Illness.  Turbine engines kicked on in Solitude and the Madness began as people got a little Absent-minded after a few pit hits.

The Legbone’s connected to the knee bone before a slip and slide beer on the floor disconnection. They’re a nice even groove of punk rock and metal with a packed crowd and filled pit showing a more friendly side of hardcore. With the spirits flowing there’s no Pressure. They dedicated an explicative laden crappy tune to the hard work of the Hard Onz. They’ve too happy and fun loving to be pissed off punks, too heavy to be just punk and punk enough to not just be metal. They do Swallow Razors just to prove their baddass’s though. There’s plenty of time for California dreaming after the screaming over. They cover I Drink too Much by The Give Ups who they’ll be sharing an upcoming split release with.  Next up, the prettiest girls in the ugliest town get some love. Troy gets a unique tribute on Drunk Favors for Beer. Judging by some of the crowd at this point What You Are is one dumb, drunk belligerent degenerate waking up Saturday morning saying I Got Pains, with a Two Day Hangover, so you’re at the right place and basically had fun. They officially break out the metal, throwing up the beer after beer after beer after beer… and the devil horns. They sing a double bandaged, double dose of skater tunes about skinned knees, scraped elbows, broken bones and cracked craniums after 6 foot ledge jumps onto soft concrete. If there’s nothing else you remembered from tonight’s intoxicating show remember this…. B stands for belligerent, E stands for every time I get drunk, E stands for everyone I’m hanging with, R stands for ruthie and the process.

Architects of Doom

Architects of Doom

The unholy Dayton Architects of Doom were ready to spread fury and filth with a trigger happy mutiny of loud angry aggression. They open pulling The Trigger on their own loud heavy breed of Iron Maiden meets Arch Enemy with ‘up tempo’ Morbid Angel gathered in the mix. Keith Hamilton’s vocals are a mix of Zakk Wylde and sonic screamers Randy Blythe and the equally bearded Amon Amarth’s Johan Hegg. Danny definitely has some of Eddie’s influence in his fingers powered by Dragonforce. They start a fierce Mutiny playing the Martyr’s dishing out the Ritual Punishment Under a Black Flag of Bloodshed. Black Flag was dedicated to anyone in music or in any kind of art. The Architects earned the night’s most vicious pit… so far. They played new tune Awaken for the first time and new tune Bloodshed. Their sound is a delicious mulligan stew stricken with cool melody with munchy pieces of scrap iron riffs floating in the swirling muck.

DRI

DRI

The 30th Anniversary of those Houston crossover hardcore punk’s with enough thrash to insight a yard full of angry attack dogs DRI began as the Thrashard opened and In The Pit everyone went. A large perpetually moving group of sweaty, hot, stinky bastards and ladies annihilated the floor and each other spreading bloodless DNA everywhere. Kurt and the boys played all the hits and some crowd surfers barely missed hospital time thanks to the heroic patient efforts and skill of the front stage security team. Classic crossover records Four of a Kind, Thrashzone and Definition were well represented also borrowing from the old school pre-hybrid success and some tunes from the mid-nineties. Brecht and Co played with syringes, discussed the Modern World, As Seen on TV with those annoying Suit and Tie Guys. So get Beneath the Wheel and accept your Manifest Destiny because it’s too late to Do the Dream.  Brecht still has that raspy angry spoken word delivery surrounded by the punk-thrash pollutant mixture of the man of a hundred expressions bassist Harald Oimoen, drummer Rob Rampy and original guitarist Spike Cassidy. They’ve brought out the punks, skinheads and metal heads in droves from the early 80’s to present day earning them the status of being the major ‘crossover’ band of the movement. Judging by the crowd of flailing, flying, flowing and falling bodies both standing foot strong and airborne the band can still cause a Molotov Cocktail reaction in people. We’re all family in the pit anyway. Sweat and BO is the indoor version of Acid Rain. Original drummer brother Eric came up and played a few tunes from the very early days. They’ll be touring with fellow hardcore pioneers Suicidal Tendencies in April and Slayer for a few dates in May.

Filed Under: Dayton Music Tagged With: Architects of Doom, Dayton Music, Legbone, McGuffys House of Rock, Reviews

The Great 1913 Flood Exhibit at Dayton History’s Carillon Park + TICKET CONTEST

March 22, 2013 By Dayton Most Metro Leave a Comment

Dayton History 1913 FloodDayton History is bringing together more flood related objects than any other exhibition has since the tragedy itself. Many of these relics will be interspersed with multi-media elements to surround our guests with sounds, original films, and firsthand accounts.

Learn about stories like Charles Adams Sr.’s desperate attempt to rescue his wife and children from the frigid waters or step into a recreated attic space and so much more only at Carillon Historical Park!

Exhibition funding provided by the Iddings Foundation, the Miami Conservancy District,
the Dayton Rotary Club Foundation, the Schiewetz Foundation,
and the Eckstein Family Fund of The Dayton Foundation.

Rain began to fall over the region on Sunday, March 23rd, and did not stop again for five days. During this period, nine to eleven inches of rain fell on saturated ground, and 90 percent of what fell became runoff, overflowing the rivers.

People had to get to the highest points in their homes to escape the rising water. This often meant camping out in the attic for days until a boat came by to rescue them. It was a cold, wet and thoroughly frightening time. Water cut off any avenue of escape; fires could be seen burning unchecked in downtown, and people could be heard crying in fear. Daytonians rose to the challenge that the flood had created. A Daytonian with a boat would often go out to rescue those stuck on rooftops. Neighbors, and frequently strangers, were invited into the upper reaches of homes to wait out the water.

Hours of Operation:
Mon – Sat, 9:30 a.m. – 5:00 p.m.
Sun 12:00 p.m. – 5:00 p.m.

Admission Prices:
$8 per adult (ages 18-59)
$7 per senior
$5 per child (3 -17) & students
children under 3 and
Dayton History members FREE

Filed Under: Arts & Entertainment

ON STAGE DAYTON REVIEW: Grand Hotel: The Musical (Wright State University) – Dazzling Display

March 22, 2013 By Russell Florence, Jr. 1 Comment

 (l to r) Justin King, Mathys Herbert, Sierra Stacy, Taryn Lemmons and Riley Able in Grand Hotel

(l to r) Justin King, Mathys Herbert, Sierra Stacy, Taryn Lemmons and Riley Able in Grand Hotel

Forget London, Paris or Rome. Berlin beckons for the remainder of March, but a passport isn’t required. Just head to Fairborn where Wright State University brilliantly showcases its musical theater department to the hilt with a chorally sublime, stunningly designed production of “Grand Hotel: The Musical,” inspired by Vicki Baum’s 1929 period novel and adapted from the 1932 Academy Award-winning Best Picture of the same name.

Garnering 12 1990 Tony Award nominations including Best Musical and winning five, “Grand Hotel,” set in 1928 and staged with elegant theatricality by Marya Spring Cordes in the Tony-winning vein of its original director/choreographer Tommy Tune, features a book by Luther Davis (“Kismet”), music and lyrics by Robert Wright and George Forrest (“Kismet”) and additional music and lyrics by Maury Yeston (“Nine,” “Titanic”).

As a revolving door of colorful characters primarily cope with financial concerns fueling their desperation, opulent escapism unites them with results varying from euphoric to tragic. But at the glamorous Grand Hotel, where hot jazz scintillates and endless dance intoxicates, there remains the possibility of a new start, a new romance, a new hope. Even though the guests are experiencing a temporary high, it is worthwhile all the same. In fact, in the beguilingly lush tune “At the Grand Hotel,” dying Jewish bookkeeper Otto Kringelein, the only character you instantly root for marvelously embodied by Mathys Herbert in one of the best performances of the season, offers a stirring testimony to the magnetism of his retreat:

 

From the hospital to the town of Berlin

I have taken the train here to begin

My new life though quite soon that must end
But until that occurs I do intend to remain

I want to know that I once was here

While all my faculties still are clear

And check into my room as I planned

At the Grand Hotel

The sleek young men, the slender girls, they please my eyes

Perfumes from France and tropic plants around me rise

I listen to the swish of the silk, the tune the fiddle plays,

And I feel gay and warm and free

In this lobby past these gold-covered walls

Past the tapestries hanging I’ll walk miles of halls

I want to know that I once was here

While all my faculties still are clear

And break out of my shell, living swell,

At the Grand Hotel

The cast of Grand Hotel

The cast of Grand Hotel

The unbridled glee and resolve permeating throughout Herbert’s superb rendition of this delectable number is certainly an early hallmark of his delightfully sincere and life-affirming portrayal, culminating with a thrilling rendition of “We’ll Take a Glass Together” complete with a breathtaking transition revealing an expansive view of the hotel. Still, Herbert’s incredible appeal (so much so you’ll wonder why the curtain call doesn’t contain individual bows) doesn’t masquerade the fact that Davis’ dark, melancholy libretto is overstuffed with principal and supporting characters with differing degrees of likability and purpose, which has a tendency to keep the brisk, intermissionless action unfocused or at a chilly distance emotionally. Every subplot isn’t equally engaging or engrossing, which problematically chips away at establishing great depth or concern. Thankfully, each journey is at least interesting while adhering to the core theme of diverse souls intertwining for better or worse in extravagance.

Justin King, droll and sour, sets the proper tone as Colonel-Doctor Otternschlag, the cynical, opinionated overseer. The handsome Riley Able exudes dapper charm and frustrated anxiety as the cash-strapped, indebted Baron Felix Von Gaigern, but has difficulty with the soaring ballad “Love Can’t Happen,” one of Yeston’s most gorgeous yet demanding tunes. Taryn Lemmons, who has received expert dialect coaching from Deborah Thomas and is a bright bundle of promising bliss in “Bonjour Amour,” captivates as aging ballerina Elizaveta Grushinskaya, who visits Berlin on her eighth farewell tour alongside her devoted confidante Raffaela (an excellently understated, vocally enticing Beth Ann Wipprecht), company manager Victor Witt (Ian Benjamin) and Hungarian impresario Sandor (Casey Jordan). Andrew Quiett is fittingly imposing as ethically challenged businessman Hermann Preysing. Sierra Stacy, a fine singer, is attractively poised as Flaemmchen, the genial typist longing to trade her hard knock life for glitzy Hollywood stardom no matter the cost. Jon Hacker is very personable as Erik, the assistant concierge anticipating his son’s birth. Crisp duo Kevin Ferguson and Jordan Adams shine as two African-Americans named Jimmy tunefully considering “Maybe My Baby Loves Me.” Delee Cooper (The Countess) and Drew Bowen (The Gigolo) perform their ballroom routines with mature gusto. Kaitlyn Sage, Lizzy Miller and Amy Wheeler are perfectly perky telephone operators. Jacob Hudilston, Mark Beyer, Tyler Edwards, Cooper Taggard, Hannah Aicholtz, and Bradley Farmer are equally notable among the terrific ensemble.

Additionally, the production’s sleek ambience is cemented in Pam Knauert Lavarnway’s stylish set, D. Bartlett Blair’s lovely period costumes, Matthew Benjamin’s evocative lighting, and guest artist Suzanne Winland’s splendid choreography, particularly rising with an eerie allure during “The Grand Charleston.” James Dunlap’s first-rate sound design and musical director Scot Woolley’s outstanding onstage orchestra are also praiseworthy.

“Grand Hotel” impressively concludes Wright State’s 2012-13 season with a sophisticated finesse recalling its remarkable 2010 production of “The Light in the Piazza.” I can’t wait to book a new reservation because this dazzling display deserves to be seen more than once.

“Grand Hotel: The Musical” continues through March 31 in the Festival Playhouse of the Creative Arts Center at Wright State University, 3640 Col. Glenn Hwy, Fairborn. The musical is presented in 120 minutes without intermission. Performances are March 21 and 28 at 7 p.m.; March 22, 23, 29 and 30 at 8 p.m.; and March 24, 30 and 31 at 2 p.m. Tickets are $20 for adults and $18 for students and seniors. For tickets or more information, call (937) 775-2500.

 

 

Filed Under: On Stage Dayton Reviews Tagged With: Grand Hotel: The Musical Article, wright state university

Wright State University Boonshoft School of Medicine students to host 5K AIDS Benefit Walk/Run on April 14

March 21, 2013 By Dayton Most Metro Leave a Comment

WSU Boonshoft School of Medicine

While there have been significant advancements in HIV (human immunodeficiency virus) and AIDS (acquired immune deficiency syndrome) research in recent years, the Centers for Disease Control and Prevention estimates that 50,000 people in the United States are newly infected with HIV each year. One in four new HIV infections occurs in youth, ages 13-24 years.

To raise awareness about HIV and AIDS, the American Medical Student Association (AMSA) of the Wright State University Boonshoft School of Medicine, along with the Boonshoft School of Medicine and Five Rivers MetroParks, is sponsoring the annual 5K AIDS Benefit Walk/Run on Sunday, April 14, at 9 a.m., at Wegerzyn Gardens, 1301 E. Siebenthaler Ave., in Dayton. The race check-in begins at 8 a.m.Aids Resource Center Ohio logo

Proceeds from the fundraiser will be donated to the AIDS Resource Center Ohio in Dayton.

“A quarter of those living with HIV are unaware of it,” said Joey Resch, a second-year medical student who is part of WSU AMSA. “Thanks to resources like the AIDS Resource Center Ohio, people in Dayton who suffer from HIV and AIDS are able to find treatment help. Hosting a 5K to help raise awareness of HIV and AIDS is a way for us to give back to our local community.”

Pre-registration costs $20 before April 1. After April 1, registration costs $25. To register, go to http://www.med.wright.edu/clubs/aids5k.

Filed Under: Runners Tagged With: ARC Ohio, Boonshoft School of Medicaine, WSU

The Great 1913 Flood

March 21, 2013 By Dayton Most Metro 1 Comment

Downtown Dayton, March 1913. MS-128, Miami Conservancy District Records, Special Collections and Archives, Wright State University

Downtown Dayton, March 1913. MS-128, Miami Conservancy District Records, Special Collections and Archives, Wright State University

A major natural disaster that tested, and proved, the courage, tenacity and foresight of the people of the Miami Valley

By Joe Aiello

© 2013, J.C. Aiello

 

I am a native Daytonian. As such, you might think it reasonable that I would know quite a bit about the Great 1913 Flood. And I do … now. But the first time I ever received any hard information about the flood was 1963, the year it celebrated its 50th anniversary. And I my twenty-third birthday.

I had recently graduated college and had started working for a company whose offices were located on the north side of Monument Avenue across the street from where Fifth Third Field presently stands. My particular office was on the second floor. One day, while on a long-distance call, I looked at the wall across from my desk, and something about it just didn’t look right. The wall was painted all one color, but the bottom two-thirds of the wall were pronouncedly darker than the top third.

When I had finished the call, I asked a fellow employee if he knew why the color varied.

“Sure,” he replied. “The 1913 flood.”

Then he explained. The building we were in had been in the flood, and the water had reached as high as the third floor and then some. It took a moment, but it finally hit me; if we had been standing in that office during the flood, we two would most likely have drowned. Over fifteen feet above street level!

That day sparked a curiosity in me about the Great Flood. However, it would be another 25 years before I would make a serious, focused effort to satisfy it.

1988 was the 75th anniversary of the flood. I spent a good part of that year researching and writing a script for a television documentary about it. What I learned in that process – about the flood itself, the effect it had on the people, the rescue and relief efforts and the steps undertaken to ensure that such a catastrophe would never again endanger the city or the valley in which it resides –  is something that everyone living here today should know.

Employing the same research sources I used in 1988 plus some I have since uncovered, here is what I learned.

 

Courtesy of the Ohio Dept. of Natural Resources

Courtesy of the Ohio Dept. of Natural Resources

An Environmental Trap

Look at Dayton and the Miami Valley today, and the last thing you might ever imagine is that it had once been the scene of one of the greatest natural disasters North America has ever endured.

Water has always been with us. According to scientific estimates, 300 million years ago Ohio and most of North America existed beneath a saltwater sea. It took a series of lengthy geological stages before that sea gradually dried up and land rife with developmentally early plant and animal life emerged in Ohio.

But there was still water, in the form of a river geologists called Tayes, that started in the Appalachian plateau and flowed across Central Ohio, creating hills and a valley. The Miami Valley.

About 20,000 to 30,000 years ago, there came more water, but in the form of two glacier-like Ice Sheets (the Kansas and the Illinois) and the Wisconsin Glacier. Each in turn scraped its way through the area damning the Tayes with sand and gravel, cutting new streams through the valley and filling them with glacial drift. The result was the Miami Valley’s present river system, an environment just waiting for a natural disaster to happen.

And it had ample opportunities.

Since 1805, numerous floods had descended on the Miami Valley; the 1805 flood alone buried Dayton streets under eight feet of water. Communities abutting the Great Miami River built levees out of dirt to counter the flooding. Under normal circumstances that alone should have been enough to solve the problem. If only the way the streams joined one another around Dayton had been different ….

Picture this: you’re holding a large, clear-rubber tube in your hand. Other, smaller tubes connect with it in three different places. Pretend the large tube is the Great Miami River flowing through Dayton, and the smaller, connecting tubes are the Stillwater and Mad Rivers and Wolf Creek. Got the picture? Now try to visualize the large tube bent in the shape of the letter “S” with the lower half of it narrowing to a little more than half the size of the opening at the top.

That was the Great Miami River in March, 1913. Two rivers and a stream joined to a twisted, narrowing large river in a region with a long and well-documented history of floods, setting the stage for a disaster of monumental proportions.

 

A Time of Change

It was 1913. Jesse L. Lasky had founded the Jesse L. Lasky Feature Play Company and later helped found Paramount Pictures. The Indian‑Head Nickel came into circulation. The Sixteenth Amendment established income taxes, and the Seventeenth regulated senatorial elections by popular vote. Woodrow Wilson of Virginia was inaugurated as the twenty‑eighth President. In Ohio, James M. Cox, who had been publisher of the major local newspaper, became the newly elected, staunchly pro-business Governor. And Dayton adopted the City Commission/City Manager form of government.

1913 Dayton’s neighborhoods were populated by African-Americans, Bavarians, Irish, New Englanders, Pennsylvanians, Slavs and Southerners. Neighbors all, they shared a love for parades – hardly needing much excuse for participating in, or watching – parades, many of which crossed in or out of downtown Dayton on bridges over the Miami River.

 

A Perfect Storm

The weather during the week of March 17, 1913 was dry and windy. Droppings from horses and horse-pulled buggies left city streets crying for a good washing. People were wishing for rain. And rain it did.

Huge air masses from Canada, the Gulf of Mexico and the Great Plains converged on Ohio dropping between one and two inches of rain on Easter Sunday, March 23, and another two to five inches on Monday, March 24. The river began to rise … slowly … steadily.

 

An Apathetic Reaction

On River Street (today known as Riverview Avenue in the section of Dayton called Lower Riverdale) that Monday, the City of Dayton was having trouble at the storm sewer pumping station there and reported it to the Dayton Power and Light Company. Whenever the river was above the storm sewer outlet, the station’s function was to pump all the rain water that fell in Lower Riverdale directly into the river.

Two Dayton Power and Light Company service employees corrected the trouble, then walked back up the north levee to the Main Street Bridge. At that time the river was six to eight feet below the top of the levee and reportedly rising one foot an hour. Despite this, neither service employee thought that there was any danger of a flood.

Given the area’s flood history, most Daytonians were more curious than concerned; many gathered at the levees to watch the water rise. Few thought, or knew, they were actually risking their lives. They had seen high water before. They did what they had historically done; they returned home and waited for the water to subside.

However, this time was far different than anything that had gone before. Between nine and 11 inches of rain on ground saturated with melted ice and snow would become almost four trillion gallons of water, about the same amount as one month’s worth of water flow over Niagara Falls.

One reason why, perhaps, many people weren’t worried was that 1912 had seen the development of a flood control plan scheduled for implementation in 1913. The contract was completed, men hired, and equipment positioned. Had it been implemented, the plan would have controlled floods with a flow of up to 90,000 cubic‑feet‑per‑second. Had it been implemented ….

Next – A Titanic Terror (Continue reading…)

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Filed Under: Community, The Featured Articles Tagged With: 1913 Flood, The Great Flood

It’s Munch Madness at Vinny’s Bar & Grill

March 21, 2013 By Dayton937 4 Comments

Reuben, with Corned Beef Baked in Guinness Stout for Flavor

Going to the March Madness games at UD arena?  We have found THE pre-party place, Vinny’s Bar & Grille, just minutes from campus.  They are having a big bash on Friday starting at 11am and will be grilling in the parking lots! Grab a hot polish weiner then go root for your winner.   Don’t have a ticket to the NCAA games?  Don’t fret, stay and eat!  Vinny’s will have the action on various TV’s, so it will feel like you are there.

The Food Adventures Crew are sports fans, and a while ago we found a locally owned place to have a little ‘Munch Madness’ of our own.  Vinny’s features an in-house menu with many homemade variations depending on the day.  Sometimes you can even catch the bearded catering sensation Rick from “Rick’s Tropical Delight Catering” and his ‘Big Green Egg Cooker.’

Lamb Chops cooked by Rick from ‘Ricks Tropical Delight Catering’

Vinny’s Bar & Grille is on 2229 Dryden Rd in Moraine just a couple of miles from UD Arena.  The bar & grill is active in the community, supporting charities and trumpeting Dayton athletics.  What Daytonian wouldn’t love that?  It is a hometown bar with a unique menu.. well, three menus, actually.  There is a weekday menu, nightime bar menu and a special ‘tailgate buffet’ menu during men’s home basketball games.   The prices are cheap too!! Oh, but that’s not all folks.   Add to the mix their special guest from time to time, Rick with “Rick’s Tropical Delight.”  He cooks out back and sips beers with patrons.  This bearded wonder could be a long lost member of ZZ top.  He has style, he has skills, and long beard that amazingly avoids being singed on the grill.   Rick has a 6 ceramic cookers called the ‘Big Green Egg.’  What is the Big Green Egg? It is a hardwood, lump charcoal ceramic grill.  You can find Rick cooking anything from Hot Polish Sausages and Bratwurst, to Beef Brisket and Chateaubriand Steak depending on his mood.  Last night, we were lucky enough to enjoy his Grilled Lamb Chops and Shrimp on the Barbie.  The lamb chops were lean, delicious and perfectly cooked.  The shrimp also had an unforgettable flavor of infused smokiness from the hardwood grill.  Rick knows his craft, and is a true grill master.

We were first introduced to Vinny (who’s 50th birthday is today) when we tried his Voodoo Chili at the AMBUCS chili cookoff.   Now having visited Vinny’s a few times, we can tell you that the menu choices are constantly changing.  But with the variety, comes some pretty fantastic food.  The waitress told us all of the entrees and sides were homemade except the cottage cheese.   you gotta love that.  Energetic owner, Vinny Nyhan invited us to the ‘First Four’ Pre-Party at Vinny’s Bar & Grill last night to kick off March Madness.  His wife Jane and kitchen cook Cindy were preparing some amazing dishes.  What ensued was a full blown Food Adventure.

The Glazed Carrots are the best we have ever eaten

First on our list of things we want to tell local foodies about is a regular menu item at Vinny’s, the Wright Way Reuben.   It is a slow-roasted Corned Beef Brisket baked in Guinness Stout.  Sauteed in sauerkraut, the beef is topped with Swiss cheese and Thousand Island dressing, then placed on grilled rye bread.  We thought it was a damn good reuben, especially at the price of $6.50.   It was loaded with flavor.  We liked the fact that it was filled with chopped, not stringy, corned beef.  You can’t go wrong with this homemade sandwich.   If you do not order one, you should be charged with a technical foul.

Speaking of foul, another specialty at Vinny’s is Broasted Wings.  Tasty sauces like BBQ and Hot are hugely popular with wing fans.  We prefer the Medium Garlic Wings and the Orange Chipotle Wings.   The wing size are some of the biggest in Dayton, yet they are  cooked all the way through.  Does anyone else have broasted wings in Dayton?  We would put them up against any wing in the area.  If you love wings, make sure you check out  50 cent wing night every Thursday.

We would do anything for love, including eat Vinny’s Meatloaf.   This is not some trendy apricot chutney meatloaf.  This is the kind of meatloaf your mom would make.  It is a slab of meat with perfectly hardened edges and just the right amount of baked ketchup on the top.  Bring your mom out to try some, it is just that good.  It will give you a chance to say MOM, THE MEATLOAF!

Broasted Chicken Wings – Orange Chipotle Flavored and Huge

May we also suggest the Wednesday night special, the Pulled Pork Sandwich.  Tossed in sauce, this sandwich was huge, but we devoured a couple of them in no time. They were delicious.  We would suggest the straight BBQ Sauce as opposed to the hot bbq on the rebound.

Rarely do you find a place with excellent homemade side dishes.  We cant believe we are writing this but the Glazed Carrots are to die for!  Yes we said it, and we aren’t ashamed to admit it!  Perfectly glazed and tossed in rosemary spices, they were the best carrots we have ever eaten.  It would shame some of the best fine dining establishments.   The Homemade Potato salad was so fresh, and the Macaroni Salad deserves honorable mention.  Just like us, accept no substitutions or weak imitations here.

There is so much more to Vinny’s that we have yet to explore.   They have a full breakfast menu, burgers, sausages and an attached carryout store.   Also, Vinny’s  has a great spread before each home UD Basketball game called the “Tailgate Buffet” or “Fast Break Buffet.”  It features all you can eat wings, sausages, side items, soup and a specialty item.  The specialty item on our trip to Vinny’s last month was Sloppy Joes.   The sloppy joe recipe is a good one.  It is a sweet meat recipe and also includes some green peppers.  Again, some of the best we have ever eaten.  Make sure you check out the buffet before the basketball games, it feels just like sinking a 3 point shot.

Vinny and Rick out back with the ‘Big Green Egg’ Ceramic Grill

Vinny’s  daily specials are: Monday Meatloaf, Tuesday Broasted Chicken, Wednesday Pulled Pork, Thursday Sloppy Joe night and 50 cent Wing Night, and Fried Alaskan Pollock Fish Friday.  There is one catch with Vinny’s, they are only open Monday-Friday.  In an area once populated by NCR and GM, Vinny’s still continues to crank out good food from scratch.  They are open on Saturdays and Sundays only during special events like UD home basketball games or private parties.   The atmosphere is a clean, casual family sports bar.  The servers are very personable and many of the patrons seem to know each other.  We even had a chance to meet Vinny’s Mom and Dad, who used to own East Dayton Sausage company.

Chef House, Hungry Jax and The Big Ragu continue to be  charmed by the home cooked recipes at Vinny’s.  Listen, we are not food critics, we are Food Adventurers.  Every good meal we attend is an event.  We are just two guys that love to eat.    Vinny’s Bar & Grill is just the place for people who love good food.   They have a basic menu and daily specials.  Just come in and look on the board, you will always be in for a treat.   There is no place like it in Dayton.  The prices are inexpensive and some of the best prices for quality food in the Miami Valley.  We promise that if you come in here and try some of these in-house creations, you will be hooked like us.   All of the specialty items on Vinny’s menu are slam dunks !

Have you tried the home cooking at Vinny’s Bar & Grill?  Please comment below about your experiences !

DONT FORGET TO VISIT VINNY’S ON FRIDAY (Tomorrow) FOR THE MARCH MADNESS PARTY STARTING AT 11AM, FEATURING THE BIG GREEN EGG COOKER and RICK’s TROPICAL DELIGHT CATERING !

Also – For more FOOD ADVENTURES , dribble on over to our Facebook Page and “like” us by clicking HERE.

[flagallery gid=31 name=Gallery]

 

Filed Under: Dayton Dining, Food Adventures, The Featured Articles Tagged With: Vinny's Bar & Grille

Dayton Art Institute Commemorates 100 Year Anniversary of the Great Dayton Flood of 1913 with Three Exhibits + TICKET CONTEST

March 20, 2013 By Dayton Most Metro 2 Comments

April Gornik, The Horizon, 2008

April Gornik, The Horizon, 2008

Next week will be the 100 year anniversary of the Great Dayton Flood, which was not only the biggest natural disaster to happen to Dayton and other communities along the Great Miami River – it was the worst natural disaster to happen in the entire country.  Local media is covering this historic event, including here on Dayton Most Metro (check out our five-page feature by Joe Aiello), and several local organizations are recognizing this anniversary this month, including Dayton History, The Miami Conservancy District and Dayton Art Institute.  The latter opened up a brand new three-part exhibit almost a month ago that runs through May 5 which I had the pleasure of previewing.  (See our ticket contest at the end of this article!)

The first exhibit at DAI is called “Storm: Paintings by April Gornik“, with large-scale pieces that greet you and evoke the feeling one may have had watching those storms from a hundred years ago roll in over the Miami Valley.  Gornik,  an internationally renowned artist and Cleveland native, uses horizons, light and clouds to create an ominous atmosphere in each of her paintings that set the tone beautifully for the rest of the exhibit. She will be at DAI on Saturday 3/23 at 3pm to discuss the genesis and development of her work in the talk Landscape and Metaphor.

After you experience the larger-than-life paintings by April Gornik, you then begin “Watershed: 100 Years of Photography along the Great Miami River” and step back in time as you first view old photographic equipment that was used a century ago, putting into perspective the amount of work it took to carry these cameras around and capture those frightening scenes from the great flood.  A far cry from today’s cameras that are simply part of our everyday smartphones that we slip into our pockets!  From there you experience stunning historic photographs taken at all stages of the great flood, from the beginning rising waters to the height of the flood and desperation of those trying to escape, and finally to the mind-blowing aftermath that took an unprecedented community effort to not only rebuild, but rebuild in a way that avoided such a disaster for the next century and beyond.

Looking North on St. Clair St. in Downtown Dayton (1913)

Looking North on St. Clair St. in Downtown Dayton (1913)

The unique thing about the photos in this exhibit is that each is paired with a modern-day photo taken at each of the same locations by Dayton photographer Andy Snow.  Andy painstakingly reviewed hundreds of historic photographs from the great flood and then went out and shot on-location over the course of several months to re-capture those moments in time one hundred years later.  Andy happens to be a good friend of mine (his Downtown Dayton skyline image continues to serve as our social media profile backdrop) and I had a chance to ask him recently about his experience with this project.

Dayton Most Metro: The pictures you took for the Watershed exhibit at DAI are amazing. How long did this project take you?

Andy Snow: When the exhibition closes on May 5 it will be one year since I began the project. My mission was not necessarily to precisely match the old with the new, though you will see in the exhibition and the new book some images that are quite astonishingly close. The overarching concept that we (the MCD and I) worked on was to return to the sites of selected 1913 photos and create a representation of what exists at the site today in a fashion that resonates and informs not only how the Miami Conservancy District has helped us stay safe from a repeat of the disaster, but also how communities have returned with vibrancy and development along the Miami River without worry about such devastation happening again. Identifying exact locations is more of an art than science given that our only reference is the photos themselves. No GPS tagging back then. Often all I had to work with in the field was a small thumbnail of the 1913 image on my iPhone. I approached this as a documentarian. Record what was in front of the camera. No Photoshop post processing. I often made repeat visits to specific sites to get the light and the location just right. Having so many blue-sky days last summer and fall was an incredible bonus. I had many moments of serendipitous synchronicity.

Looking North on St. Clair St. in Downtown Dayton (2012) Photo by Andy Snow

Looking North on St. Clair St. in Downtown Dayton (2012) Photo by Andy Snow

DMM: Looking at the historic photos that were part of the exhibit, it doesn’t take much to imagine the horror that people went through during those terrifying days of the flood and the weeks and months that followed. Which historic photos had the biggest effect on you personally before you started shooting?

AS: The 1913 panorama view from hill where the The Dayton Art Institute was built in the 1920s, in my mind, one of the most iconic views. The glass transparency on display of this view is a treasure that we found in the MCD archive. It’s hand-tinted from the original B/W photo. I printed most of the prints in the exhibition; not just the new pictures but also the 1913 images from scans or high res digital photos I made of the postcards that were loaned from Historical Societies and collections.

Seeing photos of people standing on the remains of bridges to rescue poor souls clinging to pieces of houses coming downstream has impacted me for life.

DMM: And as you were photographing all of those same locations and vantage points, were there any that took on a new meaning once you stood in that spot?

AS: One favorite example would be how I was able to bring up more detail from the scan of the 1913 panorama (pictured below) so you can see more detail of the City of Dayton across what I have come to call “Lake Miami” which is what the Great Miami came to look like. The part of the picture that shows just how much McPherson Town was totally underwater is astonishing. The 2012 photo is now already an historic artifact because of the new work on I-75. The view has changed! As they rework the exits to downtown Dayton, the steel girders visible in this “new” photo have been removed. Lesson: nothing is permanent.

E. Third Street at St. Clair looking west 1913 & 2012 (Andy Snow)

E. Third Street at St. Clair looking west 1913 & 2012 (Andy Snow) Click to enlarge

DMM: It is one thing to read about the flood, but it must be quite another to have studied those historic photos and then shoot modern-day photos in all of those same locations. What did you take away from your experience that you didn’t know or feel before you started?

AS: The big thing was how much the entire region was affected. Many Hamilton industries, for instance, along the Miami River were lost forever. Piqua was flooded first and the water traveled for several blocks to the downtown square. We knew about the impact here in Dayton. The revelation was how much wide-spread impact there was to other communities up and down the River, from farm lands to all kinds of businesses and neighborhoods.

Another big revelation came at the end of the photography process when I learned that a cousin of mine made some of the very photos from 1913 in West Carrollton that I referenced for the new photos there. We are descendants of a common ancestor that settled near the Great Miami along Bear Creek (north of Miamisburg) in 1804. Jacob Weaver was one of the region’s pioneers. His farm was a land grant received for fighting in the Revolutionary War for the Colony of Pennsylvania. (I love to say those last 3 words.) Noah Elwood Weaver was a photographer who worked for the West Carrollton Envelope Company as well as NCR. Yeah, his name was Noah. Photographing the Great Flood.

DMM: What do you hope people will take away after seeing the Watershed exhibit at the Dayton Art Institute?

AS: The Great Flood left a stamp, a watermark if you will, of caring and giving that makes living in this exceptional community such a joy and such a motivator of humanitarian deeds and great work for the good of all.

We have become stronger by evolving into a region of people that help their neighbors make a better place, a safer place for prosperity and growth. And I’m really proud to be a part of such a community.

The level of cooperation and collaboration between the cities and communities along the Great Miami is now at an all time high thanks to the anniversary of the Great Flood. It’s an historic moment and we can all benefit from the interaction and new growth possibilities and amenities that every community is working to complete. Fear of the River has subsided immeasurably. There’s really nothing quite like this return to the River anywhere else in the country.

Andy Snow will be at DAI on Saturday 3/23 at 4pm to present the talk Sherlock Holmes Meets Ansel Adams, a discussion of how he used cues and clues from 1913 photos of the flood to create new images that inform us about life and culture in the Miami River Valley, past, present, and future.

The last part of the exhibit is titled “Riverbank: Exploring Our River-Centered Development” and consists of images and information that capture development concepts and realities along the Great Miami River. You can revisit earlier concept plans for development of the area at the foot of The DAI’s grand staircase that runs along the northwest bank of the Great Miami, and current developments on the river are shown. Historical plans generate the basis of an interactive display that captures visitors’ ideas about ways in which The Dayton Art Institute might connect with kayak/canoe runs, bike and walking paths, public transportation routes and newly opened freeway access at their front door.

The three part exhibit at Dayton Art Institute is open now through May 5th.  Tickets are $12 for adults, $9 for seniors, students and active military, $6 for youth (7-17) and free for DAI members and children under 7.

1913 panorama view from the hill where DAI now stands

1913 panorama view from the hill where DAI now stands

TICKET CONTEST CLOSED

Congratulations to our ticket winners!

Rachael Sizemore
Susan Steinmetz
Bettina Back
Matt Langdon

 

Filed Under: Visual Arts Tagged With: Andy Snow, Exhibits: Storm, Great Dayton Flood, Watershed & Riverbank Article

Hey Dayton – Show Us Your Peeps – Contest with Prizes!

March 20, 2013 By Lisa Grigsby 1 Comment

It’s time for our 3rd annual Peep Show!   url-40

Here’s your chance to use your creativity and love of Dayton to craft a picture, sculpture or diorama using Peeps candies based on a Dayton related event, person, landmark or historical happening!  Think pop culture, news events, movies, and more.    Your entry can be constuctd from just about anything, but must be at least 1/3 peeps.  Peeps do not need to be used in their original shape of form.

Once you’ve created it, you’ll need to submit it to us, art work is due by  Sunday, March 31st.
Contact us for more info if you’re submitting an entry. Something new this year, all  entries will be on display at Town & Country Shopping Center in Kettering.  We will post all the pictures and ask our readers to help us choose their favorite based on originality, creativity and adherence to the theme.   Voting will begin on Monday, krogerApril 1st and winners will be announced on Thurs, April 4th. And what’s a contest without prizes?  Our first place winner will win a $150 gift card to Kroger, second place will get a $100 Kroger gift card, and third place will get a $50 Kroger gift card!

Not familiar with Peeps?  Boxed in sets of five, they are marshmallow candies,  created by a Russian immigrant and hatched each Easter season at a factory in Bethlehem Pennsylvania. Over the years peeps have become diverse, first expanding from the original yellow chick to an array of pastels.  Next came bunnies and then in a recent campaign the candy has been touted as “Peeps – Always in Season” and they’ve started making them in other shapes, like ghosts at Halloween and snowman at Christmas.   They are made from marshmallow, corn syrup, gelatin, and carnauba wax.

Peeps art contests have popped up all over the country and here are a few sites you can visit for inspiration:

20 Awesome Pieces Of Marshmallow Peep Arturl-41

Peep Modernist – The Best Peep Art Creations

Peep Show: Creating Art From Marshmallow Peeps

url-43

 

Filed Under: Dayton Dining, The Featured Articles Tagged With: Kroger, peep art, Peep Show, peeps

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