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Archives for September 2017

Filmed In Ohio, Debuting at Toronto Film Festival

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About a year ago FilmDayton made a set visit with some City of Dayton workers down to  Loveland,  to observe the filming of Mercy.  Executive Producer Karri O’Reilly, who is also a board member of FilmDayton showed us around the set, including  the small bar they took over where Ellen Page was filming a scene, an alley where craft services had set up, around the block where the costume, make up and artist trailers where parked and so much more.  The purpose of that visit was to show firsthand the impact a film can have on the local economy.
Tonight that film, now titled My Days of Mercy, is the focus of a Gala at the Toronto International Film Festival.  The film stars Oscar nominee Ellen Page as Lucy, the daughter of a man on death row. She and her sister Martha (Amy Seimetz) are regular attendees at state executions across the Midwest, where they demonstrate in favor of abolishing the death penalty. At one such event, Lucy spots and eventually falls for Mercy (Kate Mara), daughter of a police officer whose partner was killed by a man about to receive a lethal injection. Mercy is there to celebrate justice served.

This is the fourth film made by NY production company Killer Films in Ohio.  “What initially brought us there was the state tax incentive,” said David Hinojosa, the company’s head of production and development. “It was very attractive.”  The Ohio Motion Picture Tax Credit provides a tax credit of 30 percent on production cast and crew wages plus other eligible in-state expenses.  Killer leveraged the Ohio tax program by hiring a majority of its production crew from the region instead of bringing workers from out of state.

 

O’Reilly explains that while the film was based in Cincinnati,  due to the geographic closeness of our cities, a film being made in the region is a win for FilmDayton.  Whether it’s hiring crew or using local vendors, the Dayton and Cincinnati markets often overlap and that helps the Miami Valley, which is just starting to establish its film commission.

 

When a film like Mercy debuts at a major festival, O’Reilly explains that “it means lots of good recognition” for Ohio.  Area films are repeatedly showing up at the major film festivals.  The Killing of a Sacred Deer starring Colin Farrell  and Nicole Kidman debuted at Canne this year.  In 2016 three Ohio films debuted at Sundance:  Goat (which O’Reilly co-produced), The Land and The Fits. 

 

These movies mean jobs and money for our region.  The Mercy spend was about $225,000 and the recent Robert Redford that shot for 2 days in downtown Dayton spent over $8000 with the City of Dayton for police services and parking, $7000 on hotel rooms at the UD Marriott, hired over 100 extras and had a crew of 75, used a local dry cleaner, bought late night pizzas from Marion’s Piazza and became repeat customers at Table 33.  Crew payroll added even more to the local spend.

 

FilmDayton works to bring these jobs to town that pay well, are mainly union positions which means  benefits and pensions for our local filmmakers.  “Being able to offer Wright State University motion picture students hands on experience in their chosen career field is a real benefit to the region,” shares FilmDayton’s Lisa Grigsby, “and and go along way to keeping young, talented filmmakers in our community.  We don’t receive any funds from the productions we work to bring to town, we depend on contributions, and sponsorships from those that understand the economic impact these productions have on our town.  You can help keep the spotlight on the Miami Valley by making a contribution, volunteering your house, office or property to be added to our location database or volunteering for FilmDayton.”

TIFF 2017 – Day #8

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Hello Everyone,

I’m starting to slow down.  A bit exhausted and a little sore (eyes, butt, etc.), it was time to scale back to four screenings today. Tomorrow will be my last day, and I’ll see even fewer because I have a big event on the books.  Dayton-based producer Karri O’Reilly (who has worked on numerous feature-length films around the world including BLUE CAR and CAROL) has a film premiering tomorrow night – MY DAYS OF MERCY (which shot in Cincinnati) – and she has invited me to be part of the festivities.  You’ll get all the latest before I head out of town on Saturday afternoon.

My first film for today was FILM STARS DON’T DIE IN LIVERPOOL, directed by Paul McGuigan.  Starring Annette Bening and Jamie Bell, this is the story of movie star Gloria Grahame and the last of her May-December romances.  At first, I found Bening’s accent and whispy delivery a little hard to take, but I eventually accepted it and fell for the chemistry of her and Jamie Bell (who is absolutely darling in this film).  The film has a jumpy structure, and I fear that some of our regulars (who prefer linear storylines) might get a little confused regarding the timeline.  Regardless, I think this is a film that could do well for us – especially if Bening gets an Oscar nomination.

MUDBOUND, directed by Dee Rees (PARIAH), was my second film of the day.  This film will get a very limited release (NYC and LA) and then go straight to streaming service on Netflix…which is too bad – because it works really well on a big screen.  That said, I think it will still be a big award contender this year.  With multiple protagonists/narrators, this is the story of two families in the deep South during World War II.  The racial tensions are heavy, and the stories are so well developed – a white family and a black family are trying to do the best they can for their families as they farm their land and try to encourage their children to excel.  This film, though set 80 years ago, is very timely…and it will break your heart.

DARKEST HOUR, directed by Joe Wright, has a lot of Oscar buzz for Gary Oldman playing Winston Churchill.  This is a film about the weeks leading up to Dunkirk…which has been a very popular theme this year (CHURCHILL, THEIR FINEST, DUNKIRK, and some television too).  This film is very polished and has some really wonderful moments, but I don’t completely agree with the Oscar buzz.  Is it a complete transformation?  Absolutely!  But I think his performance borders on camp – as some of his choices are very hammy and singsongy.  So I’m guessing I’ll be in the minority on this one.

MARROWBONE, directed by Sergio Sanchez (THE ORPHANAGE), was my final film of the day.  This ghost story/thriller is in the vein of THE OTHERS and SIXTH SENSE – but is clearly made for a more tweenage crowd.  It’s the story of a group of kids who lock themselves away from the world after the death of their mother.  With lovely photography and successful moments intended to make your jump, it works on a certain level…but the story too conveniently leaves out important plot points so it can reveal them later – which feels like cheating.  I also felt like some of the revelations were trite while others were genuinely fresh.

https://www.youtube.com/watch?v=1FaRYVCZZyo

Only one day of screenings left.  In some respects, those first movies I saw exactly a week ago seem so far away…but it also seems like I just got here yesterday.

I’m going to try and get a good night of sleep so I don’t scare people with bloodshot eyes tomorrow.

Thanks for reading,

Jonathan

TIFF 2017 – Day #7

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Hello Everyone,

Today was another day with 5 films…and it was an impressive day of films. That said, I’m not quite certain how/why I’m still standing.

LEAN ON PETE, the new film from Andrew Haigh (WEEKEND, 45 YEARS) was my first film of the day.  This is a touching story about a teenage boy who is mostly left to fend for himself – his mother abandoned the family and his father works a lot and is consumed with a new relationship.  While on a morning run, the boy stumbles across a race track stable and is taken with the idea of getting to know how to tend horses.  Lean on Pete is an older quarter horse with whom the boy becomes enamored, and a slow, eloquent, sad story follows.  This film won’t be for everyone…and though I didn’t like every turn it took, I ultimately think this film is a gem.  (there is no trailer yet for this film)

A FANTASTIC WOMAN, the second film in the festival directed by Sebastian Lelio, was my next film for the day. It is brilliant!  When her boyfriend wakes up not feeling well and dies due to complications of an aneurysm, Marina notifies the family…and trouble ensues.  Marina is a trans woman, and the family doesn’t want her to be a part of the man’s wake.  Sad and inspiring and with a couple fantastical moments, this movie will end up as one of my favorites of the festival.

PROFESSOR MARSTON AND THE WONDER WOMEN, directed by Angela Robinson, is the story of William Marston’s polyamorous relationship and the creation of the Wonder Woman comics.  The story focuses heavily on the controversy of the early days of the comic that included lesbianism and BDSM.  Though beautifully shot and containing some wonderful performances, there were some details that kept me from fully embracing this story.  The script seemed contrived and too easy at moments, and the framing device of a hearing with Child Study Association of America could easily have been a powerful scene instead of a recurring element that ultimately weakens as the film progresses.  This film will find an audience, but its rough edges will keep it from going too far.

FACES PLACES, the new documentary from Agnes Varda and JR, is a cinematic, magical gift. I adore so much of Varda’s work, and this film was just the warm and joyful and insightful film I needed.  If you have a chance to see it on the big screen, don’t miss it!  Check out the trailer below for a taste. (added note: JR was in Dayton several years ago with his mobile photo printing truck!  You might remember large scale photos pasted to the Dayton Art Institute and the former Chin’s building.)

LOVING PABLO, directed by Fernando Leon de Aranoa was my last film of the day.  This is the story of Colombian drug lord Pablo Escobar as told by one of his lovers – famed journalist Virginia Vallejo.  This engaging story has two great central performances from Javier Bardem and Penelope Cruz.  And though I was fully engaged and admired many of the filmmaker’s choices, I found some of it hard to take.  When rampant killing sprees are backed by celebratory-like rock music, it seems as though the filmmaker is elevating the crimes to “rock star” proportions.  Almost as though they should be admired (which doesn’t sit well for me).  Overall, I liked the film…but I doubt I’ll revisit it.

https://www.youtube.com/watch?v=NSDaVVqAm4o

Thanks so much for reading.  Only two days left for my festival experience.

More soon,

Jonathan

Dayton is America’s First Certified Welcoming City

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Dayton is the first city in the United States to earn the status of Certified Welcoming in recognition of inclusiveness and integration of immigrants. Dayton City Commissioners announced the certification this morning, while
acknowledging the accomplishments of Welcome Dayton, the immigrant friendly
initiative begun in 2011.
“We are proud of the recognition Dayton has earned as being the first Certified Welcoming city in the country. This recognition affirms to the country what we have known in Dayton–our community is a welcoming place for everyone who chooses to make Dayton home,” said Mayor Nan Whaley. Welcome Dayton successfully completed a rigorous certification process throughWelcoming America, a non-partisan, national non-profit organization.

 

Welcoming America evaluated local efforts to establish an inclusive community though government leadership, civic engagement, equitable access, education, economic development, and connected and safe communities.
“Since the inception of Welcome Dayton, Dayton has been a leader in the welcoming movement,” said City Commissioner Matt Joseph. “With the recognition as the first Certified Welcoming city, we are excited to continue to lead the country on creating more welcoming and inclusive cities that benefit all residents. We have received this recognition because everyone in the community has recognized that we all have a responsibility to make Dayton welcoming for everyone who makes Dayton home.”
Welcoming America launched the Certified Welcoming program in April 2017 to establish a formal designation for cities and counties that have taken action on their commitment to welcoming and met the high bar set by the Welcoming Standard. “Communities like Dayton offer an alternative to the divisive rhetoric around immigration and show how inclusion is good for our economy, neighborhoods and future,” added David Lubell, executive director of Welcoming America. “Certified Welcoming is the first of its kind initiative to identify the standard for other communities that want to follow this growing trend and show that they are welcoming not only in word, but in deed.”
Immigrants in Dayton have made significant contributions to its neighborhoods and the local economy. According to research published by the New American Economy, immigrants have contributed to reversing the city’s population decline and have preserved and created new jobs in the community. “We are thrilled that Dayton has been certified as the first welcoming community in the country by Welcoming America. This distinction provides further proof that the Welcome Dayton initiative has been impactful for our community, creating a climate that encourages the social and economic empowerment of all of our citizens. TheDayton Area Chamber of Commerce is dedicated to the continued growth and vibrancy of the Dayton region, and this recognition supports those efforts in a big way,” said Phillip L. Parker, President & CEO, Dayton Area Chamber of Commerce. The certification is for three years, after which Dayton will go through a recertification process to ensure it is continuing to meet the Welcoming Standard and has maintained its commitment to welcoming.

 

“Knowing Dayton is a Certified Welcoming city makes me excited to raise my family here. The certification demonstrates that the culture and diversity I bring to the community are not only valued but also considered when making decisions,” said Yonathan Kebede, Dayton resident and Welcome Dayton Committee member.

 

Welcoming America is a non-partisan, national nonprofit that leads a growing movement of inclusive communities becoming more prosperous by helping everyone know they belong. We provide a roadmap and support for places to reduce barriers to full participation and build bridges between immigrants and long-time residents through direct contact and dialogue. Welcoming America believes that all people, including immigrants and refugees, are valued contributors who are vital to our shared future.

 

Welcome Dayton is a community initiative administered by the City of Dayton Human Relations Council. Welcome Dayton promotes immigrant integration into the greater Dayton region by encouraging business and economic development; providing access to education, government, health and social services; ensuring
 equity in the justice system; and promoting an appreciation of arts and culture.

TIFF 2017 – Day #6

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Hello Everyone,

Today was a busy day.  I considered seeing 6 films, but I was backed up with NEON obligations (the weekly newsletter, emails, etc.), so I only saw 5…and then met a friend for a quick drink at a little gay industry soiree.  (I’m exhausted.)

My first film of the day was THE WIFE, directed Bjorn Runge and starring Glenn Close and Jonathan Pryce.  This film opens with a husband and wife preparing for bed and awaiting big news.  Within the first few minutes, we find out that he has just been awarded the Nobel Prize for Literature, and the couple are off to Stockholm to receive the award.  Close’s reactions seem supportive but with reservation.  It’s clear that something more is simmering under the surface.  Though well done, this film is pretty simple. The handful of flashback scenes almost do the film a disservice – as they aren’t particularly well done (and performances don’t live up to Close’s).  I think this film will find an audience, but its slow pace and somber tone will mean a limited reception.

I, TONYA, directed by Craig Gillespie, was my second film of the day.  This film is based on actual interviews about Tonya Harding and the assault of Nancy Kerrigan.  The film is a mix of colorful characters, and on the surface it seems like fun.  That said, there are moments when characters break the fourth wall…and those moments made me feel that they were making light of the domestic violence in the film – and that was hard to stomach.  Overall, it’s a good film with an absolute standout performance by one of Dayton’s own – Allison Janney (people are buzzing about a supporting Oscar nomination).  I think many people will love this film, but I have some major reservations.  The film made headlines a couple days ago when  it got picked up for distributional after a festival screening.

BPM (BEATS PER MINUTE), a narrative feature about ACT UP PARIS, directed by Robin Campillo, was my third film of the day.  This tender and engaging film about a group of activists during the height of the AIDS epidemic had me rather emotional.  There tactics were rather non-traditional and a bit aggressive, but they were clearly responsible for the government taking notice.  Though there are a couple narrative arcs in the story, it’s the one about the young couple (one positive and the other negative) that will break your heart.

A much-hyped film that made its premiere at Sundance – THE DISASTER ARTIST, directed by James Franco – was my next to last film of the day.  This film is about the making of THE ROOM – a film that is regarded as one of the worst films ever made.  Franco plays Tommy Wiseau – the director of the terrible film…and his brother James plays Greg Sister – Wiseau’s friend, co-star and collaborator.  This movie works without knowing anything about the film on which it is based…but it helps.  Franco’s performance seems so weird and out-of-control – but it’s truly based on a terribly odd man.  This film is destined for cult status – much like THE ROOM itself.

My final film of the day was a documentary called SCOTTY AND THE SECRET HISTORY OF HOLLYWOOD, directed by Matt Tyrnauer.  This is the story of a former Marine who opened a gas station in L.A. and catered to the sexual desires (either by himself or by finding and providing specific requests) of numerous Hollywood legends from the late 40’s to early 80’s.   Based in part on Scotty Bowers’ tell-all book about his time and clients at the gas station, this films starts off like a gossipy recount.  But then it turns into so much more.  Unapologetic and full of stories, Scotty is quite a character and the film is both hysterical and terribly sad.

I have 5 films slated for tomorrow, too.

Thanks for reading!

Jonathan

Last Call For Nibbles

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Construction of the new Watermark restaurant in downtown Miamisburg is wrapping up and soon they’ll open their doors to the public to serve.

 

Which means that this is the very last week you can dine in Nibbles intimate dining room.

They are still serving the amazingly popular Pork Belly Tacos, New England Shrimp Roll, Fried Green Tomatoes, and Sweet Corn Bisque!

Desserts include Tres Leches Cake, an Intense Dark Chocolate Ganache Torte, and the new (and insanely good) Kona Stout Ice Cream!

Nibbles serves dinner Wed – Sat from 5:00 – 10:00 pm and Chef Maria would like to invite you in for one last meal.

Nibbles  will continue to be the brand name for their catering services and at Watermark you can host private parties in the new PRIVATE ROOM.

You can view the dinner menu HERE.

 

TIFF 2017 – Day #5

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Hello NEON Friends,

Today was a long one.  I saw 4 films that had me buzzing to three different venues around town – so there wasn’t much time for food and other such nonsense.

First off was DISOBEDIENCE by director Sebastian Lelio.  This quietly stirring film from the UK stars Rachel Weisz and Rachel McAdams, and the story centers around a woman who is returning to her Orthodox Jewish home after the death of her father.  It’s immediately clear that she is now an outsider, but even more tension seems to exist between her and two old friends.  The way in which this film reveals itself is quite lovely, but I feel like the pace might be a bit too slow for many who might initially be attracted to casting alone.

Next up was UNICORN STORE – the feature-length directorial debut from Brie Larson.  Larson introduced the film and she is one of the most gracious and sincere artists I’ve encountered (she thanked the projectionists, the sound people and everyone behind the scenes).  Because her mother couldn’t attend the screening, she took a picture of the audience (and I captured this sweet moment below).  The film is about a young woman who doesn’t make it at art school and moves back in with her parents.  She suffers from a certain woman-child issues…still wanting everything sprinkled with glitter and painted with rainbows.  When she finally lands a job, she receives an invitation to come to a secret store where a man offers her the ability to buy a unicorn.  This film certainly had fans in the audience…and it is very competently done (cinematography is nice, editing is solid, etc.) – but the story is relatively hokey and I couldn’t buy into it.  The sentiment of continuing to believe in magic and resisting to fit the mold is sweet, but I just couldn’t help but think “grow up.”

THREE BILLBOARDS OUTSIDE EBBING, MISSOURI, the new film from Martin McDonagh (IN BRUGES) was my next film.  Frances McDormand is incredible in the rather rough film about a woman who is trying to get the police to get more involved in finding the person(s) who raped and murdered her daughter.  With a tone not unlike some Coen Brothers material, this script is excellent (though many of these unlikable Southern characters use language that really makes me wince) and I think audiences will really embrace this film.  McDonagh, McDormand and Sam Rockwell were in attendance, and the Q&A was superb.

My final film for the day was one of the best films I’ve seen so far – THE SHAPE OF WATER from director Guillermo del Toro.  This fairy tale for adults will almost certainly receive a lot of Award Recognition this year.  Set in the 60’s, the story follows a mute cleaning lady who stumbles upon a government secret – an underwater creature with whom she begins to feel an attachment.  This really wonderful film is almost of hybrid of CREATURE FROM THE BLACK LAGOON and AMELIE…a fantastical romance that is very much for adults.  There are a couple scenes in the movie that are set in an old cinema…and the setting was actually the the old theatre where I saw the film.  The crowd went nuts – it was a magical moment. Del Toro, Sally Hawkins Octavia Spencer, Richard Jenkins and Michael Shannon were all there for a Q&A that was incredibly special. Hawkins is sheer magic – and should certainly be nominated for her performance.

It ended up being a very late night, and I’ve got at least 5 films scheduled for tomorrow.

Thanks so much for reading,

Jonathan

Say Goodbye To Warped Wing Pints

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Beginning September 18th Warped Wing Brewing Co. will be transitioning all of their 16 oz. 4-pack can offerings to 12 oz. 6-packs. This will include all of their core beers, seasonal and limited edition runs. In addition, Warped Wing has purchased a versatile bottling line for special limited production offerings.

“We’ve put a lot of time and effort into the decision to transition to a 12 oz. can,” said Nick Bowman, Managing Partner & V.P. of Sales & Marketing. “Last year we engaged in a fairly extensive customer brand survey. What we learned from our customers was that even though they liked our 16 oz. canned beer offerings and thought they were unique, they ultimately prefer 12 oz. 6-pack portioning. This was a practical decision that also gave us the opportunity to evolve our brand look and feel. Consumers will see a slightly modified design of the cans. This new packaging decision also runs in parallel to a ramped up retail presence this Fall” said Bowman.

 

“In addition to the new cans, our new bottling line will be commissioned in November for our Bourbon Barrel Aged program as well as some of our limited beers. We will offer 2 different bottle sizes: 375 ml and 500 ml bottle size. We are very excited to add small batch bottle selections to our portfolio. It’s unimaginable the potential we will have to offer our customers” said Bowman.

 

John Haggerty, Warped Wing’s Managing Partner & Brewmaster is working with Dipran S.R.L., an Italian manufacturer of bottle fillers, to create a state-of–the-art bottle filling line that will cater to ever-changing customer tastes. “The bottling line has some unique features and flexibility” said Haggerty. “It gives us so much greater opportunity, versatility and capability” he said.

To help celebrate this transition with their customers, Warped Wing will be hosting a 12 oz. can party at the brewery on Thursday, September 21st in the taproom at 5PM. Core 12 oz. 6-packs as well as the latest Fall seasonal, CreepShow will be available for carryout and on tap. The initial rollout of the new cans to wholesale will start on Monday, September 18th.

 

The Scorching Truth on Mike’s Nashville Hot + $25 Gift Card

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Centerville Storefront

Whooo wheee! Your’e thighs are Hot!  Did you know you could say this sentence in a local restaurant, and the reply would be “Thank You?”

The place, is Mike’s Nashville Hot Chicken.  Like spicy or not, if you have not ben there, put it on your Food Adventure hit list.  Also, comment on the article below and you will be entered in the $25 gift card giveaway contest.  Winner chosen at random next week.

Owner Mike Craddick and General Manager Walter

The Dayton area has been overhearing screams of joy from hungry chicken fans lately.  In 2017, two “Nashville Hot” restaurants were opened up in the Miami Valley by local restaurateur, Mike Craddick.  One was opened on Austin Landing, the other in Centerville near 48 and N. Village Drive.  The result, is some quality food.  Mike’s Nashville Hot Chicken is a scratch kitchen, for almost every menu item, and the recipes are overseen by Walter the General Manager.

A Midwestern Medium Chicken Tender on bread

We have had a chance to make numerous visits to this establishment, trying

every single menu item.  The menu is not extensive, but each section serves a purpose.

Time to get the scoop on “Southern” the Food Adventure way ….

HERE’S THE SKINNY on MIKE’S NASHVILLE HOT CHICKEN:

— Two locally owned locations: one at 10655 Innovation Drive,

In the dining room , Centerville

Springboro and the other at 6228 Far Hills Ave. in Centerville.

—Hours are 11am-8pm for Centerville store, 11am-10pm for the Austin Landing Store
—The Austin Landing Store has a bar serving Warped Wing Beers.  Centerville store is waiting on a liquor license and currently serves Warped Wing’s Root Beer.  They also offer gallons of lemonade and gallons of tea.

Lots of Sides from Cornbread to Baked Beans

—Mike’s Nashville Hot does catering and will deliver for big orders of $75 or more.  Consider them for your next party or outing.

—Mike’s makes their own in-house BBQ sauce and sells it by the bottle.  Try some for a unique taste.  We think it almost has a bbq baked beans type flavor.

 — The chicken and fish come in 5 spice levels of heat using natural spices over a buttermilk, deep fried crust.  Here they are from hottest to coolest…

The flavors are HOT !

NASHVILLE HOT –
This will light you up ! Chef House loves spicy and admits this level is not for the squeamish !  This level had Big Ragu sneezing, sweating and torn up.
SOUTHERN HEAT –
Still very hot, it will satisfy most spicy food lovers easily.  The Big Ragu still needed plenty of napkins to wipe his brow, on this level.

Chicken and Waffles

MIDWEST MEDIUM –
A little kick, without the boom.  Good flavor for those who are medium heat fans.

YANKEE MILD –
For the wimpy Northerners who cant take the heat.  It is ok, this flavor is a litle buttery and delicious.  Don’t be ashamed, there still is a level down from this one.

TRADITIONAL – 

Crinkle Cut

This is just plain fried chicken. If you get it this way, may we suggest you ask for side of homemade BBQ sauce. It is fun to dip a little bit, and you will love the sauce.Now you know the heat levels, what about their menu?

Come on Food Adventure fans, here is our patented “Must Eats.”

Chicken and Waffles are a great deal at Mikes Nashville Hot

MUST EATS at MIKE’S NASHVILLE HOT CHICKEN:

—CHICKEN AND WAFFLES:
The best bang for your buck on the menu. You get 4 quarters of a Belgian waffle and choice of chicken. Will you go tenders or the quarter white or the quarter dark?

—THE CHICKEN TENDERS: 

The Nashville Hot Flavor Tenders are HOT !

Defintely the way to go. The buttermilk crust is amazing and crumbles right off. Hand breaded and hnd spiced, this chicken is one of a kind. Pick your het level and go to town.

—THE PERCH:
The Big Ragu says this is one of his favorites. He likes to mix it up every couple of visits by getting fish instead of chicken. You can also get a side piece of fish fair inexpensively.

Perch Filet

— BANANA PUDDING:
This is absolutely incredible and could steal the show. Walter the GM makes this pudding from scratch. Served cold and creamy, it is unforgettable.
—THREE WHOLE WING MEAL:
Love wings? Here’s the way to go. You get 3 giant, whole wings in your choice of sauce. We like to chose a couple of flavors on this meal.

3 Whole Wing Meal – 2 traditional and one Nashville hot

 

— DOROTHY LANE MARKET KILLER BROWNIES
How many restaurants give you the chance to order a huge DLM brownie? Not many, so take advantadge of this situation. It is a sinful end to a southern inspired meal.

Killer Brownie – a big one – the real thing

Honorable Mention:
The crinkle cut fries.  Literally the only thing not made from scratch on the menu, yet they are so good and we don’t know why. Huge sized crinkle cut fries, don’t skip them.

The key at Mike’s Nashville Hot Chicken, is to experiment and try different levels of heat or BBQ until you find your favorite. Cant choose? Mix it up with chicken or fish in different sauces. If you can stand the Nashville Hot heat, then you are big league. But there is no shame in no sauce or some BBQ as well. It is all crunchy and delicious anyway.

Sweet Potato Fries in cinnamon

Get your “Tennessee taste on”, we will see you at Mike’s Nashville Hot Chicken. Pass the napkins, feller!

PLEASE COMMENT ON THE STORY BELOW FOR A CHANCE TO WIN A $25 GIFT CARD to MIKES NASHVILLE HOT !!

Are you a Dayton foodie? So are we! Follow Food Adventures on Facebook for more scoop on mom and pop restaurants.

Perch dinner

Banana Pudding

Celebrate National PARK(ing) Day

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PARK(ing) Day is a annual open-source global event where citizens, artists and activists collaborate to temporarily transform metered parking spaces into “PARK(ing)” spaces: temporary public places. The project began in 2005 when Rebar, a San Francisco art and design studio, converted a single metered parking space into a temporary public park in downtown San Francisco. Since 2005, PARK(ing) Day has evolved into a global movement, with organizations and individuals (operating independently of Rebar but following an established set of guidelines) creating new forms of temporary public space in urban contexts around the world.

The mission of PARK(ing) Day is to call attention to the need for more urban open space, to generate critical debate around how public space is created and allocated, and to improve the quality of urban human habitat … at least until the meter runs out!

Check out these local pop up parks today:

Bike Miami Valley will host a park & bike parking at Boston Stoker (34 W 2nd St, Dayton, OH 45402)

AIA Dayton will host a park at Mudlick Tap House (135 E 2nd St, Dayton, OH 45402)

 

 

 

 

 

 

 

 

The Blue House will host an art studio in their park at DVAC (118 N Jefferson St, Dayton, OH 45402)

Cox Foundation donates $1 Million to Woodland Arboretum Foundation

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The James M. Cox Foundation Donates $1 Million to Woodland Cemetery and Arboretum’s Historic Chapel Restoration and Preservation Project

Woodland Cemetery and Arboretum announced that it has received a $1 million challenge grant from the James M. Cox Foundation. The grant is part of the organization’s capital campaign, which is raising funds for the restoration and preservation of three historic structures on the cemetery property. These 130-year old structures are listed on the National Register of Historic Places, and the cemetery, itself, is listed as a National Historic District by the U. S. Department of the Interior.

“We were more than thrilled when The James M. Cox Foundation offered us a challenge grant of $1 million toward our capital campaign,” said Tony Huffman, board member and campaign chair of Woodland Cemetery and Arboretum. “It was a unique opportunity and one that we were so happy to have received. This generous lead gift will allow us to begin, immediately, the process of restoration and preservation of the historic Woodland Chapel, Gates and Administration Building that were built in 1887.”

“Within six months, we exceeded the $1 million goal for matching, meeting the challenge terms of the grant” said Huffman.

The Cemetery board approved a multi-phase capital campaign; phase one is for $3.5 million and will ensure the complete restoration and preservation of the historic Chapel, front gates and administration building. The Chapel houses a one-of-a-kind Tiffany hand-cut tiled floor, seventeen Tiffany windows and painted Tiffany frescoes on the walls. The Chapel also has original woodwork cut and installed by the Barney and Smith Car Company from Dayton.

Sean O’Regan, president and CEO of Woodland, said, “Phase two of the capital campaign will allow the Cemetery to honor its commitment to preserve and promote the treasures and heritage of Woodland via an endowment for perpetual maintenance and care of 10 historical buildings on site.”

The James M. Cox Foundation has ties to Woodland Cemetery as the namesake of the Foundation is buried there. James M. Cox, three-term Governor of Ohio and 1920 Democratic candidate for President, is located just steps from other Dayton notables such as Col. Edward A. Deeds, Loren M. Berry, John H. Patterson, Charles F. Kettering and the Wright Brothers.

Cox Enterprises was founded in Dayton in 1898 when James M. Cox purchased the Dayton Evening News (now the Dayton Daily News). Through Cox Media Group, the company also operates WHIO Ch. 7, WHIO Radio News, 95.7 and AM 2910, K99.1 FM (WHKO) and 95.3 TheEagle (WZLR) in Dayton.

“Woodland Cemetery and its unique grounds are historically significant for Dayton,” said Rob Rohr, Cox Media Group Ohio’s market vice president. “Woodland is a place where we can celebrate the lives of people who made their mark on our community. The James M. Cox Foundation and Cox Media Group Ohio are proud to join other members of the community to protect and invest in Woodland Cemetery.”

“Woodland is such a unique place in Dayton,” said O’Regan, a transplant from Boston, “here you can enter a beautiful and serene environment in the heart of downtown, take a walk among a vibrant and long-established arboretum, explore an outdoor museum and learn the history of the men and women who invented many of today’s most modern innovations: powered flight, the electric car starter, the cash register and let’s not forget Cheez-its.”

The Woodland Arboretum Foundation continues to seek donations from the community and the families of those resting peacefully at Woodland Cemetery. “We are confident that the Dayton community will come together to save these important historic buildings that grace the entrance of our 175-year-old cemetery,” said Huffman.

More information about the cemetery and the campaign to restore the historic buildings and how to give your support for the project can be found at Woodland’s website at woodlandcemetery.org.

About Woodland Cemetery and Arboretum
Woodland Cemetery and Arboretum sits in the heart of downtown Dayton on over 200 verdant acres of rolling hills with over 3000 trees on the property. This historic cemetery, founded in 1841, welcomes thousands of visitors who tour the grounds each year to visit the grave sites of inventors of powered flight, Wilbur and Orville Wright; poet Paul Laurence Dunbar; Matilda and Levi Stanley, Queen and King of the Gypsies; writer Erma Bombeck; Gov. James M. Cox; inventor Charles F. Kettering; and entrepreneurs John H. Patterson (NCR); George P. Huffman (Huffy Bicycles); and George Mead (Mead Paper Co.).

About The James M. Cox Foundation
The James M. Cox Foundation is named in honor of Cox Enterprises’ founder and provides funding for capital campaigns and special projects in communities where the company operates. The Foundation concentrates its community support in several areas, including: conservation and environment; early childhood education; empowering families and individuals for success; and health.

For further information please contact: Angie Hoschouer, Woodland Arboretum Foundation, [email protected]; and/or Elizabeth Olmstead, James M. Cox Foundation, [email protected].

Volunteers needs for DAI’s Oktoberfest

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The Dayton Art Institute  really needs volunteers Oktoberfest!

It takes nearly 2,000 volunteers to support this museum fundraiser, and we need your help – please consider volunteering at Oktoberfest!  This is their largest and most important fundraising event of the year, with proceeds directly benefiting the museum. Many volunteer opportunities are available, including admission gates, the mugs & tees booth, soft drink booths, and assisting with the ACCO Brands FamilyFest.

Follow the link below to learn more about volunteer opportunities, they really need to fill a lot of Sunday shifts!  You’ll need to create a VolunteerHub account or login with your existing account to view available shifts.

All volunteers must be at least 15 years of age or older (21 years of age or older to work in beer or wine areas). Volunteers under 18 must have signed parental permission to volunteer at Oktoberfest.

‘Legendale’ Review – Human Race Theatre Company – Reality Bites

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The Human Race Theatre Company enters its 31st season with the American premiere of composer/librettist Andrea Daly and lyricist/librettist Jeff Bienstock’s charmingly relatable and delightfully tuneful musical Legendale, an original story of a disillusioned gamer escaping the monotony of the real world by embracing the exciting camaraderie of the virtual world.

Twentysomething IT manager Andy survives everyday boredom and stresses by playing the titular online role-playing game even at his thankless job at Magnets “n” More. After all, in Legendale, Andy is the master of his domain, calling the shots and attempting new levels and challenges. In fact, the thought of winning a new competition with the grand prize of a million dollars and the title “Lord of Legendale” has him poised for greatness. However, when saddled with competing as a milkmaid (all other avatars were taken) his hopes are quickly deflated. But along the way, and from an unlikely source, Andy discovers the value of perseverance and self-esteem as romance and adventure spark refreshing possibilities.

Daly and Bienstock jump-started Legendale in 2015 when the show was featured in the National Alliance for Musical Theatre’s Festival of New Works. Following a December 2016 workshop at the Human Race, it received its world premiere at Denmark’s Fredericia Teater. As it currently stands, the best attribute of the material, outside the realm of introducing musical theater to an untapped niche market, is its pop-infused if ballad-heavy score. Standouts include fantastic opener When We Play, introspective Dead Again, catchy anthem Lord of Legendale, striking duets Here and Now and Anticipation, and spirited Why Not Me? The score is splendidly orchestrated by Tony Award winner Bruce Coughlin (The Light in the Piazza, one of the most gorgeously orchestrated musicals of all time).

On the other hand, the book is underdeveloped. Andy is a likable focal point with palpable strife, but his scope is oddly limited. Whenever Andy is in Legendale, marvelously and inventively conceived by projection designer David Bengali (Dear Evan Hansen), the kookiness of the avatars and their situations only appeal for brief periods. As so, there needs to be additional investment in Andy and his backstory. Who is he? What makes him tick? What happened in his life pre-Legendale? He’s certainly more than a mere gamer and his journey should address matters greater than the fascination of online game culture. Perhaps the appearance of a Young Andy or Andy’s parents would better address any semblance of a past. Further, perhaps Andy shouldn’t live alone. It would be interesting to see his existence expand to include a roommate or an ex-girlfriend. Daly and Bienstock pepper their script with sound ideas recalling Dear Evan Hansen, She Loves Me, The Wizard of Oz, and Grey Gardens, but they’ve only begun to scratch the surface of millennials seeking connection in the digital age.

Nonetheless, off-Broadway director/choreographer John Simpkins, Head of Musical Theatre at Penn State University, brings Legendale forth with considerable style, skillfully contrasting the real and fantasy domains, particularly Legendale’s funny eccentricities. Simpkins’ entertaining, fully committed cast is also a plus. Max Crumm (Danny Zuko in Broadway’s 2007 Grease revival and Scott in the short-lived 2016 musical Disaster!) terrifically embodies the introverted, insecure and geeky Andy, conveying social detachment and the budding hope of relationship with endearing, nuanced finesse. Abby Church, perky and personable, engagingly captures the extremely specific vernacular and physicality of the Legendale universe as comical milkmaid-turned-fierce warrior Zelayna, Andy’s avatar and girl power sidekick. Rachel Flynn exudes lovely sensitivity as timid temp Beth, Andy’s co-worker who shares more in common with him than he initially realizes. Jesse Sharp, an exceptional Gomez Addams in the national tour of The Addams Family, supplies goofy charisma as grandstanding and devious Legendale creator Paul Jansen who particularly persuades Andy to join his tech-savvy team in Silicon Valley. (However, Jansen’s introductory number, I Make the Magic, could be cut.) Travis Mitchell is appropriately hardcore as Steve, Andy’s annoying boss. Nathan Robert Pecchia, Cody Westbrook and Colin Hodgkin, an excellently versatile trio connected to Wright State University, playfully appear in various roles from energetic gamers to freaky brain-craving zombie robots.

Scenic designer Michael Schweikardt’s efficient turntable in addition to a series of video and sliding panels propels the show’s cinematic fluidity, expertly heightened by John Rensel’s lighting design. Costumer Ayn Kaethchen Wood incorporates wardrobe from Denmark designers Anna Juul Holm and Lotte Blichfeldt, but her notable contemporary outfits are precisely true to character especially Andy’s casual attire and Jansen’s flashy pink jeans. Jay Brunner’s first-rate sound design, Heather Powell’s unique properties, and Gina Cerimele-Mechley’s vibrant fight choreography bolster Legendale’s fanciful aura. Music director Scot Woolley leads a remarkably solid and full-sounding seven-piece off-stage band.

Whether it’s the tale of a bachelor willing to give marriage a try or a group of outcasts demanding attention be paid, musicals about connection – to simply belong to someone or something or thriving to become somebody – will always have the power to resonate. “You’re alone. I’m part of a team,” Andy proclaims in a valiant moment of epiphany. “Opportunity is everywhere.” Like Legendale, Andy is still a work in progress, but it’s a pleasure watching him come to terms with the joys of being alive.

Legendale – A New Musical continues through Oct. 1 at the Loft Theatre of the Metropolitan Arts Center, 126 N. Main St., Dayton. Performances are Thursdays-Saturdays at 8 p.m., Tuesday and Wednesday at 7 p.m., and Sundays at 2 p.m. Act One: 70 minutes; Act Two: 55 minutes. Tickets are $17.50-$50. There are discounts for select side-area seats available for $12 and $25 for all performances. For group sales, contact Betty Gould at (937) 461-8295 or e-mail [email protected]. For tickets or more information, call (937) 228-3630 or visit www.humanracetheatre.org or ticketcenterstage.com. In addition, there will be Young Professionals Board Game Night Saturday, Sept. 16 at 5 p.m., and a post-show talk-back following the Sunday, Sept. 17 performance. For more information about the Young Professionals Board Game Night, visit the Human Race’s Facebook page at facebook.com/humanracetheatre.

 

 

Let’s Go Crazy For The Prince Experience

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Both a celebration of his music and a tribute to his untimely passing, The Prince Experience is a night filled with classic songs, super showmanship and the reminder of why The Purple One was so great.

Gabriel Sanchez re-creates the Prince look and sound to a tee, as the Purple Rain era is brought back to life with a full band and a costumed Morris Day and Jerome. Packed with hits like “Let’s Go Crazy,” “1999,” “Kiss” and “When Doves Cry,” this show will take you back to the heyday of the 1980s and get you in the purple spirit.