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Archives for March 2013

Lucky’s and Wings host Eat to Win Contests this Weekend

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joey chestnutWhen you say Extreme Eating Contests, most people envision Nathan’s Hot Dog Eating Contest, held each4th of July at Coney Island, in Brooklyn, New York.  ESPN broadcasts this and Joey Chestnut has captured the title six times, most recently by eating 68 hotdogs, buns and all in 12 minutes.

While Dayton hasn’t gotten quite that extreme, we do have our share of eating contests that exist. There’s the E-I-E-I-O challenge from OinkADoodleMoo:

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Johnny’s Pizzeria in Centerville offers a Brooklyn Brawler Challenge, has seen a half-dozen two-person teams succeed in polishing off the eight-pound, meat-stuffed pizza within 30 minutes, Voltzy’s has the Bill Clinton Divorce Finale challenge: A 14-pound burger with a half-pound of onions and 20 slices of cheese on a one-pound bun.  Eat it in an hour and Rick Volz pays you a $100, if not you owe $40 for the food.  Quaker Steak & Lube has their Atomic Wing Challenge- eat 6 atomic wings and you’ll get t-shirt and a sticker, but you still have to pay for your wings.  Submarine House has their Super Duper Cheesesteak Challenge going on, eat your 16 inch cheesesteak in 16 minutes and it’s free, you’ll get a t-shirt and you’ll qualify for the semi-finals to be held March 24th.

And if you’re in the mood to see how you do at one of these eating challenges there are 2 happening this Saturday:

As part of Wings Sports Bar & Grill‘s 15th birthday celebration they will be hosting the
7 MINUTES IN HELL-HOT WING EATING CONTEST.  For a $20 entry fee the person who eats the most hot wings in 7 minutes will win $100.  Contestants should check in by 7pm for the 8pm contest, all participants must read & sign contest rules. Entry forms are wingslocated at the bar.  The Winner last year, Jared Price, finished off 26 Hot wings in 7 minutes. Give this guy a challenge!
If you’d rather just watch the festivities, and enjoy the band, Shadow Facts will play live and rock the house at 8pm. There will be a 50/50 raffle for the Nick Aycock Benefit going all day. There will also be drink specials, food deals & giveaways all day.
Lucky'sLucky’s Taproom and Eatery has been celebrating their 2nd anniversary all week long with special beer tappings and on Sat they too will host an eating contest. The Death by Dog eat off will be won by the first person to finish 3 pure beef dogs wrapped in cheese, wrapped in bologna breaded and deep fried.  Entry for this contest is $10 and the winner will get their name on a plaque, a t-shirt and a set of dog tags, as well as bragging rights!
Happy eating! And if we missed any eating contests, tell us about them in the comments below, please!

 

Dayton, Foreclosures, and Caveat Emptor!

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Dayton is the second-best metro area in the nation for good deals on foreclosures. You probably saw that news and for some buyers that will be good news, but only if you are prepared.

Sandalview 033Foreclosures are a different beast than buying a home via a traditional home seller so if you are looking at these homes, here are a few tips to make your Dayton home-buying experience more productive, your real estate agent can give you details.

Foreclosures are popular right now and that means you need to plan ahead. These homes can sell in a matter of days, and often sell with multiple offers involved. If you are going to look for foreclosures, know the neighborhood you want, have your finances in order, and let your Realtor know your plans. She can set you, and/or herself, up in the Dayton Area Board of Realtors MLS system to receive email alerts when any property that meets your criteria comes on the market. You will know within hours of it hitting the MLS that a home is available. Be prepared to move quickly on the best homes and discuss with your Realtor ahead of time how you are going to craft on offer. Keep in mind that the best homes end up in a multiple offer situation in which case you will be asked for a “highest and best” offer, so have some idea of what your highest and best offer would be so you can respond to the bank in a timely manner.

One thing to keep in mind is that the seller- the bank- is very much like the Honey Badger in that Bank Don’t Care! This is strictly a business transaction, it’s all about the money, but by clearly understanding that the bank is concerned 100_6085with their bottom line, you can make them an offer they can’t refuse.  How do you do that? Glad you asked!

Cash is king. If you can pay cash for a home your offer stands a better chance of being accepted. Many transactions fall apart because in the end the buyer can’t get financed for some reason or the other and financing a home typically takes 30 days or more, whereas most cash sales can close within two weeks. Banks know this and if two offers come in exactly the same except one is cash and one is financed, they are probably going to take the cash offer- wouldn’t you? If you are financing a home, make sure you have your finances in order before you submit a bid, and that your loan will work with foreclosed homes. Many loans require extensive inspections and foreclosed homes may not pass. Discuss these details with your lender and Realtor ahead of time so you all know what type of home you can purchase.

One of the things you might choose to do is to remove inspection contingencies. Not a good choice for the novice or inexperienced home buyer, but when you make an offer on a home, you have the option to get inspections done. Inspections are a very good idea, highly recommended, but if you are familiar with construction and understand what you looking at, you might choose to forego inspections. Many foreclosures will have all utilities turned off so you will not get a chance to test plumbing or electric, furnace and air conditioning. It’s crucial to be knowledgeable under these circumstances. If you do have inspections, you may have to pay to have the utilities turned on so be prepared.

Not asking a seller to pay your closing costs is a common way to boost the strength of your offer as well, as is being able to close as soon as possible.

What can you expect from a foreclosed home? Deferred maintenance. If someone cannot pay their mortgage, they are typically not in a position to make repairs on the home. Also, these homes could be left vacant for years before they are on the market. They may have had pipes burst, they may have had animals loose in them, the copper might be stripped, appliances will probably not come with the home, the furnace and air conditioner might be missing. Broken windows are not unusual, and if it has sat vacant for awhile, the water meter might have been removed by the county and someone has to pay to get it replaced- likely, that someone is you.

Cosmetically, foreclosures tend to fall into two categories, either the home needs work- carpet, paint, new cabinets and fixtures, or, the home had some 100_6088serious issues and the bank has paid for cheap fixes and cover-ups. If it looks too good to be true, it probably is, and there is always something unexpected that needs repair so make sure you have cash on hand for that.

Be prepared to sign reams of paperwork and disclosures, be prepared to act quickly, make sure you and your Realtor are signing everything that needs to be signed, and are submitting the offer in the manner requested- very crucial. If you have a doubt about either the process or the home, back away, think about it, and if necessary, move on. Know your limits, and share those with your Realtor so you do not get caught up in an unnecessary bidding war. It’s a good idea to keep looking at homes while you wait for the bank to respond to your offer. That can help you keep things in perspective, and you can quickly move on to another property if you lose the bid.

Foreclosures are not for everyone. They require cash reserves, knowledge, patience, flexibility, and preparation. If you are thinking at all about purchasing a foreclosure, discuss the pros and cons with your Realtor, ask if she might show you a few so you get an idea of what you are in for, and most importantly, be absolutely honest with yourself about your skills, experience, knowledge, and finances.  Dayton is a great place to buy foreclosures, but only if you know what you are doing.

 

 

Annie Griffiths: A Camera, Two Kids and a Camel + TICKET CONTEST

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ANNIE GRIFFITHSPhotographer ANNIE GRIFFITHS kicks off the second event of the 2012-2013 FIFTH THIRD BANK NATIONAL GEOGRAPHIC LIVE SERIES on March 11 at 7p.m. in the historic Victoria Theatre. This thrilling event is presented by Victoria Theatre Association and Five Rivers MetroParks. Tickets are available at the Ticket Center Stage Box Office, by phone at (937) 228-3630, (888) 228-3630 or online at www.ticketcenterstage.com.

In this presentation, audiences get an inside look into the life of ANNIE GRIFFITHS and how she maintains balance and joy of creating a meaningful life. Griffiths will share stories about her international travel, the people she met, as well as show photographs that documented her experience. Her presentation of A CAMERA, TWO KIDS, AND A CAMEL along with her sense of humor and touching stories will excite the audience and give them an insider’s look into her life and world.

Along with her magazine work, ANNIE GRIFFITHS has a passion for photographing people and places in need around the world. She is founder and executive director of Ripple Effect Images, a team of journalists who document the climate change and its effects on people in need, especially women, and the programs that empower these women through the developing world. One of the first women photographers hired to work for National Geographic, ANNIE GRIFFITHS ‘ photographs have appeared in LIFE, Geo, Smithsonian, Stern, and Time, as well as her own two books, “ A Camera, Two Kids and a Camel” and “Simply Beautiful Photographs.”

Single tickets for the ANNIE GRIFFITHS lecture start at just $20 and are on sale now at the Ticket Center Stage Box Office, by phone at (937) 228-3630, toll-free (888) 228-3630 or online at www.ticketcenterstage.com. Ticket Center Stage Box Office hours are Monday – Friday 10 a.m. – 6 p.m., Saturday noon – 4 p.m., and two hours prior to each performance.

Green Day’s American Idiot comes to Dayton + TICKET CONTEST

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Alex Nee (Johnny) and company in AMERICAN IDIOT

Alex Nee (Johnny) and company in AMERICAN IDIOT

The Victoria Theatre Association continues to expand its boundaries in bringing the best of Broadway to Dayton, and will provide a musical theatre experience of a different kind with Green Day’s rock opera American Idiot, playing at the Victoria Theatre March 12 – 14.

A story very much of this era, American Idiot is the tale of three young men who’ve been friends all their lives. The story finds them on the brink of adulthood, and soon they’ll have to decide whether they’ll strike out into the world to follow their hearts or take an easier path and remain in the comfort of the suburbs. The cynicism, ennui, black humor, and paranoia of youth in post-9/11 America is front and center in this Tony- and Grammy-winning show.

The musical is based on punk band Green Day’s multi-platinum 2004 album by the same name. Director Michael Mayer (Spring Awakening) approached the band with the idea of translating it to the stage, and in April 2010, it opened on Broadway with music by Green Day, lyrics by frontman Billie Joe Armstrong, and a book by Armstrong and Mayer. The production ran for one year, with 421 performances logged by the final curtain.

Ensemble cast member Dustin Harris Smith said, “Someone who doesn’t know Green Day will still have a good experience with this show. Right from the start, it’s an explosion, and as long as you — or your parents — don’t mind the F word, then it’s perfectly accessible. It’s definitely not for everybody, but we see people of all ages in the audience and they really enjoy it. The other day, we had a seven-year-old girl in the front row, and we were very happy to have her. As long as the parents are there to accept it, we’ll be happy to yell at your child. Or,” he added, “your grandmother!”

The New York-based actor also occasionally takes on the role of Tunny, one of the lead trio who joins the military and goes off to war. Musical theatre has already taken him abroad as Bobby in an Edinburgh production of Urinetown, and he performed in The Who’s Tommy and other shows during his educaton at NYU and was paid a visit by a casting director while he was still in school. Several callbacks later, he was cast, and workshops of the touring version began in May 2012 as Smith prepared to graduate.

Alyssa DiPalma (Whatsername) and Alex Nee (Johnny) in AMERICAN IDIOT

Alyssa DiPalma (Whatsername) and Alex Nee (Johnny) in AMERICAN IDIOT

“I call myself The Thrasher,” Smith said, “because I do a lot of the high-octane support in the show. I’m in almost every number backing the three leads and thrashing around. I give all my energy for every performance, which is weird on two-show days, when I have to give 200% of myself. We call them ‘two dow shays,’ because at the end of the day, you’re so exhausted nothing works right or makes sense anymore. When we leave the theater around 11 p.m., most people are going out partying. My party is with my pillow!”

“We just finished our 117th performance,” he said by phone from Hartford, Connecticut. “There’s a lot of belting and screaming, and we do it healthily and have to take care of our voices, but every now and then someone has to take a performance off just based on the wear and tear of the show. There are a few people in the company who have never called out, and,” he added with a laugh, “there is something very wrong with them, and they are freaks.”

When not involved with theatre, Smith has a very unique pursuit as a passionate board game enthusiast with a dream of owning his own game company.

“I’ve produced five or six board games that I’m trying to get play-tested to maybe start a company,” he said. “It’s a small passion I don’t usually tell people about, but it’s very fun for me. Board games are a great way to be face to face with people you know, or don’t know, and get to know how they think.

As his own personal favorite game, Smith is particularly fond of the classic Stratego.

“I’m a big strategy guy,” said Smith, “and if I can get in the head of the person I’m playing, it’s a small victory. The deception and randomness is something I love, that anyone can lay their pieces down in any order, and it becomes kind of a logical guessing game, like chess.”

Smith’s tour with American Idiot will take him all over the United States before wrapping in September after lengthy stints in Tokyo and Seoul.

“We’ve had our share of season ticket holders,” he said, “who are just there to experience something they’ve never experienced, and boy, this is it. The show is filled with spectacle, and there’s a bit of acrobatics… It’s almost like reliving the ’70s era of rock concerts, in a way, but it’s also a very moving piece. I’ve gotten to watch it twice myself, and I laughed and cried both times.”

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CONTEST CLOSED

Congratulations to our ticket winner: Mikee Huber

 

ON STAGE DAYTON REVIEW: The Addams Family (Victoria Theatre Association) – Ghoulishly Good

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Addams Family - CastIt’s wonderful to know top-drawer musical comedy is alive and well at the Schuster Center thanks to the outstanding local premiere of “The Addams Family,” the absolutely hilarious 2010 musical inspired by the legendary creations of cartoonist Charles Addams in “The New Yorker” and presented on the Victoria Theatre Association’s Premier Health Broadway Series.

Completely retooled with new songs and tighter character development since its messy 2009 pre-Broadway Chicago tryout (which I loathed) and subsequently shaky Broadway mounting, “The Addams Family” finally gels as its wonderfully witty absurdity, surprisingly touching tenderness and enchanting whimsy clearly, cleanly coalesces. Walking the fine line of glorifying and poking fun at death without being in poor taste, librettists Marshall Brickman and Rick Elice (“Jersey Boys”) have streamlined the material to focus on the coming-of-age subtext stemming from the quickie engagement between morbid Wednesday Addams (a marvelously intense Jennifer Fogarty) and her new boyfriend Lucas Beineke (an appealing Bryan Welnicki). Brickman and Elice oddly glosses over the fact that Wednesday and Lucas seem too young for marriage, but the utter shock of the engagement serves its pivotal purpose nonetheless, especially when Wednesday begs her easygoing dad Gomez (terrific comedian Jesse Sharp) not to tell her assertive, perceptive mom Morticia (the cool, statuesque KeLeen Snowgren) about her big news. As Gomez and Morticia cope with Wednesday’s budding relationship and the arrival of Lucas’ straight-laced parents from Ohio, the notion of what one considers “normal” takes on deep, relatable significance. After all, despite serious eccentricities or overt dysfunction in any family, love can prevail if accepting and appreciating someone’s differences is a priority. And in this breezy tale, tunefully broadened by composer Andrew Lippa’s nifty Tony-nominated score recalling Mel Brooks’ clever ditties for “The Producers” and “Young Frankenstein,” the transformative power of acceptance proves monumental.

Wright State University alum E. Cameron Holsinger skillfully recreates Jerry Zaks’ sharp, fast-moving direction, coaxing excellent portrayals across the board. Sharp, who deserves his own sitcom, maintains a very charming, eager-to-please disposition throughout while believably conflicted and moved as Wednesday’s engagement consumes Gomez’s thoughts. He also has a delightful chemistry with Snowgren, who never allows Morticia’s iciness to supersede her underlying warmth. Fogarty, an impressive vocal knockout who nearly stops the show with a dynamic rendition of “Pulled,” is equally well suited with Welnicki, who particularly joins her for the catchy “Crazier Than You,” a strong pop number that humorously raises the stakes of Wednesday and Lucas’ affection even though their dating history could certainly benefit from more backstory. Shaun Rice endearingly guides the proceedings as the peculiarly moon-adoring Uncle Fester. Jeremy Todd Shinder’s portrayal of devious Pugsley Addams strikes a chord during “What If,” a cute song about Pugsley and Wednesday’s unique bond. Scene-stealer Amanda Bruton is a downright hoot as the daffy, vulgar Grandma. Dan Olson, who is given a prime moment to shine during the finale, scores many laughs as imposing butler Lurch. The appropriately uptight Mark Poppleton and genially offbeat Blair Anderson are great as Mal and Alice Beineke. Ensemble members James Michael Avance, Chloe O. Davis, Jake Delaney, Lexie Dorsett, Aaron Fried, Elizabeth Hake, Katie Mebane, Julia Lancione, Galloway Stevens, and Julio Cataono Yee unobtrusively weave in and out of the action as the Addams ancestors.

Additionally, Jonathan Ritter recreates Sergio Trujillo’s original choreography with finesse, specifically the amusingly energetic opening number “When You’re an Addams” and Sharp and Snowgren’s sultry “Tango de Amor.” James Kronzer’s set design modifications of Julian Crouch and Phelim McDermott’s original creations retain a stately allure. Crouch and McDermott’s costumes are also attractive. Natasha Katz’s lighting design is strikingly moody. Basil Twist and Gregory Meeh respectively supply eye-catching puppetry and special effects.

Trust me when I say “The Addams Family” would still be playing on Broadway if this splendid cast and revised script were involved. Peering into the dark side has never been more delectably entertaining.

“The Addams Family” continues through March 10 at the Schuster Center, Second and Main Streets, Dayton. Performances are Friday at 8 p.m., Saturday at 2 and 8 p.m. and Sunday at 2 and 7:30 p.m. Act One: 65 minutes; Act Two: 50 minutes. Tickets are $15-$96. For tickets or more information, call Ticket Center Stage at (937) 228-3630 or visit www.ticketcenterstage.com

 

 

ON STAGE DAYTON REVIEW: A Chorus Line (Beavercreek Community Theatre) – What They Did For Fun

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Beavercreek Community Theatre - Chorus LineOverreaching can be precarious in the topsy-turvy world of community theater, especially when an organization has to live up to iconic material. A recent case can be found at Beavercreek Community Theatre where James Kirkwood, Nicholas Dante, Marvin Hamlisch and Ed Kleban’s 1975 Tony and Pulitzer Prize-winning “A Chorus Line” receives a bizarre treatment.

Director Doug Lloyd, who rarely missteps when staging musical theater, startlingly assembles a jarring hodgepodge of clashing ages, skills and sizes for this classic look at aspiring hopefuls longing to join an upcoming Broadway musical. Each dancer’s wonderfully insightful background remains attractive as always, but the sheer legitimacy of their world, including the critical proficiency to appear as viable Broadway-caliber dancers, is totally amiss here, cheapening the show’s legacy and intent. In fact, the awkward costuming appallingly suggests the show takes place at some point between 1975 and 2013. It also doesn’t help matters that the pre-recorded use of Hamlisch and Kleban’s dandy score, including such gems as “At the Ballet,” “Nothing,” “What I Did for Love” and “One,” sounds so thin and distant you’d think it was playing in a car stereo in the parking lot.

As for the cast, only Mick Merkle (Larry), Tina de Alderete (Diana), Joshua Hughes (Mark), Sandra Hyde (Sheila), Matt Curry (Richie), Lisa Glover (Connie) and Akayla Crawford (Maggie) walk away marginally unscathed. Matt Owens, who hardly dances even in the crucial opening number, particularly barks and bellows his way through his one-dimensional portrayal of director/choreographer Zach, who has difficulty grasping the job-hungry desperation of his former flame Cassie (an uncomfortable, reserved Kristan Stanforth who truly struggles in “The Music and the Mirror”). Lloyd’s ensemble, attempting Stacy Gear’s Michael Bennett-inspired choreography to the best of their abilities, also includes Lindsay Sherman, Maggie Carroll, Danielle Kubasky, Meagan Kuchan, Brian Kester, Ben Douglas, Nicholas Sutton Brown, Mike Stockstill, Anthony Fende, Gary Watts, Jordan DuVall, Ryan Garner, and Allison Willardson.

I’ve no doubt Beavercreek Community Theatre greatly admires “A Chorus Line.” However, the troupe fails to present it realistically. They haven’t gone as far as to stage an all-black version of “1776” but authenticity matters.

“A Chorus Line” continues through March 10 at the Lofino Center, 3868 Dayton-Xenia Rd., Beavercreek. Performances are Friday and Saturday at 8 p.m. and Sunday at 3 p.m. The production is performed in 120 minutes without intermission. Tickets are $13 for adults and $11 for students and seniors. For tickets or more information, call (937) 429-4737 or visit online at http://bctheatre.org

 

 

EMPEROR Opens Exclusively at THE NEON!

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Emperor-TrailerHello Everyone,

It’s time for us to let go of the Oscar-winning film AMOUR. Today (3/7) is your last chance to see it at THE NEON. On Friday, we will open an exclusive engagement of EMPEROR – the new WWII drama starring Tommy Lee Jones and Matthew Fox. In addition, we will continue our run of QUARTET – it has been our biggest hit in a long time! Remaining showtimes for this week are at: www.neonmovies.com.

Synopsis for EMPEROR: “Matthew Fox joins Academy Award winner Tommy Lee Jones, newcomer Eriko Hatsune, and award-winning Japanese star Toshiyuki Nishida to bring to life the American occupation of Japan in the perilous and unpredictable days just after Emperor Hirohito’s World War II surrender. As General Douglas MacArthur (Jones) suddenly finds himself the de facto ruler of a foreign nation, he assigns an expert in Japanese culture – and psychological warfare – General Bonner Fellers (Fox), to covertly investigate the looming question hanging over the country: should the Japanese Emperor, worshiped by his people but accused of war crimes, be punished or saved? Caught between the high-wire political intrigue of his urgent mission and his own impassioned search for the mysterious school teacher (Hatsune) who first drew him to Japan, Fellers can be certain only that the tricky subterfuge about to play out will forever change the history of two nations and his heart.” (Roadside Attractions) Click HERE to visit the official site.

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We’ve got several special events on the horizon. Mark your calendars now for Peace on Fifth’s third film in their human trafficking series. The film is called FLESH, and it will screen Thursday, March 28 at 7:30. More details will be available next week. Also on the horizon is The 13th Dayton Jewish International Film Festival. I’ll go into more details in the coming weeks, but you can download a brochure for the festival by clicking this LINK. To visit the website, click this LINK. 8 films from this festival will screen at THE NEON, and the line-up looks terrific!

We hope to see you soon,
Jonathan

SHOWTIMES for Fri. March 8 – Thur, March 14:

QUARTET (PG-13) 1 Hr 38 Min.
Friday, Saturday, Sunday: 12:30, 2:50, 5:00, 7:15, 9:30
Monday – Thursday: 2:50, 5:00, 7:15

EMPEROR (PG-13) 1 Hrs 46 Min.
Friday, Saturday, Sunday: 12:40, 2:50, 5:10, 7:30, 9:40
Monday – Thursday: 2:50, 5:10, 7:30

COMING SOON:
As always, all dates are tentative. Many of these dates will change.
In some rare cases, titles may disappear.
March 15 – WEST OF MEMPHIS

March 22 – STOKER

March 29 – THE GATEKEEPERS

April 5 – ON THE ROAD

April 12 – NO

April ? – A PLACE BEYOND THE PINES

April 26 – STARBUCK

May ? – TO THE WONDER

Meet Our Gal, ‘Juicy Lucy,’ at Romer’s Bar & Grill

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Romer’s – Much More than Beer-thirty

Food Adventures found another locally owned place, you gotta try.  It is watering hole called Romer’s Bar and Grill, located at 4439 East Franklin Street in Bellbrook, near Wilmington Pike.  When you think of bars, you don’t normally think of homemade food.   That is where Romer’s beats the stereotype, because most things here are homemade.  The atmosphere is hopping and usually loud.  We have been to Romer’s for happy hour drinks, benefit concerts, and Thursday trivia nights.  But, our favorite is visiting during non-peak hours and just having some good food.  During our latest visit, owner Greg Romer came out from the kitchen to tell us he is a Food Adventure fan!  He also explained that many of the dressings, food items and sauces are made in the kitchen from scratch.  Greg grinds the hamburger meat himself and personally shaves thin slices from roasted beef to make their specialty sandwiches.  So which homemade items make us smile?  Here is a breakdown of Romer’s best from your favorite Dayton Foodies.

Romer’s Bar and Grill first made an impact on us at the Chicken Wing Festival at Fraze Pavillion, two years ago.   If you like wings, you gotta try Romer’s.  We would suggest the “Asian Persuasion” wing flavor.   Appropriately named, the sauce is made in-house and delivers a sweet thai pepper taste with a light touch of heat.  The wings here are crunchy and cooked just right.  We also recommend the hot bbq sauce and the dry rub option.  The wings are available breaded, but we prefer them naked… who doesn’t?

Hand Breaded Jalapeno Poppers

We digress into another inappropriate topic when we talk about Turkey Balls.  They are not what you think.  Food Adventurers recognize this interesting name as a homemade appetizer at Romer’s.  We tried these delicious appetizers which are pretty much “Thanksgiving dinner rolled into a ball.”   The turkey balls are made with dressing, mashed potatoes and of course turkey.  The mixture is rolled into a ball the size of a large meatball, and is coated with panko crumbs.  The turkey balls are then pan fried, and covered with a light brown turkey gravy.   As we sliced the turkey balls, steam rose and we fought over the turkey gravy for dipping rights.  These heavy appetizers are perfect for sharing, and are as addicting as Saturday Night Live’s “Schweddie” skit brand name.

Looking for something a little more spicy?  Romer’s  hand breads their own Homemade Jalepeno Poppers.  What other restaurant in the Dayton area does that?  The heavy breading and spicy insides make this a good choice if you are hungry and want to heat things up.  Another fantastic appetizer that is the Big Ragu’s favorite is the Memphis Fried Pickles.  Hand cut into chip like slices, then hand breaded, these pickles are served with a dipping sauce.  They are a very addicting, yet very filling appetizer that you have to try.

The Beef N Cheddar – Slow Roasted Beef, Sliced in-house

There is no doubt of what the specialty is at Romer’s.   It is homemade, slow-roasted, beef sandwiches.  There are three of these special sandwiches, and they are “must eats.”   Chef House is our resident expert on shaved beef , and her favorite is the Beef N Cheddar.    This sandwich is made sliced to order, so it is fresh and delicious.  Romer’s also does it right.  They top it with cheddar cheese sauce.  The experts in Philadelphia do it this way, and so does Romer’s Bar and Grill.   The sandwich is served on Sour Dough bread and is simply magnificent.  The beef is delicate and moist.  The sandwich will fill you up and is a great meal deal at under 8 bucks.  Most get a side of saratoga chips, but we suggest the waffle fries with these sandwiches.  You won’t be disappointed.

Inside a ‘Juicy Lucy’ Burger

Continuing with our favorite things at Romer’s, we dive into the topic of  Burgers.  All the burgers are ground in-house to ensure great taste.  What burger is best?  Sure, you can build your own burger or chicken breast sandwich with toppings, cheese and sauce.  But wouldn’t you rather  step it up to the big leagues?  Then order a burger at Romer’s that will knock your socks off,  the Minnesota Juicy Lucy.  Owner Greg Romer developed this after seeing a similar sandwich on a food show.  The Juicy Lucy is a 1/2 pound burger stuffed with provolone, pepperoni and jalapenos.  The result is a tasty burger that oozes cheese with every bite from inside the burger.  This is a true Food Adventure item for taste and uniqueness, which is what Hungry Jax, Chef House and the Big Ragu are all about.   Make sure you grab a Juicy Lucy.

We do have one tip on what not to grab.  Don’t grab a seat by the door to the smoking patio.  Since Romer’s gets busy, many people come in and out of that door to smoke.   Take advantage of their selection of beers on draught, but don’t sit by the patio door unless you want a wind draft.   Be forewarned the place gets noisy during peak hours.  It is a fun atmosphere, but if you want quiet conversation, hit this place during slow times like early lunch hours.

There are many other good menu items we like at Romer’s that are worth mentioning.  The Reuben is good, how could it not be with the slow roasted touch?  They also have good thin crust pizzas.  They are a popular with kids and a good value at $11 for a large cheese pizza.  Even with our many trips to Romer’s we have not completely tapped the constantly evolving menu.   Currently they are featuring a Lenten menu insert and feature a fish fry on Friday’s with thick, pub style battered fish.  Romer’s Bar and Grill is yet another locally owned  gem, that many people may not have heard about.  Take the time to stop in, and visit the friendly staff like Lanette, who is our favorite server.  Next time you are hungry, tell your friends you want to grab some turkey balls and see your friends Reuben and Juicy Lucy!

Have you been to Romer’s Bar and Grill?  Please comment below on your experiences with their unique menu.

The Food Adventure Crew says “like” us on Facebook, but love us in your hearts by clicking here !

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OZ + Dead Man Down + Walking Dead

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Hello Dayton!   There are plenty of options for everyone to have the perfect movie weekend this week.  Lots of things happening at your local Rave Cinemas!

 

Opening This Week

 

PALEYFEST: THE WALKING DEAD – 03/07/13 @ 8pm!

On March 7th, the stars of TV’s edge-of-your-seat drama “The Walking Dead” are coming to select movie theaters nationwide to kick off the ultimate ♥TV fan festival – PaleyFest. Captured live from the Saban Theatre in Beverly Hills, CA on Friday, March 1, this one-night event provides the unique opportunity to join the incredible cast as they screen exclusive never-before-seen footage and take part in a no-holds-barred Q&A.

 

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OZ: THE GREAT AND POWERFUL – OPENS 03/07/13 @ 9pm!

Disney’s fantastical adventure “Oz The Great and  Powerful,” directed by Sam Raimi, imagines the origins of L. Frank Baum’s  beloved character, the Wizard of Oz. When Oscar Diggs (James Franco), a  small-time circus magician with dubious ethics, is hurled away from dusty Kansas  to the vibrant Land of Oz, he thinks he’s hit the jackpot–fame and fortune are  his for the taking–that is until he meets three witches, Theodora (Mila Kunis),  Evanora (Rachel Weisz) and Glinda (Michelle Williams), who are not convinced he  is the great wizard everyone’s been expecting. Reluctantly drawn into the epic  problems facing the Land of Oz and its inhabitants, Oscar must find out who is  good and who is evil before it is too late. Putting his magical arts to use  through illusion, ingenuity–and even a bit of wizardry–Oscar transforms  himself not only into the great and powerful Wizard of Oz but into a better man  as well.

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DEAD MAN DOWN – OPENS 03/07/13 @ 10pm!

“Dead Man Down” is an action thriller that stars  Colin Farrell and Noomi Rapace as two strangers whose mutual desire for revenge  draws them together and triggers an escalating trail of mayhem. The film, which  also stars Academy Award-nominee Terrence Howard and Dominic Cooper, marks the  American theatrical debut of director Niels Arden Oplev (the original “The Girl  with the Dragon Tattoo”).

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RAVE CINEMA CLASSICS – $3 + FREE popcorn & drink! @ Dayton South

03/11/13 @ 1pm brings us…

TARAS BULBA, 1962, 122min

A “Romeo and Juliet” story that takes place in the late 16c. Ukraine. Taras has settled into comfortable farm life after years of adventures and swashbuckling with his cossack companions. Though not wealthy, he is able to send his son An-drei away to a Polish school. At this time the Poles are overlords of Ukraine and the origin of the cossacks is struggle of the Ukrainian serfs to free themselves and their land of Polish domination. Toward this end Taras hopes that his son will be educated in the ways of the enemy. Instead, Andrei falls in love with the daughter of a Polish nobleman, setting the stage for a clash between love, family honor, and a struggle for national identity. Tony Curtis, Yul Brynner

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For showtimes…CLICK HERE!

Want a chance to win a pair of movie passes to Rave Cinema Dayton South?

Just share our Oz: The Great and Powerful Facebook picture for a chance to win – we’ll announce a winner on 3/8 at noon – good luck!

Cityfolk Photo Show: The People of the Mosaic City

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The One and the Many

The One and the Many

Here comes SPRING (as we all give a collective sigh of relief!) With spring will come new opportunities, fresh energy and artful vision. Cityfolk recommends that you use all of the above by sharing your photographic skills in a new community photo show!

That’s right! Cityfolk Photo Show: The People of the Mosaic City – is a call to local photographers of all ages to submit images for consideration on the theme of Mosaic City; that is: our Dayton as a place where diversity is celebrated!

Photos will be accepted in five categories: Black & White, Color, Youth (ages 15 -18), Student (ages 19 and up) and professional. The application fee is $25 for up to three images on the theme in any category. Applications for submission are available at Cityfolk.org!! Materials are due by March 25th!

Images must be submitted electronically for the jury process. Each category will honor three distinctive submissions, 1st, 2nd and 3rd place. Winners will receive complimentary tickets to three (3) Cityfolk concerts of their choice. Additionally, First place winners will receive a cash prize.

Once winners have been selected in each category, photographers will be asked to deliver chosen works, mounted and ready for installation. These pieces will be exhibited in the Oregon District and other urban locations, opening on Urban Nights, May 10th. They will be displayed through June, moving to an exhibit location at the Cityfolk Festival, June 28-30. All photos will be for sale throughout the exhibit. Pieces not sold should be picked up by 3:00pm on July 3rd.

Cityfolk’s Culture Builds Community is in the midst of a full year photo project, including photo mosaic banners of children from last year’s Cityfolk Festival, mounted on buildings downtown this fall, a lobby show for the Free Spirits project at Sinclair and a downtown photo show, window clings, going into spring with the work of Glenna Jennings, UD Visual Arts. Now we open the creative process to the community at large.

Show us your perspective of this Mosaic City!

Cityfolk strives to bring our three major mission points together: education & outreach (CBC), our concert series and the summer festival, serving the community with pride, honoring each individual culture as well as what we are together! Cityfolk Photo Show promotes a way of seeing this community: how many unique pieces come together to make a beautiful whole!!

Mosaic City = Dayton = us

McDonald’s Fish McBites – Prize Packs Giveaway

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It’s no coincidence that McDonald’s has picked Lent to introduce their newest seafood item.  These little round popable bites of Alaskan pollock fried up in a crispy, crunchy batter.

Available through March 2013 in Miami Valley area restaurants, we’re told they are responsibly-sourced from a Marine Stewardship Council (MSC) certified sustainable fishery.

Available in three sizes, the snack size is 3 ounces or about 10 pieces, the regular which is 5 ounces comes in at 370 calories and the Sharable size which is 10 ounces or about 30 pieces.  There is also a Happy Meal option,  “we want to help introduce fish to the pallets of our youngest guests and offer parents an option they can feel good about serving their kids,” said Dan Coudreaut, Senior Director of Culinary Innovation, McDonald’s USA.   The packaging has also been carefully considered and they will actually fit in your car’s cupholder and the carton even holds the dipping sauce.

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Nutrition information for all sizes of McBites can be found here; the snack and regular sizes are part of the Favorites  Under 400menu (snack has 250 calories, regular has 370 calories). The Happy Meal nutrition information is here, too.

Want to try some Fish McBites? We’ve got four awesome  McBite Prize Packs to give away, courtesy of McDonald’s of the Miami Valley Co-Op.   Just like this post, share it and fill out the form below.  We’ll post the winner on Friday on our DaytonDining facebook page.

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Ultimate Craft Beer Extravaganza and Cityfolk at the Dayton Convention Center + TICKET CONTEST

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642733710dc0ebfe07e73c55cd4b9930Cityfolk and B&G Events present the Ultimate Craft Beer Extravaganza at the Dayton Convention Center March 8th & 9th. Come experience one of the Premier ‘Consumer-Judged’ tasting events of the year! There will be Unlimited Samples of over 350 different Craft Beers representing over 100 different breweries. The Consumers will be rating the selections while enjoying great live Blues/Rock bands provided by Cityfolk and a food voucher is included in this event. Don’t miss this, it’s going to be an amazing Craft Beer experience supporting Cityfolk!

B&G Events main focus is to provide the most amazing and memorable experience to Craft Beer Lovers around the world along with supporting and promoting overall growth to the Craft Beer Industry.

Each of the sessions are 2.5 hours in duration. However, VIP ticket holders are permitted to enter the events one hour prior to the normal start time to maximize their opportunities in sampling as many selections available to them. All attendees are given a souvenir mini beer mug allowing them to enjoy an UNLIMITED AMOUNT of 1 ounce sample servings. To top it off – a voting system is in place and attendees are encouraged to take the opportunity to rate each of the selections that they sample. There’s no better way to get everyone involved in choosing Craft Beer’s True Winning Flavors! All event tickets include a food voucher to be redeemed at the on-site concessions provided by the specific Venue Catering Service. Discounted event tickets will be offered to those attending as a ‘Designated Driver’ along with an additional voucher amount given for complimentary non-alcoholic beverages in appreciation for their efforts.

For more information and tickets go to http://www.ultimatecraftbeerextravaganza.com

Dayton Most Metro Ticket Contest

Dayton Most Metro has TWO PAIRS OF VIP TICKETS to give away – simply fill out the form below AND leave a comment below saying that YOU want to win tickets to the Ultimate Craft Beer Extravaganza from Dayton Most Metro. PLUS DOUBLE YOUR CHANCES by going to our Facebook page and sharing our beer image. We’ll draw two random winners on Thursday 3/7 – GOOD LUCK!

Family Matters – The Addams Family musical scares up laughs at the Schuster

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Addams Family - OriginalThey say you can never go home again, but that’s not always true. From March 5 – 10, people in the Dayton area can return to one of everyone’s favorite childhood haunts, Addams Manor, as the hit Broadway musical The Addams Family takes up residence at the Schuster Center. And whether you grew up with their New Yorker cartoons, the original 1960s sitcom, the ‘90s films, or any of the various animated and live-action spinoffs over the decades, you know that once you’ve met these characters, they’re always a part of you.

A beloved staple of American pop culture, the Addams Family has walked among us for 75 years, tracing back to their first appearance — unnamed but looking essentially as we know them today — in The New Yorker as drawn by cartoonist Charles Addams. The artist was best known for his one-panel illustrations in the famed magazine; frequently accompanied by a devastatingly witty one-liner, the humor in his work tended toward jet-black macabre. The familiar Family characters populated a total of 150 single panel cartoons, and approximately half of them were published in the 50 years between their debut and the artist’s death in 1988.

In 1964, ABC debuted (the same week as CBS’ similarly freaky The Munsters, no less) a sitcom based on the characters, which gave them names and fleshed out their lives and connections. Though it only ran for two seasons (ending, also, the same week as The Munsters in 1966), it remained a cult hit that rose from the grave again and again. There was the failed 1973 pilot for
The Addams Family Fun-House, a musical comedy variety show(?!) with Jack Riley and Liz Torres as Gomez and Morticia, comedian Stubby Kaye as Fester, and Butch Patrick (Eddie Munster!) as Pugsley. There was an animated appearance on an episode of The New Scooby Doo Movies, with most of the original series cast voicing the characters…which led to a 1973-75 Saturday morning cartoon produced by Hanna-Barbera. Oddly enough, this show featured the family cruising the country in a Victorian mansion-type RV — oh, and eight-year-old Jodie Foster voicing Pugsley. In ‘77, the live-action series cast reunited for a (dreadful) TV-movie, Halloween with the New Addams Family.

The casts of the 1966 TV series and the 1991 film

The casts of the 1966 TV series and the 1991 film

And then, they returned to the A-list. Paramount’s 1991 big-screen take on the characters was a smash hit and introduced the characters to a new generation. Helmed by the late Raul Julia’s gleefully madcap Gomez and Academy Award winner Anjelica Huston’s seductively steely Morticia, the movie spun off another Saturday morning cartoon and a popular sequel, Addams Family Values, as well as launching the career of Christina Ricci, who played Wednesday.

Broadway beckoned, and after more than three years of development, The Addams Family slithered onto the stage in April 2010 with the picture-perfect casting of Tony and Emmy winners Nathan Lane and Bebe Neuwirth heading the cast. It was a success, running for 725 performances and snagging two Tony nominations (Best Score, and Best Featured Actor in a Musical for Kevin Chamberlin as Fester) and eight Drama Desk nods. (Interesting piece of trivia: Cassandra “Elvira” Peterson was in talks to take over the role of Morticia when the show closed.) Now, touring productions of the musical are planned for almost every continent.

In the musical, we meet the family at a time of great conflict. This premise will be familiar to anyone who’s seen La Cage Aux Folles, also known as The Birdcage: 18-year-old Wednesday invites her boyfriend to dinner to meet her folks. Unfortunately, he’s also bringing his folks, who happen to be a couple of bland, uptight buzzkills from — of course — Ohio. She begs her family to act “normal,” a word which, of course, carries a somewhat different meaning to the Addamses…

The show, written by Marshall Brickman and Rick Elice (Jersey Boys) with music by Andrew Lippa (The Wild Party), has been significantly reworked for the tour version, which differs a good bit from the original Broadway incarnation. Four-time Tony winner Jerry Zaks guided an extensive revision that cut three songs, added three new ones, and restructured two others. Storylines were changed and rebuilt as well, including some major changes that removed a plot twist involving the family’s giant pet squid. The effort paid off, fashioning a tighter, fast-moving, more character-driven show that places Gomez and Morticia front and center and ties everything together in a more organic fashion.

Shaun Rice as Uncle Fester

Shaun Rice as Uncle Fester

The jovial Uncle Fester is our guide for the evening’s events, which provide plenty of the expected laughs and romance while also showing off these classic characters in ways we’ve never seen before. Happy-go-lucky Gomez seems to ruin everything he touches and can’t please anyone. Eternal beauty Morticia, approaching middle age, fears growing older, and the two find themselves having their first marital spat and staring into a half-empty nest as their firstborn prepares to take flight. We see Wednesday as an adult with her well-known independent streak now influenced by the realization that the real world and the world she grew up in are two very different things. Pugsley is afraid that if he loses his sister, there’ll be no one to torture him anymore. And, perhaps most touching of all, this incarnation of Fester is almost childlike in his innocence and unconditional love.

It works, and it makes for a terrific evening of theatre. The script is packed with huge belly laughs and so many throwaway gags that by the time you finish laughing at one, you’ve likely missed two more. The in-law characters have depth and humor (Blair Anderson as Alice is particularly dynamite in her showcase number). Jennifer Fogarty’s deadpan delivery and incredibly strong voice make Wednesday a real standout. And Amanda Bruton nearly steals the whole show as Grandma, played like a salty, funky, ancient hippie just old enough to not care what comes out of her mouth. Jesse Sharp as Gomez drives the proceedings with boundless energy and zest, bringing the house down with his mindless comedic rants and witty asides. He and Bruton easily score the biggest and longest laughs of the evening, while Shaun Rice’s joyous, soulful Fester unexpectedly forms the heart of the show.

“He’s a little different from how we’ve seen him in the movies and the TV show,” said Rice. “He’s more similar to the original comics. He’s very sweet and is kind of the narrator of the show. Each character has their own sort of musical style in terms of the songs they do, and he has this kind of old-timey, song-and-dance, vaudeville style. There’s a wonderful song in Act Two where Fester sort of interrupts the action to tell us about the love of his life that really shows him at his best.”

Rice started out doing theatre in the Tampa Bay area at a very young age, then began directing before enrolling in the American Academy of Dramatic Arts in New York. And this isn’t his first experience bringing a treasured ‘60s sitcom to the stage: Rice put in some time playing Jonas “The Skipper” Grumby in Gilligan’s Island: The Musical back in the ‘80s.

“This show has been my proudest achievement so far,” he said. “It’s been fantastic. The Addams Family is so iconic. I grew up watching the Hanna-Barbera cartoon, and of course, I saw the movies as an adult, and it’s just a dream come true to be part of such an iconic thing in pop culture. These characters are so simple and silly in some ways, but they’re also more than that because they represent that part of us that never quite fit in. Everyone loves this family. When certain characters show up, the audience just goes nuts for them, and we don’t have to spend a lot of time laying groundwork or explaining who we are. The minute we walk out onstage, you know where you are and who you’re with, and you can really feel how excited and comfortable the audience is being with these characters again. It’s so much fun.”

Actor Jesse Sharp as Gomez

Actor Jesse Sharp as Gomez

“People just eat it up,” said Jesse Sharp, who plays Gomez. “I’ve been on a couple of Broadway tours before and never had audiences react to a show the way they do here. I like that it’s a very sweet family show, but it’s also a comedy. People can expect to have an easy, good time.”

Frazier Park, California native Sharp studied acting at UCLA while performing sketch and improv comedy before relocating to New York to pursue musical theatre and eventually landing in classical theatre doing the Shakespeare festival circuit. His pet creation, the raucous Hamlet Project (“basically a drinking game version of Hamlet we do in bars”) caught on big enough in L.A. that it now has a spinoff version in Chicago and is continuing to expand.

And in the meantime, he’s spending the next year and a half traveling the U.S., Canada, and Asia with the world’s favorite ghoulish gaggle.

“I’ve played a lot of best friends and funny sidekicks during my career, so playing Gomez has been a real highlight. Our tour is still just getting started. It’s still early on for us, and down the line, we’re heading to a part of the world I’ve never been to, and we just go onstage and have fun every night. I’m incredibly excited.”

The Addams Family runs March 5 – 10 at the Schuster Center. Tickets are $40 – $96. For military and student and more information, visit http://www.victoriatheatre.com/shows/the-addams-family/ or call (937) 228-3630.

Chasing the Green Fairy

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Mr. Brian Petro is a designer, educator, mixologist and bon vivant.  His quest for knowledge never stops and he loves to share what he learns with others.  Today in honor of National Absinthe Day, we rerun this post where Brian researches the green liquid.

imgres-5It was not too long ago that the only absinthe in the United States was smuggled in. You had to know the right people to get a taste of a cocktail that was cloudy, aromatic, and a little bitter. Sure, there were some legal, poor substitutes, but there ain’t nothing like the real thing. The legal state of absinthe was not the only draw; the possibility of not only getting a good buzz, but the possibility of hallucinating also attracted the curious and adventurous.

One of the allures of absinthe, or la fée verte (the green fairy in French), is the mystery that surrounds the drink. In the late 19th century, it was a drink that was enjoyed across the European continent. Kings enjoyed it as much as the working class, which lead to a peak consumption of 36 million liters in France alone. It was so popular that they did not just have a happy hour; they had l’heure verte (the Green Hour). Some of the most creative people of the day were known to be avid absinthe drinkers, like Van Gogh, Gaugin, Oscar Wilde, and later Ernest Hemingway, who made his own drink with it (1 oz. of absinthe in a champagne glass, topped with champagne. He called it Death in the Afternoon). It was also such an interesting emerald color. And when you added the water, it took on a cloudier, softer complexion.

But rumors started to swirl that drinking absinthe caused hallucinations, possibly drove you insane (Van Gogh cutting his ear off didn’t help), or even kill you. They were spread not only by proponents of the growing temperance movement, but by bitter wine growers and merchants that were losing huge amounts of sales to the green liquid. And many of those artists who loved the liberating effects of the drink painted images of listless patrons being enveloped by green demons, or seduced by misty jade ladies. Eventually the universally loved beverage became a universally banned beverage, and with all of its “dangers” it stayed banned in most places for over 80 years.

What absinthe is is much less racy. It is a distilled spirit made with a blend of herbs that is fairly unique to each brand, and adds the green tint it is known for. Anise and fennel are common to all brands, giving the drink a distinctive black licorice flavor. There is also a subtle hint of bitterness on the end from the major culprit to the hallucination myth – grande wormwood. Wormwood contains a chemical called thujone, which in large enough quantities can cause hallucinations. Large quantities which will not be found in just a few glasses. Absinthe also runs at a higher proof than your average liquor, usually clocking in between 90 and 150.

In 2007, the United States allowed the production and importation of absinthe for the first time since 1912.st_15absinthe_f

If you are looking to try some, Salar does have it as part of their liquor collection, and you can also purchase several brands of it at Arrow Wine. And what does one order it in? Glad you asked…

 

The Absinthe Drip

1.5 oz. absinthe
3 – 5 oz. ice water, in a pitcher or carafe
Sugar cube (optional)
Absinthe spoon or other slotted spoon

Pour the absinthe in the bottom of a wine glass or water glass. There is also a specially crafted absinthe glass, but it is not commonly found. If you are using the sugar, place the spoon across the mouth of the glass and place the sugar cube on it. Pour the water over the sugar cube so it all dissolves into the absinthe. As the water hits the absinthe, it will louche (cloud up), releasing some of the more subtle flavors in the spirit. Stir the rest of the sugar into the drink and enjoy.

It is rare to find a cocktail that uses absinthe as a major ingredient. But since it is close to Mardi Gras, here is a traditional New Orleans cocktail that will make you feel like you are there for the celebration.

Sazerac

2 oz. rye whisky
3-4 dashes of Peychaud’s Bitters
1 tsp. of sugar
Splash of absinthe
Lemon twist

Prepare two glasses, chilling one glass with ice and water for the cocktail, one to mix the cocktail in. In your mixing glass, muddle the sugar and the bitters together. When it is well mixed, add the rye whisky and some ice, and chill the whole concoction. Pour the ice out of the second glass and add the splash of absinthe, swirling it around to coat the walls of the glass. Pour out the excess absinthe. Strain the rye mixture into the coated glass, Twist the lemon peel over the glass, and drop the peel into the drink or discard it.

ON STAGE DAYTON REVIEW: Little Shop of Horrors (Playhouse South)

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Cari Meixner and Desmond Thomas

Cari Meixner and Desmond Thomas in Little Shop of Horrors (Photo by Rob Breving)

Terrific vocalists Desmond Thomas and Cari Meixner are the absolutely delightful beacons of Playhouse South’s decent “Little Shop of Horrors,” set in the 1950s on Skid Row and written in 1982 by composer Alan Menken and lyricist-librettist Howard Ashman based on the 1960 film of the same name.

Under the direction of Jenni Cypher, Thomas, a nice case for non-traditional casting, and Meixner, so kind and touching, were born to play ill-fated lovebirds Seymour and Audrey, florist shop co-workers whose affection for each other grows as big as the infamously blood-thirsty plant Audrey II (amusingly voiced by music director Jim Brown and operated by set designer Kurt Cypher) that ultimately comes between them. By the team this special duo reaches their truly sincere rendition of “Suddenly Seymour” you’ll wish Ashman created a different outcome. Individually, the open, honest Thomas doesn’t lose one ounce of tenderness as he copes with the problems and popularity that comes his way on his quest for revenge. He makes it clear that Seymour’s seedy actions are simply out of overwhelming concern for his beloved, battered Audrey, sentiments beautifully upheld in Thomas’ pleasantly pensive solo within “The Meek Shall Inherit.” He’s also great at the outset, notably fueling the powerful, spine-tingling “Skid Row (Downtown)” with meaningful urgency. Meixner primarily makes her mark musically, particularly delivering the gorgeous ballad “Somewhere That’s Green” with a sweet, music box delicacy that immediately grabs the heart.

Elsewhere, TC Schreier, in his best role to date, accents his personable portrayal of florist shop proprietor Mr. Mushnik with a comical shuffle. Zach King, an enjoyably twisted Orin Scrivello, wisely avoids the temptation to go over the top in “Dentist” and “Now (It’s Just the Gas).” Sarah-Grace Griswold (Ronette), Megan Rademacher (Crystal) and Erika Rogers (Chiffon) offer ample attitude but have a tendency to become pitchy and overly forceful in their R&B inflections. Angie Thacker and Jamal Cann offer humorous support in various roles.

The contributions of choreographer Mackensie Vonderbrink, costumer Maggie Carroll and lighting designer/technical director Jason Vogel are noteworthy. Conductor/keyboardist Brett Greenwood leads a small but steady four-piece orchestra.

“Little Shop of Horrors” continues through March 9 at the Clark Haines Theatre (Kettering Board of Education Building) 3750 Far Hills Ave., Kettering. Performances are Friday and Saturday at 8 p.m. Act One: 55 minutes; Act Two: 37 minutes. Tickets are $13 for adults, $11 for seniors and military and $8 students. Call 1-888-262-3792 or visit www.playhousesouth.org. The show contains adult language and themes.

ON STAGE DAYTON REVIEW: 100 Saints You Should Know (Dayton Theatre Guild)

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(l to r): Barbara Jorgensen, Maximillian Santucci, Alex Carmichal, Katrina Kittle, Corinne Engber in 100 Saints You Should Know (Photo by Craig Roberts)

(l to r): Barbara Jorgensen, Maximillian Santucci, Alex Carmichal, Katrina Kittle, Corinne Engber in 100 Saints You Should Know (Photo by Craig Roberts)

Kate Fodor’s darkly comedic 2007 character study “100 Saints You Should Know,” currently receiving a fine regional premiere at the Dayton Theatre Guild, brings faith, faithlessness and forgiveness to the forefront in an engaging and compelling fashion under the delicate direction of Ellen Finch.

Alex Carmichal, who left an indelible impression earlier this season as the titular villain of the Dayton Playhouse’s production of “Dracula,” brings understated potency to his excellently conflicted portrayal of Father Matthew McNally, the play’s centerpiece. Grappling with unmentionable desires that betray his duties, a predictable yet reasonable notion, Matthew leaves his parish without a game plan for the future, causing him to question his beliefs as never before while returning to his childhood home for refuge. The reason behind Matthew’s hurried, vague departure, involving the provocative artwork of George Platt Lynes, is reserved for late Act 1, but Carmichal’s astutely perplexing nature remains thoroughly intriguing, especially as Matthew finds solace in reading “Dark Night of the Soul” and comes to grips with the acknowledgement that his spirituality, his connection to God, is completely broken. Amiable cleaning woman and single mom Theresa (a first-rate, emotionally distressed Katrina Kittle) inquisitively looks to Matthew for answers to her burgeoning thoughts of religion, but Fodor primarily keeps their budding relationship and insightful faith discussions ambiguous, which some may find perturbing. After all, this lonely pair feels very bonded as lost souls in search of intimacy and purpose, elements heartwarmingly fueled by Carmichal and Kittle’s innate chemistry.

Kittle also establishes a wonderfully exasperating rapport with the sassy Corinne Engber as Abby, Theresa’s startlingly rebellious, foul-mouthed 16-year-old daughter who deeply resents her and their meager existence. Theresa and Abby’s bickering showdowns are off-putting (Abby is one of the nastiest characters to come along in years), but Kittle and Engber build to a heartfelt climax nonetheless as Abby particularly grows to understand the cost of being utterly mean-spirited for selfish gain. The cast also includes the very endearing Maximillian Santucci as the gawky, gullible Garrett, a sexually confused delivery boy ridiculed by Abby to devastating proportions, and the marvelously grounded Barbara Jorgensen as Matthew’s stern, caring, Scrabble-adoring Irish mother Coleen, who has difficulty grasping his sudden change of heart and the sheer importance of acceptance.

Marcia Nowik’s efficient set as well as Patrick Hayes’ appropriate costumes and believably bloodied makeup for Santucci are also significant as this impactful tale of inner fulfillment runs its surprisingly heartbreaking course.

“100 Saints You Should Know” continues through March 10 at the Dayton Theatre Guild, 430 Wayne Ave., Dayton. Performances are Friday at 8 p.m., Saturday at 5 p.m. and Sunday at 3 p.m. Act One: 60 minutes; Act Two: 45 minutes. Cost: $18 for adults, $16 for seniors and $11 for students. For tickets or more information, call (937) 278-5993 or visit online at www.daytontheatreguild.org. Also, in conjunction with the Dayton Visual Arts Center, the Guild will display the works of local artist C.A. Tiedemann in its lobby during the run of “100 Saints,” which contains mature subject matter.